Calendar

ARS Project Space 24.04.–16.05.2026

Opening 23.04.2026 from 6 PM

In May 2025, Jaanika visited the Alps. The landscape dictated the artist to keep her balance, which didn’t allow her to see further than the next slope. It was the low season for tourism, so no ski lifts were operating to ease her journey upward. Jaanika was alone with the mountain, as she continued her way forward. The glacier at the foot of the mountain had melted and in order to come into contact with the ice and snow, she had to climb even higher. This was her first direct encounter with glaciers: until that moment, she had only experienced them through the sounds, videos, literature and photographic material of other authors. All of these contained descriptions of glacial ice, its essence and foreseeable fate. The expansive, solid and mountainous landscape made her feel small. Yet the desire to reach what seemed unattainable remained.

The glacier is considered unpredictable, even dangerous both in real life and as a symbol. It might be seen as the historic archive of atmosphere, giving us hints of past climates and exposing the ways we are all connected to our ancestors and the generations that follow us. We are bound together by a shared destiny and responsibility. We use scientific methods to describe and interpret the mountain, but the actual experience of it might feel sublime and ordinary at the same time.

The glaciologist Jemma Wadham perceives glaciers as characters who have their own personalities and destinies. René Daumal has written about an imaginary expedition to an imaginary mountain, inviting us to interpret it as a symbolic and spiritual journey. Reaching for the sublime is a universal human desire. The mountain climber is not simply a hiker or an adventurer, but a truth seeker whose journey seems almost predestined. In the current exhibition, the mundane is brought together with the divine, the scientific with the sublime.

The exhibition features a large-scale installation, melting ice, ink works on wax paper and a meditative space imbued with John Grzinich’s soundscape. The artist has also inspired students from the Sally Studio Art School located within the ARS Art Factory: under the guidance of Annely Köster six artworks in dialogue with the exhibition were created and will be displayed as a satellite project in the courtyard windows of the Sally Studio Art School. In the framework of the public programme, an artist talk with Jaanika Peerna and the sound artist John Grzinich will take place on 15 May at 5:00 PM, followed by their joint performance at 6:00 PM.

Jaanika Peerna is an Estonian-born artist who lives and works in Estonia, Portugal and New York. For more than a decade, she has dedicated herself to the study of glaciers, working through a vast amount of material about the lifespan and condition of glaciers, while associating it with travelling, philosophy and spiritual ideas. In her artistic practice, she has woven these themes into drawings, installations, videos and performance art. Her performances often engage with the audience, inviting them to reflect upon the ongoing global warming. Peerna’s practice stems from the physical human experience and strives towards a greater awareness of the fragility, interconnectedness and uniqueness of all living things.

She has exhibited her works and given performances around the world. Her last solo exhibition was held in Seoul, Korea. Her works can be found in numerous private collections in Europe and the USA, as well as in public collections, such as the French National Foundation for Contemporary Art.

Curator

Liisi Kõuhkna is a curator and project manager who graduated with a master’s degree in health sciences from the Tallinn University and has also studied in MA programme of curatorial studies at the Estonian Academy of Arts. She has curated contemporary art exhibitions in various galleries in Estonia and abroad. Since March of this year, she works as the gallery assistant for the Estonian Artists’ Association.

Exhibition information

Location: ARS Project Space, Pärnu mnt. 154, Tallinn

Artist talk and performance together with sound artist John Grzinich: 15.05, respectively from 5 PM and from 6 PM

Open for visitors: 24.04.–16.05.2026, Mon–Fri 12–18, Sat 12–16

Curator: Liisi Kõuhkna

Graphic design: Cristopher Siniväli

Photo documentation: Roman-Sten Tõnissoo

Sound design: John Grzinich

Technical support: Aksel Haagensen, Mattias Veller

Special thanks to: Cultural Endowment of Estonia, ARS Art Factory, Estonian Artists’ Association, Merike Hallik, Sandra Sirp, Liis Tedre, Gunnar Kalmet, Agu Peerna, Hannes Egger, Mari Volens, Sally Studio ja Annely Köster

Exhibition opening 01.05 at 6:00 PM

Artists participating in the exhibition: Anna Ovtšinnikova, Elo Vahtrik, Fausta Noreikaite, Giulio Cusinato

Graphic design: Elo Vahtrik

Drawings: Giulio Cusinato

The exhibition explores the relationship between urban space and the individual, focusing on how environments are experienced, navigated, and internally recorded. The city is approached not as a fixed structure, but as something continuously shaped through perception, object, movement, memory, and different forms of inhabitation.

Framed as an open field of inquiry, the show invites reflection on co-existence within the limits of shared spaces of (be)longing. “Site” appears in fragments: streets, surfaces, transitions, overlooked details. “Self” emerges as observer, documentalist, and inhabitant, negotiating, questioning, and/or passing by these environments.

Extending from questions of home, spaces that function as shelters holding temporary bodies in relative safety, to public urban landscapes where that same body becomes increasingly exposed, this shift from interior to exterior reveals a tension between protection and visibility, and highlights the instability of boundaries between private and public space.

Situated within Uus Rada Gallery in Tallinn, a student-run space positioned slightly outside the main institutional circuits of the city, the exhibition also reflects on its own site of presentation. The gallery becomes part of the same spatial inquiry it hosts, where access, visibility, and movement are quietly negotiated. Rather than functioning as a neutral container, the exhibition space extends the conditions it examines, situating the works within a threshold between institution, everyday passage, and shared urban terrain.

The exhibition is open: 

01.05.2026-16.05.2026 
Fri-Sun 16:00-20:00; 
During the week, upon appointment

We thank the Department of Fine Arts for their support.

DANCING WITH THE STARS!
EKA Billboard Gallery 16.02.–17.05.2026
Open 24/7, free admission

The exhibition “Dancing with the Stars!” by the 1st year students of graphic design showcases the designed letters and the process of the class Typography I. During 14 weeks, several exercises and experimentations were carried out, drawing was done both by hand and on the computer, using things like stencils, feathers, rocks, nail polish or even keys.

While the first seven weeks were dedicated to experimentation and playing, the last seven focused on creating an entire alphabet and going through the whole letter design process. Vectorised letters were created which in turn were made into working font files during a week-long workshop.

Students: Johannes Adrik, Art Allik, Helen Forsel, Mia Klooren, Art Kruus, Adele Markova, Ischa Mestdagh, Jaako Lauri Puudist, Ann Aotäht Sarv, Mia Greta Sepp,Ariana Sigin, Linnea Süvari, Jakob Tüür, Karol Henrik Vana, Rei Helin Varres
Supervisor: Agnes Isabelle Veevo
Supervisor of the workshop: Patrick Zavadskis

The fonts can be downloaded for free from the SUVA Type Foundry website: suvatypefoundry.ee

SUVA Type Foundry makes the typefaces designed by EKA GD students public.

Locations: EKA Gallery (Kotzebue 1) and the EKA Monumental Studio (Kotzebue 10)
28.04.–17.05.2026
Open Mon–Sat 2–6 pm Sun 12–4 pm (NB! Closed on May 1st!)

Fine Arts Assessment Marathon

The spring assessment marathon is here! For three weeks, visitors can once again visit the Assessment Marathon of the Faculty of Fine Arts and view the student projects finalized for the end of semester: almost every day, new artwork will be on display.

Visitors can see the final works of the students from the curricula of animation, photography, graphic design, installation and sculpture, contemporary art, painting and scenography.

A new exhibition is installed almost every evening of the marathon, and the previous evening’s display is replaced by a new one the following evening.

SCHEDULE

Tue, Apr 28. Drawing, Art BA II, supervisor Tõnis Saadoja (EKA Gallery)

Wed, Apr 29. Anatomical Drawing, Art BA I, supervisor Maiu Rõõmus (EKA Gallery)

Thu, Apr 30 – Sun, May 3. Photography, BA I, supervisor Tuukka Kaila (EKA Gallery)

Mon, May 4. Abstract Drawing, Art BA I and II, supervisor Tõnis Saadoja (EKA Gallery)

Tue, May 5. Studio Photography, Photography BA I, supervisor Madis Kurss (EKA Gallery)

Wed, May 6. Drawing, Art BA III, supervisor Britta Benno (EKA Gallery)

Thu, May 7 – Sun, May 10. Contemporary Art, MA I and II, supervisors: Merike Estna, Karel Koplimets, Camille Laurelli, Sten Saarits, Anna Skodenko, Kristi Kongi, Liina Siib, Viktor Gurov, Laura Põld, Tuukka Kaila, Reimo Võsa-Tangsoo (EKA

Gallery and Kotzebue 10 Monumental Studio)

Mon, May 11. Graphic Art, BA I, supervisors Kadi Kurema, Charlotte Biszewski, Mark Antonius Puhkan, Mirjam Varik (EKA Gallery)

Tue, May 12. Painting, BA I, supervisors Kristi Kongi, Jaan Toomik, Eero Alev, Holger Loodus (EKA Gallery)

Wed, May 13. Graphic Art, BA II, supervisors Viktor Gurov, Eve Kask, Maria Erikson, Liina Siib (EKA Gallery)

Thu, May 14. Installation and Sculpture, BA I, supervisor Laura Põld (Kotzebue 10)

Fri, May 15. Animation, MA I, supervisors Lilli-Krõõt Repnau, Bruno Quast (EKA Gallery)

Fri, May 15. Art Project, Scenography BA II, supervisor Liina Keevallik (Kotzebue 10)

Sat, May 16 – Sun, May 17. Drawing, Scenography BA II, Animation BA II, Photography BA I, supervisors Lilli-Krõõt Repnau, Eleri Porrison, Mark Antonius Puhkan (EKA Gallery, the exhibition is also part of the programme of the festival Kalamaja Days).

In a society of ultra-modernity and hyperconnectivity, what does it mean to resist acceleration?

Between infinite production and the rejection of speed, the works produced question our relationship to technology and nature, particularly in the era of valuing fast production and quick reward over process and slowness.

Acceleration promises transformation yet produces cyclical redundancy.

Slowness appears as an alternative, yet risks disappearance.

We must imagine other ways of being, and investigate how one might exist within a system saturated with the homogenization of forms and algorithmic repetition.

This exhibition does not aim to resolve this tension.

It sustains it.

It stages practices that oscillate, overflow, and evade.

It does not propose a solution but rather creates a space for transgression by observing the inherent slowness of the garden.

Allowing us to construct a world where other rhythms, forms, and futures become conceivable.

This exhibition was made possible by the generosity of Kopli 93, community and educational garden. The central theme of the exhibition was heavily influenced by our collective perception of the vast, mystical space. We would like to thank Kristin Lang and the other gardeners of Kopli 93 for warmly welcoming and educating us, and the community of Kopli for allowing us to exhibit in their neighborhood.

Exhibiting artists: Esther Borrett, Nancy Bettina Beard, Coco Corbineau, Sadhbh Connolly, Kimberly Jüschke, Karolin Mägedik, Chloe McDougall, Elise Muchowski, and Tin Trong Nguyen.

Exhibition team: Oleksandra Aleksieienko, Panna Becker, Yann Mazzalovo, Daria Zaitseva”

April 22 – May 23, 2026  

Gallery Pallas

On Wednesday, April 22 at 5:00 PM, Gallery Pallas will host the opening of the joint exhibition “I am Tartu and You are Tallinn,” featuring works by third-year painting students from Pallas University of Applied Sciences (Pallas UAS) and second-year painting students from the Estonian Academy of Arts (EAA). 

Tartu and Tallinn have historically been seen as rivals: Tartu as calm, bohemian, and poetic; Tallinn as the capital – fast-paced, sharp, and trendy. An invisible tension and a quiet struggle are often sensed between the two. This exhibition brings together two schools from these two cities. There was no pre-determined theme, no strict roles, and no binding agenda. Students from EAA and Pallas UAS came together out of a shared interest to see what happens at the intersection of subconscious themes, time-specific emotions, and recurring symbols. 

“I am Tartu and You are Tallinn” is not about opposition, but about overlap. It uses the language of art to show that differences do not disappear; instead, they complement each other. At the same time, it is an invitation to mix identities, allowing one city to dissolve into the other. Once the paint finally reaches the canvas, it no longer matters where you come from. All that remains significant is what is left: the thought, the feeling, the essence, and who you truly are without filters and expectations. 

Exhibition participants from Estonian Academy of Arts: Elise Muchowski, Annette Kits, Anu Jakobson, Karoline Ruusmaa, Kirke Kirt, Esther Borrett, Iris Helme, Madliin Küla, Mia Bianca Kiigemägi. 

From Pallas University of Applied Sciences: Adele Maria Arengu, Elisabet Vasur, Gerli Tafenau, Gerly Piho, Ingrid Janter, Karolin Konrad, Liisa Soolepp, Maria-Netti Purga, ÖÖ.Liibek, Nele Must, Stella Loki Leius, Hedi Kuhi, Helen Lang, Nele Luik, Delfi Oraakel, Luca Fazekas. 

Supervising tutors: Anna Škodenko, Jaan Toomik, Mart Vainre (EAA), Veiko Klemmer, Pille Johanson (Pallas UAS). 

Exhibition team: Eero Alev, Mihkel Ilus, Holger Loodus (EAA), Indrek Aavik (Pallas UAS)

Poster design: ÖÖ.Liibek. 

Press photo: Adele Maria Arengu. Sense of reality. 2026. Oil on canvas. Fragment. Photos by Maria-Netti Purga. 

On Friday, May 15 at 1:00 PM, the Patarei Sea Fortress will host the opening of an exhibition titled “Alone Together” curated by the second-year students of the Estonian Academy of Arts Jewellery and Blacksmithing department. The exhibition will present works of contemporary metal and jewelry art which examine the inner world of a person, exploring how the desire to belong shapes our choices, ideologies, and prejudices. 

As humans, we are frightened by loneliness – the need for communication, touch, and a sense of belonging is natural. Although it is easier to make new connections today than ever before, reality seems to indicate the opposite – people are experiencing increasing loneliness. 

Participating students: Alexander Matthias Saage, Karl-Erik Eeriksoo, Barbara Põldmaa, Kirsika Kaljuste, Stiina Marie Sarevet, Johanna Maria Maripuu

The student’s work was supervised by Eve Margus and Nils Hint.

Graphic designer: Mattias E. Tiik

Patarei Sea Fortress

Kalaranna tn 28

May 15 – 24, 2026

Mon-Sun, 13-19p.m.

Maria Izabella Lehtsaar’s solo exhibition In Loving Hands opens on 25 April at 13:00. Drinks for the opening will be provided by Tuletorn Brewery, and the exhibition is supported by the Cultural Endowment of Estonia.

The exhibition is open 26 April – 25 May
Keskpuur Gallery at Central Market, Keldrimäe 9 (2nd floor)

Keskpuur is pleased to present In Loving Hands, a solo exhibition by Maria Izabella Lehtsaar, bringing together experiments with media, commodity fetishism, and tattooing within the nostalgic atmosphere of the 1990s Keskturg.

With In Loving Hands, Keskpuur becomes a display window. Through the bars of the cage, three photographs hang against the backdrop of a lush pink curtain. The faded glory of Keskturg and the scent of meat create a contrasting environment for the display of something purely aesthetic.

Lehtsaar has long been drawn to photography, though it has mostly remained a flirtation. When photographs have appeared in their work, they have typically been transformed – into silkscreen or acetone prints.

With this project, the artist continues a personal exploration of commodity fetishism, which began during their master’s studies while engaging deeply with the work of Marcel Duchamp. The concept of commodity fetishism opens up a broader reflection on the commercial status of artworks and the notion of value and prosperity.

…

Maria Izabella Lehtsaar (b. 1998) is a Tallinn-based artist working primarily with underrepresented queer experiences and narratives, often playing with the boundaries between reality and fantasy. Their work combines pop-cultural aesthetics with sensitive monochrome graphics, alongside textiles, drawing, and poetry. Through the use of diverse media, familiar imagery is bent into layered meanings.

Lehtsaar holds a BA in Graphic Art (2020) and an MA in Contemporary Art (2024) from the Estonian Academy of Arts. In 2023, they were awarded the Eduard Wiiralt Scholarship. Their work has been exhibited in several duo and group exhibitions; most recently, their solo exhibition Hares Caress Your Hair was presented at Hobusepea Gallery in early 2026.

7.05.26 – 28.05.26

Jakobi Gallery, Jakobi 52, Tartu

On Thursday, May 7th at 6:00 PM, Mirjam Varik’s photography exhibition “Familiar Stranger” will open at Jakobi Gallery.

The project deals with the meeting of generations through photographs and archival materials. It is a story about grandfathers who have passed away and grandmothers who have stayed here, and how pictures, old letters and memories help to restore broken ties and understand our roots. We come from somewhere, we are like someone or have the face of someone.

Family history is never unambiguous — each new discovery changes the understanding of the past. The wars of the last century and the Iron Curtain severed ties in many families: some stayed here, others were sent away or fled abroad, leaving behind only vague memories. Silence became a part of everyday life, not everything was talked about. Children were not supposed to know everything, and even less so grandchildren.

Photographs taken in California, where a meeting with a previously unknown relative highlights past decisions, departures and new beginnings. Choices made several generations ago now open up new layers of meaning related to culture and identity. The song features excerpts from found letters and diaries, illustrated with historical footage.

Mirjam Varik (b. 1990) studied photography at the Tartu Art College (2014) and as an exchange student at the University of Art and Design Linz. She graduated from the Estonian Academy of Arts with a BA in graphic design (2021) and later completed an MA in contemporary art (2024). In her artistic practice, Varik articulates seemingly insignificant moments that have a lasting impact on personal formation. Through photography, video, and installation, she explores childhood experiences and identity in a narrative manner, focusing on memories, places, and phenomena.

Thanks: Filipp Varik, Marge Monko, Sandra Ernits, Tanja Muravskaja, Martin Pedanik, Eri Rääsk, Sarah Nõmm, Siim Preiman, EKA graphic art department.

The exhibition is supported by the Estonian Cultural Endowment of Estonian.

mirjamvarik.xyz

Song: Filipp Varik (Opéra National de Lyon)

Graphic design: Mirjam Varik

Jakob Gallery opening hours: Tue-Fri 1pm-6pm

Exhibition “Flora Erotica” by Sarah Nõmm and Maris Karjatse in ARS Showroom gallery (Pärnu mnt. 154, Tallinn) at 18.00 on May 6th. 

Exhibition is open Mon-Fri 12-18 and Sat 12-16 until May 30th, 2026.

we attract
we sting
we soften
we wither
we swell
we stick
we simmer
we rot
we sparkle
we shed
we savor
we evaporate
we curl

Present exhibition-teaser brings together materials, collaborative experiments, and motifs from Maris Karjatse and Sarah Nõmm’s shared wet dream, in which someone pollinates, blooms, and becomes intoxicated by nectar.

The exposition serves as a small opening into a pink fever, where things do not remain in a unified form. The flyswatters caress and reprimand while weaving themselves into a carpet; the curtain becomes a flowing, safe shelter. The formless pink ribcage supports, squeezes and holds its breath.
The hosiery of visual decadence stretches longer than the substance allows; the image is decomposing along the final cut line of a dimming gaze, and as it falls into the abyss, material with the new agency emerges from the exploded fragments. 

The exhibition brings together objects and images shifting between the forms of a fetish object, a botanical specimen, and staged artifacts. Like a metamorphosing lover, throwing into the embrace of the beloved one, so that all surrounding matter and static identities explode and the boundaries between species blur, everything transforms its existing form, and molecular cross-pollination takes place.

Maris Karjatse is an artist and translator whose artistic practice primarily engages with photography and linguistic expression. Her work explores the philosophy of everyday objects, agency, corporeality, and processes of healing. Recently, Karjatse has turned toward analogue photographic techniques and plant philosophy, approaching the plant as a body. Karjatse has studied English philology, photography, and contemporary art.

Sarah Nõmm is an artist whose practice explores the body and its forceful, fragile, and tension-filled presence in space. Her works revolve around sculpture, installation, and material-based research, combining personal experiences and bodily themes through folklore, taboos, and rituals. Nõmm’s works are characterized by intimacy and the poetic unfolding of corporeality, where thresholds of pain and pleasure, softness and aggression, control and submission meet.

GD: Maria Izabella Lehtsaar

FB: FLORA EROTICA 
https://fb.me/e/1YTFA4mxSY

ARS
https://www.arsfactory.ee/post/ars-showroom-82-maris-karjatse-ja-sarah-n%C3%B5mm-flora-erotica

“Moments Held” is a group exhibition by second-year students from the Department of Graphic Art at the Estonian Academy of Arts.

The title refers to nostalgic or meaningful fragments of time that each artist preserves through their work in their own unique way. The exhibition explores human memory and its fragility, the act of holding onto memories, and the attempt to capture moments that would otherwise vanish all too quickly.

The works address the transformation of the mind under societal pressure, the shifting of memories with every recollection, and the stories carried by objects. Some artists draw on family heritage, others on the experience of adapting to a new environment, yet almost all look inward during the creative process to interpret and visually depict the moments that hold personal significance. Together, they form a cohesive whole defined by craftsmanship, experimentation, and materiality.

Participating artists: Anastasija Šteinle, Anna Weidebaum, Ronja Jõgi, Sadhbh Connolly, Selene Taur.

The artists would like to thank their supervisors Viktor Gurov and Eve Kask, and the EKA Department of Graphic Art.

Exhibition dates: 11/05.–30/05. Opening: May 11 at 17:00. Location: GÜ Gallery, Pärnu mnt 154, Tallinn. Opening hours: Mon–Fri 12–18, Sat 12–16

Opening of the exhibition “Reality of Dreams” at 18:00 at OKAPI Gallery in Tallinn

Participating artists: Ksenia Verbeštšuk, Nina Maria Allmoslechner

Curator: Ilja Jakovlev

Graphic design: Ksenia Kvitko

In the Victorian era, amateur photography became one of the hobbies of the “new and progressive” age that was socially acceptable for women. Initially, men believed that, much like drawing or embroidery, photography would serve as a pastime through which women could distract themselves from daily duties and engage in it playfully. However, quite quickly, women moved from depicting flowers, domestic animals, and garden views to more serious statements and visual experimentation. This has come down to us today through the work of outstanding Victorian women photographers such as Anna Atkins and Julia Margaret Cameron.

Somewhat later, women began to use photography for even bolder forms of expression, often in subtle and veiled ways, almost creating their own dreamlike worlds, sharply social self-portraits, or revealing the “double bottom” of existing reality, as seen in the works of Francesca Woodman and Diane Arbus.

Since its inception, analogue photography has undergone several periods of technological modification, and at a certain point it became an “alternative” way of capturing reality (or its altered states) against the backdrop of the growing popularity of digital photography. In the 21st century, film photography experienced a new rise, becoming extremely popular among followers of countercultural movements. Nevertheless, throughout all these periods, analogue photography has retained its power to enchant. It is practiced, studied, pursued professionally, and chosen as the primary medium in artistic work. The essence of analogue photography lies in its depth, the uniqueness of each frame, and the complex relationships between the environment, the author, and the final work.

Nina Maria Allmoslechner and Ksenia Verbeštšuk work with analogue photography, using it as a way of archiving different, sometimes liminal states of reality. For them, this manual photography is a process of creating a personal album of memory, within which their own dreamlands unfold.

Both artists, exhibiting together for the first time, enter into a dialogue about the interpretation of perceiving and understanding reality through the act of analogue photography—not so much from an aesthetic perspective as through the prism of mental states and emotions.

Nina Maria presents a series of tomograms of her brain alongside photographs of nature and self-portraits in the forest. She is interested in the relationship between human nature and the surrounding environment through the form of the brain, both visually and conceptually. Here, the brain is an ambivalent form: on the one hand an organ, on the other a portal between the “self” and the “surrounding.” The question is how one transforms into the other, where the boundary between these worlds lies, and whether it exists at all. After all, it is the brain that ultimately creates our personal reality, which is then recorded again on film. Nina Maria also reflects on the experience of derealization, raising the question of how a person perceives their place in “reality” and what happens when this perception is disrupted.

Ksenia interprets the creation of her reality through the very act of photography. The choice of composition, framing, subject matter, and the attempt to convey the play of light and shadow does not emerge from nowhere—it is a complex process that also takes place in our minds. By photographing people, animals, and landscapes, she archives her memory, creating a kind of album of places and events. In a sense, their analogue photographs are themselves tomographic self-portraits that exist inseparably from the surrounding environment they construct—sometimes almost surreal in nature.

An important theme for both artists is also their work with text. Ksenia keeps a personal diary and often accompanies her works with excerpts from it. This year, Nina Maria published the book When White Blankets. In the exhibition, they “meet” not only through photographs but also through text—large handwritten sentences on the wall.

Drinks at the opening are provided by PÕHJALA!

Exhibition dates:

30.04–06.06.2026

Wed–Fri 12:00–18:00

Sat 12:00–16:00

OKAPI Gallery

Niguliste tn 2, 10146, Tallinn

We thank the exhibition supporters:

OKAPI Gallery, PÕHJALA

Moulds for the Wilderness / Vormid tühermaale
Odie Lap Chun Chow
Location: Hanger, Põhjala tehas, Marati tn 5, Tallinn
Opening 8.05 at 18:00
Visting hours: 8.05–19.05 WED-SUN 11:00-17:00
Defence date: 12.05 at 10:00

Moulds for the Wilderness is a showcase of Odie Lap Chun Chow’s journey into mould making, inspired by ceramic casting production and self-experience in identity seeking. Gypsum, clay, and photography became the materials Odie used to explore and reflect on his struggle to find self-identity, bound to the city he came from. Here, he raises the question of whether moulds give limits or freedom to one, and whether one can create their own “wilderness”, a space without borders.

Perfect Dupes / Täiuslik duplikaat
Maia Hellman
Location: Kopli tn 2a
Opening: 9.05 at 18:00
Visiting Hours 9.05–30.05 THR-SUN 14:00-19:00
Defence date: 12.05 at 15:00

The remnants of the honey shop linger here, in the elongated shelves that run the walls and the price stickers from the beekeeping and gardening equipment they once sold. The same shelves now hold objects that arrived here with their own histories. Second-hand tableware, ceramic pieces, raw materials. Things that have passed through other hands before reaching these shelves. Some of them have passed through mine.

Lyly Pudi-Padi Pood, Lyly’s IJzerwinkel, La Quincallerie de Lyly
Lyly Letzer
Location: Keskturg Kiosk 168
Opening date: 10.05 at 11:00
Visiting hours: 10.05–17.05
Defence date: 13.05 at 11:00

A “ijzerwinkel”, “quincallerie” or “pudi-padi pood” is a place where you can find glue, a flower, a plate or someone to talk to. // Pudi-padi pood on koht, kust võib leida nii liimi, lilleõie, taldriku kui ka vestluse. // Une quincaillerie est un endroit où on peut tout trouver, un clou, une assiette, un savon et une personne à qui parler. // Ik ga naar een ijzerwinkel om van alles en nog wat te vinden: een tas, een koek of een babbel.

Unfolding Gestures / Avanev käeliigutus
Mariam Mestvirishvili
Location: Angaarinstituut, Põhjala Tehas, Marati tn 5, Tallinn
Opening 8.05 at 18:00
Visiting: 8.05–24.05 WED-SUN 11:00-17:00
Defence date: 13.05 at 15:00

Unfolding Gestures brings together practices of ceramic and textile making, exploring what lies beyond their surface and unfolds through them. By focusing on the process of making, the coexistence of material and maker as beings in their own right becomes visible, resulting in a series of works that reveal the traces of the process and its inherent mundanities.

Beyond Wearability / Kantavusest kaugemal
Peixuan Lin
Location: ARS Kunstilinnak, Stuudio 53, Pärnu mnt 154
Opening 11.05 at 18:00
Visiting hours: 11.05–15.05
Defence date: 14.05 at 10:00

Beyond Wearability builds on the personal experiences and theoretical research of designer Peixuan Lin, exploring how accessories transcend from wearability to becoming fluid symbols of identity. It shows how materials, myths, and everyday use collectively transform accessories into vehicles for personal narratives.

Souvenirs from Home / Suveniirid kodust
Sylvia Burgess
Location: Pika Jala väravatorn, Pikk Jalg 3
Opening: 16.05 at 18:00
Visiting hours 16.05–14.06 THR–SUN 12:00-17:00
Defence date: 14.05 at 14:00

Souvenirs from home is an exhibition of small objects and jewellery drawing on motifs, techniques and materials gathered through the three homes Sylvia Burgess has experienced in the past two years.

KULTIVEERITUD KEHA
Joanne-Heleene Sõrmus
Location: EKA Stenograafia stuudio, B304
Opening: 14.05 at 19:00 (performance)
Defence date: 15.05 at 10:00, A403

At the culmination, the focus shifts away from the body to what remains of it: its traces, forms, and surfaces that are transferred into the garment. Performance KULTIVEERITUD KEHA explores the moment when the body ceases to be the objective and instead becomes a trace – a shell no longer defined by physical perfection, but by the aesthetic and emotional residue left by the pursuit of it.

Extensions / Pikendused
Marite Kuus-Hill

Location: Kopli 70a, II floor/korrus
Opening 12.05 at 18:00

Defence date: 15.05 at 14:00

Extensions is a collection of events surrounding a handmade 4 m x 4 m quilt. This project presents a series of proposals and brings forth open-ended questions about space and space making, while expanding the notion of a quintessential cultural object, the quilted blanket.

Collection of public events:

April 17th 18:00
Thesis Assembly
Marite Kuus-Hill & Chloé Gourvennec
Krulli maja, Kopli 70a, Tallinn

May 6th 14:00
Patchnotes: Line Arngaard
Haron Barashed & Marite Kuus-Hill
oh.eka-gd-ma.ee / EKA sea terrace, Põhja pst 7, Tallinn

May 12th 18:00
Twelve Proposals for an Unfolding Event
Lili Maud Dobell & Marite Kuus-Hill
Krulli maja, Kopli 70a, Tallinn

May 13th 18:00 (invitation only)
Quilting Bee and Talking Bird
Jordy Weaver & Marite Kuus-Hill
ETC Space, Niine 8, Tallinn

May 22nd – 23rd 11:00-17:00
Quilt Space
Fair Enough Art Book Fair
Estonian Museum of Applied Art and Design
Lai 17, Tallinn

June 3rd 14:00
Patchnotes: Alek Green
Haron Barashed & Marite Kuus-Hill
oh.eka-gd-ma.ee / EKA sea terrace, Põhja pst 7, Tallinn

On Thursday, 14 May at 6 PM, Viktoria Martjanova’s first solo exhibition Biomaterial will open at the Hobusepea Gallery.

Working with installation, video and photography, the artist regards the body as a resource: a currency that can be optimised, controlled, used and categorised according to political, military and economic interests.

At the centre of the exhibition is a large-scale installation made of hair, transforming this intimate and personal material into a spatial experience. From this enchanting, yet repellent approach to material and form, Martjanova moves on to the media of photography and video, creating a more direct link between organic matter and human life. The exhibited bodies and materials have lost their autonomy and function rather as units in a broader socio-political system, where their value is determined by their usability and purpose.

Viktoria Martjanova is a multidisciplinary artist whose practice includes video, installation, sound, text and performativity. Her work focuses on the formation of identity in conditions where the personal experience is inextricably linked to social and political mechanisms, perceiving the body as a tension field where these power dynamics are manifested.

Martjanova uses bodily experience, memory and language as materials to examine how personal tension and social structures intertwine in the body and how these relationships become perceivable. Her works move along the axis of tension and interruption, looking at identity as an unstable construct that is constantly rewritten. Martjanova highlights the human and young author’s position in conditions shaped by external pressure, visibility and the requirement to create one’s self-image.

Her works have been shown at the Performa Biennial in New York, the Riga Art Week’s (RAW) opening event, the Alma Gallery in Riga and the Vilnius Art Week. She is the laureate of the 2025 Young Artist Award granted by the Estonian Academy of Arts.

Curator: Lilian Hiob-Küttis

Graphic design: Maxim Nikanorov

Installation of the exhibition: Polina Kaaiko, Tõnis Tallermaa, Madis Eek, Hans-Otto Ojaste

Metalwork: Märt Vaidla

Special gratitude to Eesti Kultuurkapital, Eesti Kunsti Aakadeemia, Valge Kuup Studio, Anita Kremm, Ksenia Verbeštšuk, Juri Krutii, Todd Richter, Dmitry Gubin, Aksel Haagesen, Viktoria Arapina, juuste doonorid, kunstniku perekond, Villem Varik, Liisi Kõuhkna, Kaisa Maasik-Koplimets, Anna Mari Liivrand, Jordi Hin, Andrei Kazakov, Meraki Testa Dell’Acqua, Compose.

PS! The celebration of the exhibition opening will continue at Paavli Culture Factory starting from 8:30pm.

Exhibitions in the Hobusepea Gallery are supported by the Cultural Endowment of Estonia, the Estonian Ministry of Culture and Liviko AS.

The gallery is managed by the Estonian Artists’ Association.

Curated by Rebeka Põldsam

15.05.-14.06.2026

Opening Thursday, May 14 at 6 pm at Draakon Gallery 

Mara Kirchberg’s solo exhibition explores the technologization of care, focusing on how the automotive sector has shaped care work. Moving between garage and medical settings, Kirchberg examines the metaphor of the body as a machine, tracing how petromodern systems designed for efficiency come to structure how we carry, support, and maintain one another.

At the center of the exhibition is a hanging installation assembled from industrial materials forming a fragile organism—lifting slings, artificial membranes, lubricants—requiring ongoing maintenance to remain functional. During “Service Hours,” the artist activates the pulley system, performing a public maintenance while wearing a PVC “Sweat Suit”. 

Performances: 30 May and 13 June at 5 PM

Performed by Mara Kirchberg

Curator: Rebeka Põldsam

Graphic design: Kert Viiart–Õllek

Technical support: Gisèle Gonon, Marko Odar

Outside Eye: Gisèle Gonon

Supported by The Cultural Endowment of Estonia, Goethe-Institut Estland

Special thanks to: Eesti Kunstnike Liit, Hans-Otto Ojaste, Mari Volens, Sandra Ernits

If history were to end today, as who would you be left standing in the following static oblivion? The exhibition “Läbi dissonants” contrasts five audiovisual artworks, with the goal of taking a deeper glance at the tools and mechanisms that neoliberalism, as a system, uses to enforce and recreate its modern political hegemony.

Abstraction can be found everywhere, from long, seamlessly blending beaches to industrial megastructures. From strong outlines around hollow bodies to misleading wordplay that those shapes espouse. From the foggy beginnings of a human’s existence to their last interrupted movement.

The exhibition includes works from the artists Inna Tarakanova, Artjom Jurov, Aksel Haagensen, Marto Mägi, and John Smith.
Open from the 13th of May till the 19th of June. To visit, we ask that you contact the gallery a day ahead of time to organize your visit.

Curator: Kaur Järve

Metropolkapp – https://www.instagram.com/metropolkapp/?hl=en

April 24 – August 15, 2026
Opening April 23 at 6pm

Announcing the opening of ‘Ersatz Strata’, a joint exhibition by Zody Burke (Tallinn, NYC, EKA MACA) and Klara Zetterholm (Stockholm) at Temnikova & Kasela gallery. 

The work is an exploration of a recently discovered imagined anthropological site of questionable provenance. Through reliefs, sculptures, printed work, kinetic elements, and industrial residue, the artists present an unreliable aesthetic archaeology in the language of natural history museums.

The exhibition includes a short story written by Jaakko Pallasvuo (a.k.a. Avocado Ibuprofen) with design by Taylor Tex Tehan (EKA GDMA).

The opening will include a live performance by musician and digital-age cosmogonist 011668 (Los Angeles), whose interdisciplinary work blends spirituality, consumption, and fossil fuel mythologies. The performance will occur just before twilight.

The exhibition is supported by the Cultural Endowment of Estonia.

On 18 May, 2026 Taavet Jansen, doctoral student of Art and Design curriculum, will defend his doctoral thesis „ Disembodied Presence: A Conceptual and Practical Mapping of Streamed Theatre“ („Kehata kohalolu: voogteatri kontseptuaalne ja praktiline kaardistus“).
The public defense will take place at 10.00 at EKA (Põhja pst 7), room A101.
The defence will be held in Estonian. The defence will be broadcast on EKA TV.

Supervisor: Dr. Anu Allas (Estonian Academy of Arts)
External reviewers: Dr. Ott Karulin (University of Tartu)
Dr. Raivo Kelomees (Estonian Academy of Arts)
Opponent: Dr. Ott Karulin (University of Tartu)

Thesis is available in EKA digital repository.

Theatre has long operated as an artistic practice grounded in the encounter of bodies within the same space. Contemporary culture, however, no longer limits itself to physical encounters, but extends its trajectories everywhere through digital means and virtual spaces. A large part of our communication, work, and self-expression takes place digitally, mediated through screens. In such a situation, a question has emerged: what new forms, spaces, and experiences can theatre create for itself in the digital sphere?

At the centre of this doctoral dissertation is livestreamed theatre, a form of performance in which presence, space, and audience participation function on different premises than in conventional theatre. Livestreamed theatre is situated at the point of contact between theatre, film, online environments, and interactive media, and is grounded in a real-time event in which performers and spectators share a common time, but not a common space.

How can one create an experience that does not appear merely as a transmission, but as an artistic encounter? What possibilities are offered by technology, dramaturgy, and the active participation of the spectator? And what does all this mean for theatre more broadly, at a time when art must increasingly relate to the possibilities offered by digital environments?

To open up these questions, the author employs a practice-led research methodology, drawing on three artistic experiments — Wolves, Memento, and Inimeses hoitud — mapping the modes of operation of livestreamed theatre, the possibilities of audience participation, and testing its limits. Through these three projects, the work moves from video transmission toward interactive hybrid spaces, observing how the role of the performer, the position of the spectator, the experience of space, and the participants’ understanding of presence shift.

“Disembodied Presence: A Conceptual and Practical Mapping of Streamed Theatre” approaches livestreamed theatre not as a peripheral phenomenon, but as a possible new form of theatre. The dissertation offers both a conceptual and a practical mapping of a field in which theatre seeks new forms of life in digital spaces and experiments with how to remain alive in a world that is increasingly at once material and digital.

Karolin Poska’s site-specific performance Krutski / Spatial Mischief peer-review will take place on May 19 at 10-30-12.00 in the Estonian Academy of Arts White Building, room V-308.
Reviewers are Prof. Annette Arlander (Uniarts Helsingi) and  Rasmus Jensen (Estonian Academy of Music and Theatre)
Supervisor: Dr. Liina Unt (University of Tartu)

Spatial Mischief is part of Karolin Poska’s doctoral research, which explores fragmentation as a strategy within site-specific performance-making. In this creative work, Poska investigates how autoethnographic storytelling, performative actions, and audience participation can disrupt and reconfigure the habitual processes and spatial experience of a harbour terminal. The performance takes place in Tallinn’s D-terminal — a space that functions simultaneously as a transit corridor and an emotionally charged meeting point.

Throughout the research process, Poska has employed embodiment, role-play, and ethnographic observation in order to engage with the harbour as a system in constant transformation. The dramaturgy of Spatial Mischief emerges from the rhythms of the harbour itself — arrivals, departures, waiting, and anticipation — revealing the personal, social, and performative layers embedded within the site.

More info and tickets to the performance:  https://fienta.com/et/o/6157
Performances on 15th and 18th May are in English.

We are happy to announce the Urban Studies Exhibition at 18.04 in Logi Sauna. 

Exhibition “Ebbs and Flows, Perspectives on Baltic Sea and Beyond”
Opening: May 18, 6pm
Open: May 19–20, 12am–7pm
Location: Logi Saun  

This exhibition presents work from Urban Studies Studio 2, developed through a semester-long inquiry into the Baltic Sea and its wider urban, socio-political and ecological relations. Rather than treating the sea as a blank blue void beyond the urban, the works invite us to look again at what remains unseen: the seabed and the inbetween, the information and goods that travels across, the ruins, the privatised territories and the labour. What appears distant or abstract becomes close, material and lived.

The exhibition brings together works by Catherine Lavrik, Claudia Jung, Emely Bobsien, Giacomo Alberto Rescia, Kadri Haugas, Mihkel Uku Karindi, Muhamudul Hasan, Nabid Hasan Shovon, Nika Khalus, Shariful Islam and Zsofia Helka Molnar, developed within the studio led by Miina Pohjolainen and Nabeel Imtiaz.

Everyone’s warmly invited to Master’s thesis presentations by EKA Urban Studies students.

May 25, 2026, 09:30

EKA, A-501

09:30–10:20 Melissa Lee

The Uneven Grounds of Publicness: Community and Control in Singapore’s Void Decks

10:20–11:10 Maria Kazlovskaya

Making Space, Finding Meaning: Youth and the Use of Urban Space in Tallinn, Estonia11:20–12:10 Adeolu Jeremiah Afolabi

Island Urbanism: Power and Spaces of Exceptions

12:10–13:00 Annabel Pops
The Startup City: Entrepreneurial Governance and Growth-Oriented Planning in Contemporary Northern Tallinn

14:00–14:50 Laman Mammadli

Green Displacement: Phased Construction of Baku Central Park and its Impact on the Sovetsky and Bayırşəhər Neighbourhoods (Baku, Azerbaijan)

14:50–15:40 Marta Bodnar

Grassroots Memorial at Maidan Nezalezhnosti at the Crossroads: Documenting the History of Now and the Risk of Institutionalisation

15:40–16:30 Yiğithan Akçay
It Doesn’t Disappear, It Moves: European Plastic Waste and the Governance of Displacement to Türkiye

16:40–17:30 Verdha Anjum

The Urban Political Ecology of River Ravi Transformation: Unpacking the Institutional Mechanisms Behind Manufactured Flood Risk in Lahore, Pakistan

17:30–18:20 Lion Herrmann

Artful Perfection: An Examination of the Instrumentalisation of Culture and Art in the Context of the New City Quarter, Am Tacheles, in Berlin’s Centre.

Supervisors: Nabeel Imtiaz, Maroš Krivý, Kaija-Luisa Kurik, Leonard Ma, Mattias Malk, Agáta Marzec, Karlis Ratnieks, Mira Samonig, Sean Tyler, Karina Vabson 

Reviewers: Kush Badhwar, Sinan Erensü, Tahl Kaminer, Daria Khrystych, Madita Kümmeringer, Anton Küünal, Lily Song, Tauri Tuvikene, Aro Velmet 

Evaluation committee: Sergio Davila, Maroš Krivý (non-voting), Maria Lindmäe, Andres Ojari (chairman), Helen Runting, Sean Tyler (non-voting)

On May 23 at 1:30 PM the 2nd year glass and ceramics department students of EKA will open their exhibition Same Time Same Place in the Viinistu`s Barrel Gallery.

In a time marked by tension, acceleration and fragile boundaries, this exhibition gathers works that linger in the space between presence and relation. Created by 12 student artists from the glass and ceramics departments of EKA, the exhibition unfolds as a series of quiet negotiations between materials, bodies, and ways of being that do not always easily align.

Rather than offering a unified perspective, it brings together distinct, sometimes conflicting approaches. The works explore connection as a process: we leave traces, we transform, inevitably and continuously, both intentionally and unintentionally. In this, there are tensions and collisions, moments of conflict, and recurring attempts to foster peace.

The exhibition attends to the conditions under which beings share space. Proximity does not guarantee understanding; contact does not ensure unity. Instead, the works move through closeness, tension, dependence, and care, questioning what it means to coexist. Symbiosis is more than living side by side, just as parasitism speaks to forms of reliance and imbalance.
Co-existence emerges here as a kind of chemistry — a dissolving you and an insoluble me, and vice versa. Together, the works ask what it means to exist alongside difference without dissolving it.

Works by: Antigone Doron-Sornin, Lee Saarepera, Maria Ivanova, Karl Otti, Daniela Treviño, Martin Kõiv, Stina Preiman, Kirke Vahar, Una Poriete, Olivia Jegorov, Ellen Schleyer, Helen Vinogradov

Advisors: Kaja Altvee, Kateriin Rikken 

The exhibition will remain open until June 11th.

Opening times:
 
Until May 31: Fri-Sun 11-18
From June 1: Mon-Sun 11–18

Supported by: Viinistu Art Harbour, Lexplast, EKA Student Council, Põhjala, Peetri Lõheäri, High Voltage, Capra Saun, Käbliku, Coca Cola, Juhan Kivitoa 

23.05.26.-14.06.26

Opening: 22.05.26 18:00

with a Performance by Anumai Raska starting at 19:00!

Artists: Bob Bicknell-Knight, Giulio Cusinato, Anastasiia Krapivina, Kroplya, Denis Kudrjašov, Lisette Lepik, Fausta Noreikaitė, Rosa-Maria Nuutinen, Kertu Rannula, Anumai Raska, Nora Schmelter

Curated by Bob Bicknell-Knight, Rosa-Maria Nuutinen and Nora Schmelter

Entrance No. 4 transforms the ARS Project Space into a stage of sorts, where the audience engages with the artworks on show through a series of curtailed entranceways, examining ideas of control, illusionary realities and voyeuristic tendencies. Through actively herding and throttling the viewing experience, Entrance No. 4 demands a re-examination of how artworks are seen and engaged with, reflecting upon how images are shared and diffused within contemporary life.

When navigating the purposefully oblique space one will have the opportunity to encounter work from 11 artists currently undergoing a Masters in Contemporary Art at the Estonian Academy of Arts. Artworks on show range from painting and sculpture to video and installation, engaging with ideas associated with the home, climate collapse and our collectively fraught relationship with the body and physical spaces.

Tue–Fri: 12:00–18:00

Sat, Sun: 12:00–16:00

ARS Project Space, Pärnu mnt 154, Tallinn 11317

Graphic Design: Chloé Gourvennec, Ethan Anthony Read

The exhibition is supported by ARS Kunstilinnak, Estonian Artists’ Association, Estonian Academy of Art, Nudist, Põhjala Brewery, Tuletorn

The EKA Graduation Show Festival TASE ’26 opens on May 27, 2026 at 17:00.

At the graduation festival, the faculties of architecture, design, art culture, and fine arts will present this year’s final projects.

TASE ’26 will take place on the EKA campus in Kalamaja – in the EKA main building (Põhja pst 7 / Kotzebue 1), as well as in the buildings at Kotzebue 4 and 10, and on the Kotzebue 2 plot.

At the opening event, the Young Artist, Young Applied Artist, and Young Designer awards will be presented to bachelor’s and master’s level students.

The TASE ’26 exhibition will remain open from May 28 to June 19, daily from 13:00 to 19:00.

TASE chief organizer:
Kaisa Maasik-Koplimets, kaisa.maasik@artun.ee

The 2026 graduation ceremonies will be held on Friday, June 19th in the EKA Assembly Hall (room A101, Põhja puiestee 7).

• At 11:00 AM, the ceremony will begin for graduates of the Faculty of Architecture, the Faculty of Fine Arts and the Faculty of Art Culture
• At 3:00 PM, the ceremony will begin for graduates of the Faculty of Design

Dear graduates, please arrive 15 minutes early to the lower door of the EKA hall, where you will be guided to your designated seat. This year there is a record number of graduates (for the first time over 300) and unfortunately most of the congratulators will not be able to sit in the hall, they can watch the ceremony on the screens in the lobby or online via EKA TV.

More info:
Elisabeth Kuusik
elisabeth.kuusik@artun.ee

The EKA Institute of Art History and Visual Culture is part of the Visual Arts in Europe: An Open History (EVA) project that brings together more than 150 art and heritage historians representing the 46 member countries of the Council of Europe. The project is led by an Editorial Board, composed of six European specialists, and supported by the International Association of Research Institutes in the History of Art (RIHA). Its scientific and operational coordination is provided by the Institut national d’histoire de l’art (INHA) in Paris.

Launched in 2019, this scientific and editorial project results in the publication of a digital platform, documenting the history of the visual arts on the European continent, from prehistory to the present day. This platform will be structured around a collection of 475 objects and images, selected in consultation with all of its institutional partners. It is developed within the framework of an international dialogue, remaining attentive to the plurality and richness of scholarly traditions, accessible to all audiences, and providing an account of current research in the discipline of art history.

This seminar will examine the principles that inspired the launch of this project, the methodology used both for the selection of objects and the attribution of associated texts, as well as the challenges encountered during the development of the digital platform. The presentation of the project and platform prototype will be followed by an open discussion with colleagues from the EKA Institute of Art History and Visual Culture, host of this seminar and Estonian project partner. With INHA director Anne-Solène Rolland and project coordinator Margot Sanitas present, the seminar will be an opportunity for all the Estonian representatives to share their reflections on the selection of objects and how the project contributes to reshaping our common history of European visual culture.

Opening on Thursday, 21 May at 6 pm in the Great Hall of the Kumu Art Museum
(Weizenbergi 34 / Valge 1, Tallinn).
 
Chromatic Drift creates a cohesive perceptual and spatial experience centred on colour, a defining element in the oeuvre of the Estonian painter Kristi Kongi. Works created specifically for this exhibition over the past couple of years, together with the surrounding installation-based environment, evoke both chromatic richness and a poetic mode of being in unmapped territory.
 
At the opening, the launch of the book accompanying the exhibition will also take place.
 
The opening will take place in Kumu’s courtyard, weather permitting.
 
Opening programme on Saturday, 23 May:

Exhibition tours with curator Ann Mirjam Vaikla and artist Kristi Kongi: 12 noon (in English) and 2 pm (in Estonian)
Artist talk with Kristi Kongi at 3:30 pm

The exhibition will remain open until 11 October 2026.

Curator: Ann Mirjam Vaikla
Exhibition design: Mari Hunt, Grete Daut (MARIHUNT architects)
Graphic design: Brit Pavelson
Exhibition installation manager: Tõnis Medri
Coordinator: Anastassia Langinen