“(anti-)career days” at EKA Gallery 5.–7.02.2025

Location:
EKA Galerii

Start Date:
05.02.2025

Start Time:
15:00

End Date:
07.02.2025

(ANTI-)CAREER DAYS
EKA Gallery 5.–7.02.2025
See schedule below, participation is free

The three-day event series “(anti-)career days” invites all those active in the field of art and culture to participate in workshops, reading groups, discussions and exercises that seek to explore what it means to be an artist today. The event focuses on the personal, collective and institutional touchpoints on a creative journey, initiating discussions on themes of precarity, solidarity and social and political responsibility. Academic education asks us who we are in order to shape us into prescribed frameworks and prepare us for a professional career. What if, instead, we focused on who we would like to be and the kind of world we would like to live and create in? The aim of the “(anti-)career days” project is to abandon the individualistic idea of ​​surviving as an artist in order to discuss how we can collectively flourish. Realizing collectivity can, in turn, be a liberating and unifying force to critically rethink the role and function of institutions and intervene in the broader social context to which art is inevitably connected. The event is an open platform for several collectives, networks and creative individuals who will explore the topics from different perspectives.

 

Initiated by: Laura Konsand
Participants: Community in EKA for Palestine, Daylight Project, ENKKL (Estonian Young Contemporary Art Union), Frederik Klanberg, Kolkaplikad, Laura Konsand, Performing Arts Curator, Queer Association of EKA Students, Ulvi Haagensen, Yvette Bathgate & Jake Shepherd
Graphic design: Fatima-Ezzahra Khammas
Technical support: Mattias Veller
Drinks for the communal dinner from Põhjala Brewery.

 

SCHEDULE

DAY 1, February 5th – BITE THE HANDS THAT HOLD US (IN COMPLICITY)

3 – 5 pm collage workshop “What Could Make EKA Safer for LGBTQIA+ People?” organised by EKA Students’ Queer Association (in Estonian and English) Please sign up here.

One of the missions of EKA Students’ Queer Association is to stand up for the well-being of students and to facilitate dialogue between the school and the community. This collage workshop is the first step in mapping students’ concerns, joys, needs and expectations for the school environment. What’s good? What could be improved? During the workshop these questions will be approached playfully and visually using the collage technique. The purpose is to get to know each other first, in order to plant the first seeds of collaboration that can grow into something lasting and solid.

6 – 7.30 pm roundtable talk “A Political University” hosted by Community in EKA for Palestine (in English) 

Since the onset of the genocide in Gaza, the arts and culture sector has witnessed an ‘apolitical’ discourse that has impacted artists, art organizations, and art schools in various ways.

The notion of institutional neutrality diminishes political engagement and suppresses scholarly debate. It conceals the inherently political nature of nearly every university activity, from decisions about admissions and research funding to policies on hosting events and putting up posters. Each choice made by university administrators, whether small or large, reflects political considerations.

By asserting an apolitical stance, universities effectively absolve themselves of the responsibility to support scholars’ freedom to document, discuss, and educate about political violence. Student activism, which has historically been a cornerstone of social progress and solidarity, is itself a critical form of education. In light of this, how can an art university that is inherently political claim to be apolitical?

DAY 2, February 6th – A LITTLE SOLIDARITY CAN GO A LONG WAY

2 – 5 pm workshop “Solidarity in Artistic Biotope” facilitated by Laura Konsand. Please sign up here.

In the cultural field our private and working lives are often interwoven, making it more difficult to pinpoint the elements that cause precarity. What causes our shared precarious predicament? What do we need for our creativity and collaboration to flourish? How can this knowledge help us practice more solidarity across and beyond our field?

During the workshop participants answer a set of questions to gain a better understanding of the conditions necessary to do their work. In a group of three, participants will take turns and share their answers. This is followed by a group discussion in which all the answers will be placed in a designated field of the artistic biotope to illustrate our collective position.

The artistic biotope is a framework developed by Belgian sociologist Pascal Gielen. The biotope is an abstraction of the artist’s life divided into four different sub-domains: domestic, peers, market and civic domain. A sustainable artistic path requires a healthy balance between the four domains.

(This workshop was originally developed by Sepp Eckenhausen and Koen Bartijn from Platform Beeldende Kunst, a member-based organisation in the Netherlands that investigates the role of art in society and campaigns for a better art policy.)

6 – 7.30 pm discussion “Appropriated Rest: Critical Examining of Anti-work Narratives” led by Veriko Dundua, organised with Daylight Project. Please sign up here.

In today’s individualistic society, rest has lost its radical roots, transforming into a personal choice, often defined by privilege. In this discussion, we will focus on the origins of anti-work and rest as a resistance movement in POC and indigenous traditions. How have more privileged members of society appropriated rest and diluted its anti-capitalist legacy? How can we reclaim rest and dismantle the systems that deprived us of it in the first place?

We will unpack the existing hierarchies in the labour market and explore how we can better support and implement intersectional work refusal tactics. The discussion seeks to understand work refusal as a means to confront systemic inequalities and to imagine a future where work is shared collectively and embodies liberation.

DAY 3, February 7th – ONE DOESN’T LEARN TO SWIM BY READING THE MANUAL

2 – 5 pm workshop “Beyond Professional: Rehearsing for the Future” led by Frederik Klanberg (in English). Please sign up here.

We are often asked to be professional, but when striving for this, don’t we end up reproducing the professions as they currently exist? Could there be something beyond professionalism that might help us reimagine our practices as rehearsals for a better world–one with more favourable social and political arrangements? How can we create worlds and build movements?

This workshop offers two proposals for participants to read and discuss together. First one is from Stefano Harney and Fred Moten’s book “The Undercommons: Fugitive Planning & Black Study”, which explores the concept of becoming “more than professional”. Second proposal introduces the principles of Kingian Nonviolence from Kazu Haga’s book “Healing Resistance: A Radically Different Response to Harm.” These texts serve as lenses for reimagining the world, guiding us toward understanding how we might prepare for the future.

In the second half of the workshop, we will pool our references and aspirations into one shared carrier bag that will become our guide for moving beyond professionalism and exceeding the limitations of current professions.

6 – 8 pm Digesting / Food for Thought communal dinner hosted by Yvette Bathgate & Jake Shepherd. Please sign up here.

To conclude the (anti-)career days program, we invite you to share a meal together as a moment to reflect and digest what we learned, discussed and questioned over the days. There is a saying that too many cooks spoil the broth, we actively disagree and challenge this perception, believing that the more hands, ideas, and backgrounds only further enrich a stew (or anything else). By sharing the weight and workload of the tasks among participants, we all become equally involved in the communal meal, including the often invisible labour of hosting.

As a duo Yvette and Jake are interested in the intimate space around a dinner table and how spaces of tenderness and kinship can also hold space for collective action, activism and learning. While working together on the tasks that come together in the process of meal sharing – cooking, cleaning, serving, etc., we will discuss the events throughout the programme, thinking through the politics of togetherness and how to resist the roles that the infrastructures of creative industries place upon us.

Participation is free, but pre-registration is required. When registering, please choose how you can contribute to the dinner. We start with chopping and preparation from 10am. Setting the table and serving is from 6pm, and cleaning up starts at 8pm. You can sign up for multiple roles. If you aren’t able to lend a hand you can simply sign up for the dinner itself.

The food will be vegan and gluten free. Please get in touch if you have any questions or want to share any access needs and how we can accommodate.

7.30 – 8 pm Nancy Nakamura Räpipunt

In 2020 kolkaplika and artist liina pääsuke founded the musical group Nancy Nakamura Räpipunt that features song lyrics based on kolkaplika and artist Kadi Estland’s poems. The group will perform on the last day of “(anti-)career days”.

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Throughout the event visitors can try their hand in meme art at a temporary meme production house founded by the Performing Arts Curator (@performingartscurator). Ulvi Haagensen has contributed a video lecture “In Praise of Unprofessionalism” based on a conversation between her three imaginary friends: Thea Koristaja, Olive Puuvill and Artist Researcher. In addition, a selection of artworks from ENKKL and Kolkaplikad collective are displayed that illustrate and reflect the event’s themes.

Performing Arts Curator’s Meme Workshop
Performing Arts Curator (@performingartscurator)

In the digital age, memes have evolved into critical gestures that encourage engagement and dialogue. As a medium combining image and text, – and the dissonance that often occurs between them – memes provide an insight into the collective consciousness to which we all contribute in one way or another. At their core, memes are like tricksters, appearing out of nowhere and embarking on an unpredictable journey through digital spaces where their intertextual paths often intersect.

Welcome to the meme production unit! You don’t need a degree in postmodern art or institutional critique to initiate dialogue and imagine alternatives to the status quo. Memes leave room for a multiplicity of knowledge and viewpoints, serving as a tool for our imagination in a world without grand narratives. Browse the printed images, grab scissors and cut out the ones you like. Imagine a situation or condition, trust that it’s relatable, and just cut, copy and paste. Feel free to use pens and don’t feel limited by what you think you know about memes.

 

Ulvi Haagensen’s video lecture „In Praise of Unprofessionalism”

The video lecture, “In Praise of Unprofessionalism”, is based on a conversation between three imaginary artist friends that meet one afternoon to chat about amateurs and professionals. Olive Puuvill is a bricoleuse artist, Thea Koristaja is an artist cleaner and AR is an artist researcher.

Olive expresses her frustration with the demands that the title of a professional artist places upon her. It diverts attention from what actually interests her in the creative process – ideas and artworks. The three friends reach a conclusion that to liken oneself to an “intellectual amateur” (Edward Said) – who loves what they do, and are more knowledgeable in their passion, interests and devotion than any professional – is far more helpful in making sense of one’s practice. Professionalism is the opposite of creativity, because it stifles creative confusion, natural rhythm and resourcefulness in problem solving. As Olive says, being an unprofessional artist is much more fun.


BIOGRAPHIES

Community in EKA for Palestine is a group of students, staff and alumni from the Estonian Academy of Arts standing in solidarity with Palestine.

Daylight Project is a feminist, anarchist, queer and DIY art project to disrupt and subvert the institutional status quo.

Veriko Dundua are interested in self-organised communities and the sustainability of collective organising. They are passionate about questions on how communities can foster inclusive spaces and challenge systemic inequalities through culturally conscious collaboration. They hold an MA in Anthropology from Tallinn University.

Estonian Young Contemporary Art Union (ENKKL) is a non-institutional community of active young artists that strives to be flexible and ever-changing, in tune with what is happening in the world, and resilient in turbulent times.

EKA Students’ Queer Association unites the academy’s LGBTQIA+ community. They initiate safe and fun gatherings where everyone can feel welcome. Their mission is to foster dialogue between the school and the community to ensure a supportive environment for all.

Ulvi Haagensen is an artist whose practice combines installation, sculpture and performance to explore the blurred edges between art and everyday life. She recently defended her PhD in Artistic Research at the Estonian Academy of Arts.

Frederik Klanberg
is an artist and educator committed to collaborative, critical and inclusive modes of learning together. He believes that, in its truest form, arts education can be a process of collective self development. He holds an MA in Education from the Piet Zwart Institute in the Netherlands.

Kolkaplika is a collective that creates independent content in peripheries around the world. In 2020 kolkaplika and artist liina pääsuke founded the musical group Nancy Nakamura Räpipunt that features song lyrics based on kolkaplika and artist Kadi Estland’s poems. The group will perform on the last day of “(anti-)career days”.

Laura Konsand is a freelance writer and cultural worker based in Rotterdam and Tallinn. She is interested in art’s relationship to infrastructures that shape our present in visible and invisible ways, seeking to understand and question them. She is the organiser of (anti-)career days.

Performing Arts Curator (@performingartscurator) is the fight or flight response of a freelance curator working under neoliberal conditions. It’s an internet persona dedicated to making sense, failing completely, and then laughing about it. @performingartscurator holds a degree of 37,2 Celsius.

Jake Shepherd & Yvette Bathgate are an artist duo based between Estonia and Scotland. Together, their practice is rooted in collaboration, centering co-creation, agency, and tenderness as integral threads that bind their creative practices. They are enrolled in MA Contemporary Art program at Estonian Academy of Arts.

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