About the Programme
Literature, Visual Culture and Film Studies is a joint programme between Estonian Academy of Arts (Institute of Art History and Visual Culture) and Tallinn University. See the programme webpage for more information.
During the studies the students will:
- Engage in broadly interdisciplinary MA study programme of the relationship between literature, visual culture and film in contemporary and historical contexts.
- Gain cutting-edge theoretical insights into intermedial aesthetics and into philosophy of literature, art and film.
- Equip yourself with critical tools for cultural analysis of contemporary image and text-based media.
Students also acquire various practical skills such as analytical and problem solving skills, writing and presentation skills that enhance their employment opportunities and prepare them for different career pathways.
Who are we looking for?
We are looking for students whose interests are not limited to one of the traditional discipline in the humanities, but who are interested in exploring the relationship between words, still and moving images both historically as well as in contemporary culture.
Why study with us?
- The faculty is comprised of renowned experts in literature, art, film and visual culture.
- Ample opportunities for acquiring practical skills. The programme collaborates with major international literary, art and film festivals in Tallinn.
- Seminar-led courses that foster an active debating and discussing environment.
- Individual approach to students that provides a supportive learning environment and offers the opportunity to follow personal research interests from an early stage of studies.
- International study groups with students from all over the world. The diverse cultural backgrounds of the students contribute to the spirit of comparative study of culture.
- Research centred programme – possibility for further studies at PhD level.
- Open to students from all disciplines in the humanities and social sciences.
Discover more valuable information about the Literature, Visual Culture and Film Studies programme!
Read more about the programme in our blog here.
Study support facilities
The university campus houses a study library, the main university library is situated within an easy reach in the city centre. The National Library of Estonia is also in the city centre. Several electronic databases are available through the libraries.
The Archive of renown semiotician, Juri Lotman is housed in Tallinn University. There are many opportunities for Erasmus exchange.
Before applying to the programme, one can learn more about Tallinn University while participating in Tallinn Summer School. It is a 3-week programme running in July, combining a wide range of courses with a rich, diverse cultural programme and attracting participants from all over the world. More information here.
- Cost: 1435 € per semester
- Duration: 2 years
- Study language: English
- Specific questions regarding the programme should be directed to the School of Humanities:
- For additional guidelines regarding admission procedure please contact the international admission specialist.
Pierangelly Del Rio Martinez, “Tabamatud ja vägivaldsed mälestused: mälu dünaamika analüüs kaasaegses Colombia kirjanduses/ Elusive and violent memories: an analysis of memorial dynamics in contemporary Colombian literature”. Supervisor Eneken Laanes.
Marlene Suits, “Black Images Matter: Juhtumuuring rassidevahelistest suhetest tänapäeva USA ühiskonnas Instagrami piltide varal” (Black Images Matter: A Case Study of Race Relations and Instagram Images in Contemporary America). Supervisor Alo Paistik.
Iveta Aare, “”Metamorfoosi” filmiadaptatsioon: Ambivalentsuse kujutamine filmis “Transformatsioon” (Превращение)” (Cinematic Adaptation of “The Metamorphosis”: The Representation of Ambiguity in The Transformation (Превращение)). Supervisor Teet Teinemaa.
Ellen Power, “Ajapilt ja klassivõitlus filmides „Sööt“ ja „Parasiit“” (The Time-image and Representations of Class Conflict in ‘Bait’ and ‘Parasite’). Supervisor Teet Teinemaa.
Raya Bouslah “How can films do philosophy: The case of “Westworld”, the TV series”, supervisor Teet Teinemaa, opponent Mari Laaniste
Mayra Lynn Assink “Theorisation of the Patriarchal Gaze and Glance Through Representation of Women in Present-Day Narrative Cinema”, supervisor Julia Kuznetski, opponent Rebeka Põldsam
Margherita Marchetti “Queer and Monstrous: Exploring the Possibilities of Queer Narratives”, supervisor Julia Kuznetski, Michael Keerdo-Dawson, opponent Miriam Anne McIlfatrick-Ksenofontov
Andreas Fecher (zoom) “Cannibalism in Film as Reflection on Society: Subversion of the Notion of Difference in ‘Week End’ and ‘Dans ma Peau'”, supervisor Henry John Mead, opponent Daniele Monticelli
Mariam Meparishvili “In Search of Identity: Georgian Art Scene in the 1990s”, supervisor Francisco Martinez and Kädi Talvoja, opponent Ingrid Ruudi
Chirag Surendra Singh, “Existentialist Philosophy Portrayed through the Character of BoJackHorseman in the Animated Sitcom “BoJack Horseman””, supervisor Teet Teinemaa, opponent Matthias Jost
Sally Anne Hanson, “Prosthetic Memory and Cultural Phenomena on Screen: How Reconstructed Disasters Provoke Emotive Response in the TV Series Chernobyl”, supervisor Teet Teinemaa, opponent Linda Kaljundi
Maria del Mar Sanchez Bernal,”Cinematic Landscapes as Constructors and Disruptors of Societal Norms and Values: Case Studies of Roma (2018) and Güeros (2014)”, supervisor Gregor Taul, opponent Raili Nugin
Monireh Sadat Razavi Ganji,”Toward a “Cultural Turn” in Adaptation Studies: A Methodological Framework for Studying Adaptation with a Focus on the Case of Dariush Mehrjui’s Pari”, supervisor Daniele Monticelli, opponent Teet Teinemaa
Jonna Marika Karvinen, “Creativity, Garfield and AI: Using AI to Enhance Our Understanding of Comics”, supervisor Mari Laaniste, opponent Raivo Kelomees
Kevin Loigu, “Re(-)presentation of Time, Memory, and Urban Space in Synecdoche, New York and The Truman Show as Critique of Mediatisation and Virtual Space in the Digital Age”, supervisor Eneken Laanes, opponent Henry John Mead
Eva Johanna Mallene, “Elusive Eastern Europeans or Exotic Fools? The Portrayals of Estonians in Fictional Anglophone Film and TV Shows”, supervisor Daniele Monticelli, opponent Anneli Niinre
Bernadette Ščasná, “”It’s a-Me, Another Bad Review!”: Assessing the Perceived Failure of the Video Game Adaptations Based on the Cinematic Adaptations of Super Mario Bros. and Max Payne”, supervisor lektor Teet Teinemaa, opponent Oliver Laas
Raimond Merila, “One Piece Manga Fandom as a Participatory Culture: Reddit and YouTube Practices”, supervisor Katrin Tiidenberg, opponent Piret Viires
Elizaveta Kuznetsova, “The Orient Dimension of ANK’64 as an Example of Vnenakhodimost”, supervisor prof Andres Kurg, opponent Mari Laaniste
Juliana Magalhaes De Carvalho, “Fitting Flatness into Depth: Negative Dialectics in Jean-Luc Godard’s Stereoscopic Film “Adieu au Langage””, supervisor Matthias Jost, opponent prof Daniele Monticelli
Hayrettin Nedim Kaya, “The Collapse of Social Imagination: Questioning the Protagonist and Capitalist Realism in “The Hunger Games””, supervisor Teet Teinemaa, opponent Piret Peiker
Shameema Sultana Binte Rahman, “The Third Space of the Santal Identity Question: Beyond the Discourses of Civilization, Hero and Indigenous”, supervisor Piret Peiker, opponent Maris Saagpakk
Hanna Aunin, “The Gaze in Mary Harron’s American Psycho and Roman Polanski’s Rosemary’s Baby”, supervisor Eneken Laanes
Çağrı Çavaş, “Oneiric film theory in terms of cross-cultural dream understanding: A case study with the movie Gizli Yüz (aka The Secret Face) by Ömer Kavur”, supervisor Carlo Cubero
Michael Keerdo-Dawson, “Being (,) undone: The Romanian new wave and the limits of epistemic violence”, supervisor Eneken Laanes
Silvia Kurr, “Nabokov and Voices of the Renaissance: Ekphrasis as Part of Double Coding in Pnin”, supervisor Miriam McIlfatrick-Ksenofontov
Hazuki Okemoto, “Emotions and Colours in the Neurodivergent Person: Autoethnographic Analyses Inspired by Disney Pixar’s Inside Out”, supervisor Mari Laaniste
Sofya Safargalieva, “Ambivalent Space in The Piano Teacher”, supervisor Andres Kurg
John David Antoni Winslow, “I Want to be the Machine in Your Hand: Seven Theses on the Smartphone”, supervisor Eneken Laanes