Calendar

On October 16, Narva Art Residency will host the largest international fashion exhibition in Narva to date, “Hõimulõim (Tribal Thread),” led by the Fashion Design Department. The exhibition will open as part of the official program of “Narva Finno-Ugric Capital of Culture 2025” and will take place during the most important week of the tribal peoples’ calendar year, Tribal Week.

“Hõimulõim” is an exhibition that weaves Finno-Ugric tradition into contemporary fashion design. It is a tribute to a rich heritage, the survival of which depends on how skillfully we can bring it into our lives today. Tradition does not remain in a closet or archive – it only lives if we let it grow with time, wear it and love it.

The exhibition features the work of designers from nine Finno-Ugric peoples. The works of Sami, Khanty, Udmurt, Mari, Komi, Hungarian, Karelian, Finnish (including Ingrian) and Estonian (including Seto and Võro) creators highlight that clothing can be both a practical object and a carrier of identity and collective memory. Each author asks in their own way what it means to be a Finno-Ugric designer in the 21st century – how to weave one’s tradition into a modern form and what to tell the world about its multi-layered field of meaning. These works also open up ethical choices: what material to use, how to preserve local skills and how to tell the story of one’s people in a way that creates a dialogue even for those who were not born into this cultural space.

The “tribal thread” (hõimulõim) is an invisible but tenacious bond between Finno-Ugric peoples. It does not ask for national borders or political sentiment, but runs deep in the undercurrents – in language, patterns, songs, dance and beliefs”, says the exhibition curator Piret Puppart and adds: “In today’s world, where the song of some peoples is quieter than ever before and the weavers of many patterns have become isolated, this thread between tribal peoples is particularly fragile.”

Various social tensions are increasingly testing the survival of traditions and forcing us to look for ways to keep them alive for future generations. “Hõimulõim” invites us to notice that preserving culture is not only about preserving the past, but also about creating the future. It is an invitation to wear our heritage on a daily basis – be it a piece of jewelry, an object or an ornament – ​​and to understand that every such choice strengthens the thread that connects us across borders and eras.

The exhibition’s interactive, technologically innovative experiences are also exciting. Visitors can discover patterns hidden in dresses created by Piret Puppart using magnets, as well as experience a hologram waterfall dedicated to the world of Votian patterns designed by artist Alyona Movko-Mägi. Hologram art is a little-known technique in the world of conjuring visual elements that cannot be touched with the hand, but can be touched virtually and with the eye. This is the first time this medium is coming to Narva in such a volume.

Finno-Ugric roots also have a wider international reach in the world of design and art than one might think. The Komi compass pattern has found its way into Kandinsky’s paintings, and Udmurt mannerisms into Tchaikovsky’s music. However, only recently was a designer with Karelian roots awarded the Diesel Design Award, while Izhor blood has dressed Estonian Olympic athletes in Athens. The representative of the Mari nationality was behind the knitting collections of the legendary Estonian brand Mosaic for years, and when wearing Adidas shoes, you can feel the Udmurt heart. The Diesel Design Award-winning collection and the best pieces from Helsinki Design Week are also coming to the exhibition that will open soon. The exhibition can be visited until January 11.

Curator: Piret Puppart

Artists: Antrea Kantakoski, vainio.seitonen (Johanna Vainio & Merja Seitsonen), Sigrid Kuusk, Ramona Salo, Dina Andreeva, Natalja Lill, Darali Leli, Eneken Johanson, Stella Tukia, Kaia Kuusmann, Zsófia Papp, Zsófia Papp, Maria Roosiaas, Hanna-Tiina Pekk, Anneliis Reili, Kertu Kivisik, Nadežda Kasatkina, Lana Vakhovska, Karl Joonas Alamaa, Piret Puppart and Alyona Movko-Mägi 

Graphic design: Eva Sepping

Many thanks: Anna Kuznetsova, Muš Nadii, Nikolai Anisimov, Nikolay Kuznetsov, Barbi Pilvre, Jaak Prozes, Žanna Toht, Ekaterina Kuznetsova, Helena Schilf, Natalia Ermakov

Supporters: Estonian Academy of Arts, Fashion Design Department, Tribal Peoples Program, Cultural Endowment, NGO Fenno-Ugria, NART, Narva Finno-Ugric Capital of Culture 2025

This exhibition features handmade books by EKA students as the culmination of a course in which they worked with photographs in book format. They explored the similarities and differences between artist books, self-publishing, and book dummies. In addition to creating and editing visual materials, students tried their hand at design, pre-press, and binding by hand. 

The books contain both analog and digital photos in the form of collages, typologies, narratives, and archival materials. The subjects explored include personal themes such as hometown, friendship, family, and childhood, as well as everyday life, the inexpressibility of feelings and perceptions, and mundane architecture.

Artists participating in the exhibition: Mikk Keis, Olesja Prants, Gleb Volodtšenko, Mari Karjus, Viktoria Weiszova, Tobias Tikenberg, Jana Mätas (MACA), Kristiina Aarna (DKT).

Supervisor Mirjam Varik.

The UNESCO Chair at the Estonian Academy of Arts is opening the exhibition “Estonian Heritage on the World Map” at Valga Railway Station.

We are proud of our heritage and confident that it also speaks to the wider world. Yet we know surprisingly little about what from Estonia is actually considered remarkable internationally, and what opportunities the presentation of our heritage together with others in shared networks can offer.
The exhibition by the Estonian Academy of Arts presents what from Estonia has been included on UNESCO’s World Heritage List, the Intangible Cultural Heritage List, and the Memory of the World Register. It also highlights which places have been awarded the European Heritage Label. Several European Cultural Routes run through Estonia. Over the years, Estonian works have also been recognized with Europa Nostra awards. We usually talk about such places one by one. With this exhibition, EKA aims to create a bigger picture, to inspire owners and local governments, and to remind everyone that by working together we can achieve more. Cultural heritage offers endless opportunities for presenting ourselves and for finding like-minded partners.
EKA will open the exhibition on “Heritage Sunday,” 7 December at 12:15 at Valga Railway Station, in cooperation with the Valga Museum and ICOMOS Estonia. The exhibition will be introduced by Riin Alatalu, holder of the EKA UNESCO Chair and vice-president of the international expert organization for heritage conservation.

For more information, please contact:

Riin Alatalu
riin.alatalu@artun.ee
+372 511 9439

“How to Reframe Monuments”
EKA Billboard Gallery 1.12.2025–15.02.2026
Open 24/7, free admission

The Past as Artistic Material
We live in a time when monuments cannot be ignored. Around the world, debates rage over their meaning and over whether – and how – contested monuments should be displayed in public space. Russia’s full-scale war in Ukraine has brought one of the epicentres of monumental conflict to Eastern Europe. To date, a large number of Soviet-era monuments in Estonia, particularly World War II memorials, have been removed. 

The project “How to Reframe Monuments” is based on the premise that removing a monument does not resolve the problem – complex heritage cannot simply be bypassed, but must be worked through. By bringing together knowledge and expertise from multiple fields, we have developed solutions that, through academic research, heritage conservation and digitisation practices, as well as artistic interventions, enable dissonant heritage not to be demolished but to be reframed within a new critical context. 

At the heart of the outdoor exhibition is the potential of art in addressing memory conflicts in public space – and, through this, the social role of contemporary art. Three design competitions carried out in the frame- work of this project illustrate ways of reframing different types of dissonant heritage – memori- als, paintings and sculptures. To date, already one of the artistic interventions has been realised: the reframing of the Tehumardi memorial by Neeme Külm. 

Between 2024 and 2025, a total of 17 artists took part in the art competitions. The conceptualisation of the Tehumardi memorial complex on Saaremaa—now partially dismantled—involved Kirke Kangro, Neeme Külm, Anna Mari Liivrand, Johannes Säre, Kristina Norman, and Taavi Piibemann.

Anna Škodenko, Hanna Piksarv, Jevgeni Zolotko, Kati Saarits, and Sigrid Viir proposed their own solutions for redesigning the monumental paintings, completed in 1955, in the old passenger terminal of Tallinn Airport.

Trevor Kinna, Bob Bicknell-Knight, Hasso Krull, Camille Laurelli, Samuel Lehikoinen, Ülo Pikkov, and Yiyang Sun created digital artworks based on the monument “Vyatchko and Meelis Defending Tartu” (1950/1956) located in Tartu. These works are shown as part of the exhibition “The Monument and the Fairy Tale” in the EKA foyer during 1.–12.12.2025.

Exhibition team: Linda Kaljundi, Kirke Kangro, Annika Tiko, Maris Veeremäe
Design: Kristjan Mändmaa
Language editing: Hille Saluäär, Jason Finch
“How to reframe monuments” is a collaborative project between the Estonian Academy of Arts and Tallinn University, funded by the Estonian Ministry of Culture. 

The project’s follow-up exhibition will open in February 2026 at EKA Gallery.

We are opening the exhibition “Abandoned Landscapes. Joaveski Paper Factory” on October 31st at 3:00 PM at the Joaveski Community Center, at Lahemaa.

The exhibition presents projects and models by students of the EKA Architecture and Urban Design curriculum, which explore how to value and revitalize the historic Joaveski paper factory.

The Estonian Academy of Arts’ Faculty of Architecture and the Department of Heritage Protection and Conservation organized the interdisciplinary “Abandoned Landscapes” workshop for the fourteenth time at the beginning of this year, where efforts are being made to find modern solutions for disused building complexes. This year’s workshop, professional studio and exhibition were created in collaboration with the Joaveski Village NPO, which has taken it upon itself to value the abandoned paper factory as a landmark.

The authors of the completed projects are now 3rd year architecture and urban design students: Maria Johanna Ahtijainen, Oskar Toomet-Björck, Elisabeth Ersling, Nele Lisette Hera, Heidi Jagus, Katariina Klammer, Eliis Kurvits, Lilian Källo, Lisandra Lipp, Marie Elle Melioranski, Mark Metsa, Mart Nael, Joonas Ott, Elenor Pihlak, Harriet Piirmets, Robin Pints, Elisabeth Tomingas, Katariina Vaher, Aliis Vatku, Martin Vatku.

The projects were supervised by architects Joel Kopli, Koit Ojaliiv and Juhan Rohtla from the architectural office KUU, advised by LCA consultant Anni Oviir, and the landscape architecture section was supervised by Katrin Koov and Arvi Anderson. Andres Õis welcomed and introduced the history of Joaveski.

The exhibition is supported by MTÜ Joaveski küla and AS Maru.

The exhibition will remain open at the Joaveski community center during library opening hours until April 1, 2026. Open Monday and Friday 9:00 – 16:00 and Wednesday 11:00 – 15:00.

About the history of the Joaveski factory

The construction of the Joaveski cardboard factory began in 1899 and is a vivid example of how the feudal Loobu manor adapted to the new capitalist economic environment at the end of the 19th century, which resulted in the establishment of an industrial enterprise. Joaveski developed into a small industrial village in a place of natural beauty. Today, a hydroelectric power plant operates at the heart of the factory, but most of the rooms have lost their purpose.

On 9 January at 13.00 the peer-review event of Aman Asif’s exhibition Algal Phycosphere, will take place in EKA Valge maja, material lab. Exhibition is part of Asif’s practice-based doctoral thesis.

Supervisor. Kärt Ojavee
Reviewers: Marie Vihmar and Julia Lohmann

Aman Asif is an interdisciplinary designer and PhD-researcher interested in sustainable design practices that cultivate ecological wellbeing. The exhibition Algal Phycosphere marks the first peer review of her doctoral research.

Phycosphere frames the event as an inquiry into algal-centred relations. Asif’s research explores creative design practice as sites for attuning to microbial others. The works presented here emerge from her practice-led research, developed through ongoing encounters with algal in her home, the laboratory, and coastal environments in Tallinn. The exhibition includes material-led experiments and hand-crafted artifacts, as well as sensory probes developed in relation to algal.

Through this research, Asif traces a process in which meeting another living microbial presence reshapes how design is practised, and how relational negotiations at this scale can inform the values and conditions of designing amid concerns for ecological wellbeing.

Acknowledgements

Aman Asif would like to thank the many human and more-than-human collaborators who made this work possible.

She would like to thank Kärt Ojavee and Valentina Guccini for their guidance and sustained support.

She is grateful to Rameez Husnain, Pia Lindberg, Kim Janssen, Jaakko Kokko, Anjali VIjayan, Nashwa Attallah, Ero Kontturi and Sarvin Sefatyar for their collaboration and generosity at various stages of the work. Special thanks to Rando Tuvikene and his team at Tallinn University (TLU) for providing space, access, and support during the early stages of this research.

She would also like to acknowledge her colleagues Maria Kapajeva, Joanna Kalm, and the members of the EKA PhD cohort for feedback and shared thinking.

Finally, she would like to thank her family: Asif Latif Lone, Saima Asif, Shehryar Asif, and Danish Lone for always supporting her wellbeing and endless curiosities.

Photo credits: Sarvin Sefatyar

On 9 January, from 15:30 to 17:00, Kadri Liis Rääk will have her third peer-reviewed event as a part of her doctoral studies with the creative project “The artist’s body as a sensory threshold” at the Estonian Academy of Arts (EKA), in room A202.

The peer-reviewers of the exhibition are Laura Põld and prof Esa Kirkkopelto.

The doctoral supervisor is dr Liina Unt.

Kadri Liis Rääk’s research is situated at the intersection of expanded scenography and speculative practices, offering an in-depth exploration of touch, affective attunement, and body–space relations. The third creative project, “The artist’s body as a sensory threshold”, focuses on embodied and sensory experience as a means of knowledge production within artistic practice.

The creative project unfolds the artist-researcher’s process through a heuristic unpacking presented in the form of a video journey. Rather than documenting a finished artwork, the video makes the movement of the research visible: introspective thought processes, forms of attunement shaped by neurodivergence, and the dynamic interplay between discovery and failure. At the core of the project is the artist’s performative withdrawal into a natural environment. The collapse of initial plans shifted the focus from expectation to the investigative activity itself, transforming the artist’s body into a sensory threshold where material-based making and spatial engagement converge. This approach places the creative process at the methodological centre, where negotiation with materials and sustained presence in a liminal in-between state give rise to unique, immediate forms of embodied knowledge.

EKA Urban Studies MSc programme invites prospective master’s students to join the programme’s online info session on Monday, January 12, 2026 at 17:00 EET (local Estonian time).

This online info session will be a good opportunity to hear more about the curriculum, and to meet and ask questions directly from people behind the Urban Studies programme. The info session will be hosted online over Zoom.

If you would like to attend, please register online through the form below. A link to attend will be e-mailed shortly before the event begins.

REGISTER HERE

More information about Urban Studies MSc programme:

• https://www.artun.ee/urban-studies
• https://www.facebook.com/urbantallinn
• https://www.instagram.com/ekaurbanstudies

Next admissions period starts on the 1st of February 2026 and application deadline is 2nd of March 2026 at 3pm EET (local Estonian time).

Admissions information here

EKA Animation MA programme invites prospective master’s students to join the programme’s online info session on Tuesday, January 13, 2026 at 17:00 EET (local Estonian time).

This will be a good opportunity to hear more about the programme and to meet and ask questions directly from the people of animation department – both the teaching staff and the current students.

The online info session will be hosted online over Zoom and the link will be e-mailed out to all registrants 2 hours before the start of the event.

If you would like to attend, please register online through the form below.

Register HERE

More information about the Animation MA programme:

• https://www.artun.ee/animation
• https://www.facebook.com/EKAanimatsioon
• https://vimeo.com/ekaanima

Admissions period starts on the 1st of February 2026 and application deadline is 2nd of March 2026 at 3pm EET (local Estonian time).

Admissions information here

On January 13 at 16:00 in room A101, Alison J. Clarke will give a public lecture titled “Design Anthropology: Its History and Its Discontents”. The lecture is part of the Faculty of Design’s public lecture series “Public Lectures in Design: Adjusting Perspectives,” curated by Stella Runnel and Taavi Hallimäe.

This talk explores the emergence of design anthropology as an approach that has gained popularity over the last two decades by melding social science and design practice. Clarke will argue the need to understand the phenomenon’s origins in the Cold War geopolitics of US expansionism, whereby it was applied as a political force to decolonized nations, in order to cast a critical eye over a contemporary practice that has come to operate as the invisible hand behind multiple facets of global life from health care provision, through to governance and data harnessing.

The public lectures are open to students, faculty, as well as anyone else interested in design!

​​Alison J. Clarke is a professor at the University of Applied Arts Vienna and the director of Papanek Foundation. As a design historian and social anthropologist, Clarke’s research deals with the intersection of these disciplines, specifically in terms of their shared focus on the politics of material culture and social relations. Her most recent monograph Victor Papanek: Designer for the Real World (MIT Press, 2021) explores the controversial origins of social design, casting a critical perspective on the origins of a movement that has claimed to promote social justice through people-centred approaches. Her present book and research project Design Anthropology: Decolonizing and Recolonizing the Material World (MIT Press) explores the blurred historical boundaries between design practice and anthropology, and the social consequences of the uptake of this melding in the contemporary corporate sector. Clarke’s research has been supported by the Graham Foundation, the Smithsonian Institution, the Austrian Science Fund and the Arts and Humanities Research Council, among others.

EKA Craft Studies MA programme invites prospective master’s students to join the programme’s online info session on Thursday, January 15, 2026 at 17:00 EET (local Estonian time).

This will be a good opportunity to hear more about the curriculum, and to meet and ask questions from the people behind the programme.

The online info session will be hosted online over Zoom and the link will be e-mailed out to all registrants 2 hours before the start of the event.

If you would like to attend, please register online through the form below.

Register HERE

More information about the Craft Studies MA programme: 

• https://www.artun.ee/en/curricula/craft-studies/overview/
• https://www.instagram.com/eka_craftstudies

Admissions period starts on the 1st of February 2026 and application deadline is 2nd of March 2026 at 3pm EET (local Estonian time).

Admissions information here

EKA Contemporary Art MA program invites prospective students to join the online info session on Monday, January 19, 2026 at 17:00 EET (local Estonian time).

This will be an opportunity to hear more about the program, to meet and ask questions directly from the faculty.

The online info session will be hosted on Zoom, the link will be e-mailed to all registrants 2 hours before the start of the event.

If you would like to attend, please register online through the form below.

Register HERE

More information about the Contemporary Art MA programme:

• https://www.artun.ee/maca
• https://www.instagram.com/macatallinn/

Admissions period starts on the 1st of February 2026 and application deadline is 2nd of March 2026 at 3pm EET (local Estonian time).

Admissions information here

EKA Interaction Design MA programme invites prospective Master’s students to join the online info session on Tuesday, January 27, 2026 at 17:00 EET (local Estonian time).

You’ll have an opportunity to hear about the mission and philosophy of the programme, learn about student experiences and see their projects, take a virtual tour in our studios, and meet and ask questions directly from the faculty, students and alumni.

The info session will be hosted online over Zoom. If you would like to attend, please register online through the form below. A link to attend will be e-mailed shortly before the event begins.

Register HERE

More information about the Interaction Design MA (IxD.ma) programme:

• https://www.ixd.ma
• https://www.artun.ee/ixd
• https://www.facebook.com/IxD.ma
• https://www.instagram.com/ixd.ma/

Admissions period starts on the 1st of February 2026 and application deadline is 2nd of March 2026 at 3pm EET (local Estonian time).

Admissions information here

EKA Graphic Design MA program invites prospective students to join the online info session on Thursday, January 29, 2026 at 17:00 EET (local Estonian time).

This will be an opportunity to hear more about the program, to meet and ask questions directly from the faculty.

The online info session will be hosted on Zoom, the link will be e-mailed to all registrants 2 hours before the start of the event.

Please register by Wednesday, 28 January 2026, 15:00h EET. A zoom-link will be e-mailed out to all registrants a few hours before the event starts.

Register HERE

More information about the Graphic Design MA programme:

• https://eka-gd-ma.ee/
• https://www.artun.ee/ma-gd/
• https://www.instagram.com/ekagd_ma/

Admissions period starts on the 1st of February 2026 and application deadline is 2nd of March 2026 at 3pm EET (local Estonian time).

Admissions information here

EKA Doctoral School will be hosting an online info session about doctoral studies at EKA on February 11, 2026, at 15:00-16:30 EET (local Estonian time). 

Info session provides a good opportunity to hear more about doctoral studies at EKA, available programmes, admission requirements and procedure, etc; also meet and ask questions directly from people behind the Doctoral School and the programmes. The info session will be hosted online over Zoom. A link to attend will be e-mailed to registered participants shortly before the event begins.

REGISTER HERE

The Estonian Academy of Arts offers following PhD level programmes for international applicants:

• Architecture and Urban Planning
• Art and Design
• Art History and Visual Culture
• Cultural Heritage and Conservation

Admission period for international PhD applicants for 2026/2027 starts on February 1st, 2026. Deadline for submitting application is March 31st, 2026, at 3pm (EET).

Admission requirements for PhD programmes can be found HERE.

More information:
Irene Hütsi
Doctoral School coordinator
irene.hutsi@artun.ee

WE NEED MORE INDOOR SPACES
Ground floor of EKA Gallery 9.01.–15.02.2026
Open Tue–Sat 12–6 pm Sun 12–4 pm, free entry
Opening: Thursday, January 8 at 6 pm

The group exhibition “We Need More Indoor Spaces” responds to the recent closure of Krulli Skate Hall, bringing together local and international artists from Tallinn’s skateboard scene, framing skateboarding as an art form. The project draws parallels between the closure and the ongoing gentrification, highlighting how precarious the availability of indoor skateboarding spaces in the city centre has become.

Jaagup Mägi and Éric-Olivier Thériault, two artists studying installation and sculpture at the Estonian Academy of Arts, came together with the idea of temporarily transforming the gallery space into a gathering hub in honour of the perseverant local skateboarding culture. Working within the constraints of the gallery, their aim is to demonstrate how skateboarding, as an artistic practice, parallels contemporary art in many ways: through experimentation, resilience, and a strong DIY ethos. The exhibition seeks to channel that energy into a broader conversation: What could happen if greater awareness of indoor skateparks was fostered? If these creative environments built by skateboarders for skateboarders were actively supported?

Various events will take place in the gallery as part of the exhibition. More information will be shared in mid-January.

Artists: Frank Abner, Nicolas Bouvy, Maik Grüner, Daniil Južaninov, Andrew Kuus-Hill, Kaisa Maasik, Jaagup Mägi, Reigo Nahksepp, Éric-Olivier Thériault, Raul Ulberg
Curators: Jaagup Mägi & Éric-Olivier Thériault
Graphic design: Sunny Lei
Technical support: Ats Kruusing
The exhibition is supported by the Cultural Endowment of Estonia and Sadolin Estonia.
Opening drinks from mirai™ and Põhjala Brewery.

Liisa Nurklik
WANDERING
Second floor of EKA Gallery 9.01.–15.02.2026
Open Tue–Sat 12–6 pm Sun 12–4 pm, free entry
Opening: Thursday, January 8 at 6 pm

Liisa Nurklik’s solo exhibition “Wandering” reflects on abstract painting and the accompanying desire to wander over a prolonged period of time. Explorations of color and surface allow one tone to smoothly shift into another; directions moving one way meet those moving oppositely. Playing with the boring of simplicity evokes a possibility for the painting to be longer looked at, lost and gradually rediscovered.

Liisa Nurklik is currently a third-year student of painting at the Estonian Academy of Arts. Her first solo exhibition “If I Were-a-Person” took place in the Showcase Gallery of the EKA library in the fall of 2025 and presented the viewer with a series of drawings made with charcoal, pastel and pencil, depicting various creatures and objects, skin and hair, and focused primarily on evoking a sense of the uncanny.

Exhibition texts by: Kirke Kits
Graphic design by: Sunny Lei
Technical support by: Ats Kruusing
The exhibitions at EKA Gallery are supported by the Sadolin Estonia.
Opening drinks from mirai™ and Põhjala Brewery.

The EKA Institute of Art History and Visual Culture is part of the Visual Arts in Europe: An Open History (EVA) project that brings together more than 150 art and heritage historians representing the 46 member countries of the Council of Europe. The project is led by an Editorial Board, composed of six European specialists, and supported by the International Association of Research Institutes in the History of Art (RIHA). Its scientific and operational coordination is provided by the Institut national d’histoire de l’art (INHA) in Paris.

Launched in 2019, this scientific and editorial project results in the publication of a digital platform, documenting the history of the visual arts on the European continent, from prehistory to the present day. This platform will be structured around a collection of 475 objects and images, selected in consultation with all of its institutional partners. It is developed within the framework of an international dialogue, remaining attentive to the plurality and richness of scholarly traditions, accessible to all audiences, and providing an account of current research in the discipline of art history.

This seminar will examine the principles that inspired the launch of this project, the methodology used both for the selection of objects and the attribution of associated texts, as well as the challenges encountered during the development of the digital platform. The presentation of the project and platform prototype will be followed by an open discussion with colleagues from the EKA Institute of Art History and Visual Culture, host of this seminar and Estonian project partner. With INHA director Anne-Solène Rolland and project coordinator Margot Sanitas present, the seminar will be an opportunity for all the Estonian representatives to share their reflections on the selection of objects and how the project contributes to reshaping our common history of European visual culture.