Calendar

Defence presentations of Master’s theses in Contemporary Art and Animation curricula
June 5–6, starting 10.00 at the TASE ‘23 exhibition at Tallinn Art Hall, Vabaduse väljak 8

5. juuni / June 5

10.00 – 10.45, VI floor
Heli Haav – master’s thesis: artistic component “Lilith” and written component ”Looking into the invisible: Attempts to find unspoken connections between the health of the Earth and the well-being of humankind”, supervisor Anu Vahtra (MA). Reviewer Elnara Taidre (PhD).

10.45 – 11.30, V floor
Jonathan Stavleu – master’s thesis entitled ”Museum of the 20th Century Archeology”, supervisor Anu Vahtra (MA). Reviewer Camille Laurelli (PhD).

11.30 – 12.15, IV floor
Samuel Lehikoinen – master’s thesis: artistic component “Unemployment Simulator 2018” and written component ”Everyday is Sunday”, supervisor John Grzinich (MA). Reviewer Taavi Varm (MA).

Lunch 12.15 – 13.15

13.15 – 14.00, III floor
M. Mojtaba H. Davijani – master’s thesis: artistic component “The Little Goldfish” and written component ”Shoot for Freedom”, supervisors John Grzinich (MA) and Kersti Uibo (MA). Reviewer David Ross (MA).

14.00 – 14.45, II floor, elevator
Stina Isabel Gavrilin – master’s thesis: artistic component “Break out. Give in.” and written component ”Seele Brennt”, supervisors John Grzinich (MA) and David Ross (MA). Reviewer Camille Laurelli (PhD).

15.45 – 16.30 ZOOM in EKA
Keawalee Warutkomain (Animation MA) – master’s thesis “Being-in-Between: A Journey to Contemplate the Notion of ‘Life/Death’ via an Improvisational Animation Approach”, supervisor Michael Croft (MA). Reviewer Mari-Liis Rebane (MA).

Assessment committee: Kristi Kongi, Sten Ojavee, Kristina Õllek, Agnė Jokšė, Rebecca Duclos.

/

6. juuni / June 6

10.00 – 10.45, Kunstihoone
Triin Türnpuu – magistritöö koondpealkirjaga „Kunst on sinu ümber. Pea meeles – võid katsuda, mitte vaadata!”, juhendajad Ingrid Allik (MA) ja Else Lagerspetz (MA). Retsensent Tamara Luuk (MA).

10.45 – 11.30, Kunstihoone
Marleen Suvi – magistritöö koondpealkirjaga „18:25”, juhendajad Merike Estna (MA) ja Eik Hermann (MA). Retsensent Kaarin Kivirähk (MA).

11.30 – 12.15, Kunstihoone
Lisann Lillevere – magistritöö loominguline osa „Sulav tõde” ja kirjalik osa „Ma ei tea, mis on reaalsus, aga ma tean, mis mulle meeldib”, juhendajad Marge Monko (MA) ja Helen Sirp (MA). Retsensent Elnara Taidre (PhD).

12.15 – 13.00, I korrus
Anselm Oja – magistritöö koondpealkirjaga „Tuunitud eneseotsingud pimedatel sisetänavatel”, juhendajad Reimo Võsa-Tangsoo (MA) ja Anu Vahtra (MA). Retsensent Elo Liiv (MA).

Paus 13.00 – 14.00

14.00 – 14.45, III korrus
Kristiina Aarna – magistritöö loominguline osa „518 päeva” ja kirjalik osa „Nähtamatu hääl ja hool naiskunstnike loomingus”, juhendaja Marge Monko (MA). Retsensent Brit Pavelson (MA).

14.45 – 15.30, III korrus
Heleliis Hõim – magistritöö koondpealkirjaga „Täitumatus (Unfulfilled)”, juhendaja Reimo Võsa-Tangsoo (MA). Retsensent Holger Loodus (MA).

15.30 – 16.15, VI korrus
Annika Hint – magistritöö loominguline osa “Recreate.betterlife.jpg” ja kirjalik osa “Trying to grasp a rainbow is the surest way to make it vanish”, juhendaja Taavi Talve (MA). Retsensent Hanno Soans (MA).

16.15 – 17.00, VI korrus
Liis-Marleen Verilaskja – magistritöö loominguline osa „Jumaliku surm: Apokalüptiline unenägu” ja kirjalik osa „Jõudmine unenäost usuni ja kunsti”, juhendajad Eve Kask (MA) ja Andrus Laansalu (MA). Retsensent Lilli-Krõõt Repnau (MA).

Hindamiskomisjon: Kristi Kongi, Sten Ojavee, Kristina Õllek, Sandra Kosorotova, Tõnis Saadoja. 

Dear everyone,

we invite you to “Passing Tensators”, an exhibition created by a group of Erasmus students from EKA during the spring semester, supervised by  Johannes Luik.

The exhibition is the result of a continuous discourse and collection of ideas surrounding the specificity and underlying ideological contents of spaces. Due to the absence of a common mediality and functionality in
the practice among the individual students, the space itself generates the content and the formal aspects of the works.

Opening on Monday, 5. June at 18 h.
Open from 6. – 10. June 16 – 20 h.
Location: Manufaktuuri 5

We are looking forward to seeing you there!

A group exhibition “Pretty Gimmicks, Charming Trinkets and All the Other Things” will open on Friday, June 2nd at 6 pm at the end stop of the Kopli tram line.

The six participating artists are united by their love of things: their artistic practice revolves around nearly forgotten objects as if prolonging their lifespan. At a time when there are more (and far too many) things than ever, people are still deeply attached to the tangible. It is this ‘something’ that makes things the anchors to which we attach our identities and the vessels in which we gather our experiences. The inner life of things observed in this way turns them into capsules of humanity, which carry the invisible evidence of being human as they ‘marinate’ in time. The artists use objects to engage with autobiographical, poetic as well as anthropological questions.

The exhibition takes place in an old kiosk at the last stop of the tram line in Kopli. Spread across the counter, the works explore the human love of trinkets, the absurdity of mass production, and the power of objects to unite and divide communities.

Instead of a kiosk vendor, one of the artists is on duty every day so that the exhibition experience takes a slightly different form each day through the presence of each artist or curator.

Participating artists: Sandra Ernits, Rose Magee, Mara Kirchberg, Sarah Nõmm, Siim Preiman, Leonor Talefe
Graphic design: Kertu Klementi
Curator: Anita Kodanik

Kiosk next to the building at Kopli 99b, Kopli tram line end stop.

The exhibition is open until June 11, Mon-Fri 14:00-20:00, Sat-Fri 12:00-18:00

Special thanks: Mart Veelmaa, Anders Härm, Margit Säde, Mattias Veller, Derevjashka cafe 

More info: Anita Kodanik / anita.kodanik@artun.ee, +372 55507327

Facebook event

Exhibition of student works of
the III course of the EKA Faculty of Architecture.

The design studio focused on volumetric renovation and neighbourhood-based reconstruction on the example of the Mustamäe settlement. We looked at the renovation of six series 1-464 standard apartment buildings, offering alternatives for parking, accessibility, energy efficiency and other public benefits. As a result of the semester, 7 different approaches were proposed to improve the quality of life and strengthen the community in Mustamäe.

Õppejõud / supervisors: Sille Pihlak, Siim Tuksam (arhitektuur), Adam Orlinski (inseneeria ja energia disain)
Konsultandid / consultants: Karin Bachmann (maastikuarhitektuur), Teet Tark (vesi ja ventilatsioon)
Eksperdid / experts: Nadežda Sassina (kogukonna kaasamine)
Tudengid / students: Heinrike Aue, Mariia Babur, Julia Freudenberg, Sander Haugas, Janely Järv, Robert Kiisler, Augustas Lapinskas, Lukas Laubre, Paula Līva Lorence, Laura
Susanna Lätte, Katriin Maitsalu, Jarþrúður Másdóttir, Mariia Paslova, Yelyzaveta Peresada, Daria Polonska, Ella Mari Roosi, Erik Sammel, Helerin Talpsepp, Mariia Ufimtseva,
Triin Vaino, Markus Vernik, Anneli Virts.
Kuraatorid ja näituse kujundus: Ella Mari Roosi, Julia Freudenberg
Graafiline disain: Janely Järv, Laura Susanna Lätte
Projektijuht: Anna Tommingas

Contemporary Drawing: Worlding in Layers
Triin Anijalg, Maria Hindreko, Sander Karjus, Kassandra Laur, Rebecca Norman, Helena Pass, Mia Rulli, Nana Schilf, Sirel Tammisto
Curator and supervisor: Britta Benno
23.05–17.06.2023
Opening: 22.05 kell 17.00

Join us for the opening of the exhibition “Contemporary Drawing: Worlding in Layers” on May 22 at 5 pm at EKA Gallery!

The openness and liminality, being in between, on the threshold, of drawing contain the immense potential of transformation, the inherent non-being and hybridisation. Becoming something or somebody feels like flowing or writing: it is a place that requires common construction; it is a time which does not flow in a linear manner. Instead of being complete, there is becoming, the endless unrolling of materials and gestures, limitless potential. The technical processes of making art are very similar to the descriptions of the becoming of a Land(scape). When printing, painting, drawing or building installations, one is adding new layers of traces from materials, colours, (conceptual) motions and other means of depiction to a base structure. In printing, one uses different methods and mechanisms of transfer to create imagery. When drawing directly onto the canvas or on paper, a new layer is created with a pencil or the tip of a brush leaving its trace. Sometimes, however, the layers are also removed: erased, washed off with water or by tearing the textile into shreds.[2]

The exhibition displays the works of students, which were completed as part of the elective course. The aim of the course was a critical analysis or rethinking of contemporary drawing art by looking at various examples, reading texts and experimental tasks. The use of the layered work method applied in the art practice of the participants: the layered combination of experimental materials and forms in the art of drawing.

[1] Britta Benno, Saamisest maa(stiku)ks. Materjalid, teadus, utoopia. ­– Leida, 25.11.22 (https://leida.artun.ee/et/issues/tehnokriitika/saamisest-maa-stiku-ks-materjalid-teadus-utoopia vaadatud: 09.05.23).

[2] Britta Benno maa, Of Becoming a Land(Scape). Material, Science, Utopia. ­– Leida, 25.11.22 (https://leida.artun.ee/en/issues/technocriticism/of-becoming-a-land-scape-material-science-utopia accessed: 09.05.23).

Estonian Academy of Arts Grad Show TASE ’23
tase.artun.ee
01–17.06, open every day 12.00–18.00
Opening: 31.05, 16.00 at the Freedom Square and 19.00 at the Estonian Academy of Arts

Exhibition locations:
Freedom Square 8, Tallinn Art Hall, Artists Union’s studios, shop and bar rooms, Vent Space, Grafodrom and Experimental Printmaking Studio
Freedom Square 6, Tallinn Art Hall Gallery
Põhja pst 7, Estonian Academy of Arts (Architecture faculty’s grad works)
Lai 17, Estonian Museum of Applied Art and Design yard (Graphic Design MA grad works, open until June 11)

On Freedom Square, we present the deconstructed fashion show You Have Only A Moment by Lab of Figurative Thought, followed by the announcements of the winners of the Young Artist and Young Applied Artist awards. Additionally, for the first time this year, the Young Designer Awards will be given out! Opening event continues at 19.00 at the TASE of Architecture, located in EKA!

TASE is the annual graduation show of the Estonian Academy of Arts. The exhibition presents graduation works of the Architecture, Art and Culture, Design, and Fine Arts faculties. Most works are exhibited in the Freedom Square buildings 8 and 6. The Architecture faculty’s graduation works are located at the Estonian Academy of Arts. The Graphic Design master’s works are exhibited in the yard of the Estonian Museum of Applied Art and Design (open until June 11).

tase.artun.ee opens with the exhibition on May 31!
Along with the works at the main exhibition, written theses are presented digitally on tase.artun.ee together with the PhD and Art and Culture works.

PROGRAMME

Grad Show TASE ‘23 grand opening
Fashion-performance You Have Only A Moment by Lab of Figurative Thought
Linda Mai Kari, Anita Kremm, Kristel Zimmer, Liisamari Viik
Supervisor: Ene-Liis Semper
31.05 at 16.00
Freedom Square

TASE of Architecture exhibition opening
31.05 at 19.00
EKA, Põhja pst 7

Theses defences
29.05–14.06
artun.ee/kaitsmised

TASE FILM
14.06 at 18.30
EKA, A101, Põhja pst 7

Guided tour by Anna-Liisa Villmann
15.06 at 15.00 in English
Starts at Tallinn Art Hall, Freedom Square 8
Guided tour by Gregor Taul (Faculty of Architecture’s graduation works)
16.06 at 12.00 in English
Starts at EKA lobby, Põhja pst 7

SATELLITE PROGRAMME

Fragment_21:12, Jewellery and Blacksmithing course works
Aleš Rezler, Elis Liivo, Lara Herrmann, Maarja Hallika, Madlen Hirtentreu, Madli Pajos, Helen Tiits, Paul Aadam Mikson
Supervisors: Eve Margus and Nils Hint
19.05–04.06, every day at 14.00–20.00
Tower of Old Town, Pikk Jalg 2

Unbounded Nature, Glass and Ceramics course works
Annali Kruusamägi, Annika Luhaäär, Erko Lill, Helen Tiits, Kätriin Reinart, Laura Stina Parri, Marta Vikentjeva, Sara Kyllönen, Valeria Poljakova, Õnne Paulus
19.05–18.06, every day at 9.00–19.00, opening 18.05 at 17.00
Tallinn Zoo, Paldiski mnt 146, entrance with the zoo ticket

Contemporary Drawing: Worlding in Layers, Contemporary Art course works
Triin Anijalg, Maria Hindreko, Sander Karjus, Kassandra Laur, Rebecca Norman, Helena Pass, Mia Rulli, Nana Schilf, Sirel Tammisto
Supervisor and curator: Britta Benno
23.05–17.06, Tue-Sat at 12.00–18.00, opening 22.05 at 17.00
EKA Gallery, Põhja pst 7

A pool with moderate temperature, Painting course works
Karola Ainsar, Luis Bruder, Maria Hindreko, Sander Karjus, Rebecca Norman, Daria Morozova, Elisa Margot Winters
Supervisors and curators: Mihkel Ilus, Tõnis Saadoja, Anna Škodenko
25.05–09.06.23, Mon-Fri at 12.00–18.00, opening 24.05 at 17.00
ARS project space, Pärnu mnt 154

Cherries once grew in my garden, Curatorial Studies and Contemporary art group exhibition
Gerda Hansen, Iryna Tanasiichuk, Siew Ching Ang, Mirjam Varik, Sarah Noonan
Curator: Ketlin Käpp
27–28.05 and 01–04.06 at 12.00–19.00 or by appointment 26.05–07.06
Uus Rada gallery, Raja 11a

In the shadow of tree being, Contemporary Art course works
Triin Anijalg, Maria Hindreko, Sander Karjus, Kassandra Laur, Rebecca Norman, Helena Pass, Mia Rulli, Nana Schilf, Sirel Tammisto
27.05–18.06, every day at 9.00–18.00, opening 26.05 at 17.00
Gallery of Tampere House, Jaani 4, Tartu

Textile Design from Fibre to Tech Solutions, Open Academy course works
Carolin Freiberg, Madde Jerbach, Piret Kuhlbars, Monika Lepik, Marit Lillenberg, Mari-Liis Lõppe, Tiia Nõmm, Heidi Renzer, Aleksander Väär
28.05–19.06, every day at 9.00–23.00
EKA, first floor glass corridor, Põhja pst 7

Creative Realities, Contemporary Art course works
Gerda Hansen, Mirjam Varik, Syed Sachal Rizvi, Eri Rääsk, Mari Steinberg, Anna-Liisa Kree, Mia Felić, Lara Žagar, Mohammadmojtaba Habibidavijani
Curator: Siim Raie
28.05–28.08, Fri-Sat at 12.00–18.00, opening 28.05 at 15.00
Villa Dombrovka, Karepa, Lääne-Virumaa

Three Drops of Blood, student exhibition
Agnes Milla Bereczki, Anu Kadri Uustalu, Lumimari, Kaur Joonas Karu, Kirke Mari Päll, Piret Potter, Ringo Roots, Triinu Väikmeri, Wing Kiu Mak, Denise Damaso, Camille Laurelli
31.05–14.06, Wed–Thu at 13.00–20.00, Fri-Sun at 11.00–18.00
Kalamaja Museum, Kotzebue 16, entrance with the museum ticket

Catarsis, Interior Architecture course works
Marleen Armulik, Katarina Ild, Hanna Kruusma, Laura Movits, Getter Pihlak, Elle Marie Randoja, Jaan Repnikov, Sven Samyn, Mirjam Vaht
Supervisor: Nele Tiidelepp
01–04.06, 24/7, performance on 31.05 at 19.00
Abandoned hut across from EKA main entrance, Põhja pst 2

Sense of Measure, Interior Architecture course works
Simon Baguette, Piret-Liis Carson, Päär-Joonap Keedus, Ann-Katriin Kelder, Anni Truu, Krete Tarkmees, Laura Maria Tõru, Viktoria Ugur, Mari Uibo, Eliisabet Valmas-Romanov
Supervisors: Roland Reemaa, Hannah Sergerkrantz
01–17.06, every day at 09.00-23.00, opening 31.05 at 18.00
EKA cafeteria, Põhja pst 7

Pretty Gimmicks, Charming Trinkets and All the Other Things, Curatorial Studies and Contemporary Art course works
Sandra Ernits, Mara Kirchenberg, Rose Magee, Sarah Nõmm, Siim Preiman, Leonor Talefe
Curator: Anita Kodanik
3–11.06, Mon-Fri at 14.00–20.00, Sat-Sun at 12.00–18.00, opening 2.06 at 18.00
Last stop with the Kopli tram, at the kiosk next to Kopli 99b

Head organiser: Pire Sova
Assistant: Dana Lorên Vares
Exhibition design: Kaisa Maasik, Johannes Luik
Architecture exhibition design: Diana Drobot, Karl Erik Miller
Communication: Solveig Jahnke, Andres Lõo, Maarja Pabut
Graphic design: Birgita Siim, Agnes Isabelle Veevo, Aaro Veiderpass
Web coordinator: Kert Väljak
Web developer: Patrick Zavadskis
Install manager: Johannes Luik
TASE FILM: Maya Chaudhary, Terje Losvik
TASE shop: Sigrit Lõhmus

Supported by: Estonian Artists’ Association, Tallinn Art Hall, Cultural Endowment of Estonia, Akzonobel, Punch

In the empty bear cage of the Tallinn Zoo, starting from May 19th, the exhibition “Unbounded Nature” by the glass and ceramics students of the Estonian Academy of Arts can be seen.

On May 18, at 17.00, ten second-year students of the Estonian Academy of Arts will open a joint exhibition “Unbounded Nature” in the old bear cage of the Tallinn Zoo, which raises questions about the natural relationships of living beings with the environment and adaptation to unfamiliar settings. At the same time, the budding artists also investigate the influence of the animal cage as an exhibition venue on the meaning and interpretation of the artworks.

The works in the exhibition deal with the change of human nature at a time when the primordial nature around us is disappearing and artificiality is taking over. Will life lose its natural essence if we begin to manipulate it technologically? Or as Sara Kyllönen, one of the authors, asks with her sculptures: “Is the exploitation of the most innocent creatures a natural part of civilized society, or could it work differently?”

Annali Kruusamägi, Annika Luhaäär, Erko Lill, Helen Tiits, Kätriin Reinart, Laura Stina Parri, Marta Vikentjeva, Sara Kyllönen, Valeria Poljakova and Õnne Paulus will perform at the exhibition. Each of them approaches the topic from their own personal authorial position.

This is how Annika Luhaäär remembers almost extinct sea lilies by making new fossils from them. However, Annali Kruusamägi’s work consisting of a thousand keys explores the abundance of opportunities in our lives and how rarely we take advantage of them.

The exhibition “Limitless nature” is open from May 19 to June 18 every day from 9 a.m. to 7 p.m. Entrance with a zoo ticket.

The authors thank the Tallinn Zoo for their welcoming and friendly cooperation. Also tutors Laura Põldu and Kateriin Rikken, EKA’s glass art, ceramics and blacksmithing departments and the Estonian Academy of Arts Student Council and OÜ Kerakot.

Artists:
Gabrielė Adomaitytė (Lithuania/Netherlands, 1994); Māris Ārgalis (Latvia, 1954–2008); Milla Aska (Finland, 1993); Marikki Hakola (Finland, 1960); Madlen Hirtentreu (Estonia, 1993); Elvyra Kairiūkštytė (Lithuania, 1950–2006); Miska Kukkohovi (Finland, 2001); Daria Melnikova (Latvia, 1984); Rait Prääts (Estonia, 1952); Anna Škodenko (Estonia, 1986); Viktor Timofeev (Latvia/US, 1984); Justinas Vilutis (Lithuania/France, 1991)

Co-authors:
Anders Kreuger (Sweden/Finland, 1965); Jaakko Pallasvuo (Finland, 1987); Miša Skalskis (Lithuania/Finland, 1994)

Kunsthalle Kohta, Helsinki

Opening 12.04, 6pm

“For some reason they thought this exhibition should be titled Amber. Amber could be a natural resource, a souvenir, a wall colour, or a way to accidentally preserve mosquitos full of dinosaur blood, making Jurassic Park possible. 

They are imagining this curator. Her name is Amber. She is on a Baltic-Nordic tour, taking the long trip from LA to Vilnius, making her way through Riga, Tallinn and Helsinki to look for inspiration. Afterwards – Ibiza, for fun and romance.

Maybe Amber is from a tiny spa town with an air of mystery. Shallow Springs, Wyoming. Shallow Springs, Arizona. She has left town, she has made it in the art world, but what happened in Shallow Springs is haunting her dreams.

On her way across the Baltic-Nordic zone Amber sees what other curators were not able to see. This survey of the region is not giving her the typical post-Soviet archive, austere-but-cozy Lutheran interiors, mystified relationships to lichen or strained X-is-the-new-Berlin coolness.

Amber is having a great time. These sites appear lavish and bewitching to her. Maybe it is her presence that makes them so. She is dancing. People think too much, she tells herself. Her new Baltic friends offer her a super-slim cigarette. Is it a Vogue? she asks. No, a Glamour, her friend responds.”

Info

EKA painting alumnus Alexei Gordin opens exhibition “Dreams Come True in this Gallery” in Vaal Gallery. 

“Recently, I was scanning the traces of my online existence and dug up my very first posted artwork, a 2006 pencil drawing called ‘A Place Under the Sun’. It has been 16 years since it happened, 10 of which I’ve been part of the professional art world, but the question about the right place under the Sun is still relevant. So where is the artist’s place?

To answer this question, one can speculate on various topics, but one thing is clear to me – the artist’s place is in the gallery. This can be taken as a devastating fact, because the principles and aims of art are beyond the four walls. In reality, however, it is between the walls of the gallery where professional art begins and ends, because only there can it be professionally rated. To quote O. Doherty: ‘From this moment on, there is a seepage of energy from art to its surroundings. With time the ratio between the literalization of art and mythification of the gallery inversely increases’.”

The exhibition “Dreams Come True in this Gallery” is a parody of a situation where someone is trying to find a way out of the art that is currently drowned in the gallery space. The title comes from the aesthetics of advertising industry, where market players sell promises to their customers that their dreams will come true, but the more the consumer invests energy in fulfilling their dreams, the more distant those dreams remain. Gordin’s approach to the question of the artist’s place under the Sun is autobiographical rather than conceptual. In philosophical terms, the artist’s place becomes ephemeral, dissolving into temporary concepts, residencies and biennials.

Alexei Gordin (b 1989) is mainly known as a painter, however, he also works with photography, video and performance. Using black humour, Gordin draws attention to the absurdity of the (art) world and alienation, highlighting issues like inequality and the difficulties of marginalised groups. Gordin’s work is influenced by caricatures and it combines texts and pictures, referring to comics and meme culture.

The exhibition will remain open until 1st of July, Tue–Fri 12–6 pm, Sat 12–4 pm.

Don’t cross their boundaries!
17.03-25.08.2023
Opening: 17.03, 4 pm at EKA lobby
EKA Billboard Gallery, Kotzebue 1

Participating artists:
Kristiina Aarna, Karola Ainsar, Katharina Grepp, Kärt Heinvere, Annika Hint & Irmeli Terras, Maria Kapajeva, Sanna Kartau, Hanna Eliise Kask, Karis Kivi, Maria Izabella Lehtsaar, Annemarie Maasik, Marlene, Susanna Mildeberg, Katariin Mudist, Enn Nazarov, Liisa Niit, Katerina Rothberg, Pamela Samel, Tiina Sööt, Daria Titova, Kadi Viik, Laura Vilbiks

Feministeerium and EKA Gallery invite you to the exhibition “Don’t cross their boundaries!” opening on March 17 at 4 pm in the EKA lobby!

72% of Estonian university students have experienced sexual or gender-based harassment at least once. The most common types of harassment that the students have experienced are stereotyping remarks, sexually suggestive language, ambivalent jokes and inappropriate staring.*

Everyone has the right to decide for themselves about their bodily integrity. However, how personal boundaries are established depends on the cultural norms and on the social contract, institutionalized in the form of civil laws. Any sexual relation must be based on the explicit free consent of all parties. Free consent means that the parties of a sexual relation can decide whether they want to continue or end it at any time, fully assured that their boundaries will be respected. Consideration of each other’s needs creates an emotionally safer space and is a step towards defying stereotypes that contribute to violence and inequality.

The 2017 Istanbul Convention on Preventing and Combating Violence Against Women and Domestic Violence, also ratified by Estonia, advocates for changing the definition of rape in the Penal Code, so it would be based on consensual sexual relations as the norm, while deviation from consent constitutes rape. Alongside the law, it is important to establish a popular understanding across the society that everyone has the right to physical and mental self-determination and integrity. 

For this exhibition, we have selected submitted artworks that address the principles of sexual consent culture and confront the problems created by stereotyping attitudes.

* Based on the 2020 Federation of Estonian Student Unions survey Gender and Sexual Harassment in Estonian Higher Education Institutions.

Supported by: Cultural Endowment of Estonia, Active citizens fund

On June 3, artist Britta Benno’s fictive space installation “Polar Wonder” will open in the Ice Age Center.

At Benno’s personal exhibition, it opens as an arctic oasis, with ice and landscape as the main characters, and the artist plays with forms and lines. The author’s drawing language expands into a multi-layered landscape abstraction in the exhibition.

The exhibition complements the so-called future floor of the Ice Age Center, which focuses on climate change and the environmental impact of human activity.

Britta Benno herself has described her exhibition as follows: “Drawings and graphics with a coolly glowing color palette wander in the plastic forms of ice, the openness of the image gives space for reflections and dreams. Mountains and landscapes are alive, mountains are the Inuit language. The North Pole belongs to dreams and creatures that flutter in all the layers of the earth. Ice in the form of our bouldery land, the weight of the mountains is still felt when walking on the ironed earth, the promises are still in the air.”

For the Ice Age Center, this exhibition has two meanings: through the artist, the beauty of the frozen landscapes unfolds, but at the same time, in terms of the environment, it is also important to point out that the melting of the ice fields has accelerated exponentially in recent years. The earth is changing and this is a big danger sign.

Although the exhibition called “Polar Dream” has traveled to Viljandi and Tallinn, the author prepared new works site-specifically for the Ice Age Center.

The artist thanks the animation director, Ragnar Neljandi, and the sculpture maker, Mai Eerik.

The exhibition is complemented by Juhan Vihterpal’s sound installation.

“Polar Wonder” will remain open until September 24.

Britta Benno (b. 1984) is a drawing and graphic artist. He is interested in different techniques and materials, and when they are juxtaposed and combined, new perspectives open up.

Benno graduated from the Estonian Academy of Arts with a master’s degree in graphic arts and furthered his education at the Vienna Academy of Arts. Benno is studying art and design in the doctoral program of the Estonian Academy of Arts, her artist research is called  “Thinking in Layers, Worlding in Layers: Posthumanist Landscapes in the Extended Drawing and Printmaking” Artist website: www.brittabenno.com

Defence presentations of Master’s theses in Contemporary Art and Animation curricula
June 5–6, starting 10.00 at the TASE ‘23 exhibition at Tallinn Art Hall, Vabaduse väljak 8

5. juuni / June 5

10.00 – 10.45, VI floor
Heli Haav – master’s thesis: artistic component “Lilith” and written component ”Looking into the invisible: Attempts to find unspoken connections between the health of the Earth and the well-being of humankind”, supervisor Anu Vahtra (MA). Reviewer Elnara Taidre (PhD).

10.45 – 11.30, V floor
Jonathan Stavleu – master’s thesis entitled ”Museum of the 20th Century Archeology”, supervisor Anu Vahtra (MA). Reviewer Camille Laurelli (PhD).

11.30 – 12.15, IV floor
Samuel Lehikoinen – master’s thesis: artistic component “Unemployment Simulator 2018” and written component ”Everyday is Sunday”, supervisor John Grzinich (MA). Reviewer Taavi Varm (MA).

Lunch 12.15 – 13.15

13.15 – 14.00, III floor
M. Mojtaba H. Davijani – master’s thesis: artistic component “The Little Goldfish” and written component ”Shoot for Freedom”, supervisors John Grzinich (MA) and Kersti Uibo (MA). Reviewer David Ross (MA).

14.00 – 14.45, II floor, elevator
Stina Isabel Gavrilin – master’s thesis: artistic component “Break out. Give in.” and written component ”Seele Brennt”, supervisors John Grzinich (MA) and David Ross (MA). Reviewer Camille Laurelli (PhD).

15.45 – 16.30 ZOOM in EKA
Keawalee Warutkomain (Animation MA) – master’s thesis “Being-in-Between: A Journey to Contemplate the Notion of ‘Life/Death’ via an Improvisational Animation Approach”, supervisor Michael Croft (MA). Reviewer Mari-Liis Rebane (MA).

Assessment committee: Kristi Kongi, Sten Ojavee, Kristina Õllek, Agnė Jokšė, Rebecca Duclos.

/

6. juuni / June 6

10.00 – 10.45, Kunstihoone
Triin Türnpuu – magistritöö koondpealkirjaga „Kunst on sinu ümber. Pea meeles – võid katsuda, mitte vaadata!”, juhendajad Ingrid Allik (MA) ja Else Lagerspetz (MA). Retsensent Tamara Luuk (MA).

10.45 – 11.30, Kunstihoone
Marleen Suvi – magistritöö koondpealkirjaga „18:25”, juhendajad Merike Estna (MA) ja Eik Hermann (MA). Retsensent Kaarin Kivirähk (MA).

11.30 – 12.15, Kunstihoone
Lisann Lillevere – magistritöö loominguline osa „Sulav tõde” ja kirjalik osa „Ma ei tea, mis on reaalsus, aga ma tean, mis mulle meeldib”, juhendajad Marge Monko (MA) ja Helen Sirp (MA). Retsensent Elnara Taidre (PhD).

12.15 – 13.00, I korrus
Anselm Oja – magistritöö koondpealkirjaga „Tuunitud eneseotsingud pimedatel sisetänavatel”, juhendajad Reimo Võsa-Tangsoo (MA) ja Anu Vahtra (MA). Retsensent Elo Liiv (MA).

Paus 13.00 – 14.00

14.00 – 14.45, III korrus
Kristiina Aarna – magistritöö loominguline osa „518 päeva” ja kirjalik osa „Nähtamatu hääl ja hool naiskunstnike loomingus”, juhendaja Marge Monko (MA). Retsensent Brit Pavelson (MA).

14.45 – 15.30, III korrus
Heleliis Hõim – magistritöö koondpealkirjaga „Täitumatus (Unfulfilled)”, juhendaja Reimo Võsa-Tangsoo (MA). Retsensent Holger Loodus (MA).

15.30 – 16.15, VI korrus
Annika Hint – magistritöö loominguline osa “Recreate.betterlife.jpg” ja kirjalik osa “Trying to grasp a rainbow is the surest way to make it vanish”, juhendaja Taavi Talve (MA). Retsensent Hanno Soans (MA).

16.15 – 17.00, VI korrus
Liis-Marleen Verilaskja – magistritöö loominguline osa „Jumaliku surm: Apokalüptiline unenägu” ja kirjalik osa „Jõudmine unenäost usuni ja kunsti”, juhendajad Eve Kask (MA) ja Andrus Laansalu (MA). Retsensent Lilli-Krõõt Repnau (MA).

Hindamiskomisjon: Kristi Kongi, Sten Ojavee, Kristina Õllek, Sandra Kosorotova, Tõnis Saadoja. 

June 8 at EKA Library

Portfolio Café is an event that takes place each spring semester as a satellite event to EKA graduation show TASE. It is structured around one-on-one meetings between invited fine arts field professionals and EKA BA and MA level students. Each meeting takes place about 30 minutes. During Portfolio Café sessions students introduce themselves and their work and experts share their observations, provide recommendations, ask questions etc.

All Portfolio Café meetings are in English.

Registration: Portfolio Café invites all fine art students from the BA and MA level to participate. The spots are limited and participants will be chosen according to the provided portfolios.

To apply, please fill out this registration form lates on June 5.

EXPERTS

Paola Jalili (she / her) is an artist-publisher and cultural worker currently based in Helsinki. In 2021, she started Ei Mainoksia, Kiitos!, an independent art publishing initiative that aims to prioritize care and highlight the time and labor behind the act of publishing. She is part of Feminist Culture House, a curatorial and editorial platform that works with and for underrepresented artists, and produces tools for more equitable collaborations within the arts. In her visual arts practice, Paola reflects on the intersections between labor, gender, and the contemporary workplace. You can read more about her work at paolajalili.xyz

Kurt Vanbelleghem (Belgium, 1968) is a curator, critic and publisher specialized in the field of contemporary art and design. He received a MA in Psychological Sciences and an MA in Art History at the University of Ghent (B) and a Master in Visual Arts Administration at the Royal College of Art, London (UK).

Through his organization PresentFuture, he focuses on the artistic & professional development of contemporary artistic practices. He is specialized in the development of new curatorial, strategic and digital trajectories. In doing, he provides perspectives to navigate the opportunities and challenges ahead. An ongoing goal is to create synergies between different artistic disciplines as well as between artistic and technological & scientific innovations. He is alumni coach at St Lucas Antwerp and artistic advisor at several art organizations and higher art education institutions. He has been a contributing editor to a number of art & design magazines and has published several monographs and artist’s books.

Agnė Jokšė (b. 1993, Vilnius) is an artist and writer working between Vilnius and Copenhagen. In films, written pieces and performances Jokšė investigates questions concerning queerness, non-normative language, parallel histories and entangled relations.
Recently, Jokšė’s works has been shown at E-flux Screening Room (New York), Kogo Gallery (Tartu), Cell Project Space (London), Editorial (Vilnius), Kunsthal Charlottenborg, Copenhagen (2022), Artists’ Film International, Whitechapel Gallery, London (2021); Baltic Triennial 14 (2021). The artist’s work Dear Friend was granted the JCDecaux Award in 2019.

Dear everyone,

we invite you to “Passing Tensators”, an exhibition created by a group of Erasmus students from EKA during the spring semester, supervised by  Johannes Luik.

The exhibition is the result of a continuous discourse and collection of ideas surrounding the specificity and underlying ideological contents of spaces. Due to the absence of a common mediality and functionality in
the practice among the individual students, the space itself generates the content and the formal aspects of the works.

Opening on Monday, 5. June at 18 h.
Open from 6. – 10. June 16 – 20 h.
Location: Manufaktuuri 5

We are looking forward to seeing you there!

On 12 June at 15.00, the peer review of the exhibitions “Dreaming of Babylon” and “A Practice for Surrender” by Tõnis Jürgens, PhD student in Art and Design, will take place at the EKA, room A202.

Peer review event is in Estonian.

The event will be preceded by a screening of the video work “A Practice for Surrender” (2022, 12’49”) at 14.30, also in room A202. The film is in English.

The exhibitions are part of Tõnis Jürgens’ creative doctoral thesis. The thesis is about the digital measurement of sleep and the inevitable emergence of meaning in noise and patterns.

Supervisor of the thesis is Prof. Rolf Hughes (KU Leuven, Belgium).
The reviewers are Dr. Eva Näripea and Andrus Laansalu.

The exhibition “Dreaming of Babylon” was open at the Tartu Art Museum from 18.03.-14.05.2023,
“The Exercise in Serenity” was open in the Vent Space project room from 20.-30.09.2022.

On June 13 at 1:00 p.m., ELIA UAx program partner Taras Lesiv, Vice-Rector for Academic Affairs and Research of the Lviv Academy of Arts, will give an open lecture at EKA. 

The lecture is part of the Transform4Europe Week program.

After the lecture, Kristiina Krabi-Klanberg will moderate the Q&A.

Taras Lesiv has been teaching art and art history at Lviv National Academy of Arts (Ukraine) since 2007. He received both BA and MA degrees in Fine and Applied Arts, specializing in sacred art. Since 2005, he has been employed as an artist and project manager on various interior design projects for Christian churches. During 2017–2018 he was a Fulbright fellow at Georgia State University (USA). He defended his dissertation “Icon Painting in Galicia from the late 19th – early 21 centuries: Artistic Imagery and Theoretical Discourse” in 2021, receiving the Candidate of Sciences degree (PhD). Taras Lesiv was appointed Vice-Rector for Academic Affairs and Research of the Lviv National Academy of Arts in September 2021. His research interests embrace history, theory, and practice of Christian sacred arts, visual arts and national/ethnic identity building.

During the war, the Lviv National Academy of Arts was faced with the critical challenge of safeguarding the safety and education of its students. This presentation provides a narrative account that highlights the diverse challenges our art institution encountered at the onset of the conflict, offering insights into our management strategies under trying circumstances. These challenges, including the mass departure of teachers and students to foreign countries, the transformation of educational settings, and financial constraints, all occurred alongside ongoing higher education reforms. Through partnerships with other art institutions and thanks to the dedication of our faculty, staff, and students, we established a resilient framework to maintain classes during the chaotic wartime conditions. While overcoming numerous obstacles, we are prioritizing the quality of education during and after the war. Recognizing the importance of support from both within and outside Ukraine, our goal is to prevent brain drain and preserve the vibrancy of art education.

Supported by: ERASMUS programme

Seminar on Artistic Research

10.00-10.15 Opening words, Dr. Anu Allas, Vice-Rector of Research, Head of Doctoral School

10.15-10.35 “Curated Biodiversity as a Mitigator of Global Urban Change” – Karin Bachmann, PhD student of Architecture and Urban Planning programme

10.35-10.55 “The Reconstruction and Artistic Development of the Historical Relief Print Technique” – Dr. Jaana Päeva, Researcher at Design Faculty

10.55-11.15 “Understanding How Artistic Research Helps to Discover Innovative Roles in Hybrid Performances” – Taavet Jansen, PhD student of Art and Design programme

11.15-11.35 “Bedroom Sketches: Sleep Tracking and Surveillance Capitalism” –  Tõnis Jürgens, PhD student of Art and Design programme

11.35-12.00 Q&A

The conference “Artistic Originality in the Age of AI” will take place Estonian Academy of Arts on June 15th, 9.30 a.m. till 4.30 p.m.

The conference discusses historical and contemporary issues of originality and artistic innovation in the age of artificial intelligence. The main topic is to explore originality and novelty in art in a situation where creators are surrounded by a visually oversaturated environment; where creators have technology at their disposal that allows them to easily copy, modify and distribute their art; where professional (art-educated) creators have to compete with visually untrained creators; where digital technology participates not only as an aid and instrument of creation, but with the example of artificial intelligence programs tend to question the author’s visual ability. 

Since digital technology has been involved in artistic creation and visual design for the past twenty or more years and has penetrated various creative fields, it is interesting to explore the influence of technology in art innovation in both traditional and new art forms: visual arts, design, architecture, ceramics, media art, art research.

Conference will be held in English and live streamed in EKA TV – www.tv.artun.ee. For registration please fill this FORM.

Artistic Originality in the Age of AI

09.30-10.00 – Welcome and Opening Remarks: Kirke Kangro, Dean of Fine Arts, Professor

10:00-10.45  keynote by Pau Waelder “Art in the Latent Space. Machine Learning as a Tool, a Co-Author and an Other”

10.45 -11.00 Paco Ulman “Accidental Projections”

11.00 -11.15  Zeynep Aksoez  “Artificial Narratives”

11.15 -11.30 Hasso Krull   “Creative Ritual and Ritual Creativity”

11.30 – 11.45  Taavi Piibemann “Don’t be afraid, HAL.”

12:00 -13:00 lunch

13:00 -13:45  conversation, moderated by prof. Kirke Kangro

13.45 -14.00 Andres Karjus “The human-technology continuum in text and image”

14.00 -14.15  Oliver Laas 

14.15 -14.30  Taavi Suisalu “AI in the mirror”

14.30 -14.45  Varvara Guljajeva “AI-aided Ceramic Sculptures: Bridging Deep Learning with Materiality”

14.45 – 15.30 keynote by Lev Manovich “Artificial Aesthetics? Looking at AI Media Through the Lens of Art History”

15.30 – 16.30  – conversation, moderated by dr Raivo Kelomees

SPEAKERS

Pau Waelder “Art in the Latent Space. Machine Learning as a Tool, a Co-Author and an Other”

Senior Curator at Niio. Writer and researcher specialized in art and digital media. PhD in Information and Knowledge Society from the Universitat Oberta de Catalunya (UOC). Adjunct lecturer at the UOC, as well as in postgraduate courses. Editor and advisor at DAM Digital Art Museum. His work explores the different aspects of the interaction between art, technology and society, as well as the relationship between digital art and the art market. He is the author of the book on contemporary and digital art collecting You Can Be A Wealthy/ Cash-Strapped Art Collector In The Digital Age (Printer Fault Press, 2020).

Abstract

Since the dawn of algorithmic art, computers have entered the creative process as an active agent, engaging in a somewhat dialogical relationship with the artist. Machine learning programs have enabled computers to produce more sophisticated outputs, to the point of surpassing artists’ expectations. The precise instructions inscribed in a few lines of code have become prompts in natural language, with the final outcome emerging from an inscrutable latent space. As a field of uncharted possibilities, the latent space expands artists’ creativity and enables the perception of the program as an Other, an entity that is felt as alien while also deeply embedded in the artist’s self. This talk will address the latent space in connection with the notion of an Other and its implications in artistic creativity and originality.

Paco Ulman “Accidental Projections”

Since 2001 has worked as an architect in various offices (Ars Projekt, AB Kosmos, Arhitektuuriagentuur, Alianss Arhitektid). In 2013 he co-founded Mudel Architects studio. 2018-2020 worked at Tallinn Urban Planning Department and since 2021 works as an architect at the Tallinn Strategic Management Office.

Selection of projects in which he participated as co-author: Hotel Lydia in Tartu (2016), Hotel Lydia (2014), Pärnu Mud Baths hotel Hedon spa, Niine tn 11 office building extension project in Tallinn (2012).

In his artistic practice he is mainly focused on spatial issues and its representations using various different mediums. He has made exhibition and installation works, designed graphics, directed short films and animations, graphic novels, etc. Selection of solo exhibitions:„Heitmaa“ 2018a, „Tallinnas“ 2009a ja „Mememe“ 2014a. Since 2011 he has supervised various studios at Estonian Art Academy. From 2021 he is a PhD student in Architecture and Art at EKA Architecture and Urban Planning department.

Zeynep Aksöz “Artificial Narratives”

Zeynep Aksöz is an architect and a creative coder. She is one of two partners of Vienna-based design and research collective Open Fields. Currently she is a Research Associate and a lecturer at University of AppliedArtsVienna, an Assistant Professor at TU Vienna in Department for Structural Design, Faculty in IAACBarcelona.Through her ongoing research, teaching, and practice Zeynep explores generative design and the implementation of AI based processes into design, architecture, and urbanism. Her focus lies in developing emergent design approaches through the collaboration of human and artificial intelligence.

Zeynep is the recipient ofResearch Prize for Architecture from the National Chamber of Architects, Austria and a former Marie Curie fellow. Together with Mark Balzar, BernhardSommer,and Galo Moncayo she is the recipient of FWF PEEK funding for their Project Vibrant Fields.In collaboration with Nicolaj Kirisits she received INTRA funding for the project titled Morphology of Sound. Her creative and scientific work has been published in books such as Fabricate, Design Transactions, in conference proceedings including Design Modeling Symposium, Acadia as well as in the architecture magazineManege. Zeynep has exhibited her work at the Vienna Design Week, Bratislava Design Week, inKADKCopenhagen, Salona di Mobile in Milan, London Design Festival, Daniels School of Architecture in Toronto, andArchitecture Biennale die Venezia. Zeynep received her Doctoral degree from the University of Applied Arts Vienna at the Institute of Architecture under the supervision of Klaus Bollinger. She was a Marie Curie Fellow and an early-stage researcher in the international training network Innochain. She holds a MArch degree from the Architectural Association of London’s Emergent Technologies and Design Program and an MSc degree from TU Wien.

Hasso Krull “Creative Ritual and Ritual Creativity”

Hasso Krull (b. 1964) is an Estonian poet who has published sixteen books of poetry and nine collections of essays that include literary criticism as well as writings concerning art, cinema and society. During 1990-2017 he was teaching cultural theory at the Estonian Institute of Humanities (special courses on creation myths, oral tradition, continental philosophy and psychoanalysis). In 2001 Krull founded a poetry translation review Ninniku with Kalju Kruusa (www.eki.ee/ninniku/), in 2003 there followed a book series Ninniku Raamatukogu. Lately Krull has been concerned with ecological issues and the ongoing devastation of the Estonian forests.

Taavi Piibemann “Don’t be afraid, HAL.”

Taavi Piibemann started his stint as a carpenter,  taught art at the Estonian Academy of Arts and Pallas in Tartu. Choose to do that after three years of copywriting, what back then seemed like a logical application of his study of photography at Tartu Art College and English language and literature at Tartu University. Beyond that there’s idyllic rural childhood in Viinistu, a small seaside village at the Gulf of Finland.

Andres Karjus “The human-technology continuum in text and image”

Andres Karjus is a research fellow in cultural data analytics at Tallinn University, and also operates in the private sector as an instructor on digital skills and AI. He has a background in the humanities (PhD in linguistics) and computer science (MSc in AI), and regularly engages with both in his teaching and research practice.

Taavi Suisalu “AI in the mirror”

Taavi Suisalu is an artist who blends traditional and contemporary sensibilities and activates peripheral spaces for imaginative encounters. He has recorded volcanoes and malfunctioning satellites, composed for lawnmowers, intertwined living and digital ecosystems, explored datafictions and how developments in technologies shape our environments and influence behavior, perception and thinking of social beings. Suisalu has studied sociology and computer science in University of Tartu, contemporary art practices in Geneva University of Art and Design and earned his MA degree from Estonian Academy of Arts. He has participated in residency programmes in Nida Art Colony, WRO Art Center and International Studio & Curatorial Program (ISCP) amongst others.

Varvara Guljajeva “AI-aided Ceramic Sculptures: Bridging Deep Learning with Materiality”

Dr Varvara Guljajeva is an Assistant Professor in Computational Media and Arts at the Hong Kong University of Science and Technology (Guangzhou). Previously, she held positions at the Estonian Academy of Arts and Elisava Design School in Barcelona. Her PhD thesis “From Interaction to Post-Participation: The Disappearing Role of the Active Participant” was selected as the highest-ranking abstracts by Leonardo Labs in 2020. As an artist, she works together with Mar Canet forming an artist duo Varvara & Mar. Often the duo’s work is inspired by the information age. Their works were shown at MAD, Barbican, Ars Electronica, ZKM, etc. www.var-mar.info

Lev Manovich “Artificial Aesthetics? Looking at AI Media Through the Lens of Art History”

Lev Manovich is a visual artist, writer, and one of the world’s most influential digital culture theorists. He was included in the lists of “25 People Shaping the Future of Design” (Complex, 2013) and “50 Most Interesting People Building the Future” (Verge, 2014). Manovich is a Presidential Professor at The Graduate Center, City University of New York, and a Director of the Cultural Analytics Lab. He has published 180 articles and 15 books that include AI Aesthetics, Cultural Analytics, Instagram and Contemporary Image, and The Language of New Media described as “the most suggestive and broad-ranging media history since Marshall McLuhan.” His digital art projects were shown in eight personal and 120 international groups exhibitions in Centre Pompidou, ICA London, ZKM, KIASMA, and other leading venues.

The Estonian Academy of Arts organizes the Transform4Europe (T4EU) European Universities’ study week “Design & Sustainability” in June 13–17. Students and support staff from ten European universities are invited to the week full of the best lectures and workshops, and students’ works also presented at the TASE ’23 Grad Show exhibition and at the ERKI Fashion Show.

The theme of the study week is “design and sustainability”. Sustainability is one of EKA’s core values – in its development, it is based on the environmental friendliness of the art academy, which is the sustainable way of thinking. Design and the design process are an important part of the solution to the ecological crisis.  

As part of the week, creative research will be introduced, students can participate in a creative research writing workshop and workshops on clothing repair, documenting cultural heritage, etc. 

EKA students are also invited to take part in the T4EU week, which has three options:

1. The main program (June 13-17) includes mandatory general subjects and workshops and seminars with a limited number of participants. (Program link HERE)

2. Weekly seminar “Care, community and colonialism in the art museum” (June 12-15).

In addition, core program courses may also be taken if the schedule allows. (Introduction to the seminar is HERE)

3. Weekly workshop “Cultural heritage documentation solutions workshop” (June 12-16).

In addition, core program courses may also be taken if the schedule allows. (Introduction to the workshop is HERE)

Before the course, it is possible to watch pre-recorded video interviews with experts (20-30 minute interviews, 7 interviews in total) on different aspects of sustainability.

Those who complete the course receive 3 credit points, which can be transferred to a free subject.

NB! The courses are in English. 

The student can register HERE until June 4th or until the semester continues.

Detailed information about the study week in English can be found on the EKA website: 

T4EU Week in EKA “Design & Sustainability”

Get ready for the most legendary fashion event of the year – the ERKI Fashion Show is happening again on June 17, 2023!

As the virtual world continues to evolve, our lives are becoming increasingly digitised, altering our experiences. The metaverse is a potential destination where people can interact in ways that are not possible in the physical world. This space offers endless opportunities for exploration, creativity, and innovation, shaping and transforming our understanding of ourselves and our place in the world.

For the first time, ERKI will take place in two locations on the same evening – starting at Põhjala Brewery, in a mechanical sterility, and moving on to Techno club HALL, where we will open the highest peak of the mechanical world – the human nature itself.

Dresscode – My Higher Self

5 PM – Doors
6 PM – Act I, Põhjala Brewery (Peetri 5)
7.30 PM – Act II, Techno Club HALL (Peetri 6)
9.30 PM – Awards Ceremony, Noblessner
11 PM – Afterparty, Techno Club HALL

Don’t miss out on this unforgettable experience of emerging talent and immerse yourself in the unique atmosphere of ERKI!

Tickets can be purchased here

NB! Please read the ticket information carefully!

You can also purchase an afterparty ticket separately, follow the event in Facebook