Category: Textile Design

Textiles 110: Open Lecture by Päivi Vaarula “Material and Content, Working Together in textile Art”

On April 29, at 5 p.m in room A501

Päivi Vaarula is a textile artist from Hämeenlinna, Finland. Her work is rooted in keen observation of everyday life, which she thoughtfully transforms into the visual language of textile art. Rather than seeking to entertain, she aims to create meaningful, thought-provoking works that often engage with present contemporary issues—particularly those related to the environment.

Vaarula works with local materials, traditional floor looms, and natural dyes, embracing sustainable practices in both concept and technique. For several years, she has been known for her distinctive three-dimensional woven surfaces, skillfully utilizing the expressive qualities of wool to bring depth and texture to her pieces.

Her art has been featured in over 70 group exhibitions and she has held 18 solo exhibitions, both in Finland and internationally. Alongside her artistic practice, Päivi Vaarula has worked as a full-time lecturer for more than 30 years. She has led lectures and workshops in numerous countries, including Finland, Denmark, Germany, Japan, Wales, Scotland, England, and Iceland.

Päivi Vaarula will talk about her textile journey and about her art.

Her solo exhibition “Entertainment” is also open at HOP gallery (Hobusepea tänav 2, Tallinn) until April 29th.

Textile 110 is a series of events celebrating the 110th anniversary of EKA’s textile design education, as part of which a series of open lectures focusing on textiles will be held, a series of publications will be published, and a selection of works from the EKA Museum’s textile collection can be seen throughout the year.

The lecture series opens up the spectrum of diverse opportunities in the field of textiles, both in design, industry, and creative practices, bringing out different roles and methods of creation in the field through various invited guests.

Supported by the Research Fund of EKA and the Cultural Endowment of Estonia

On March 27 at 4:30 p.m in room A501

Formed by Judit Eszter Kárpáti and Esteban de la Torre,  EJTECH [ˈeɪtɛk’] is an polydisciplinary artist duo working with hyperphysical interfaces, programmable matter, and augmented textiles as media to investigate sensorial and conceptual relationships between subject and object, aiming to rediscover networks of emerging structures and immanent causality within realist metamaterialism. 

Sound, space, light and time as material building blocks are paramount elements in their practice, analyzing the process of unfolding patterns between technology and the human body. Driven by material research, resulting in performative installations, multichannel sonic sculptures and dynamic surfaces. Influenced by the philosophy of New Materialism, Holonic Theory and Somaesthetics, EJTECH aims to provide tools for exploring liminality, thirdspace, and the elusive state of now.

Their work has been presented in galleries, festivals and exhibitions such as Japan Media Arts Festival, European Media Arts Festival, Sensorium Festival, Smithsonian’s Hirshhorn Museum, Design Museum Holon, Ludwig Museum, Budapest Kunsthalle, LRRH Gallery, Collegium Hungaricum Berlin, Trafo House of Contemporary Arts, HayArt Center in Yerevan, Eastopics Gallery, Horizont Gallery, LOM Art Space, iii Instrument Inventors Initiative, Rewire among others.

EJTECH has created commissioned art pieces for cultural institutions and commercial brands such as DIOR, Blade Runner 2049, Dune: part two, Material ConneXion.

They regularly hold workshops and lectures on new media art and creative technology internationally. Founded the Soft Interfaces Lab in 2020 for further research in soft technology and material ecologies at MOME.

The artist duo currently works and lives in Budapest, Hungary.

Textile 110 is a series of events celebrating the 110th anniversary of EKA’s textile design education, as part of which a series of open lectures focusing on textiles will be held, a series of publications will be published, and a selection of works from the EKA Museum’s textile collection can be seen throughout the year.

The lecture series opens up the spectrum of diverse opportunities in the field of textiles, both in design, industry, and creative practices, bringing out different roles and methods of creation in the field through various invited guests.

Supported by the Research Fund of EKA and the Cultural Endowment of Estonia

Pirjo Kääriäinen

19.02.2025

A-501 kell 16:30

Weaving textile design with material innovation

Pirjo Kääriäinen is a material enthusiast and textile specialist, working as an Associate Professor in Design and Materialities at the Aalto University, Finland. She operates between research and practice, and she is involved in several material research projects focusing on bio-based materials. Since 2011 she has been developing interdisciplinary CHEMARTS collaboration between the School of Arts, Design and Architecture (ARTS) and the School of Chemical Engineering (CHEM).  CHEMARTS is aiming to inspire Aalto University students and researchers to explore bio-based materials together, and to create new concepts for their sustainable use. Before her career in academia, Pirjo Kääriäinen worked over decade in the Finnish textile industry, and gained experience also as an entrepreneur and consultant for creative industries.

chemarts.aalto.fi
aalto.fi/en/aalto-university-bioinnovation-center

Supported by the Research Fund of EKA and the Cultural Endowment of Estonia

EKA Experimental Forms Exhibition “Foam Futures” at Viru Keskus

“Foam Futures” is an experimental fashion forms exhibition by the fashion, textile, and accessory design students of the Estonian Academy of Arts. Under the guidance of fashion designer Liisi Eesmaa and artist Flo Kasearu, futuristic foam plastic characters have come to life and will take over the Viru Keskus Atrium starting February 4th.

The exhibition “Foam Futures” at Viru Keskus Atrium invites visitors to reflect on the impact of human-made synthetic materials on the environment. This artistic display, created by students of Estonian Academy of Arts , focuses on the journey of foam plastic – from industrial waste to a nature-hostile “life form” that poisons the environment and gains strength, creating post-apocalyptic landscapes.

The pieces on display were created during a month-long workshop, where packaging industry waste was transformed into unique sculptures. The students manipulated materials using cutting, bubbling, and molding techniques to create both futuristic and organic shapes. Their inspiration was drawn from nature – plants, fungal networks, and strange life forms – reflecting the conflict between human creation and the natural world.

“This exhibition is raw energy and an endless amount of work hours, resulting in these haunting, bubbling, and foaming creations. Like a shadowy-black colony of beings, drawn from the students’ subconscious and rosy dreams,” commented one of the workshop mentors, fashion designer Liisi Eesmaa. “Our goal is to shock just enough and test the boundaries – how large and how colorful does packaging waste in the urban landscape need to be for people to clearly realize that the only way forward is through material recycling. We are thrilled to do this in collaboration with the emerging generation – the talented students of the Estonian Academy of Arts,” said Kristel Martis, Marketing and Communications Manager of Viru Keskus.

“Foam Futures” does not offer answers, but urges visitors to ask: what happens to the waste we create? Do we only notice it when it directly disrupts our lives, or does it silently blend into nature, causing irreversible harm?

The exhibition’s interactive elements – touch walls and sound experiences – take visitors to the heart of the foam plastic and its transformed environment, helping them better understand the impact and longevity of materials in nature.

“The students created incredibly juicy and voluminous accessories! The raw material was delightfully fascinating, and while the process was as always challenging and labor-intensive, the final transformations of the material were incredibly rewarding!” said mentor Flo Kasearu.

The exhibition “Foam Futures” will be open at the Viru Keskus Atrium from February 4th to February 19th.

Admission is free.

*The synthetic PE (polyethylene foam) material widely used in the exhibition is recyclable with modern technology. After its “artistic life,” it can be shredded and converted back into granules, 70% of which can be reused to create new materials.

Event Supporters: VIRU, EKA, Viva-color, Digiprint, Reval Kondiiter, ETTeam Baltic OÜ, AS Norma, Põhjala, WÕLU, Kadrioru Park

Artists: Allan Suomalainen, Anete Aurelie Aas, Halyna Yaroshenko, Hedi Leppik, Helen Tambla, Katriin Raudsepp, Kertu Seestrand, Linda Teemägi, Lucille Gonzalez, Maksim Kapustin, Mihhail Zaytsev, Oskar Tammäe, Pihla Alina Teder, Roosi Mändmaa, Sofia Robbe, Tereza Bláhová

Interior Architects: Airi Anderson, Brigita Praks, Carmen Pikknurm, Helena-Liisa Moks, Janet Kljuzin, Karl Oskar Palo, Kertu Bachmann, Madli Bulgarin, Raigo Tšetšin, Reigo Raal

Form Supervisors: Liisi Eesmaa, Flo Kasearu

Space Creation Supervisor: Annika Kaldoja

Production: Piret Puppart, Cristopher Siniväli, Marion Laev

Graphic Design: Anete Ots, Mariliis Tarja

Artistic Direction of Photos: Liisi Eesmaa

Photographer: Riina Varol

Photographer’s assistant: Karmel Kull

MUAH: Eliise Brigita Mõisamaa

Models: Merzeede (Agency Icon), Sam (E.M.A. Model Management)

Additional Information: piret.puppart@artun.ee

Event Facebook: Event – Vahu Vahel

Photo Link: To be added later

Students of the Estonian Academy of Arts will open the exhibition of experimental printed fabrics “Viridis (T)exitus / Green (T)exit” at the Tallinn Botanical Garden Visitor Center on December 16 at 5:00 PM.

17.12.2024–30.01.2025

Kassandra Laur, Eleonor Tingas and Nikolai Keller, 3rd year students of the EKA Textile Design department, will present experimental textile works inspired by processes, rhythms and textures occurring in nature. 

The three artists, having different life experiences and approaches, experiment with nature-inspired processes, rhythms, and textures, telling stories of myths, life traces, and future urban biodiversity. The works on display reflect dialogues between natural forms, urban space, and human creativity. The young artists use experimental techniques to offer their personal interpretation of natural processes. These works offer an opportunity for stillness, opening a door for the discovery of three artistic visions. We welcome you to discover nature along with the authors. 

The experimental printed textiles were created in the course Printed Textile Design 2, supervised by Lylian Lainoja and Piret Valk. Digital printing was done by Kiustuudio. We would like to thank Maria Erikson, head of the EKA graphics workshop, and Taavi Teevet, head of the metal workshop. Graphic design by Diana Tammets

The textile design specialty, which celebrates its 110th anniversary this year, is part of the EKA BA curriculum Fashion, Textile and Accessory Design.

https://www.artun.ee/en/curricula/textile-design/

Kassandra Laur‘s lithography print “Ubinapuud” (Apple Trees) is inspired by an old, wild apple garden where century-old trees still bear fruit despite their great age. Their trunks bear scars from the clotheslines and swings once tied to them. Despite the marks left by people and the passage of time, these trees continue to grow. Sometimes it is the weight of their own heavy load of apples that breaks their branches and boughs. These trees contain a deep vitality, and even if their trunks are sawed halfway through, it may not be the end—they can heal themselves and keep bearing fruit.

For this artwork, old worn sheets have been used, which, like the ancient apple trees, have also seen their share of days. At some point, the sheets and the trees even crossed paths outdoors, when laundry dried on lines strung between the apple trees.

Nikolai Keller’s fictional archaeological rust print “Andalusia Behemoth” describes how archaeological excavations leading up to the construction of the new EKA building were interrupted by a spectacular find – the long-lost and sought-after shroud of the Andalusian Behemoth.

The fossils of the mythical creature found wrapped in cloth shed light on many, yet-unsolved myths and stories in Biblical history. The workers who discovered the remains fell into a state of unexplained and paralyzing nightmares the night after the discovery.

The find raises questions of how it got there. It is believed that a Reval merchant acquired the rare piece of cloth during the time of the Hanseatic League. It is known that valuable goods and treasures arrived here via the League’s trade routes. The cloth has sparked enormous interest, and the Estonian archaeological community and international researchers continue to investigate the case.

The work was exhibited at the opening of the new academic building on EKA Day https://www.artun.ee/en/eka-textile-celebrates-its-birthday-with-the-fictional-archaeological-textile-behemoth/

Eleonor Tingas’s digital print technique “Rhythms and Forms of Life” explores the interplay between nature and urban space, expressing it in a richly detailed and sensitively balanced visual language. The grey and rectilinear forms of the industrial urban landscape gradually merge with the varied and dynamic patterns of wildlife. The restrained geometry of buildings and streets reveal flowing and organic lines that seem to suggest the growth of plants and flowers, evoking the harmony of nature’s invasion and rebirth. The work invites the viewer to experience the contradictions and possibilities, and the rhythms and forms, of the coexistence of nature and man, creating a visually and emotionally affecting whole.

The exhibition is open until the 30th of January 2025.

Opening hours the Visitor Centre of Tallinn Botanical Garden https://botaanikaaed.ee/en/opening-hours/

You are welcome to the opening of Krista Leesi’s exhibition In Spe. Saint Victor and the Four Dragons at Draakon gallery on Thursday, November 28, at 18.00. The exhibition will remain open until January 4, 2025. 

The exhibition draws inspiration from the martyrdom of Saint Victor, as portrayed on the main altar of St. Nicholas Church in Tallinn. The altar, crafted in the workshop of Lübeck master Hermen Rode, was brought to Tallinn 543 years ago.

“The times are tense, even frightening.
Such that every means and possibility must be put into service.
Why not even mythical creatures and medieval patron saints.
Tallinn’s patron saint was Saint Victor.
He is often depicted on altars alongside Saint George, the dragon slayer.
But Saint Victor did not slay dragons.
Perhaps dragons might protect the knightly saint and us instead?”

Krista Leesi is an artist and designer with a distinctive textile art practice and extensive teaching experience at the Estonian Academy of Arts. She stands out in the field of textile art with her conceptual approach, often exploring the multi-layered meanings of language (as the author of tekkSTIILIkunsti SÕNAraamat). Leesi graduated from the Estonian Academy of Arts in 1993 and has participated in numerous group exhibitions in Estonia and abroad since 1992. Her first solo exhibition was in 1999. Leesi’s work encompasses both distinctive unique creations and practical small productions. Her works are part of the collection of the Estonian Museum of Applied Art and Design. Her works can be encountered in several museum collections around the world: in Tartu Art Museum, the China National Silk Museum (Hangzhou, China), the Contextile Contemporary Textile Art Biennial (Guimarães, Portugal), and World Textile Art (Miami, Florida, USA).

In 2019, Leesi was awarded the annual award by the Cultural Endowment of Estonia for her work. In 2020, she won the main prize at Contextile, one of the world’s most prestigious contemporary textile art biennials. In 2021, her site-specific exhibition Verbarium, which conceptually connected language and visuals, was shown at Tartu Art Museum. Leesi has been named Textile Artist of the Year four times and is a member of the Estonian Textile Artists’ Association and the Estonian Artists’ Association.

www.kristaleesi.ee

The artists gratitude goes to: Heino Prunsvelt, Kadi Kibbermann, Äli-Ann Klooren, Leelo Leesi, Mari-Leen Leesi, Aivi Valliste.
The exhibition is supported by the Cultural Endowment of Estonia.

Exhibitions at Draakon gallery are supported by the Cultural Endowment of Estonia, the Estonian Ministry of Culture, and Liviko AS.

On November 25 at 4:30 p.m., Hanna Norrna’s lecture “Metamorphosis in Weaving” will take place in room A501. 

The lecture focuses on creative practice centered around silk.

Norrna grows her own silkworms, watches the transformation of caterpillars into butterflies and processes their cocoons into silk, which in turn is woven into fabrics. Mythologies, spirituality and materiality intertwine in his practice.

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Hanna Norrna works with weaving as an alchemical formula and ritual gesture – an intertwining of silent knowledge and spirituality, mythology and materiality. Her practice touches how craft, passion, vulnerability, body and sanctity are connected and claims its space.

At the core of Norrna’s weaving process is the silkworm. An originally wild species, domesticated for thousands of years for human needs and productions. In the summers, she breeds silkworms in her home and follow the caterpillars’ growing transformation into butterflies. She processes their cocoons into thread and dye them with symbolic plants.

In her loom, the home-grown silk is placed into systems of bindings and meetings between metallic and animal materials. Layers and fields with various centers of gravity and density grow. In exhibitions, the woven material extends into spatial and site-specific installations.

Textile 110 is a series of events celebrating the 110th anniversary of EKA’s textile design education, as part of which a series of open lectures focusing on textiles will be held, a series of publications will be published, and a selection of works from the EKA Museum’s textile collection can be seen throughout the year.

The lecture series opens up the spectrum of diverse opportunities in the field of textiles, both in design, industry, and creative practices, bringing out different roles and methods of creation in the field through various invited guests.

Supported by the Research Fund of EKA and the Cultural Endowment of Estonia

On October 30 at 4:30 p.m., the lecture “The making of Inspiration” by Hanna Kaisa Korolainen will be held in room A501

The lecture focuses on the artist’s research and opens up his work, which extends from textiles to other media as well.

Hanna Kaisa Korolainen is a designer, artist and lecturer at Aalto University. He defended his doctoral thesis The making of Inspiration at Aalto University in 2022.

Korolainen is a visual artist whose diverse production includes textiles, glass and ceramics. She has been living and working in Paris, Beijing, Brussels and Helsinki. In addition to her artistic career, she teaches in Aalto University of Arts, Design and Architecture, and writes about art and design.
Korolainen’s artworks have been presented both in her natal Finland and abroad, consequently her works belong to several public and private collections. Her recent exhibitions include Emma Espoo Museum of Modern Art, Design Museum of Helsinki and Hvitträsk, a historical Art Nouveau site near Helsinki.
Korolainen is fascinated by the idea of time travelling to a fictional past. For her this dialogue between the past and the present represents an inexhaustible source of inspiration. In her creative practice, Korolainen is constantly influenced by old craft techniques; she is interested in updating them for the world of today.

“Sketching is the heart of everything; it is the decisive moment of the process. I try to work as much as possible with my hands and as little as possible with the computer.”

Supported by the Research Fund of EKA and the Cultural Endowment of Estonia

In April, the public lectures of the Venia legend of the candidates for the 2024 academic staff competition will begin.

NB! The password for the videos is Faw1!.ec

April 15 in room A-501

Associate professor of Glass Design, head of BA specialty, head of department (1.0 positions)
at 11:30 Andra Jõgi lecture “Half empty & fully full”

Associate professor of theory and history of Product Design (0.75 positions)
at 12.30 Triin Jerlei lecture “Shared and personal (time) stories in design”
April 29 in room A-501

Associate Professor of the Department of Animation (1.0 positions)
at 13.30 p.m. Lilli-Krõõt Repnau lecture “We tell ourselves stories in order to live…”
April 29 in room A-501

Professor of Textile Design (1.0 positions)
at 3 p.m. Kärt Ojavee lecture “Textiles in interludes”
April 30 in room A-501

Associate Professor of Graphic Design (0.5 positions)
at 11 Kert Viiart lecture “Research in graphic design education and practice”

Associate professor of Fashion Design (0.5 positions)

at 12 Anu Samarüütel-Long lecture “Without or with thought, in silence or in noise. The path of creation”

May 3 in room A-501

Associate Professor of Interaction Design (0.75 positions)

at 10:30 Nesli Hazal Oktay lecture “Interaction Design of Our Future(s)”

at 11.30 Emrecan Gülay lecture “Empowering Human Creativity: Bridging the Physical and Digital Worlds in Interaction Design and Education”

at 12.30 Velvet Spors lecture “Inter-Personal, Inter-Connected, Inter-Faced: Exploring Technology as a Tool for Relationality”

Lectures for candidates for the Associate Professor of Interaction Design are in English

You are all welcome to listen!

Gelatex Technologies OÜ is a materials technology company that develops and produces nanofibrous materials. These consist of fibers that are up to 100 times smaller than a human hair. Gelatex focuses specifically on areas related to biotechnology, especially in vitro 3D cell culture and tissue engineering. There are also ongoing projects in the direction of drug development, wound treatment, and cultivated meat. Gelatex has an international team of enthusiasts and solution-oriented people with backgrounds in materials technology, mechanics, biochemistry, microbiology, marketing, sales and business development.