Category: Support Units

Open Mon-Sat at 15.00–18.00 & Sun 12.00–18:00
The gallery is closed on May 1, 10 & 19

May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in animation, contemporary art, installation and sculpture, painting, photography, printmaking, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

SCHEDULE

Mon 29.04. Drawing, supervisors Maiu Rõõmus, Matti Pärk
Tue 30.04. Drawing, supervisors Eero Alev, Britta Benno
Thu 2.05. Drawing, supervisor Ulvi Haagensen
Fri 3.05. Drawing and painting, supervisors Britta Benno, Brenda Purtstak (Second year students of animation and scenography)
Sat 4.05. – Sun 5.05. Anatomical drawing, supervisor Lembe Ruben-Kangur

Mon 6.05. Photography, supervisor Madis Kurss
Tue 7.05. Photography, supervisor Marge Monko
Wed 8.05. Painting, supervisors Sirja-Liisa Eelma, Kristi Kongi, Holger Loodus
Thu 9.05. Painting, supervisors Eero Alev, Mihkel Ilus, Holger Loodus, Jaan Toomik
Fri 10.05. Animation, supervisor Liisa Kruusmägi (in room A-205)
Sat 11.05. – Mon 13.05. Contemporary art, supervisors Anu Vahtra, Kristi Kongi, Camille Laurelli, Marge Monko, Liina Siib, Taavi Talve, Anu Vahtra, Eve Kask, Laura Põld, David K. Ross, Jaan Toomik, Reimo Võsa-Tangsoo

Tue 14.05. Printmaking, supervisors Maria Erikson, Merilin Metsamaa, Mirjam Varik, Lembe Ruben-Kangur, Sandra Puusepp
Wed 15.05. Animation, supervisors Lilli-Krõõt Repnau, Lucija Mrzljak, Anu-Laura Tuttelberg
Thu 16.05. Scenography, supervisors Liina Keevallik, Mark Raidpere (Bachelor students of scenography)
Fri 17.05. Scenography, supervisors Renzo Alexander Van Steenbergen (Master students of scenography)
Sat 18.06. Drawing, supervisor Lilli-Krõõt Repnau (Second year students of photography)

Mon 20.05. Printmaking, supervisors Eve Kask, Viktor Gurov, Erik Alalooga, Eve Kaaret, Monica Langwe (Second and third year students of printmaking)
Tue 21.05. Photography, supervisors Anna Kaarma, Kulla Laas (Third year students of photography)

Singular Inner Worlds

Marju Mutsu and Reti Saks (Laanemäe) 

This exhibition presents the graduation projects of two notably distinct female print artists: Marju Mutsu (1941–1980), who graduated in 1969, and Reti Saks, formerly Laanemäe (1960), who obtained her diploma in print art in 1987. From the outset, both artists displayed a unique and unmistakable style. They both engrave their visions with a sharp needle onto the acid resistant layer of a metal plate using intaglio printing, specifically etching. Their interpretations of the world are profound and characterised by a strong sense of generalisation – albeit expressed in entirely different ways.

Marju Mutsu’s vibrant series Youth comprises six prints, each titled thematically: Wind, Truth, Tenderness, Song, School and Earth. On one hand, we observe the spirit of the 1960s reflected here, capturing the fast-paced rhythms of contemporary life, alongside determined-looking men with strong jawlines. On the other hand, we encounter unprecedented forms in Estonian printmaking, witty suggestions, fragmentation of the pictorial space, as well as emotional experiences, mental states, and the beauty of nature’s fragments. The uniqueness of Mutsu’s print art lies not only in its dynamic expression and Astrid Lindgren-like humour, but also in its exploration of all the possibilities of intaglio printing and bold experimentation: at times, the plate is not completely wiped clean of printing ink, the outlines of recognisable figures blend into abstraction, and the surface of the printing plate itself becomes a character.

The joyful print artist departed from us prematurely, at the young age of just 39.

Reti Saks’ series of seven images Games exudes a more subdued and static tone. From the outset, the artist has been on a quest for answers to life’s profound mysteries, delving into the enigma of life and death. The depth of exploration, sometimes even penetrating the surface of the image itself, is evident in the sheet titled Deep Print. Other prints, like Stairs, Ribbon and Walker, signify human choices, whereas works such as Eye to Eye, Hand and Picture illustrate the enigmatic ways in which the world can be perceived. The artist reflects the world through herself, with her images literally bearing her own visage. In a metaphysical expanse of imagery, a semi-frozen figure of a child-woman emerges, often in repetitive iterations, reminiscent of the artist herself. This deeply introspective exploration of the world is both painful and melancholic, yet it is also rich and multi-layered.

Reeli Kõiv
curator of the exhibition

Graphic design: Pärtel Eelmere

Nature and Abstraction
Designs for Monumental Paintings from the 1970–1980s

Monumental painting emerged as a significant medium in Estonian art during the 1960s. However, formal instruction in this area gained momentum at the art academy over the subsequent two decades. During this period, the ideas of several painting students progressed from concept to completion in various materials. Examples include the stained glass works of Urve Dzidzaria and Heli Tuksam, which originated from their diploma projects. The preliminary work of these projects is also displayed at the current exhibition.

While Soviet official art typically featured propagandistic content in works intended for public spaces, neither our professional monumental painting nor the students’ works adhere to this approach. Guided by the enthusiastic mentorship of Dolores Hoffmann, students developed universally human and aesthetic solutions in monumental painting. One noticeable trend is the oscillation between nature-inspired, realistic design creation and the abstract style, where recognisable figures have been lost. This selection presents various personal approaches, ranging from a slightly stylised manner to completely abstract expression. In each case, the artists have carefully considered the future technique of execution, whether it be fresco, sgraffito, mosaic or stained glass.

Several artworks that were removed from the old EKA building on Tartu Road before its demolition have been subsequently reinstalled and showcased in the new academy building. Furthermore, contemporary pieces have been introduced, as instruction in monumental painting continues under the guidance of Heldur Lassi at the Estonian Academy of Arts, albeit on a more modest scale today. Present-day students are not constrained by traditional boundaries – they do employ classical techniques but boldly blend them together as dictated by the content. This exhibition provides viewers with the opportunity to establish conceptual links between different approaches from various periods, prompting them to seek out the completed monumental paintings, both old and new, within the public spaces of the EKA.

The artworks showcased in the exhibition were initially featured at the comprehensive exhibition Invisible Monumental Painting at the EKA Gallery in 2020, offering a vibrant display designed by Kristi Kongi.

Reeli Kõiv
curator of the exhibition

Passepartouts: Kristi Kongi
Graphic design: Pärtel Eelmere

Transform4Europe discussion on Monday, April 15th from 10:00 AM to 4:45 PM (EEST) via Teams.

The training is divided into two parts. The first part focuses on citizen science, introducing its concept, limitations, and problems. The second part focuses on improving science communication skills. The program is led by experts from various institutions, aiming to increase participants’ ability to convey scientific information and navigate the challenges of today’s media landscape. International speakers including Kert Viiart (Estonian Academy of Arts) and Veljo Runnel (University of Tartu) will participate with presentations.

10:45–11:15 AM (EEST)
Exploring the Role of Private Natural History Collections in Citizen Science: Opportunities and Challenges. Veljo Runnel, Citizen Science Expert (University of Tartu, Estonia)

2:45–3:45 PM (EEST)
Navigating the Landscape of Visual Misinformation (Lecture/Seminar). Kert Viiart, Associate Professor, Graphic Designer and Visual Artist (Estonian Academy of Arts)

The full program can be found here. Pre-registration is required for the discussion. Reminders and login information will be sent 3–5 days before the event.

The program is in Central European Time (CET), which is one hour behind Estonian time.

“EKA in Kenya. Implementing the Upmade System”
EKA Gallery 5.–26.04.2024
Open Tue–Sun 12–6 pm, free entry
Opening: 4.04.2024 at 6 pm

Supervisors: Reet Aus, Maria Pukk
Participants: Marta Konovalov, Susanna-Belinda Kõgel, Eva-Liis Lidenburg, Kaisa Moora, Anu Muiste, Doreen Mägi, Maria Rojko Nisu, Eva Reiska, Katrin Lepa-Ruben, Lisandra Türkson, Maris Vahter

The exhibition “EKA in Kenya. Implementing the Upmade System” focuses on the effort to reduce and recycle waste from the textile industry. The students of circular design of the Estonian Academy of Arts spent the month of February in 2024 in Kenya, in the city of Eldoret. On site, they learned about the production at the Rivatex factory, followed the product development process, performed analyzes and applied upcycling principles. Twelve different product concepts created by students will be displayed in EKA Gallery, including accessories, clothes, lampshades and a modular tent.

The international project “Transferring Upmade Know-How to Kenya” is part of a longer cooperation between Moi University and DiMa, the Sustainable Design and Materials Lab at the Estonian Academy of Arts. DiMa has contributed to reducing the environmental impact of the fashion and textile industry through various international projects. The aim of the project is to increase the circulation of Kenya’s textile industry by introducing the UPMADE method at the Rivatex factory. The approach enables the recycling of textile waste generated during manufacturing, thus supporting more environmentally friendly production.

The project has been made in cooperation with the Stockholm Environment Institute Tallinn Center (SEI Tallinn) and Moi University, with the support of the Erasmus+ study mobility program and the Environmental Investment Centre (KIK).

Opening drinks from Punch Club.

More info:
Transferring Upmade Know-How to Kenya

Cloe Jancis & Ann Pajuväli
“beginners”
EKA Billboard Gallery 22.03.–02.06.2024
Open 24/7, free
Opening: 22.03.2024 at 6 pm

A beginner’s mindset means letting go of assumptions, expertise, or preconceived notions that might cloud our perception or limit our understanding. In this state, we cultivate curiosity, humility and willingness to learn, even with prior knowledge and experience on the subject. It means embracing a sense of astonishment and discovery by trying things for the first time, which can lead to new perspectives and foster creativity and personal growth.

The artists emphasise that the exhibition is about growing out of the ways of representation they have become accustomed to: “We are in a phase of transition – it is not clear-cut, but it is lively and honest. Going through it means letting go (of former habits) and trusting that work teaches the doer. At the exhibition, we share parallel quests that may have a result, but not necessarily. This is a stopover, one possible version; unfinished thoughts, half-baked ideas, new beginnings and loose ends. The most honest expression of the current situation.

Opening drinks from Punch Drinks.

GENTLE GESTURES OF SELF
7.–31.03.2024
Opening: 7.03. at 6 pm

Participating artists: Andre Joosep Arming, Annamaari Hyttinen, Cloe Jancis, Maria Izabella Lehtsaar, Taavi Rekkaro, Johanna Saikkonen, Marleen Suvi, Elo Vahtrik
Curator: Kaisa Maasik

The group exhibition “Gentle Gestures of Self” brings together a selection of contemporary self-portraits. The paintings and photographs primarily depict the faces and hands of the artists, pointing at the emotions brought out by their facial expressions and gestures.

Culturally, hands are attributed with a great expressive power: in addition to conveying mood, depicting hands in specific positions can communicate deep feelings and meanings. Anthropologist Ethel J. Alpenfels has said: “Hands point or lead or command; hands cry out in agony or lie quietly sleeping; hands have moods, character, and, in a wider sense, their own particular beauty.”

The exhibition stems from a curatorial perspective focusing on relationships, inner experiences and moods. It approaches hands’ special ability and vulnerability to convey all emotions, even those that people have learned to control in facial expressions.

Opening drinks from Põhjala Brewery.

EKA Gallery
Kotzebue 1, Tallinn
Open Tue–Sun 12–18, free entry

More info:
eka.galerii@artun.ee

Forum Wood Building Baltic
26 February – 28 February 2024
Tallinn, Estonia
https://www.forum-woodbaltic.com/

We invite you to participate in the Forum Wood Building Baltic 2024 to be held on February 27 and 28 in Tallinn, Estonia. This year we have more than 40 speakers from 15 countries. 

 There is also an opportunity to participate in the thematic excursions on February 26th. Forum Wood Building Baltic is the main conference for architecture and engineering topics of wooden buildings in the Baltic region. The overarching theme of Forum Wood Building Baltic 2024 is integrated design where different disciplines come together with their own possibilities and limitations to cooperate and push the boundaries of innovation in timber construction.  

The main technical topics will be:

• introduction to the second generation of Eurocode 5 (by the authors of different parts) 
• design for manufacturing and assembly 
• building physics of wooden houses 
• energy performance, fire safety etc. 

The conference is a part of the international organization Forum Holzbau. Local hosts are Estonian Academy of Arts and Tallinn University of Technology.
 

Registration to the conference can be easily done here: https://www.forum-woodbaltic.com

The gala dinner on February 27th is included in all tickets.