Category: Photography

05.03.2025

Mika Taanila Film Screening

EKA Department of Photography invites everybody to the screening of the film “Failed Emptiness” on March 5th at 18.00.
Duration: 66”
Location: A-101
A discussion with the film’s director Mika Taanila will follow after the screening.
______

“Failed emptiness” (2024) describes a three-week vacation in the middle of a heatwave. The protagonist prepares reports that begin to bother her more. The deeper she sinks into the report, the deeper she gets into herself.
______

Mika Taanila (1965) is a filmmaker and visual artist based in Helsinki. Taanila’s works have been shown at major international group shows, such as La Biennale di Venezia (2017), Aichi Triennale (2013), Documenta (2012), Shanghai Biennale (2006), Berlin Biennale (2004), Manifesta (2002) and Istanbul Biennial (2001). Solo shows include Padiglione de l’Esprit Nouveau in Bologna (2020), EMMA Espoo (2018), Kiasma Museum of Contemporary Art in Helsinki (2013–14), Contemporary Art Museum St. Louis (2013), TENT, Rotterdam (2013), Badischer Kunstverein, Karlsruhe (2008), Dazibao, Montréal (2007) and Migrosmuseum, Zurich (2005).

Taanila’s films have been screened at several international film festivals and special events including TIFF Toronto International Film Festival, IFFR Rotterdam, International Short Film Festival Clermont-Ferrand, Karlovy-Vary Film Festival, Midnight Sun Film Festival, CPH:DOX, IDFA Amsterdam, Oberhausen Kurzfilmtage, Austrian Filmmuseum, Cork Film Festival, ICA and Whitechapel Gallery in London. Ars Fennica Award 2015 was presented to Mika Taanila.

Facebook event

Posted by Andres Lõo — Permalink

Mika Taanila Film Screening

Wednesday 05 March, 2025

EKA Department of Photography invites everybody to the screening of the film “Failed Emptiness” on March 5th at 18.00.
Duration: 66”
Location: A-101
A discussion with the film’s director Mika Taanila will follow after the screening.
______

“Failed emptiness” (2024) describes a three-week vacation in the middle of a heatwave. The protagonist prepares reports that begin to bother her more. The deeper she sinks into the report, the deeper she gets into herself.
______

Mika Taanila (1965) is a filmmaker and visual artist based in Helsinki. Taanila’s works have been shown at major international group shows, such as La Biennale di Venezia (2017), Aichi Triennale (2013), Documenta (2012), Shanghai Biennale (2006), Berlin Biennale (2004), Manifesta (2002) and Istanbul Biennial (2001). Solo shows include Padiglione de l’Esprit Nouveau in Bologna (2020), EMMA Espoo (2018), Kiasma Museum of Contemporary Art in Helsinki (2013–14), Contemporary Art Museum St. Louis (2013), TENT, Rotterdam (2013), Badischer Kunstverein, Karlsruhe (2008), Dazibao, Montréal (2007) and Migrosmuseum, Zurich (2005).

Taanila’s films have been screened at several international film festivals and special events including TIFF Toronto International Film Festival, IFFR Rotterdam, International Short Film Festival Clermont-Ferrand, Karlovy-Vary Film Festival, Midnight Sun Film Festival, CPH:DOX, IDFA Amsterdam, Oberhausen Kurzfilmtage, Austrian Filmmuseum, Cork Film Festival, ICA and Whitechapel Gallery in London. Ars Fennica Award 2015 was presented to Mika Taanila.

Facebook event

Posted by Andres Lõo — Permalink

20.02.2025 — 27.02.2025

Karlotta Lainväe at Uus Rada Gallery

You are invited to the opening of Karlotta Lainväe’s exhibition “Where do I go when I follow the thread?” on February 20th at 18:00 at Uus Rada Gallery.

In the exhibition “Where do I go when I follow the thread?” I invite you to join me on my journey to unravel the secrets of the place I call home. The sea, the forest, the fields and the rocks, they all hold mystery and knowledge deep within. What parts of my family and ancestors are woven into this place and what do I carry forward? The sense of security shining from there is always with me, yet it is fragile and comes with the weight of responsibility to protect it all.

Karlotta Lainväe is an artist studying photography in EKA, in her work she focuses on the human search for security and belonging. She also examines how connections to history, nature, and rituals create a sense of safety that protects us yet remains fragile and easily lost. To bring her ideas to life, she uses photography, handcrafts and installations to create a visual world where viewers can reflect on their own internal and external sense of security.

Opening: 20.02 at 18:00

Exhibition open: 21.02 – 27.02 at 16:00 – 19:00

Uus Rada Gallery

Posted by Andres Lõo — Permalink

Karlotta Lainväe at Uus Rada Gallery

Thursday 20 February, 2025 — Thursday 27 February, 2025

You are invited to the opening of Karlotta Lainväe’s exhibition “Where do I go when I follow the thread?” on February 20th at 18:00 at Uus Rada Gallery.

In the exhibition “Where do I go when I follow the thread?” I invite you to join me on my journey to unravel the secrets of the place I call home. The sea, the forest, the fields and the rocks, they all hold mystery and knowledge deep within. What parts of my family and ancestors are woven into this place and what do I carry forward? The sense of security shining from there is always with me, yet it is fragile and comes with the weight of responsibility to protect it all.

Karlotta Lainväe is an artist studying photography in EKA, in her work she focuses on the human search for security and belonging. She also examines how connections to history, nature, and rituals create a sense of safety that protects us yet remains fragile and easily lost. To bring her ideas to life, she uses photography, handcrafts and installations to create a visual world where viewers can reflect on their own internal and external sense of security.

Opening: 20.02 at 18:00

Exhibition open: 21.02 – 27.02 at 16:00 – 19:00

Uus Rada Gallery

Posted by Andres Lõo — Permalink

09.12.2024 — 14.12.2024

“Fragile. Handle with Care” in Uus Rada Gallery

3rd year BA photography students of EKA will open their exhibition “Fragile. Handle with Care” at 18:00 on Monday, December 9th, 2024 in UUS RADA Gallery, Raja tn. 11, Tallinn. 

 

The exhibition is part of the Assessment Marathon of the Fine Arts faculty of the Estonian Academy of Arts.

Exhibition will be open until December 14th, every day from 14:00-18:00.

 

Time drips steadily, like water to an ancient well, marking moments we might otherwise overlook. A window becomes a portal, framing the quiet passage of days as shadows stretch and retreat. Faint echoes rise unfolding a symphony of sounds that feel both strange and familiar. Memories emerge from forgotten corners, shapes form where none were expected.

 

In the exhibition “Fragile. Handle with Care” the ordinary transforms into something profound. It asks you to pause, to feel the weight of what is delicate and temporary. Each work is a reminder: the act of seeing, of remembering, of being present, requires care. These moments are fragile. Handle them gently.

 

The exhibition is a final outcome of the course “Art Project 4”, supervised by Margo Monko and Reimo Võsa-Tangsoo.

 

Participating artists:

Alina Birjuk
Elias Kuulmann
Karlotta Lainväe
Katerina Rothberg
Irma Holm
Servane Gis
Kristjan Glück
Snizhana Yehorova 

 

Graphic Design:

Snizhana Yehorova

Posted by Andres Lõo — Permalink

“Fragile. Handle with Care” in Uus Rada Gallery

Monday 09 December, 2024 — Saturday 14 December, 2024

3rd year BA photography students of EKA will open their exhibition “Fragile. Handle with Care” at 18:00 on Monday, December 9th, 2024 in UUS RADA Gallery, Raja tn. 11, Tallinn. 

 

The exhibition is part of the Assessment Marathon of the Fine Arts faculty of the Estonian Academy of Arts.

Exhibition will be open until December 14th, every day from 14:00-18:00.

 

Time drips steadily, like water to an ancient well, marking moments we might otherwise overlook. A window becomes a portal, framing the quiet passage of days as shadows stretch and retreat. Faint echoes rise unfolding a symphony of sounds that feel both strange and familiar. Memories emerge from forgotten corners, shapes form where none were expected.

 

In the exhibition “Fragile. Handle with Care” the ordinary transforms into something profound. It asks you to pause, to feel the weight of what is delicate and temporary. Each work is a reminder: the act of seeing, of remembering, of being present, requires care. These moments are fragile. Handle them gently.

 

The exhibition is a final outcome of the course “Art Project 4”, supervised by Margo Monko and Reimo Võsa-Tangsoo.

 

Participating artists:

Alina Birjuk
Elias Kuulmann
Karlotta Lainväe
Katerina Rothberg
Irma Holm
Servane Gis
Kristjan Glück
Snizhana Yehorova 

 

Graphic Design:

Snizhana Yehorova

Posted by Andres Lõo — Permalink

02.12.2024 — 19.12.2024

Fine Arts Assessment Marathon 2.–19.12.2024

December brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in animation, contemporary art, installation and sculpture, painting, photography, graphic art, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the following evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

The assessments will take place in the main building of EKA (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206, EKA Gallery; Kotzebue 1), in the new EKA building (Kotzebue 10) and at Uus Rada gallery (Raja 11A).

On the assessment day, the exhibitions at EKA gallery and the new EKA building (Kotzebue 10) are open from 3 pm to 6 pm, on Sundays the exhibitions are open from 12 pm to 6 pm.

SCHEDULE
Mon 2.12. Photography, supervisor Krista Mölder (EKA Gallery)
Mon 2.12. Drawing, supervisor Tõnis Saadoja (2nd & 3rd floor general areas)
Tue 3.12. Drawing, supervisor Eero Alev (EKA Gallery)
Wed 4.12. Drawing, supervisor Ulvi Haagensen (EKA Gallery)
Thu 5.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (EKA Gallery)
Fri 6.12. Scenography, supervisor Ene-Liis Semper (EKA Gallery)
Sat 7.12. – Sun 8.12. Scenography, supervisor Mark Raidpere (EKA Gallery)

Mon 8.12. New Media, supervisor Sten Saarits (EKA Gallery)
Mon 8.12. Photography, supervisors Marge Monko, Reimo Võsa-Tangsoo NB! Uus Rada Gallery, the exhibition will remain open until 15.12.
Tue 10.12. Studio photography, supervisor Tanja Muravskaja (EKA Gallery)
Tue 10.12. Drawing (animation and scenography), supervisor Britta Benno (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Wed 11.12. Painting, supervisors Tõnis Saadoja, Mihkel Maripuu, Holger Loodus (EKA Gallery)
Thu 12.12. Animation, supervisors Lilli-Krõõt Repnau, Ülo Pikkov, Anu-Laura Tuttelberg (EKA Gallery)
Thu 12.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Fri 13.12. Painting, supervisors Karl-Kristjan Nagel, Tõnis Saadoja (EKA Gallery)
Sat 14.12. – Sun 15.12. Painting, supervisors Sirja-Liisa Eelma, Alice Kask, Mart Vainre (EKA Gallery)

Mon 16.12. Graphic Art, supervisors Liisi Grünberg, Viktor Gurov, Liina Siib, Britta Benno, Eve Kask, Eve Kaaret (EKA Gallery)
Mon 16.12. Photography, supervisors Triin Kerge, Annika Haas (Kotzebue 10)
Tue 17.12. Graphic Art, supervisors Lembe Ruben, Mark Antonius Puhkan, Maria Izabella Lehtsaar, Paul Rannik (EKA Gallery)
Wed 18.12. Sculpture, supervisors Taavi Talve, Laura Põld (EKA Gallery)
Wed 18.12. Contemporary Art, supervisors Marge Monko, Reimo Võsa-Tangsoo, Liina Siib, Taavi Talve, Anu Vahtra, Maris Karjatse, Laura Põld, Holger Loodus, Kristi Kongi, Sten Saarits, Camille Laurelli, Eve Kask (2nd & 3rd floor general areas of the main building of EKA and the new building, Kotzebue 10)
Thu 19.12. Contemporary Art, supervisors Maris Karjatse, Eve Kask, Kristi Kongi, Camille Laurelli, Holger Loodus, Marge Monko, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Anu Vahtra, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)

Posted by Kaisa Maasik — Permalink

Fine Arts Assessment Marathon 2.–19.12.2024

Monday 02 December, 2024 — Thursday 19 December, 2024

December brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in animation, contemporary art, installation and sculpture, painting, photography, graphic art, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the following evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

The assessments will take place in the main building of EKA (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206, EKA Gallery; Kotzebue 1), in the new EKA building (Kotzebue 10) and at Uus Rada gallery (Raja 11A).

On the assessment day, the exhibitions at EKA gallery and the new EKA building (Kotzebue 10) are open from 3 pm to 6 pm, on Sundays the exhibitions are open from 12 pm to 6 pm.

SCHEDULE
Mon 2.12. Photography, supervisor Krista Mölder (EKA Gallery)
Mon 2.12. Drawing, supervisor Tõnis Saadoja (2nd & 3rd floor general areas)
Tue 3.12. Drawing, supervisor Eero Alev (EKA Gallery)
Wed 4.12. Drawing, supervisor Ulvi Haagensen (EKA Gallery)
Thu 5.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (EKA Gallery)
Fri 6.12. Scenography, supervisor Ene-Liis Semper (EKA Gallery)
Sat 7.12. – Sun 8.12. Scenography, supervisor Mark Raidpere (EKA Gallery)

Mon 8.12. New Media, supervisor Sten Saarits (EKA Gallery)
Mon 8.12. Photography, supervisors Marge Monko, Reimo Võsa-Tangsoo NB! Uus Rada Gallery, the exhibition will remain open until 15.12.
Tue 10.12. Studio photography, supervisor Tanja Muravskaja (EKA Gallery)
Tue 10.12. Drawing (animation and scenography), supervisor Britta Benno (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Wed 11.12. Painting, supervisors Tõnis Saadoja, Mihkel Maripuu, Holger Loodus (EKA Gallery)
Thu 12.12. Animation, supervisors Lilli-Krõõt Repnau, Ülo Pikkov, Anu-Laura Tuttelberg (EKA Gallery)
Thu 12.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Fri 13.12. Painting, supervisors Karl-Kristjan Nagel, Tõnis Saadoja (EKA Gallery)
Sat 14.12. – Sun 15.12. Painting, supervisors Sirja-Liisa Eelma, Alice Kask, Mart Vainre (EKA Gallery)

Mon 16.12. Graphic Art, supervisors Liisi Grünberg, Viktor Gurov, Liina Siib, Britta Benno, Eve Kask, Eve Kaaret (EKA Gallery)
Mon 16.12. Photography, supervisors Triin Kerge, Annika Haas (Kotzebue 10)
Tue 17.12. Graphic Art, supervisors Lembe Ruben, Mark Antonius Puhkan, Maria Izabella Lehtsaar, Paul Rannik (EKA Gallery)
Wed 18.12. Sculpture, supervisors Taavi Talve, Laura Põld (EKA Gallery)
Wed 18.12. Contemporary Art, supervisors Marge Monko, Reimo Võsa-Tangsoo, Liina Siib, Taavi Talve, Anu Vahtra, Maris Karjatse, Laura Põld, Holger Loodus, Kristi Kongi, Sten Saarits, Camille Laurelli, Eve Kask (2nd & 3rd floor general areas of the main building of EKA and the new building, Kotzebue 10)
Thu 19.12. Contemporary Art, supervisors Maris Karjatse, Eve Kask, Kristi Kongi, Camille Laurelli, Holger Loodus, Marge Monko, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Anu Vahtra, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)

Posted by Kaisa Maasik — Permalink

21.10.2024

Artist Talks: Berit Schneidereit and Saskia Fischer

On Monday, 21 October 2024 at 17:00, artist talks by Berit Schneidereit and Saskia Fischer will take place at EKA A-501. The artists will be in Tallinn to conduct masterclasses in the photography department of the Estonian Academy of Arts.

Berit Schneidereit’s artistic work revolves around the question of the nature of photography and the physical and bodily act of looking. Rooted in photography, her practice extends to spatial installation and sculpture. Using a variety of techniques, Berit Schneidereit creates constellations of closeness and distance, reality and suggestion, with which she creates a constant oscillation between image space and reality.

Berit Schneidereit (b. 1988, Frankfurt am Main, Germany) studied at the Kunstakademie Düsseldorf, where she graduated as a master student in 2017. She has been exhibited at Museum Kunstpalast in Düsseldorf; G2 Kunsthalle in Leipzig; Kunsthalle Recklinghausen; CCA in Andratx, Mallorca; at NAK Neuer Aachener Kunstverein; de Warande in Turnhout, Belgium and Goethe Institut Paris, among others. She received the Stiftung Kunstfonds work grant, the dhCS-studio grant from the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, as well as the van-Rinsum grant for the Cité Internationale des Arts, Paris. She lives and works in Düsseldorf.

https://www.beritschneidereit.de/

instagram: beritschneidereit

Saskia Fischer is an interdisciplinary artist working with images, objects, texts, and environments.

Her research is concerned with the paradigms that form and inform landscape as a reflection of cultural and social values. She examines the ways Western understanding separates anthropological urbanity from a colonial concept of nature, reinforcing problematic notions of femininity and what is ‚natural‘. Her working motifs draw on transitory architectures and the fabricated barrier between nature and the commons. This interdisciplinary research is expressed through photographs and installations synthesizing diverse media blending materials and motives from architecture, mobility, urban planning, landscape design, horticulture, gender studies and art history.

Currently working as a lecturer at the Mathilde Planck Stiftung and State Academy of Art and Design, Stuttgart, DE. She has obtained MFA at the Goldsmiths, University of London, UK 2016 – 2018 and studied photography at the Folkwang University of the Arts, Essen, DE, 2010 – 2015.

https://www.saskia-fischer.com

https://www.instagram.com/___saskia_/

Posted by Andres Lõo — Permalink

Artist Talks: Berit Schneidereit and Saskia Fischer

Monday 21 October, 2024

On Monday, 21 October 2024 at 17:00, artist talks by Berit Schneidereit and Saskia Fischer will take place at EKA A-501. The artists will be in Tallinn to conduct masterclasses in the photography department of the Estonian Academy of Arts.

Berit Schneidereit’s artistic work revolves around the question of the nature of photography and the physical and bodily act of looking. Rooted in photography, her practice extends to spatial installation and sculpture. Using a variety of techniques, Berit Schneidereit creates constellations of closeness and distance, reality and suggestion, with which she creates a constant oscillation between image space and reality.

Berit Schneidereit (b. 1988, Frankfurt am Main, Germany) studied at the Kunstakademie Düsseldorf, where she graduated as a master student in 2017. She has been exhibited at Museum Kunstpalast in Düsseldorf; G2 Kunsthalle in Leipzig; Kunsthalle Recklinghausen; CCA in Andratx, Mallorca; at NAK Neuer Aachener Kunstverein; de Warande in Turnhout, Belgium and Goethe Institut Paris, among others. She received the Stiftung Kunstfonds work grant, the dhCS-studio grant from the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, as well as the van-Rinsum grant for the Cité Internationale des Arts, Paris. She lives and works in Düsseldorf.

https://www.beritschneidereit.de/

instagram: beritschneidereit

Saskia Fischer is an interdisciplinary artist working with images, objects, texts, and environments.

Her research is concerned with the paradigms that form and inform landscape as a reflection of cultural and social values. She examines the ways Western understanding separates anthropological urbanity from a colonial concept of nature, reinforcing problematic notions of femininity and what is ‚natural‘. Her working motifs draw on transitory architectures and the fabricated barrier between nature and the commons. This interdisciplinary research is expressed through photographs and installations synthesizing diverse media blending materials and motives from architecture, mobility, urban planning, landscape design, horticulture, gender studies and art history.

Currently working as a lecturer at the Mathilde Planck Stiftung and State Academy of Art and Design, Stuttgart, DE. She has obtained MFA at the Goldsmiths, University of London, UK 2016 – 2018 and studied photography at the Folkwang University of the Arts, Essen, DE, 2010 – 2015.

https://www.saskia-fischer.com

https://www.instagram.com/___saskia_/

Posted by Andres Lõo — Permalink

07.05.2024 — 21.05.2024

Charlotte Gisele Chapuis and Clio Pavlidis Andersson in Lainurga Gallery

On Tuesday 7.05 at 19:00, the exhibition “Ruhig Dimma” by Charlotte Gisele Chapuis and Clio Pavlidis Andersson will open in Lainurga Gallery.

Location: on the 4th floor in front of the photography department, B-405
Start of the exhibition: 07.05 19:00
End of the exhibition: 21.05

Two artists from two different countries exhibit works from their personal archives, resulting in a blend of intimate portraits and still landscapes. They might have different backgrounds, but their two narratives meet in a longing for home and an appreciation for the connections created around them. “Ruhig Dimma” exhibits intimacy and symbolism, by using close to heart-photographies and found objects complementing the pictures.

Clio Pavlidis Andersson (b. 1998) is currently on exchange at Estonian Academy of Arts and is studying her second year at the BFA programme in photography, at HDK-Valand. Her practice often features family and close friends as central figures, allowing her to delve into the soreness and fragility that inevitably comes with long and deep relationships.

Charlotte Giséle Chapuis (b. 1998) is studying her fourth year at the BFA programme in photography at Folkwang University of Arts and is also currently on exchange at Estonian Academy of Arts. Rooted in closeness and vulnerability, she’s working a lot with her own archive material, trying to find and show patterns that tell an intimate story.

Posted by Andres Lõo — Permalink

Charlotte Gisele Chapuis and Clio Pavlidis Andersson in Lainurga Gallery

Tuesday 07 May, 2024 — Tuesday 21 May, 2024

On Tuesday 7.05 at 19:00, the exhibition “Ruhig Dimma” by Charlotte Gisele Chapuis and Clio Pavlidis Andersson will open in Lainurga Gallery.

Location: on the 4th floor in front of the photography department, B-405
Start of the exhibition: 07.05 19:00
End of the exhibition: 21.05

Two artists from two different countries exhibit works from their personal archives, resulting in a blend of intimate portraits and still landscapes. They might have different backgrounds, but their two narratives meet in a longing for home and an appreciation for the connections created around them. “Ruhig Dimma” exhibits intimacy and symbolism, by using close to heart-photographies and found objects complementing the pictures.

Clio Pavlidis Andersson (b. 1998) is currently on exchange at Estonian Academy of Arts and is studying her second year at the BFA programme in photography, at HDK-Valand. Her practice often features family and close friends as central figures, allowing her to delve into the soreness and fragility that inevitably comes with long and deep relationships.

Charlotte Giséle Chapuis (b. 1998) is studying her fourth year at the BFA programme in photography at Folkwang University of Arts and is also currently on exchange at Estonian Academy of Arts. Rooted in closeness and vulnerability, she’s working a lot with her own archive material, trying to find and show patterns that tell an intimate story.

Posted by Andres Lõo — Permalink

29.04.2024 — 21.05.2024

Assessment Marathon at EKA Gallery 29.04.–20.05.2024

May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in animation, contemporary art, installation and sculpture, painting, photography, printmaking, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

On the day of the evaluation, the exhibition is open from 3 to 6 pm, exhibitions held over several days are open from 12 to 6 pm on the following day.

SCHEDULE:

Mon 29.04. Drawing, supervisors Maiu Rõõmus, Matti Pärk
Tue 30.04. Drawing, supervisors Eero Alev, Britta Benno
Wed 1.05. the gallery is closed
Thu 2.05. Drawing, supervisor Ulvi Haagensen
Fri 3.05. Drawing and painting, supervisors Britta Benno, Brenda Purtstak
Sat 4.05. – Sun 5.05. Abstract drawing, supervisor Lembe Ruben-Kangur

Mon 6.05. Photography, supervisor Madis Kurss
Tue 7.05. – Wed 8.05. Photography, supervisor Marge Monko
Thu 9.05. – Fri 10.05. Painting, supervisors Eero Alev, Mihkel Ilus, Holger Loodus, Jaan Toomik
Sat 11.05. – Sun 12.05. Painting, supervisors Sirja-Liisa Eelma, Kristi Kongi, Holger Loodus

Mon 13.05. Contemporary Art, supervisors Anu Vahtra, Kristi Kongi, Camille Laurelli, Marge Monko, Liina Siib, Taavi Talve, Eve Kask, Laura Põld, David K. Ross, Jaan Toomik, Reimo Võsa-Tangsoo
Tue 14.05. Printmaking, supervisors Maria Erikson, Merilin Metsamaa, Mirjam Varik, Lembe Ruben-Kangur, Sandra Puusepp
Wed 15.05. Animation, supervisors Lilli-Krõõt Repnau, Lucija Mrzljak, Anu-Laura Tuttelberg
Thu 16.05. Scenography, supervisors Liina Keevallik, Mark Raidpere
Fri 17.05. Scenography, supervisors Renzo Alexander Van Steenbergen
Sat 18.05. Drawing, supervisor Lilli-Krõõt Repnau
Sun 19.05. the gallery is closed

Mon 20.05. Printmaking, supervisors Eve Kask, Viktor Gurov, Erik Alalooga, Eve Kaaret, Monica Langwe

Posted by Kaisa Maasik — Permalink

Assessment Marathon at EKA Gallery 29.04.–20.05.2024

Monday 29 April, 2024 — Tuesday 21 May, 2024

May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in animation, contemporary art, installation and sculpture, painting, photography, printmaking, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

On the day of the evaluation, the exhibition is open from 3 to 6 pm, exhibitions held over several days are open from 12 to 6 pm on the following day.

SCHEDULE:

Mon 29.04. Drawing, supervisors Maiu Rõõmus, Matti Pärk
Tue 30.04. Drawing, supervisors Eero Alev, Britta Benno
Wed 1.05. the gallery is closed
Thu 2.05. Drawing, supervisor Ulvi Haagensen
Fri 3.05. Drawing and painting, supervisors Britta Benno, Brenda Purtstak
Sat 4.05. – Sun 5.05. Abstract drawing, supervisor Lembe Ruben-Kangur

Mon 6.05. Photography, supervisor Madis Kurss
Tue 7.05. – Wed 8.05. Photography, supervisor Marge Monko
Thu 9.05. – Fri 10.05. Painting, supervisors Eero Alev, Mihkel Ilus, Holger Loodus, Jaan Toomik
Sat 11.05. – Sun 12.05. Painting, supervisors Sirja-Liisa Eelma, Kristi Kongi, Holger Loodus

Mon 13.05. Contemporary Art, supervisors Anu Vahtra, Kristi Kongi, Camille Laurelli, Marge Monko, Liina Siib, Taavi Talve, Eve Kask, Laura Põld, David K. Ross, Jaan Toomik, Reimo Võsa-Tangsoo
Tue 14.05. Printmaking, supervisors Maria Erikson, Merilin Metsamaa, Mirjam Varik, Lembe Ruben-Kangur, Sandra Puusepp
Wed 15.05. Animation, supervisors Lilli-Krõõt Repnau, Lucija Mrzljak, Anu-Laura Tuttelberg
Thu 16.05. Scenography, supervisors Liina Keevallik, Mark Raidpere
Fri 17.05. Scenography, supervisors Renzo Alexander Van Steenbergen
Sat 18.05. Drawing, supervisor Lilli-Krõõt Repnau
Sun 19.05. the gallery is closed

Mon 20.05. Printmaking, supervisors Eve Kask, Viktor Gurov, Erik Alalooga, Eve Kaaret, Monica Langwe

Posted by Kaisa Maasik — Permalink

19.04.2024

EKA Photography 25!

In 2023, 25 years passed since the beginning of the Photography bachelor’s program at the Estonian Academy of Arts.

On this occasion, we would like to invite you to the party on April 19 at 7 p.m. in the Botik bar (Põhjala factory, Marati 5a, Tallinn).

In the Program

19:00 Doors
19:30 A welcome by the Professor Marge Monko
20:00 Quiz – registration on the spot!
21:00 Kristjan Glück
21:30 Cake

DJs:

Ahto Külvet (Psühhoteek)
Elisa Margot Winters
Charlotte Chapuis
Taavet Kirja

Follow us:

FB: EKA Fotograafia
IG: @eka_fotograafia

Posted by Andres Lõo — Permalink

EKA Photography 25!

Friday 19 April, 2024

In 2023, 25 years passed since the beginning of the Photography bachelor’s program at the Estonian Academy of Arts.

On this occasion, we would like to invite you to the party on April 19 at 7 p.m. in the Botik bar (Põhjala factory, Marati 5a, Tallinn).

In the Program

19:00 Doors
19:30 A welcome by the Professor Marge Monko
20:00 Quiz – registration on the spot!
21:00 Kristjan Glück
21:30 Cake

DJs:

Ahto Külvet (Psühhoteek)
Elisa Margot Winters
Charlotte Chapuis
Taavet Kirja

Follow us:

FB: EKA Fotograafia
IG: @eka_fotograafia

Posted by Andres Lõo — Permalink

07.03.2024 — 31.03.2024

“Gentle Gestures of Self” at EKA Gallery 7.–31.03.2024

GENTLE GESTURES OF SELF
7.–31.03.2024
Opening: 7.03. at 6 pm

Participating artists: Andre Joosep Arming, Annamaari Hyttinen, Cloe Jancis, Maria Izabella Lehtsaar, Taavi Rekkaro, Johanna Saikkonen, Marleen Suvi, Elo Vahtrik
Curator: Kaisa Maasik

The group exhibition “Gentle Gestures of Self” brings together a selection of contemporary self-portraits. The paintings and photographs primarily depict the faces and hands of the artists, pointing at the emotions brought out by their facial expressions and gestures.

Culturally, hands are attributed with a great expressive power: in addition to conveying mood, depicting hands in specific positions can communicate deep feelings and meanings. Anthropologist Ethel J. Alpenfels has said: “Hands point or lead or command; hands cry out in agony or lie quietly sleeping; hands have moods, character, and, in a wider sense, their own particular beauty.”

The exhibition stems from a curatorial perspective focusing on relationships, inner experiences and moods. It approaches hands’ special ability and vulnerability to convey all emotions, even those that people have learned to control in facial expressions.

Opening drinks from Põhjala Brewery.

EKA Gallery
Kotzebue 1, Tallinn
Open Tue–Sun 12–18, free entry

More info:
eka.galerii@artun.ee

Posted by Kaisa Maasik — Permalink

“Gentle Gestures of Self” at EKA Gallery 7.–31.03.2024

Thursday 07 March, 2024 — Sunday 31 March, 2024

GENTLE GESTURES OF SELF
7.–31.03.2024
Opening: 7.03. at 6 pm

Participating artists: Andre Joosep Arming, Annamaari Hyttinen, Cloe Jancis, Maria Izabella Lehtsaar, Taavi Rekkaro, Johanna Saikkonen, Marleen Suvi, Elo Vahtrik
Curator: Kaisa Maasik

The group exhibition “Gentle Gestures of Self” brings together a selection of contemporary self-portraits. The paintings and photographs primarily depict the faces and hands of the artists, pointing at the emotions brought out by their facial expressions and gestures.

Culturally, hands are attributed with a great expressive power: in addition to conveying mood, depicting hands in specific positions can communicate deep feelings and meanings. Anthropologist Ethel J. Alpenfels has said: “Hands point or lead or command; hands cry out in agony or lie quietly sleeping; hands have moods, character, and, in a wider sense, their own particular beauty.”

The exhibition stems from a curatorial perspective focusing on relationships, inner experiences and moods. It approaches hands’ special ability and vulnerability to convey all emotions, even those that people have learned to control in facial expressions.

Opening drinks from Põhjala Brewery.

EKA Gallery
Kotzebue 1, Tallinn
Open Tue–Sun 12–18, free entry

More info:
eka.galerii@artun.ee

Posted by Kaisa Maasik — Permalink

24.01.2024 — 17.02.2024

Melnikova, Keskküla, Monko, Daniliauskaitė at Draakon Gallery

On Wednesday, January 24 at 6 pm we welcome you to the opening of the exhibition Swirling, Twirling, Spinning curated by Merilin Talumaa.

The exhibition includes works by Daria Melnikova, Helena Keskküla, Marge Monko and Viktorija Daniliauskaitė.

The exhibition Swirling, Twirling, Spinning unites artists across generations in an empowering context, drawing inspiration from the ideas of Lithuanian-American archaeologist and anthropologist Marija Gimbutas. Her profound research brought attention to the ancient cultures of the Baltic region and the broader Indo-European world, exploring archaeological artefacts, linguistics, ethnography, and folklore. Gimbutas posited a thesis that prehistoric European culture centered around the worship of a Mother Goddess, as the giver of all life. A spiritual sense of connectedness was artfully expressed through a sophisticated symbol system and an abundance of ritual objects. Nature and body were honored in Europe for tens of thousands of years. Whereas women had an especially strong position in societies across Eastern and Central Europe – a tendency no longer necessarily evident today.

Swirling, Twirling, Spinning poetically weaves a narrative that bridges ancient myths and beliefs, natural cycles, and the transformative power of feminine energy across different cultures and times. Gimbutas, who having opened the treasure trove of prehistory, inspired a belief in a peaceful existence in our time – to bring back to life suppressed vital elements, such as the earth, the body (health), the feminine, and the subconscious. Participating artists, through imaginative and fictitious narratives, share personal stories and cultural myths that also reflect the influence of Gimbutas’ theories on ancient symbolism. Their works echo these concepts through a contemporary lens, incorporating elements such as spirals, circles, and motifs such as snakes and birds – symbols rooted in ancient European matriarchal cultures that continue to resonate in Baltic art and culture.

The exhibition contemplates on reimagining a world centered around goddess worship, with its emphasis on embracing womanhood, preserving nature, and forsaking warfare. Could this theoretical concept transcend into the tangible reality of our future society? Swirling, Twirling, Spinning seamlessly intertwines historical narratives and mythology, immersing us in the themes that Marija Gimbutas ignited: the celebration of life’s cycles, constant renewal, the sanctity of the female body, and the spirituality inherent in these concepts. Gimbutas’ exploration of the spiritual dimensions of a harmonious Old Europe and her vision for a New Europe free from dominance and warfare, feels remarkably pertinent in our contemporary world.

First exhibition around the heritage of Marija Gimbutas took place in L’Atlas Gallery in Paris, France (7 November 2023–3 January 2024). The cycle of exhibitions is foreseen to continue with an upcoming show in La Traverse in Marseille, France (27 August–26 October 2024).

Marija Gimbutas (1921–1994) was a Lithuanian-American archaeologist and anthropologist. She contributed to what is considered to be one of the most significant academic watershed moments in women’s studies with her archaeological and philosophical work on Neolithic culture and religion. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of “Old Europe,” a term she introduced. Old Europe referred to both the geographical area and social structures that existed before the Indo-European influence. Gimbutas unequivocally established the existence of a Goddess religion who is the most persistent feature in the archaeological record of the ancient world. The Goddess in all her manifestations was a symbol of the unity of all life in nature. Gimbutas’ discoveries took on great symbolic importance for feminists across various disciplines who found, in her vision of a peaceful, nature-revering society, a sense of hope for the future based on this foundation in the distant past.

Roots to Routes is an initiative created by curators Merilin Talumaa, Maija Rudovska and Justė Kostikovaitė, gathering a community of artists, curators and cultural producers whose trajectories are connected to the Baltic states region. Acting as a nomadic agency, its goal is to support and make visible artistic practices beyond cultural and (geo)political borders. An important part of the collaboration is to create and develop possible joint projects, aiming to build sustainable networks and forms of cooperation between various art scenes.

https://roots2routes.org/

Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko AS.

Daria Melnikova is an artist from Riga, Latvia. Her work results from a meditative study of daily routine, clichés, architectural details and mere casual moments attempting to reconstruct their inner logic as well as to bring to light private experiences that once made them possible and necessary. Melnikova runs a journeying platform called Palette that functions as a bar. Between 2022–2023, Palette used a seasonal venue – a kiosk as a part of the urban environment – an intervention in the garden meadow of the Sporta Pils dārzi in Riga. The project activated a work of art as a meeting point, where the artist meets visitors in non-institutional and informal settings. Melnikova has held solo shows at Gallery Vartai in Vilnius (2020); Karlin Studios in Prague (2019); PLATO in Ostrava (2019); Kulturfolger in Zurich (2018); Kim? in Riga (2017, 2014, 2011); and has participated in group shows at L’Atlas in Paris (2023); KHB in Bratislava (2019); Kiasma in Helsinki (2018); Rupert in Vilnius (2018); Silberkuppe in Berlin (2017); Art in General in New York (2015); Garage Museum of Contemporary Art in Moscow (2014). Her works are included in the collection of Kiasma Museum of Contemporary Art in Helsinki, Finland; Latvian National Museum of Art, Riga; Latvia; Zuzeum Collection in Riga, Latvia; among other public and private collections. https://dariamelnikova.com/
Viktorija Daniliauskaitė is a visual artist born in Yakutsk, Russia. She is living and working in Vilnius, Lithuania. Having graduated from the Lithuanian Art Institute (today, the Vilnius Academy of Arts) in 1974, Daniliauskaitė immediately discarded the art clichés proposed by official art and got immersed in the search for her individual style, discovering the inexhaustible sources of folk art and new art forms. Till today, she is often expressing her artistic visions through linocut. The tradition of linocut is often related with folk engravings and the postwar school of Lithuanian graphic art; however, the artist intuitively realised that this technique contains yet unexplored possibilities of expression. While connecting the heritage of folk art with 20th century modernism and postmodernism, Daniliauskaitė built a bridge between the old tradition and contemporary modern art. She recently participated in a group exhibition in L’Atlas, Paris (2023). She is participating in an upcoming group exhibition in MO Museum, Vilnius (2024). Her works belong to the National Museum of Lithuania, Vilnius; MO Museum, Vilnius; among other public and private collections.
Merilin Talumaa is a curator, art historian and cultural manager who lives and works in Paris and Tallinn. She has graduated from the Department of Art History and Visual Culture at the Estonian Academy of Arts. She is also a graduate of Environmental studies from University of Tartu. Her practice has evolved around research about artists’ studio and work environments and notions of migration and belonging. Her recent on-going projects include Roots to Routes (since 2020) – a curatorial initiative gathering a community of artists, curators and cultural producers. Prior to the book „Your Time Is My Time”, Mousse Publishing, 2023, she compiled and edited the book „Artists’ spaces : 16 studio visits”, Estonian Academy of Arts Press, 2017 (both together with Annika Toots). https://roots2routes.org/
Helena Keskküla is an Estonian artist who lives and works in Amsterdam. Her previous work centres around video, performance and installation. Humor, insecurities and failures play an important role in Keskküla’s work, which she uses to speak about universal issues. She has graduated from the sculpture and installation department of the Estonian Academy of Arts, Gerrit Rietveld’s VAV – moving image department, and Sandberg Institute’s master’s programme in fine arts. During the last three years, Kesküla has focused her practice on mythology and stone carving, while forging connections with performance and modern materials.
Marge Monko is an artist living and working in Tallinn, Estonia. She has studied in Estonian Academy of Arts (MA in Photography, 2008), and in University of Applied Arts in Vienna. In 2013-2015 she participated in a studio program in HISK (Higher Institute for Contemporary Art), Ghent, Belgium. She works as a professor in the Department of Photography at the Estonian Academy of Arts. Marge Monko uses photography, video, and installation. Her works are inspired by historical images and theories of psychoanalysis, feminism, and visual culture. Monko’s works can be found in private and public collections (e.g MUMOK – Museum of Modern Art in Vienna; Folkwang Museum, Essen; Muzeum Sztuki Łódź, Poland; FRAC Lorrain, France; Fotomuseum Winterthur, Switzerland; Estonian Art Museum). In 2012, she was awarded Henkel.Art.Award for Eastern and Central European artists. Monko has been selected for the residencies in ISCP (International Studio & Curatorial Program), New York (2015); KulturKonakt Austria, Vienna (2016), ParaSite, Hong Kong (2017) and Videobrasil, São Paulo (2018). Her recent exhibitions include a.o. Modern Love in Tallinn Art Hall and National Museum of Contemporary Art Athens (2021-23), Great Pretender in Kai Art Center (2021), Tallinn; Stones Against Diamonds in Museum Folkwang (2019); Crush in Para Site Hong Kong (2018), RIBOCA Riga International Biennial for Contemporary Art (2018); It Won’t Be Long Now, Comrades! in Framer Framed, Amsterdam (2017). www.margemonko.com
Posted by Andres Lõo — Permalink

Melnikova, Keskküla, Monko, Daniliauskaitė at Draakon Gallery

Wednesday 24 January, 2024 — Saturday 17 February, 2024

On Wednesday, January 24 at 6 pm we welcome you to the opening of the exhibition Swirling, Twirling, Spinning curated by Merilin Talumaa.

The exhibition includes works by Daria Melnikova, Helena Keskküla, Marge Monko and Viktorija Daniliauskaitė.

The exhibition Swirling, Twirling, Spinning unites artists across generations in an empowering context, drawing inspiration from the ideas of Lithuanian-American archaeologist and anthropologist Marija Gimbutas. Her profound research brought attention to the ancient cultures of the Baltic region and the broader Indo-European world, exploring archaeological artefacts, linguistics, ethnography, and folklore. Gimbutas posited a thesis that prehistoric European culture centered around the worship of a Mother Goddess, as the giver of all life. A spiritual sense of connectedness was artfully expressed through a sophisticated symbol system and an abundance of ritual objects. Nature and body were honored in Europe for tens of thousands of years. Whereas women had an especially strong position in societies across Eastern and Central Europe – a tendency no longer necessarily evident today.

Swirling, Twirling, Spinning poetically weaves a narrative that bridges ancient myths and beliefs, natural cycles, and the transformative power of feminine energy across different cultures and times. Gimbutas, who having opened the treasure trove of prehistory, inspired a belief in a peaceful existence in our time – to bring back to life suppressed vital elements, such as the earth, the body (health), the feminine, and the subconscious. Participating artists, through imaginative and fictitious narratives, share personal stories and cultural myths that also reflect the influence of Gimbutas’ theories on ancient symbolism. Their works echo these concepts through a contemporary lens, incorporating elements such as spirals, circles, and motifs such as snakes and birds – symbols rooted in ancient European matriarchal cultures that continue to resonate in Baltic art and culture.

The exhibition contemplates on reimagining a world centered around goddess worship, with its emphasis on embracing womanhood, preserving nature, and forsaking warfare. Could this theoretical concept transcend into the tangible reality of our future society? Swirling, Twirling, Spinning seamlessly intertwines historical narratives and mythology, immersing us in the themes that Marija Gimbutas ignited: the celebration of life’s cycles, constant renewal, the sanctity of the female body, and the spirituality inherent in these concepts. Gimbutas’ exploration of the spiritual dimensions of a harmonious Old Europe and her vision for a New Europe free from dominance and warfare, feels remarkably pertinent in our contemporary world.

First exhibition around the heritage of Marija Gimbutas took place in L’Atlas Gallery in Paris, France (7 November 2023–3 January 2024). The cycle of exhibitions is foreseen to continue with an upcoming show in La Traverse in Marseille, France (27 August–26 October 2024).

Marija Gimbutas (1921–1994) was a Lithuanian-American archaeologist and anthropologist. She contributed to what is considered to be one of the most significant academic watershed moments in women’s studies with her archaeological and philosophical work on Neolithic culture and religion. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of “Old Europe,” a term she introduced. Old Europe referred to both the geographical area and social structures that existed before the Indo-European influence. Gimbutas unequivocally established the existence of a Goddess religion who is the most persistent feature in the archaeological record of the ancient world. The Goddess in all her manifestations was a symbol of the unity of all life in nature. Gimbutas’ discoveries took on great symbolic importance for feminists across various disciplines who found, in her vision of a peaceful, nature-revering society, a sense of hope for the future based on this foundation in the distant past.

Roots to Routes is an initiative created by curators Merilin Talumaa, Maija Rudovska and Justė Kostikovaitė, gathering a community of artists, curators and cultural producers whose trajectories are connected to the Baltic states region. Acting as a nomadic agency, its goal is to support and make visible artistic practices beyond cultural and (geo)political borders. An important part of the collaboration is to create and develop possible joint projects, aiming to build sustainable networks and forms of cooperation between various art scenes.

https://roots2routes.org/

Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko AS.

Daria Melnikova is an artist from Riga, Latvia. Her work results from a meditative study of daily routine, clichés, architectural details and mere casual moments attempting to reconstruct their inner logic as well as to bring to light private experiences that once made them possible and necessary. Melnikova runs a journeying platform called Palette that functions as a bar. Between 2022–2023, Palette used a seasonal venue – a kiosk as a part of the urban environment – an intervention in the garden meadow of the Sporta Pils dārzi in Riga. The project activated a work of art as a meeting point, where the artist meets visitors in non-institutional and informal settings. Melnikova has held solo shows at Gallery Vartai in Vilnius (2020); Karlin Studios in Prague (2019); PLATO in Ostrava (2019); Kulturfolger in Zurich (2018); Kim? in Riga (2017, 2014, 2011); and has participated in group shows at L’Atlas in Paris (2023); KHB in Bratislava (2019); Kiasma in Helsinki (2018); Rupert in Vilnius (2018); Silberkuppe in Berlin (2017); Art in General in New York (2015); Garage Museum of Contemporary Art in Moscow (2014). Her works are included in the collection of Kiasma Museum of Contemporary Art in Helsinki, Finland; Latvian National Museum of Art, Riga; Latvia; Zuzeum Collection in Riga, Latvia; among other public and private collections. https://dariamelnikova.com/
Viktorija Daniliauskaitė is a visual artist born in Yakutsk, Russia. She is living and working in Vilnius, Lithuania. Having graduated from the Lithuanian Art Institute (today, the Vilnius Academy of Arts) in 1974, Daniliauskaitė immediately discarded the art clichés proposed by official art and got immersed in the search for her individual style, discovering the inexhaustible sources of folk art and new art forms. Till today, she is often expressing her artistic visions through linocut. The tradition of linocut is often related with folk engravings and the postwar school of Lithuanian graphic art; however, the artist intuitively realised that this technique contains yet unexplored possibilities of expression. While connecting the heritage of folk art with 20th century modernism and postmodernism, Daniliauskaitė built a bridge between the old tradition and contemporary modern art. She recently participated in a group exhibition in L’Atlas, Paris (2023). She is participating in an upcoming group exhibition in MO Museum, Vilnius (2024). Her works belong to the National Museum of Lithuania, Vilnius; MO Museum, Vilnius; among other public and private collections.
Merilin Talumaa is a curator, art historian and cultural manager who lives and works in Paris and Tallinn. She has graduated from the Department of Art History and Visual Culture at the Estonian Academy of Arts. She is also a graduate of Environmental studies from University of Tartu. Her practice has evolved around research about artists’ studio and work environments and notions of migration and belonging. Her recent on-going projects include Roots to Routes (since 2020) – a curatorial initiative gathering a community of artists, curators and cultural producers. Prior to the book „Your Time Is My Time”, Mousse Publishing, 2023, she compiled and edited the book „Artists’ spaces : 16 studio visits”, Estonian Academy of Arts Press, 2017 (both together with Annika Toots). https://roots2routes.org/
Helena Keskküla is an Estonian artist who lives and works in Amsterdam. Her previous work centres around video, performance and installation. Humor, insecurities and failures play an important role in Keskküla’s work, which she uses to speak about universal issues. She has graduated from the sculpture and installation department of the Estonian Academy of Arts, Gerrit Rietveld’s VAV – moving image department, and Sandberg Institute’s master’s programme in fine arts. During the last three years, Kesküla has focused her practice on mythology and stone carving, while forging connections with performance and modern materials.
Marge Monko is an artist living and working in Tallinn, Estonia. She has studied in Estonian Academy of Arts (MA in Photography, 2008), and in University of Applied Arts in Vienna. In 2013-2015 she participated in a studio program in HISK (Higher Institute for Contemporary Art), Ghent, Belgium. She works as a professor in the Department of Photography at the Estonian Academy of Arts. Marge Monko uses photography, video, and installation. Her works are inspired by historical images and theories of psychoanalysis, feminism, and visual culture. Monko’s works can be found in private and public collections (e.g MUMOK – Museum of Modern Art in Vienna; Folkwang Museum, Essen; Muzeum Sztuki Łódź, Poland; FRAC Lorrain, France; Fotomuseum Winterthur, Switzerland; Estonian Art Museum). In 2012, she was awarded Henkel.Art.Award for Eastern and Central European artists. Monko has been selected for the residencies in ISCP (International Studio & Curatorial Program), New York (2015); KulturKonakt Austria, Vienna (2016), ParaSite, Hong Kong (2017) and Videobrasil, São Paulo (2018). Her recent exhibitions include a.o. Modern Love in Tallinn Art Hall and National Museum of Contemporary Art Athens (2021-23), Great Pretender in Kai Art Center (2021), Tallinn; Stones Against Diamonds in Museum Folkwang (2019); Crush in Para Site Hong Kong (2018), RIBOCA Riga International Biennial for Contemporary Art (2018); It Won’t Be Long Now, Comrades! in Framer Framed, Amsterdam (2017). www.margemonko.com
Posted by Andres Lõo — Permalink