Category: Faculty of Art and Culture

Opening on 8.06 at 2:00 PM, in Narva
Exhibition open 8.06 – 22.06.2026

“A Breath” is an exhibition created as a school project by students of the Contemporary Art and Curatorial Studies programme at the Estonian Academy of Arts. It invites visitors to slow down and notice what often remains hidden between everyday moments.

The exhibition explores quiet moments of breath that arise both in solitude and in the company of others. These small pauses, often delicate and easily overlooked, carry reflection, intimacy, and a sense of shared presence. The project invites viewers to momentarily forget the turbulence and uncertainty of daily life and instead contemplate states of being, moments of silence, and quiet observation. Through works in various media, the exhibition creates a space where visitors can slow down and experience these fleeting yet meaningful moments.

At 2:30 PM, visitors are invited to enjoy an edible artwork by Mia Maria Rohumaa and Maria Wrang-Rasmussen. As Virginia Woolf wrote, “One cannot think well, love well, sleep well, if one has not dined well.”

You can take the 9:55 AM train departing from Tallinn.

Artists: Daria Morozova, Maria Wrang-Rasmussen, Mia Maria Rohumaa, Lotta Karoliina Räsänen, Kertu-Liisa Sarap
Curator: Karen Aasa

Opening on 8.06 at 2:00 PM, in Narva, Green Gallery 

TASE DAY on Saturday, June 6th:

1–9 pm TASE exhibition open
1–3 pm guided tours of the Faculty of Design, in Estonian
3–3.30pm guided tours of the Faculty of Art and Culture, in Estonian
3–6 pm burning ritual at Kail Timusk’s installation “Requiem Larium” on the sea terrace of the main building
3.45–4.30pm Jaak Juske’s historical tour around EKA, in Estonian
5 pm TASE Anima ’26 screening at the cinema Sõprus
7 pm TASE Anima ’26 Q&A in the lobby of the main building of the Estonian Academy of
Arts, moderated by Lyza Karoly Jarvis and Kaur Järve, in English

Keithy Kuuspu’s durational performance in the yard of Kotzebue 4

– “Indirect Performativity” on Wednesday, June 17 at 7 pm

Burning rituals at Kail Timusk’s installation “Requiem Larium” on the sea terrace of the main building of EKA

– Sat 6.06 at 3–6 pm
– Sun 14.06 at 4–7 pm
– Fri 19.06 at 1–4 pm

Margaret Tilk’s study club “Girls, In Theory”

Tuesday, June 9 at 6 pm at EKA Gallery, with pre-registration, in Estonian

GUIDED TOURS

All tours start in the lobby of the EKA main building and participation is free of charge.

Historical tour

Saturday, June 6 at 3.45–4.30 pm historical tour around EKA, led by Jaak Juske, in Estonian, donations are welcome

Guided tours of the Faculty of Architecture

– Thursday, June 11 at 2–3 pm guided tour of the Department of Interior Architecture led by Gregor Taul, in Estonian
– Thursday, June 11 at 3.30–5 pm guided tour of the Departments of Architecture and Urbanism led by Roland Reemaa, in Estonian
– Monday, June 15 at 5–6 pm guided tour of the Faculty of Architecture led by Sille Pihlak, in Estonian
– Tuesday, June 16 at 1–2 pm guided tour of the Department of Interior Architecture led by students of the faculty, in Estonian

Guided tours of the Faculty of Design

– Saturday, June 6 at 1–3 pm, guided tour by Kätlin Leokin and students of the faculty, in Estonian
– Sunday, June 14 at 1–3 pm, guided tour by Kätlin Leokin and students of the faculty, in Estonian

Guided tours of the Faculty of Arts and Culture

– Saturday, June 6 at 3–3.30 pm, guided tour by Valve Saarma, in Estonian
– Sunday, June 14 at 3–3.30 pm, guided tour by Valve Saarma, in Estonian

Guided tour of the Faculty of Fine Arts

– Sunday, June 14 at 4–5 pm, guided tour by Elo Vahtrik, in Estonian

More info at: https://tase.artun.ee/

The 2025/2026 academic year open lecture series will be held in collaboration with the Institute of Art History and Visual Culture and the Faculty of Architecture. The theme of this academic year is “Architecture and the Ethics of Care” and the lectures will be curated by KVI Senior Researcher Dr. Ingrid Ruudi.

On May 1that 6 pm Iulia Statica will give a lecture “Landscapes of care with wildflowers: Women, plants and domesticity in (post)socialist Romania”.

This research project examines the ways in which women’s domestic and ecological labour under state socialism reshaped urban landscapes in Romania, revealing care as an environmental and gendered spatial practice. It focuses on two semi-domestic spaces of housing blocks—balconies and urban courtyards—tracing how generational knowledge of plants and flowers enabled women to reimagine these spaces in ways that contradicted state planning and pronatalist regulation. Drawing on archival and ethnographic research, the talk explores the ways in which “care” was redefined within this repressive context, mediated in women’s everyday practices linking natality to landscape-making through the intimacies of what we might term “clandestine care”. The project experiments with multiple media, including installation, video and photography, to document and explore the multiple layers of these gendered networks of care.

Iulia Statica is Senior Lecturer at the School of Architecture and Landscape at the University of Sheffield, UK and the 2025/26 Mellon Fellow in Democracy and Landscape at Harvard University’s Dumbarton Oaks Institute in Washington DC. She previously held postdoctoral positions at The Bartlett School of Architecture, UCL, and Cornell University. Her research focuses on the legacies of socialist-built environments in Eastern Europe, particularly mass housing, and the gendered experiences of these spaces. Statica uses documentary film in her research; her film My Socialist Home premiered in her exhibition Archiving the Home in London in 2021. She is the author of Urban Phantasmagorias: Domesticity, Production, and the Politics of Modernity in Communist Bucharest.

The 2025/2026 academic year open lecture series is organised in collaboration between the Institute of Art History and Visual Culture and the Faculty of Architecture, and is connected to the research project Built environments of care from the late Socialist to post-Socialist Estonia (PSG 2025–2029).

The lecture series is supported by:

Previous open architecture lectures can be viewed at www.avatudloengud.ee

May 7-8, 2026 

Venue: Estonian Academy of Arts,  

Room A501 

The symposium aims to explore how references to the mythological underworld engender, maintain, and revitalize the politics of cultural and social critique in contemporary art of the past three decades (post 1991). The focus of the project is the representation and interpretation of chthonic elements, such as devils, spirits, witches and other beings – human or non-human –, associated with the underworld, the subterranean, the primal grounds of being in Baltic folklore and other cultural landscapes.  

The participants of the symposium will be exploring how the employment of these elements in contemporary art has contributed to the development of a new body of socio-political knowledge, including sensitivity, awareness, and insight into a range of urgent issues such as gender inequality, racism, the climate crisis, consumerism, and gentrification. The “underworld contemporary art” engages uncanny imagery and occult allure to attract and engage audiences, challenging the status quo while fostering debate that promotes social change, reinforces democratic values, and cultivates inclusive and safe societies. 

The project is organized by the Institute of Literature, Folklore and Art, Latvia in collaboration with Estonian Academy of Arts, Estonia. Project authors: Dr. Toms Ķencis, Dr. Jana Kukaine, Dr. Ieva Melgalve and doctoral student Maija Rudovska. Supported by Latvian Council of Science “Contemporary Art and Folklore: Unlocking the Underworld” (UNART) (lzp-2024/1-0479) 

Everyone is welcome to attend. 
For the workshops, please register under this link: https://forms.gle/jPLYsRJbSYv6FPSf6  

Visual design: Liana Mihailova 

The talk examines migration and the preservation of collective memory. Grounded in several case studies, this analysis explores the role of architectural heritage in sustaining cultural identity and resilience in contexts of displacement, geopolitical crisis, and contemporary restoration efforts. The paper contributes to current debates on heritage by shifting attention from material authenticity to the dynamic processes of cultural transmission, memory work, and symbolic attachment.

Dr. Marija Drėmaitė is a Professor in Architectural History and Cultural Heritage at the Faculty of History, Vilnius University. She specializes in 20th-century architectural heritage through historical, sociological, and anthropological perspectives. She is the author of Baltic Modernism: Architecture and Housing in Soviet Lithuania (Berlin, 2017) and the editor of Architecture of Optimism: The Kaunas Phenomenon, 1918–1940 (Vilnius, 2018). She led the research team behind the successful nomination of “Modernist Kaunas,” which was inscribed on the UNESCO World Heritage List in 2023. Currently she leads a research project “Migration, Heritage and Resilience: Lithuanian Architects and Architecture in the crisis period 1939–1959” funded by the Lithuanian Research Council (LMTLT).

On 17 April at 5 PM, the exhibition “Big Hall, Small Town: Postmodernist Cultural Centres in Estonia” will open in the ground-floor foyer of the Paide Music and Theatre House. The exhibition is part of the bachelor’s thesis of Anete Raabe, a student of cultural heritage and conservation at the Estonian Academy of Arts.

The exhibition presents the architecture of 1980s cultural centres and their role in local communities. It focuses on three outstanding examples from the period — the cultural centres in Paide, Põlva, and Lihula — while also examining smaller cultural centres across Estonia that reflect the ideas of the same era.

The exhibition invites visitors to notice these buildings in the urban landscape, appreciate their distinct character, and reflect on their role as focal points of local life.

The exhibition will remain open until 15 May 2026.

Guided tours taking place at EKA Gallery:
– on Thursday, March 19 at 5.30 pm, led by the curators Linda Kaljundi and Kirke Kangro and guest lecturers Victoria Donovan and Vlada Vazheyevskyy, in English
– on Friday, March 20 at 4.30 pm, led by the curators Linda Kaljundi and Kirke Kangro with artist Sigrid Viir, in Estonian
– on Sunday, March 22 at 4 pm, led by the curators Linda Kaljundi and Kirke Kangro with artist and exhibition designer Anna Škodenko, in Estonian

Appriximate duration of the tours is 30 minutes. Participation is free of charge.

The exhibition will remain open until March 22.

Read more about the exhibition here:

https://www.artun.ee/en/calendar/image-is-for-illustrative-purposes-only-at-eka-gallery/

The 2025/2026 academic year open lecture series will be held in collaboration with the Institute of Art History and Visual Culture and the Faculty of Architecture. The theme of this academic year is “Architecture and the Ethics of Care” and the lectures will be curated by KVI Senior Researcher Dr. Ingrid Ruudi.

On April 9 at 6 pm Katarina Bonnevier will give a lecture “Living Organisms – Queerying Architecture with Trolls and Clay” at EKA lecture hall A-101.

She says: Let’s go on a date with my Heartlands. The talk will depart from a Pit of Clay, wander through the Secret Garden and into the Living Legend of the former casino in Malmö. A site that me and my pack MYCKET are courting right now. In my practice I engage with folklore, legends, and the unhuman to imagine relational futures – because the visions of trolls are sometimes helpful to overcome the technocrats’ devastating business as usual.  

Dr. Katarina Bonnevier practices through the art and architecture collective MYCKET working with co-creation across species, across disciplines, and across realities. Their practice blends artistic research (supported by Swedish Research Council and Linnaeus University) with hands-on making of public places, installations, and social situations. An architect by training, Bonnevier connects queer and feminist perspectives with ecological care and spatial justice through storytelling and hands-on crafting.

MYCKETs work has received national and international recognition, including the Ganneviksstipendiet (2021), and Architectural Review’s and the Architects’ Journal’s joint W-award (2024) for Heaven by MYCKET at Oslo National Museum. Her dissertation Behind Straight Curtains: Towards a Queer Feminist Theory of Architecture (Stockholm: Axl Books, 2007) from the Royal Institute of Technology (KTH), Stockholm, is available open access (DiVA portal, more than 35 000 downloads). In her early career she was engaged in Kalamaja, Tallinn, and was awarded the National Endowment of Estonia’s Cultural Prize for Young Architects (1995).

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

Spring programme:

• 26.02 at 18:00 in A-101 Kaisa Karvinen “From Care to Concrete: Exhibiting Architecture”
• 26.03 at 18:00 in A-101  Jos Boys “Doing Disability Differently in Architecture”
• 9.04 at 18:00 in A-101 Katarina Bonnevier (Stockholm)
• 30.04 at 18:00 in A-101 Emma Cheatle (The University of Sheffield) “Lying in the Dark Room: Architectures of British Maternity”
• 14.05 at 18:00 in A-101 Iulia Statica (The University of Sheffield)

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

The 2025/2026 academic year open lecture series is organised in collaboration between the Institute of Art History and Visual Culture and the Faculty of Architecture, and is connected to the research project Built environments of care from the late Socialist to post-Socialist Estonia (PSG 2025–2029).

The lecture series is supported by the Cultural Endowment of Estonia.

Previous open architecture lectures can be viewed at www.avatudloengud.ee

The 2025/2026 academic year open lecture series will be held in collaboration with the Institute of Art History and Visual Culture and the Faculty of Architecture. The theme of this academic year is “Architecture and the Ethics of Care” and the lectures will be curated by KVI Senior Researcher Dr. Ingrid Ruudi.

On March 26 at 6 pm Jos Boys will give a lecture “Doing Disability Differently in Architecture” at room A-501.

Disabled people are almost always treated as an afterthought in built environment education and practice. But what if we instead start from disability, valuing our rich bio- and neurodiversity as a creative generator for design and as a critical means of challenging normative building and urban design? In this talk, Jos will explore how, over the last 18 years, DisOrdinary Architecture has been collaborating internationally with disabled artists, designers and architects to co-develop innovative and even radical ways of thinking and doing architecture.

Dr. Jos Boys is co-founder and co-director, with disabled artist Zoe Partington, of The DisOrdinary Architecture Project, a UK-based platform which brings disabled artists into built environment education and practice to critically and creatively re-think access and inclusion. Originally trained in architecture, she was co-founder of Matrix feminist architecture and research collective in London UK in the 1980s, and currently leads on the development of the Matrix Open online archive. Always a design activist, Jos has also been a journalist, critic, researcher, consultant, educator, photographer and artist; and has published many books and articles. These include authoring Doing Disability Differently: an alternative handbook on architecture, dis/ability, and designing for everyday life (Routledge 2014); editing Disability, Space, Architecture: A Reader (Routledge 2017) and co-editing Neurodivergence and Architecture (Elsevier 2022).

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

Spring programme:

• 26.02 at 18:00 in A-101 Kaisa Karvinen “From Care to Concrete: Exhibiting Architecture”
• 26.03 at 18:00 in A-501  Jos Boys (London)
• 9.04 at 18:00 in A-101 Katarina Bonnevier (Stockholm)
• 30.04 at 18:00 in A-101 Emma Cheatle (The University of Sheffield) “Lying in the Dark Room: Architectures of British Maternity”
• 14.05 at 18:00 in A-101 Iulia Statica (The University of Sheffield)

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

The lecture series is supported by the Cultural Endowment of Estonia.

Previous open architecture lectures can be viewed at www.avatudloengud.ee

“Image Is for Illustrative Purposes Only. Interventions in the Monumental Murals of the Old Airport Terminal’s Central Waiting Hall at Tallinn Airport”
EKA Gallery 21.02.–22.03.2026
Open Tue–Sat 12–6 pm Sun 12–4 pm, free entry (NB! EKA Gallery is closed on February 24.)
Opening: Friday, February 20 at 1 pm
Guided tour: Thursday, February 26 at 3.30 pm

What should be done with the legacy of totalitarian regimes? Should it be intervened in? And if so, in what circumstances – and how?

The exhibition grew out of a practical need to engage with two ideologically charged socialist realist monumental paintings in the old terminal of Tallinn Airport. One is View of Moscow by Viktor Karrus and the other View of Tallinn by Richard Sagrits (both 1955). In 2025, in cooperation with Tallinn Airport, a competition was held to create intervening artworks, but the winning proposal was ultimately not realised by decision of the commissioning body. For the exhibition, the paintings have been loaned to the Estonian Academy of Arts to present artists’ interventions in dialogue with the original works. Additional layers are revealed through archival materials related to the airport. After the exhibition, the painting will be given to the Art Museum of Estonia.

The exhibition has been created as part of “How to Reframe Monuments”, a collaborative project between the Estonian Academy of Arts and Tallinn University, funded by the Estonian Ministry of Culture.

Artists: Hanna Piksarv, Kati Saarits, Anna Škodenko, Sigrid Viir, Jevgeni Zolotko and Viktor Karrus, Richard Sagrits
Curators: Linda Kaljundi, Kirke Kangro
Curator of archival materials: Jarmo Kauge
Designer: Anna Škodenko
Technical support: Margus Elizarov, Erik Hõim, Ain Kilk, Priit Laanekivi, Oliver Kanniste, Madis Kaasik, Visa Nurmi, Sofia Schneider-Sepping, Mattias Veller
Graphic designer: Kristjan Mändmaa
Language editors: Phillip Marsdale, Hille Saluäär
Näituse töörühm: Merike Kallas, Taavi Tiidor, Annika Tiko, Maris Veeremäe

The exhibitions at EKA Gallery are supported by Tallinn City and Sadolin Estonia.
Opening drinks from mirai™ and Põhjala Brewery.