Category: Open Academy

The course provides an overview of how the contemporary art scene in Estonia functions – the most important organisations, the movers and shakers, the currently important and active artists from different disciplines, and the types of events being held. The causal factors behind the art scene are also explored, starting from the restoration of independence, Estonian art in the context of the regional and broader international art scene, and much more.
The participants will receive an overview of the art field of Estonia through lectures, discussions, studio/institutional visits and art.

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We invite you to take part in a rare opportunity to serve in the Special Programs Think Tank to envision and create hypothetical “special programs” that Estonia’s government might instate, either in the future or in parallel realities.
This five-day event will provide you with the chance to design preferable paths for government, guided by future-visioning strategists from the Extrapolation Factory. Over the course of the workshop, participants will be introduced to the essential principles of futures studies and will learn to identify signals, extrapolate implications and create future artefacts.
Each program will be announced through physical, print or digital artefacts to be shared with local citizens.

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During the sculptural headwear course, the participants will acquire techniques for moulding and draping headwear and making couture millinery in traditional materials. In addition to innovative and alternative solutions, the course will look into the history, functions and meaning of headwear.
The workshop will introduce, based on the example of the Balenciaga fashion house in Paris, the materials and techniques of handmade millinery in order to popularise the field of millinery design that has become marginal in recent decades. By researching various materials (straws, felt, etc.), the participants will obtain the necessary historical background knowledge to help in maintaining the tradition of wearing innovative couture millinery.

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This workshop is structured on architecture, numbers and cognition with a primary focus on public space/traffic. Two broader topics pervade the workshop. One of them is more physical, involving translating the world into parameters, and the other is mapping social activities/feelings. The broad goal is to find connections between the two sets of topics. The environment around us consists of a number of physically countable and measurable parameters, which we can use to describe it (width of a carriageway, location of a cafe). Which parameters are best in describing or designing the world?

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The course teaches icon painting. The painting process follows the authentic icon painting technique – egg tempera mixed from dry pigments, multi-layered painting, etc. Each participant will have the opportunity to paint their own icon.
Parallel to the painting process, the participants will receive an overview of the iconographic principles and meanings in icon painting, the materials and techniques used, as well as their conservation process.

The participants will learn essential skills in historical icon painting and get an introduction to the history, significance and conservation process of icons.

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The Department of Ceramics at the Estonian Academy of Arts invites you to participate in an international Clay 3D Printing workshop. Ceramics have properties that allow them to be used in the most disparate fields. We usually don’t consider that ceramics are all around us, not just in kitchenware, but also in bathrooms, swimming pools and public interiors, and that stoves and fireplaces, and even houses, are made of fired clay. Top-quality ceramics can be found in medical equipment, audio technology and the air and space industry. Clay is a sensitive, flexible and versatile material with its own technological limits, which the participants will learn during the workshop.
3D printing in clay allows us to print three-dimensional objects or models at a lower cost and more easily. For ceramists, it represents a new technological possibility, while for others it gives a chance to convert digital sketches into real three-dimensional objects.
During this course, participants will learn the technical skills of 3D printing and printing in clay: creating G-code and STL files, plus preparation of the clay and printing.
The aim of the course is to use innovative thinking to discover new ways of printing, using clay and printed ceramics. The end of the workshop will feature a pop-up exhibition of the objects created.
Every participant needs to bring their own laptop. All other materials are provided, and students may keep the objects they print.

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The Estonian Academy of Arts (EKA) is welcoming applications for the international summer school — 2019 EKA Summer Academy of Art, Design and Architecture – Possible Futures!

Application deadline: 26 May.

We invite you to take part in a rare opportunity to serve in the Special Programs Think Tank to envision and create hypothetical “special programs” that Estonia’s government might instate, either in the future or in parallel realities.
This five-day event will provide you with the chance to design preferable paths for government, guided by future-visioning strategists from the Extrapolation Factory. Over the course of the workshop, participants will be introduced to the essential principles of futures studies and will learn to identify signals, extrapolate implications and create future artefacts.
Each program will be announced through physical, print or digital artefacts to be shared with local citizens.

LEARNING OUTCOMES. The student is able to:

• understand the basics of speculative critical design;
• use design methodologies for a positive impact within one’s own community.

ASSESSMENT

The course ends with an evaluative assessment (pass-fail) and is based on:
• participation;
• Think Tank deliverables;
• individual reflections;
• final (semi-)public presentation of service/product prototypes.

TUTORS

Chris Woebken, MA Design Interactions (Anthony Dunne & Fiona Raby), 2008, Royal College of Art, London, UK.

Elliott P. Montgomery, MA Design Interactions (Anthony Dunne & Fiona Raby), 2011, Royal College of Art, London, UK.

The Extrapolation Factory is a design-based research studio for participatory futures studies, founded by Chris Woebken and Elliott P. Montgomery. The studio develops experimental methods for collaboratively prototyping as well as experiencing and impacting future scenarios. Central to these methods is the creation of hypothetical future props and their deployment in familiar contexts such as 99¢ stores, science museums, vending machines and city footpaths. With this work, the studio is exploring new territories for democratised futures by rapidly imagining, prototyping, deploying and evaluating visions of possible futures on an extended time scale.
www.extrapolationfactory.com

COST
Free

Apply now at www.artun.ee/summeracademy

“EKA Summer Academy of Art, Design and Architecture – Possible Futures” is supported by the European Regional Development Fund.

Sixteen young designers graduating with bachelor’s degree in Graphic Design present their final works in “GD18 SHOW” at EKA Gallery. The exhibition opens with a reception at 5PM on May 31st. The exhibition will feature publications, fonts, video and board games, interactive stories, sound projects and works for the Estonian Academy of Arts.
Exhibition runs through 19 June.

The projects address and deal with topic, such as attention economy, culture jamming, stereotypes, character play and creation, uncanny valley and more.

The starting point for the “GD18 SHOW” is the meeting place stuudioruum at Estonia pst 7, where the students have been working, studying and socializing for the past three years. The exhibition also reuses and gives another chance for the self-build and borrowed furniture.

Prior to the exhibition the graduating class will present their thesis projects May 30 from 10AM thorough 12.30PM at the gallery hall of Center of Architecture (Põhja pst 27a). Presentations will be in English.

Exhibiting designers: Kermo Aruoja, Allan Aug, Martina Gofman, Elis Kitt, Kaspar Kuldkepp, Vello Lutter, Oskar Mihhailov, Joosep Noorväli, Anselm Oja, Eva Rank, Johanna Ruukholm, Anastassia Tšepaikina, Nathan Tulve, Karl Uibo, Mathias Väärsi and Väino Õun.

Supervisors: Ranno Ait, Jaan Evart, Mikk Heinsoo, Ott Kagovere, Daniel Kotsjuba, Moonika Maidre, Sandra Nuut, Norman Orro, Brit Pavelson, Indrek Sirkel, Kert Viiart, and Kerli Virk.

GD18 SHOW programme:

June 1, 6PM – Presentation of the book BRNO GUIDE
(Vello Lutter & Mathias Väärsi)

June 5, 6PM – Presentation of the board game ALU
(Kermo Aruoja & Oskar Mihhailov)

June 8, 6PM – Bedtime Express II
(Eva Rank)

June 12, 6PM – Presentation of the video game Exquisite Corps
(Anastassia Tšepaikina)

June 15, 6PM – Social experiments and rave
(Anselm Oja)

June 19, 6PM – Bedtime Express III
(Eva Rank)

Dates:  13-17 August 2018

Volume: 40 hours, 2 ECTS

Location:  Estonian Academy of Arts

Number of participants: max 13

Cost: FREE (Please note that this course is meant for higher education students only)

Registration deadline:  6th of May

In addition to the general required materials, candidates are expected to submit a letter of motivation explaining why they are applying and what is their experience with 3D printing so far (max A4).

The Department of Ceramics at the Estonian Academy of Arts invites you to participate in an international Clay 3D Printing workshop. Ceramics have properties that allow it to be used in the most disparate fields. We usually don’t consider that ceramics are all around us, not just in kitchenware, but also in bathrooms, swimming pools and public interiors, and that stoves and fireplaces, even houses, are made of fired clay. Top-quality ceramics can be found in medical equipment, audio technology and air and space industry. Clay is sensitive, flexible and versatile material with its’ own technological limits which the participants will learn during the workshop.

3D printing in clay allows us to print three-dimensional objects or models at lower cost and more easily. For ceramists, it represents a new technological possibility, while for others it gives a chance to convert digital sketches into real three-dimensional objects. During this course, participants will learn the technical skills of 3D printing and printing in clay: creating G-code and STL files, plus preparation of the clay and printing. The aim of the course is to use innovative thinking to discover new ways of printing, using clay and the printed ceramics. The end of the workshop will feature a pop-up exhibition of the objects created.

The workshop is aimed at ceramics, architecture and design students, but admission is open to all students who have had experience with 3D printing and know how to create 3D files. Every participant needs to bring their own laptop. All other materials are provided, and students may keep the objects they print.

Homework assignment for selectees:

1) students will be asked to bring one of their 3D-file, print ready

2) students will be asked to come up with a design they would like to execute in the workshop. They will be asked to give a presentation on the design in person. As in a hackathon, they will then set to work on the problem.

More information and link to registration form: https://www.artun.ee/summeracademy/clay-3d-printing/