Category: Support Units

07.11.2025 — 12.12.2025

Sven Mantsik “Timeline” at EKA Library

TIMELINE - library exhibition banner 1080p - sven mantsik (1)

Sven Mantsik, a master’s student in Contemporary Art, has explored various disciplines such as installation, printmaking, self-publishing, animation and video games, while always nurturing his primary passion: drawing.

Sometimes fictional, sometimes autobiographical, his drawings present a social satire of an all-too-common daily life, blending melancholy, dreamlike elements, sharpness and humour. His exhibition “Timeline”, offers an in-depth look at his narrative and visual approach. The EKA Library’s showcase space features a selection of his graphic works.

The exhibition is open until December 12.

Posted by Rene Mäe — Permalink

Sven Mantsik “Timeline” at EKA Library

Friday 07 November, 2025 — Friday 12 December, 2025

TIMELINE - library exhibition banner 1080p - sven mantsik (1)

Sven Mantsik, a master’s student in Contemporary Art, has explored various disciplines such as installation, printmaking, self-publishing, animation and video games, while always nurturing his primary passion: drawing.

Sometimes fictional, sometimes autobiographical, his drawings present a social satire of an all-too-common daily life, blending melancholy, dreamlike elements, sharpness and humour. His exhibition “Timeline”, offers an in-depth look at his narrative and visual approach. The EKA Library’s showcase space features a selection of his graphic works.

The exhibition is open until December 12.

Posted by Rene Mäe — Permalink

21.10.2025 — 04.11.2025

Julia Maria Künnap “Travelling Light”

Künnap_Bänner_ENG
Künnap_traveling_light

Julia Maria Künnap, “Travelling Light. A Study on the Movement of Light in Experimentally Cut Gemstones”

EKA Library 21.10-4.11.2025

This artistic research explores the fundamental principle of gemstone faceting — the refraction and reflection of light – in the combination of faceted and freeform elements. The aim of the exhibition is to demonstrate how individual reflective elements, through their mutual interaction, create the brilliance of a gemstone. To illustrate this theory, the exhibition presents both work in process and finished gems set in jewelry. The Exhibition is the First Creative Project of Doctoral Thesis “Playing with fire. Possibilities for designing four-dimensional gemstones by combining traditional faceting and free-form engraving. Time as a design element.” Supervisor Prof Krista Kodres

Julia Maria Künnap is a PhD student and junior researcher in Art and Design.

Posted by Andres Lõo — Permalink

Julia Maria Künnap “Travelling Light”

Tuesday 21 October, 2025 — Tuesday 04 November, 2025

Künnap_Bänner_ENG
Künnap_traveling_light

Julia Maria Künnap, “Travelling Light. A Study on the Movement of Light in Experimentally Cut Gemstones”

EKA Library 21.10-4.11.2025

This artistic research explores the fundamental principle of gemstone faceting — the refraction and reflection of light – in the combination of faceted and freeform elements. The aim of the exhibition is to demonstrate how individual reflective elements, through their mutual interaction, create the brilliance of a gemstone. To illustrate this theory, the exhibition presents both work in process and finished gems set in jewelry. The Exhibition is the First Creative Project of Doctoral Thesis “Playing with fire. Possibilities for designing four-dimensional gemstones by combining traditional faceting and free-form engraving. Time as a design element.” Supervisor Prof Krista Kodres

Julia Maria Künnap is a PhD student and junior researcher in Art and Design.

Posted by Andres Lõo — Permalink

15.10.2025

Science Café: “Artistic Research and the Audience”

EMTA, EKA and BFM invite you to the Science Café!

On Wednesday, 15 October at 6 p.m., a discussion evening will take place in AnkruSAAL at Põhjala Factory (Ankru 10, Tallinn). Researchers from the Estonian Academy of Music and Theatre (EMTA), the Estonian Academy of Arts (EKA) and Tallinn University’s Baltic Film, Media and Arts School (TLU BFM) will share insights into their creative practice and research, exploring the nature, methods and outcomes of artistic research. The event will be held in Estonian.

This Science Café focuses on “Artistic Research and the Audience.”
Until now, studies of theatre, film, art and concert audiences have largely come from a sociological perspective. Artistic research offers new angles, examining the relationship between performer or creator (musician, conductor, actor, artist and others) and listener/viewer, and how their roles and functions shift in different situations. Some art forms draw the audience directly into the creation of the work—eliciting a wide range of reactions. A good example is co-created or “life-based” theatre. How can an encounter between performer and audience become truly equal within a performance? Such questions provide fertile ground for conversation with Science Café guests: what are their own experiences and expectations?

Moderator: Mihhail Gerts (EMTA)
Panelists: Kadri Noormets (EMTA), Alisson Kruusmaa (EMTA), Sten Kauber (TLU BFM), Joanna Kalm (EKA)
Musical performance: Kristjan Kannukene (EMTA)

The Science Café on 15 October is part of the Estonian Academy of Music and Theatre’s flagship festival MÜRIAADfest.

Participation is free of charge, but please register in advance by 9 October  HERE.
The event is supported by the Estonian Research Council’s science popularisation programme and is open to everyone interested.

Posted by Triin Käo — Permalink

Science Café: “Artistic Research and the Audience”

Wednesday 15 October, 2025

EMTA, EKA and BFM invite you to the Science Café!

On Wednesday, 15 October at 6 p.m., a discussion evening will take place in AnkruSAAL at Põhjala Factory (Ankru 10, Tallinn). Researchers from the Estonian Academy of Music and Theatre (EMTA), the Estonian Academy of Arts (EKA) and Tallinn University’s Baltic Film, Media and Arts School (TLU BFM) will share insights into their creative practice and research, exploring the nature, methods and outcomes of artistic research. The event will be held in Estonian.

This Science Café focuses on “Artistic Research and the Audience.”
Until now, studies of theatre, film, art and concert audiences have largely come from a sociological perspective. Artistic research offers new angles, examining the relationship between performer or creator (musician, conductor, actor, artist and others) and listener/viewer, and how their roles and functions shift in different situations. Some art forms draw the audience directly into the creation of the work—eliciting a wide range of reactions. A good example is co-created or “life-based” theatre. How can an encounter between performer and audience become truly equal within a performance? Such questions provide fertile ground for conversation with Science Café guests: what are their own experiences and expectations?

Moderator: Mihhail Gerts (EMTA)
Panelists: Kadri Noormets (EMTA), Alisson Kruusmaa (EMTA), Sten Kauber (TLU BFM), Joanna Kalm (EKA)
Musical performance: Kristjan Kannukene (EMTA)

The Science Café on 15 October is part of the Estonian Academy of Music and Theatre’s flagship festival MÜRIAADfest.

Participation is free of charge, but please register in advance by 9 October  HERE.
The event is supported by the Estonian Research Council’s science popularisation programme and is open to everyone interested.

Posted by Triin Käo — Permalink

26.09.2025 — 19.10.2025

Alejandra Alarcón & Sandra Mirka “Grounded Gatherings: Rooted Beginnings” at EKA Gallery 27.09.–19.10.2025

Alejandra Alarcón & Sandra Mirka
GROUNDED GATHERINGS: ROOTED BEGINNINGS
Ground floor of EKA Gallery 27.09.–19.10.2025
Open Tue–Sat 12–6 pm Sun 12–4 pm
Opening: Friday, September 26 at 6 pm

As the seasons turn, “Grounded Gatherings: Rooted Beginnings” invites us to slow down, share food, and reflect on our relationship with the landscape. It offers a space to come together around the table, to simmer jams, and to share seasonal bites. This exhibition is imagined as a place for learning and unlearning, for exchanging different kinds of memories and knowledge. The work focuses on specific locations in Finland and Estonia, places where encounters with humans and more-than-humans have been flourishing. Through visual documentation from Spring and Summer, recipes, workshop events, and communal meals, the project invites us to build and maintain a long-lasting relationship with our surroundings through taste.

“Grounded Gatherings” is a multidisciplinary project by Alejandra Alarcón and Sandra Mirka, unfolding between Finland and Estonia. Sandra Mirka holds an MA in interior architecture and is a certified chef based in Tallinn. Her practice is led by sourcing and building with up-cycled materials, connecting spatial design with food cultures. Alejandra Alarcón is an interdisciplinary artist and designer based in Helsinki. She holds an MA in Contemporary Design. Her interest in (food) sustainability—the seasonality of things, non-human collaborations—is deeply tied to embodied practices such as walking, foraging, cooking, and digesting. Both creatives share a passion for food and cooking, working with it in different ways throughout their individual practices. Both creatives are deeply interested in how humans and more than humans co-exist in ways that create opportunities for more caring and sustainable practices.

Graphic design: Daria Titova
Technical support: Erik Hõim
The exhibition is supported by Sadolin Estonia and Tallinn City.
Special thanks to Joni Judén, Kaitlyn D. Hamilton, TUOTUO, Lenne Nigul, Anumai Raska, Estonian Centre for Architecture, Mariann Drell, Markus Koistinen and Radul Radulović.
Opening drinks from mirai™ and Põhjala Brewery.

Posted by Kaisa Maasik — Permalink

Alejandra Alarcón & Sandra Mirka “Grounded Gatherings: Rooted Beginnings” at EKA Gallery 27.09.–19.10.2025

Friday 26 September, 2025 — Sunday 19 October, 2025

Alejandra Alarcón & Sandra Mirka
GROUNDED GATHERINGS: ROOTED BEGINNINGS
Ground floor of EKA Gallery 27.09.–19.10.2025
Open Tue–Sat 12–6 pm Sun 12–4 pm
Opening: Friday, September 26 at 6 pm

As the seasons turn, “Grounded Gatherings: Rooted Beginnings” invites us to slow down, share food, and reflect on our relationship with the landscape. It offers a space to come together around the table, to simmer jams, and to share seasonal bites. This exhibition is imagined as a place for learning and unlearning, for exchanging different kinds of memories and knowledge. The work focuses on specific locations in Finland and Estonia, places where encounters with humans and more-than-humans have been flourishing. Through visual documentation from Spring and Summer, recipes, workshop events, and communal meals, the project invites us to build and maintain a long-lasting relationship with our surroundings through taste.

“Grounded Gatherings” is a multidisciplinary project by Alejandra Alarcón and Sandra Mirka, unfolding between Finland and Estonia. Sandra Mirka holds an MA in interior architecture and is a certified chef based in Tallinn. Her practice is led by sourcing and building with up-cycled materials, connecting spatial design with food cultures. Alejandra Alarcón is an interdisciplinary artist and designer based in Helsinki. She holds an MA in Contemporary Design. Her interest in (food) sustainability—the seasonality of things, non-human collaborations—is deeply tied to embodied practices such as walking, foraging, cooking, and digesting. Both creatives share a passion for food and cooking, working with it in different ways throughout their individual practices. Both creatives are deeply interested in how humans and more than humans co-exist in ways that create opportunities for more caring and sustainable practices.

Graphic design: Daria Titova
Technical support: Erik Hõim
The exhibition is supported by Sadolin Estonia and Tallinn City.
Special thanks to Joni Judén, Kaitlyn D. Hamilton, TUOTUO, Lenne Nigul, Anumai Raska, Estonian Centre for Architecture, Mariann Drell, Markus Koistinen and Radul Radulović.
Opening drinks from mirai™ and Põhjala Brewery.

Posted by Kaisa Maasik — Permalink

02.09.2025 — 18.10.2025

IF I WERE-A-PERSON. An Exhibition of Liisa Nurklik’s drawings at EKA Library

The exhibition “If I were-a-person” by Liisa Nurklik explores the artist’s inner self and gives a visual to whom or what are currently occupying it, displaying series of drawings made with charcoal, pastel and pencil. This “self” can appear in different ways: sometimes it takes form as hair, then again as burning candles on a cake. The artist attempts to give a body and/or face to whom she believes herself to be, asking – if she really is a person or merely pretending. In this exhibition, whatever these insides consist of has been dragged out one by one and laid bare.
 
Liisa Nurklik (2000) is currently on her third year of painting studies at the Estonian Academy of Arts.
We are glad to invite you to the opening of the exhibition on Tuesday 02.09 at 18:00 in EKA library. The exhibition will remain open until October 18th.
Posted by Andres Lõo — Permalink

IF I WERE-A-PERSON. An Exhibition of Liisa Nurklik’s drawings at EKA Library

Tuesday 02 September, 2025 — Saturday 18 October, 2025

The exhibition “If I were-a-person” by Liisa Nurklik explores the artist’s inner self and gives a visual to whom or what are currently occupying it, displaying series of drawings made with charcoal, pastel and pencil. This “self” can appear in different ways: sometimes it takes form as hair, then again as burning candles on a cake. The artist attempts to give a body and/or face to whom she believes herself to be, asking – if she really is a person or merely pretending. In this exhibition, whatever these insides consist of has been dragged out one by one and laid bare.
 
Liisa Nurklik (2000) is currently on her third year of painting studies at the Estonian Academy of Arts.
We are glad to invite you to the opening of the exhibition on Tuesday 02.09 at 18:00 in EKA library. The exhibition will remain open until October 18th.
Posted by Andres Lõo — Permalink

04.09.2025

Estonian Academy of Arts Science Cafe: Keep the Church in the Village. How to use Heritage?

Estonian Academy of Arts Science Cafe is hosting a roundtable talk on the changing roles of religious and industrial buildings in contemporary Europe on the 4th of September from 1 to 3 pm at the Narva Art Residency (NART, Joala 18) as part of the Station Narva festival.

The event will be held both onsite and online from HERE.

Estonian Academy of Arts Science Cafe focuses on the shifting roles of religious and industrial buildings in contemporary Europe. As congregations shrink and industries relocate, churches and factories alike are increasingly left vacant, raising complex questions about reuse, heritage, and identity. The discussion will address how these spaces are being reimagined—as museums, cultural centres, or residential developments—and what this reveals about broader societal transformations in both secular and post-industrial contexts.

The discussion will feature musicologist and journalist Brigitta Davidjants, associate professor of social innovation at the University of Tartu Marko Uibu, Auxiliary Bishop of the Patriarchate of Lisbon (Portugal) and Associate Professor at the Portuguese Catholic University – Faculty of Theology Alexandre Palma. The talk will be moderated by art historian and semiotician Gregor Taul. 

The event requires pre-registration by August 29. A free bus service is provided from Tallinn to Narva and back, departing from EKA. More information is available upon pre-registration.

After the Science Café, you are welcome to attend the Station Narva opening concert featuring Estonian Voices at 5:30 PM in the Rugodivi Culture House, Grand Hall. Admission is free, and doors open at 5:00 PM.

More information: triin.kao@artun.ee
Facebook event.

The event will take place under the auspices of the Transform4Europe Alliance — a collaborative network of 11 European universities focused on climate change, digitalisation, and social challenges — and is co-funded by the Erasmus+ Programme of the European Union.

*

The English saying “keep the church in the village” means “do not cause an uproar.” There are similar sayings in German, French and many other European languages. With some differences, they denote that the church forms the centre of community, the basis of identity, but also, in a figurative sense, the embodiment of common sense. Despite the geographical scope and cultural differences in Catholic, Orthodox and Lutheran countries this has been the case in all of Europe. However, recent times have brought changes. Industrialisation, secular modernisation and large-scale urban planning schemes have shifted the principles of how communities are formed. This was especially so in the fundamentally atheist Soviet Union. For example in Soviet Estonia only a few religious edifices were erected between 1944 and 1991. 

The number of church-goers has also declined. As a result some churches have lost their congregations. This has raised the question of how to treat the disused churches? The situation resembles that of the post-industrial shift. Starting from the 1970s European manufacturers have left the continent in search of cheaper labour and thus the abandoned factories have made way for the birth of ‘creative cities’ – we have seen empty factories first used as squats and informal project spaces, then as gentrified creative quarters and eventually becoming expensive lofts. As for the repurposed religious buildings there are more thought-provoking examples where former religious buildings have been turned into museums, bookshops, concert halls or even swimming pools. As adaptive reuse of spaces and materials is becoming a legislative requirement in Europe, we will see more such examples in the near future. 

At the backdrop of a contemporary music festival, Narva’s fabled industrial legacy and the crossroads of divergent (religious) identities this roundtable will look at both historic case studies and current disputes concerning religious and industrial heritage in Europe.

*

Brigitta Davidjants is a journalist and researcher at Estonian Academy of Music and Theatre, Estonia. In her academic research, she looks at national identity constructions and the marginalities of subcultures.

Marko Uibu is an Estonian social scientist and Associate Professor of Social Innovation at the Institute of Social Studies, University of Tartu. His 2016 doctoral dissertation in University of Tartu was called “Religiosity as Cultural Toolbox: a Study of Estonian New Spirituality”.

Alexandre Palma is a theologian, Auxiliary Bishop and university professor. He is an assistant professor at the Catholic University (courses: Mystery of God; Christology; and Theology of Religions) and a researcher at the CITER – Research Center for Theology and Religion Studies. He also serves as Auxiliary Bishop of the Patriarchate of Lisbon (Portugal) and is a member of the European Society for Catholic Theology and of the Seminar of young scientists of the Lisbon Academy of Sciences.

Gregor Taul is a teacher, critic, and curator based in Tallinn, working as an associate professor in the Departments of Interior Architecture and General Theory Classes at the Estonian Academy of Arts. In his academic research, he focuses on art in public space, with a particular interest in Soviet-era monuments and murals as well as contemporary public art commissions.

Posted by Gregor Taul — Permalink

Estonian Academy of Arts Science Cafe: Keep the Church in the Village. How to use Heritage?

Thursday 04 September, 2025

Estonian Academy of Arts Science Cafe is hosting a roundtable talk on the changing roles of religious and industrial buildings in contemporary Europe on the 4th of September from 1 to 3 pm at the Narva Art Residency (NART, Joala 18) as part of the Station Narva festival.

The event will be held both onsite and online from HERE.

Estonian Academy of Arts Science Cafe focuses on the shifting roles of religious and industrial buildings in contemporary Europe. As congregations shrink and industries relocate, churches and factories alike are increasingly left vacant, raising complex questions about reuse, heritage, and identity. The discussion will address how these spaces are being reimagined—as museums, cultural centres, or residential developments—and what this reveals about broader societal transformations in both secular and post-industrial contexts.

The discussion will feature musicologist and journalist Brigitta Davidjants, associate professor of social innovation at the University of Tartu Marko Uibu, Auxiliary Bishop of the Patriarchate of Lisbon (Portugal) and Associate Professor at the Portuguese Catholic University – Faculty of Theology Alexandre Palma. The talk will be moderated by art historian and semiotician Gregor Taul. 

The event requires pre-registration by August 29. A free bus service is provided from Tallinn to Narva and back, departing from EKA. More information is available upon pre-registration.

After the Science Café, you are welcome to attend the Station Narva opening concert featuring Estonian Voices at 5:30 PM in the Rugodivi Culture House, Grand Hall. Admission is free, and doors open at 5:00 PM.

More information: triin.kao@artun.ee
Facebook event.

The event will take place under the auspices of the Transform4Europe Alliance — a collaborative network of 11 European universities focused on climate change, digitalisation, and social challenges — and is co-funded by the Erasmus+ Programme of the European Union.

*

The English saying “keep the church in the village” means “do not cause an uproar.” There are similar sayings in German, French and many other European languages. With some differences, they denote that the church forms the centre of community, the basis of identity, but also, in a figurative sense, the embodiment of common sense. Despite the geographical scope and cultural differences in Catholic, Orthodox and Lutheran countries this has been the case in all of Europe. However, recent times have brought changes. Industrialisation, secular modernisation and large-scale urban planning schemes have shifted the principles of how communities are formed. This was especially so in the fundamentally atheist Soviet Union. For example in Soviet Estonia only a few religious edifices were erected between 1944 and 1991. 

The number of church-goers has also declined. As a result some churches have lost their congregations. This has raised the question of how to treat the disused churches? The situation resembles that of the post-industrial shift. Starting from the 1970s European manufacturers have left the continent in search of cheaper labour and thus the abandoned factories have made way for the birth of ‘creative cities’ – we have seen empty factories first used as squats and informal project spaces, then as gentrified creative quarters and eventually becoming expensive lofts. As for the repurposed religious buildings there are more thought-provoking examples where former religious buildings have been turned into museums, bookshops, concert halls or even swimming pools. As adaptive reuse of spaces and materials is becoming a legislative requirement in Europe, we will see more such examples in the near future. 

At the backdrop of a contemporary music festival, Narva’s fabled industrial legacy and the crossroads of divergent (religious) identities this roundtable will look at both historic case studies and current disputes concerning religious and industrial heritage in Europe.

*

Brigitta Davidjants is a journalist and researcher at Estonian Academy of Music and Theatre, Estonia. In her academic research, she looks at national identity constructions and the marginalities of subcultures.

Marko Uibu is an Estonian social scientist and Associate Professor of Social Innovation at the Institute of Social Studies, University of Tartu. His 2016 doctoral dissertation in University of Tartu was called “Religiosity as Cultural Toolbox: a Study of Estonian New Spirituality”.

Alexandre Palma is a theologian, Auxiliary Bishop and university professor. He is an assistant professor at the Catholic University (courses: Mystery of God; Christology; and Theology of Religions) and a researcher at the CITER – Research Center for Theology and Religion Studies. He also serves as Auxiliary Bishop of the Patriarchate of Lisbon (Portugal) and is a member of the European Society for Catholic Theology and of the Seminar of young scientists of the Lisbon Academy of Sciences.

Gregor Taul is a teacher, critic, and curator based in Tallinn, working as an associate professor in the Departments of Interior Architecture and General Theory Classes at the Estonian Academy of Arts. In his academic research, he focuses on art in public space, with a particular interest in Soviet-era monuments and murals as well as contemporary public art commissions.

Posted by Gregor Taul — Permalink

15.09.2025

EKA’s Competition of Applied Research and Development Projects 2025

Each year, the Estonian Academy of Arts Research and Development Office, in conjunction with the Tallinn Strategic Management Office, holds an applied research and development projects competition to motivate the Academy’s members to apply to a greater extent the results of their academic and research work in the public, business and third sectors; to increase the quality and extent of knowledge services provided by the Academy to society and businesses and to raise public awareness of the application of the Academy’s know-how in the economy and society.

The main prize of the competition, provided by the City of Tallinn, is 1000€. The total prize fund is up to 3600€, and at least two prizes will be awarded. If numerous outstanding works are submitted for the competition, additional work(s) will be awarded.

The competition welcomes submissions from:
– Course or graduation projects by EKA students that have a practical application, for example if the results could potentially be used by a company or another organization.
– Research or project work by EKA staff and researchers that has practical applicability beyond the academic environment.

The works must be completed between 01.09.2024–31.08.2025.

To submit a project to the competition a completed form together with additional materials must be sent to koostoo@artun.ee no later than 15 September 2025. The e-mail addresses of all authors of the work must be included among the e-mail recipients.

The competition is co-funded by the City of Tallinn.

See last year’s winners HERE (short clips).

Materials for applying:

Procedure for Competition of Applied Research and Development Works

Submission form

Posted by Maarja Pabut — Permalink

EKA’s Competition of Applied Research and Development Projects 2025

Monday 15 September, 2025

Each year, the Estonian Academy of Arts Research and Development Office, in conjunction with the Tallinn Strategic Management Office, holds an applied research and development projects competition to motivate the Academy’s members to apply to a greater extent the results of their academic and research work in the public, business and third sectors; to increase the quality and extent of knowledge services provided by the Academy to society and businesses and to raise public awareness of the application of the Academy’s know-how in the economy and society.

The main prize of the competition, provided by the City of Tallinn, is 1000€. The total prize fund is up to 3600€, and at least two prizes will be awarded. If numerous outstanding works are submitted for the competition, additional work(s) will be awarded.

The competition welcomes submissions from:
– Course or graduation projects by EKA students that have a practical application, for example if the results could potentially be used by a company or another organization.
– Research or project work by EKA staff and researchers that has practical applicability beyond the academic environment.

The works must be completed between 01.09.2024–31.08.2025.

To submit a project to the competition a completed form together with additional materials must be sent to koostoo@artun.ee no later than 15 September 2025. The e-mail addresses of all authors of the work must be included among the e-mail recipients.

The competition is co-funded by the City of Tallinn.

See last year’s winners HERE (short clips).

Materials for applying:

Procedure for Competition of Applied Research and Development Works

Submission form

Posted by Maarja Pabut — Permalink

06.03.2025 — 06.05.2025

Andrew Hill: “Scaled Views. Details from the CCA Archive”

From 6 March, exhibition by artist and graphic designer Andrew Hill, titled “Scaled Views. Details from CCA Archive”, showcasing findings from the archive of Estonian Centre for Contemporary Art will be open at the library of Estonian Academy of Arts.

Influenced by his experience of working at the Nova Scotia College of Art and Design library and archive, Andrew treated the CCA archive as material deposit and shaped his findings to be exhibited in various compositions of the A4 format. Therefore, the showcase focuses on rendering of scale and the indefinite potential of archival material and possible interpretation and not so much on reconstructing past events. In this exhibition, the focal point lies on the infrastructure of the exhibits, on the quotidien information carriers, which shape the material into a bureau aesthetic exposition.

Andrew Hill is an artist and graphic designer from Nova Scotia, Canada, currently based in Tallinn. He is a founder of the Halifax Art Book Fair and OTCHO, a periodical about fingerboarding. His work in public libraries and immigration archives informs his approach to publishing and organizing. He dreams of being illuminated by an Emeralite, next to a stack of yearbooks, sleeping in a banker’s box.

The exhibition is curated by Marika Agu from the Estonian Centre for Contemporary Art.

The exhibition will be open until 6 May 2025.

Posted by Andres Lõo — Permalink

Andrew Hill: “Scaled Views. Details from the CCA Archive”

Thursday 06 March, 2025 — Tuesday 06 May, 2025

From 6 March, exhibition by artist and graphic designer Andrew Hill, titled “Scaled Views. Details from CCA Archive”, showcasing findings from the archive of Estonian Centre for Contemporary Art will be open at the library of Estonian Academy of Arts.

Influenced by his experience of working at the Nova Scotia College of Art and Design library and archive, Andrew treated the CCA archive as material deposit and shaped his findings to be exhibited in various compositions of the A4 format. Therefore, the showcase focuses on rendering of scale and the indefinite potential of archival material and possible interpretation and not so much on reconstructing past events. In this exhibition, the focal point lies on the infrastructure of the exhibits, on the quotidien information carriers, which shape the material into a bureau aesthetic exposition.

Andrew Hill is an artist and graphic designer from Nova Scotia, Canada, currently based in Tallinn. He is a founder of the Halifax Art Book Fair and OTCHO, a periodical about fingerboarding. His work in public libraries and immigration archives informs his approach to publishing and organizing. He dreams of being illuminated by an Emeralite, next to a stack of yearbooks, sleeping in a banker’s box.

The exhibition is curated by Marika Agu from the Estonian Centre for Contemporary Art.

The exhibition will be open until 6 May 2025.

Posted by Andres Lõo — Permalink

21.02.2025

Republic of Estonia 107 Ceremony

REpublic of Estonia 107 EN3

Dear EKA members!

I invite you all to the celebrations of the 107th anniversary of the Republic of Estonia on Friday, February 21st at 13.00 on the lobby steps.

The keynote speaker will be Signe Kivi, EKA’s Rector Emerita, textile artist and member of the Riigikogu. Among many other activities, Signe Kivi has a solo exhibition “Signature” running until the first Sunday in March at the Estonian Museum of Applied Arts and Design.

The event will end as tradition dictates with a shot of vodka, kissel and sprat sandwich.

Long live Estonia!

Mart Kalm
Rector

Posted by Andres Lõo — Permalink

Republic of Estonia 107 Ceremony

Friday 21 February, 2025

REpublic of Estonia 107 EN3

Dear EKA members!

I invite you all to the celebrations of the 107th anniversary of the Republic of Estonia on Friday, February 21st at 13.00 on the lobby steps.

The keynote speaker will be Signe Kivi, EKA’s Rector Emerita, textile artist and member of the Riigikogu. Among many other activities, Signe Kivi has a solo exhibition “Signature” running until the first Sunday in March at the Estonian Museum of Applied Arts and Design.

The event will end as tradition dictates with a shot of vodka, kissel and sprat sandwich.

Long live Estonia!

Mart Kalm
Rector

Posted by Andres Lõo — Permalink

28.01.2025

Open Debate of EKA Rector Candidates

On Tuesday, January 28, 2025 at 4:00 p.m., open debate of EKA rector candidates will take place.

EKA rector candidate programs (in Estonian):

Rector candidate Hilkka Hiiop’s program
Rector candidate Kirke Kangro’s program

Hilkka Hiiop is the dean of EKA’s Faculty of Arts and Culture from 2021. Hiiop is a professor in the Department of Cultural Heritage and Conservation. Hiiop’s candidacy was submitted by the members of the EKA Council.

Kirke Kangro is the dean of EKA’s Faculty of Fine Arts from 2016. She is a professor at the Department of Installation and Sculpture. Kangro was nominated by the Faculty of Fine Arts and Faculty of Design of EKA.

The EKA rector’s elections will take place in auditorium A-101 on Friday, January 31, 2025, at 2:00 p.m.

At the election meeting, the members of the electoral board will vote by secret ballot. The rector candidate who receives more than half of the votes will be elected.

Information related to the rector’s elections can be found at artun.ee/rektori-valimised.

The term of office of the new EKA Rector will begin on April 4, 2025.

 

Posted by Andres Lõo — Permalink

Open Debate of EKA Rector Candidates

Tuesday 28 January, 2025

On Tuesday, January 28, 2025 at 4:00 p.m., open debate of EKA rector candidates will take place.

EKA rector candidate programs (in Estonian):

Rector candidate Hilkka Hiiop’s program
Rector candidate Kirke Kangro’s program

Hilkka Hiiop is the dean of EKA’s Faculty of Arts and Culture from 2021. Hiiop is a professor in the Department of Cultural Heritage and Conservation. Hiiop’s candidacy was submitted by the members of the EKA Council.

Kirke Kangro is the dean of EKA’s Faculty of Fine Arts from 2016. She is a professor at the Department of Installation and Sculpture. Kangro was nominated by the Faculty of Fine Arts and Faculty of Design of EKA.

The EKA rector’s elections will take place in auditorium A-101 on Friday, January 31, 2025, at 2:00 p.m.

At the election meeting, the members of the electoral board will vote by secret ballot. The rector candidate who receives more than half of the votes will be elected.

Information related to the rector’s elections can be found at artun.ee/rektori-valimised.

The term of office of the new EKA Rector will begin on April 4, 2025.

 

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