“Amphibian State (of Mind)” at EKA Gallery 13.09.–13.10.2024

12.09.2024 — 13.10.2024

“Amphibian State (of Mind)” at EKA Gallery 13.09.–13.10.2024

AMPHIBIAN STATE (OF MIND)
13.09.–13.10.2024
Opening: 12.09.2024 at 6pm

Artists: Ida Montgomery Emblemsvåg (NO), Othelie Farstad (NO), Birk André Fredhjem (NO), Dan Grönlund (SE/NO), Sara Marie Hødnebø (NO), Oskar Jensen (NO), Maria Izabella Lehtsaar (EE), Signe Fuglesteg Luksengard (NO), Vilma Lundholm (SE/NO), Rajat Mondal (IN/NO), Triin Mänd (EE), Marten Prei (EE), Sandra Puusepp (EE), Paul Rannik (EE/DE), Elise Marie Skaug (NO), Mathilda Skoglund (SE/NO), Kristian Trana (NO), Nora Hultén Törnerud (SE/NO)

Curator: Maria Erikson
Exhibition design: Maria Erikson, Paul Rannik
Graphic design: Mirjam Varik
Translation, editing: Maria Erikson, Liina Siib

The international exhibition “Amphibian State (of Mind)” explores the relationships between artworks and the discourses they produce. The idea is rooted in Per Nilssons philosophical essay “The Amphibian Stand”. Navigating themes such as relationships between bodies, nature, animism, the exhibition explores artistic practices where a form of material knowledge is applied to an object (lashing belt, copper plate, piece of fabric, lump of clay etc) in order to change the discourse of that object, and gain new knowledge. Working methods represented in the exhibition – printmaking, drawing, textile, ceramics etc – are based on the sensitivity of a touch and its ability to read surface texture. Artists activate the thing-power of the materials through gestures and care they provide.

Artists involved with the exhibition share a posthumanist multidisciplinary approach, as they apply the logic of one medium to another medium. This can also be discussed as intra-acting. It is a term Karen Barad uses instead of interaction. According to Barad, interaction takes place between pre-established bodies that then participate in action with each other while intra-action enhances entanglement. The exhibition “Amphibian State (of Mind)” looks at the sets of relationships between the bodies of the maker and the body of the art object that are inherently intertwined through the discourse they create through intra-acting.

The exhibition is a collaboration between the Department of Graphic Art at the Estonian Academy of Arts and Print and Drawing study area at the Oslo National Academy of the Arts. The exhibition aims to enhance the Baltic and Nordic scene of contemporary printmaking in the expanded field, including collaboration and an exchange between the participating artists. Six artists from KHiO are involved in the installation process and at the opening event of the exhibition.

Exhibition is supported by the Cultural Endowment of Estonia, KUNO and Sadolin Estonia
Opening drinks from Põhjala Brewery.

Special thanks: Estonian Academy of Arts, Department of Graphic Art at the Estonian Academy of Arts, Faculty of Fine Arts at the Estonian Academy of Arts, Print and Drawing study area at the Oslo National Academy of Arts, Liina Siib, Aleksandra Janik, Kjerstin Jensen, Victoria Browne, Kirke Kangro, Mart Saarepuu.

Posted by Kaisa Maasik — Permalink

“Amphibian State (of Mind)” at EKA Gallery 13.09.–13.10.2024

Thursday 12 September, 2024 — Sunday 13 October, 2024

AMPHIBIAN STATE (OF MIND)
13.09.–13.10.2024
Opening: 12.09.2024 at 6pm

Artists: Ida Montgomery Emblemsvåg (NO), Othelie Farstad (NO), Birk André Fredhjem (NO), Dan Grönlund (SE/NO), Sara Marie Hødnebø (NO), Oskar Jensen (NO), Maria Izabella Lehtsaar (EE), Signe Fuglesteg Luksengard (NO), Vilma Lundholm (SE/NO), Rajat Mondal (IN/NO), Triin Mänd (EE), Marten Prei (EE), Sandra Puusepp (EE), Paul Rannik (EE/DE), Elise Marie Skaug (NO), Mathilda Skoglund (SE/NO), Kristian Trana (NO), Nora Hultén Törnerud (SE/NO)

Curator: Maria Erikson
Exhibition design: Maria Erikson, Paul Rannik
Graphic design: Mirjam Varik
Translation, editing: Maria Erikson, Liina Siib

The international exhibition “Amphibian State (of Mind)” explores the relationships between artworks and the discourses they produce. The idea is rooted in Per Nilssons philosophical essay “The Amphibian Stand”. Navigating themes such as relationships between bodies, nature, animism, the exhibition explores artistic practices where a form of material knowledge is applied to an object (lashing belt, copper plate, piece of fabric, lump of clay etc) in order to change the discourse of that object, and gain new knowledge. Working methods represented in the exhibition – printmaking, drawing, textile, ceramics etc – are based on the sensitivity of a touch and its ability to read surface texture. Artists activate the thing-power of the materials through gestures and care they provide.

Artists involved with the exhibition share a posthumanist multidisciplinary approach, as they apply the logic of one medium to another medium. This can also be discussed as intra-acting. It is a term Karen Barad uses instead of interaction. According to Barad, interaction takes place between pre-established bodies that then participate in action with each other while intra-action enhances entanglement. The exhibition “Amphibian State (of Mind)” looks at the sets of relationships between the bodies of the maker and the body of the art object that are inherently intertwined through the discourse they create through intra-acting.

The exhibition is a collaboration between the Department of Graphic Art at the Estonian Academy of Arts and Print and Drawing study area at the Oslo National Academy of the Arts. The exhibition aims to enhance the Baltic and Nordic scene of contemporary printmaking in the expanded field, including collaboration and an exchange between the participating artists. Six artists from KHiO are involved in the installation process and at the opening event of the exhibition.

Exhibition is supported by the Cultural Endowment of Estonia, KUNO and Sadolin Estonia
Opening drinks from Põhjala Brewery.

Special thanks: Estonian Academy of Arts, Department of Graphic Art at the Estonian Academy of Arts, Faculty of Fine Arts at the Estonian Academy of Arts, Print and Drawing study area at the Oslo National Academy of Arts, Liina Siib, Aleksandra Janik, Kjerstin Jensen, Victoria Browne, Kirke Kangro, Mart Saarepuu.

Posted by Kaisa Maasik — Permalink

15.09.2024

EKAS COMPETITION OF APPLIED RESEARCH AND DEVELOPMENT PROJECTS 2024

Each year, the Estonian Academy of Arts Research and Development Office, in conjunction with the Tallinn Strategic Management Office, holds an applied research and development projects competition to motivate the Academy’s members to apply to a greater extent the results of their academic and research work in the public, business and third sectors; to increase the quality and extent of knowledge services provided by the Academy to society and businesses and to raise public awareness of the application of the Academy’s know-how in the economy and society.

The author(s) of the best project are awarded 1000€. If numerous outstanding works are submitted for the competition, additional work(s) will be awarded.

The competition is open BOTH for EKA’s students, whose course or graduation project has reached the stage of developing an applied output, i.e. the results of the work can be applied in businesses or other organisations, AND the applied research or projects by all EKA´s employees and researchers.

The works must be completed between 01.09.2023–31.08.2024.
To submit a project to the competition a completed form together with additional materials must be sent to koostoo@artun.ee no later than 15 September 2024. The e-mail addresses of all authors of the work must be included among the e-mail recipients.

See last year’s winners HERE.

Materials for applying:

Procedure for Competition of Applied Research and Development Works

Submission form

Posted by Pille Epner — Permalink

EKAS COMPETITION OF APPLIED RESEARCH AND DEVELOPMENT PROJECTS 2024

Sunday 15 September, 2024

Each year, the Estonian Academy of Arts Research and Development Office, in conjunction with the Tallinn Strategic Management Office, holds an applied research and development projects competition to motivate the Academy’s members to apply to a greater extent the results of their academic and research work in the public, business and third sectors; to increase the quality and extent of knowledge services provided by the Academy to society and businesses and to raise public awareness of the application of the Academy’s know-how in the economy and society.

The author(s) of the best project are awarded 1000€. If numerous outstanding works are submitted for the competition, additional work(s) will be awarded.

The competition is open BOTH for EKA’s students, whose course or graduation project has reached the stage of developing an applied output, i.e. the results of the work can be applied in businesses or other organisations, AND the applied research or projects by all EKA´s employees and researchers.

The works must be completed between 01.09.2023–31.08.2024.
To submit a project to the competition a completed form together with additional materials must be sent to koostoo@artun.ee no later than 15 September 2024. The e-mail addresses of all authors of the work must be included among the e-mail recipients.

See last year’s winners HERE.

Materials for applying:

Procedure for Competition of Applied Research and Development Works

Submission form

Posted by Pille Epner — Permalink

30.08.2024

Opening ceremony of the 2024/25 academic year

On Friday, August 30th, starting at 12:00, the opening ceremony of the 2024/25 academic year will be held. The ceremony takes place in the main hall (A101) and lasts approximately 1.5 hours.

 

Posted by Maarja Pabut — Permalink

Opening ceremony of the 2024/25 academic year

Friday 30 August, 2024

On Friday, August 30th, starting at 12:00, the opening ceremony of the 2024/25 academic year will be held. The ceremony takes place in the main hall (A101) and lasts approximately 1.5 hours.

 

Posted by Maarja Pabut — Permalink

29.08.2024 — 08.12.2024

ENKKL’s “Last Award” at EKA Billboard Gallery 29.08.–08.12.2024

ENKKL’s “Last Award”
EKA Billboard Gallery 29.08.–08.12.2024
Open 24/7, free
Opening: 29.08.24 at 6 pm

The legendary Weekly Award of the Estonian Young Contemporary Art Union (ENKKL) will have its symbolic end at the EKA Billboard Gallery. The group work was made during ENKKL’s summer school at Muhu. We invite all visitors and other passers-by to put their hands on it. Now you too have the opportunity to be a part of the Estonian art scene. You could be the next star artist! It’s warmer together. Together is better.

Participating artists: Kärt Heinvere, Irma Holm, Erik Hõim, Kadri Joala, Liisa-Lota Jõeleht, Saara Liis Jõerand, Loora Kaubi, Kärt Koppel, Nele Kurvits, Katariin Mudist, Marto Mägi, Eke Ao Nettan, Sandra Puusepp, Kertu Rannula, Johanna Reinvald, Mia Maria Rohumaa, Raahel Rüütel, Inessa Saarits, Lisette Sivard, Sonja Sutt, Rebeca Žukovitš, Aimur Takk, Annabel Tanila, Margaret Tilk, Elo Vahtrik, Mattias Veller

The project is supported by the Cultural Endowment of Estonia.
Opening drinks from Põhjala Brewery.

Posted by Kaisa Maasik — Permalink

ENKKL’s “Last Award” at EKA Billboard Gallery 29.08.–08.12.2024

Thursday 29 August, 2024 — Sunday 08 December, 2024

ENKKL’s “Last Award”
EKA Billboard Gallery 29.08.–08.12.2024
Open 24/7, free
Opening: 29.08.24 at 6 pm

The legendary Weekly Award of the Estonian Young Contemporary Art Union (ENKKL) will have its symbolic end at the EKA Billboard Gallery. The group work was made during ENKKL’s summer school at Muhu. We invite all visitors and other passers-by to put their hands on it. Now you too have the opportunity to be a part of the Estonian art scene. You could be the next star artist! It’s warmer together. Together is better.

Participating artists: Kärt Heinvere, Irma Holm, Erik Hõim, Kadri Joala, Liisa-Lota Jõeleht, Saara Liis Jõerand, Loora Kaubi, Kärt Koppel, Nele Kurvits, Katariin Mudist, Marto Mägi, Eke Ao Nettan, Sandra Puusepp, Kertu Rannula, Johanna Reinvald, Mia Maria Rohumaa, Raahel Rüütel, Inessa Saarits, Lisette Sivard, Sonja Sutt, Rebeca Žukovitš, Aimur Takk, Annabel Tanila, Margaret Tilk, Elo Vahtrik, Mattias Veller

The project is supported by the Cultural Endowment of Estonia.
Opening drinks from Põhjala Brewery.

Posted by Kaisa Maasik — Permalink

25.08.2024 — 04.10.2024

Jane Remm’s Interspecies Exhibition Opening Tour

With the exhibition of Jane Remm’s creative research project “Interspecies Social Sculpture”, the doctoral student pays homage to Joseph Beuys, the creator of the world’s first green party, and invites you to participate in a nature walk at the opening of the exhibition.

 

On August 25, from 5:00 p.m. to 8:00 p.m., there will be a tour of the opening of the exhibition of Jane Remm’s artistic research project “Interspecies Social Sculpture”, which conceptualizes the garden and the forest as a multi-perspective creative environment. Expanding Joseph Beuys’ concept of social sculpture into a multifaceted context, the artist explores what it means to harness everyone’s creative potential in a modern age, when the world in an ecological crisis needs to adapt to degrowth.

 

“Interspecies social sculpture” combines the ecological dimension in the form of increasing biodiversity, the dimension of interspecies co-creation and the social dimension through public events. The experiential exhibition tour opens up different perspectives on the garden and forest through active participation. “It’s an attempt to co-create with other species and thereby think about the role of art in the long term,” says Jane Remm and continues: “This is a garden diary where drawings and writings have accumulated over the course of a year. It is a multi-perspective composition that is constantly changing through the cooperation of different actors. I act as an equal among other beings. It is an attempt to act in art locally, slowly and on a small scale. At the same time, this is a provocation through which I am investigating whether growing food, hay or firewood can be positive activism in today’s world, and in the context of Estonia. It is an attempt to give the everyday garden and forest a creative and artistic conditionality, and the suspicion that in competitive capitalism local peripheral actions have little value. It is the hesitation that co-creation with other species will not succeed. It is the uncertainty that less is not better. Let’s get entangled into that uncertainty and vulnerability.”

 

“Interspecies Social Sculpture” is the second peer-reviewed project of Jane Remm’s artistic

research doctoral thesis.

 

The “Interspecies Social Sculpture” exhibition is open during tours on August 25, September 15 and 22, and October 4.

 

The tour starts at 17:00 from the Mähkli bus stop: https://maps.app.goo.gl/fidsotPcnY2HtJgc9, passes through points in the forest and garden and leads to the common dinner table. Public transport to the place is poor, those coming from further away could share a car, while those coming closer could travel by bike or on foot. Weather conditions must be taken into account when it comes to clothing. The trip is free.

Registration:  https://forms.gle/vytS5ybUy8L9h98F8

 

More information about the project

 

Jane Remm is an artist, art teacher and artistic researcher, doctoral student at EKA and art didactics lecturer at Tallinn University BFM. Jane Remm’s work focuses on the representation of the experience of nature, co-creation and communication with different life forms. She is interested in what are the possibilities to understand and interpret the life experience of other species and communicate with them as equal dialogue partners using the means of art. She values manual working and co-creation with other species as a way of perceiving herself as part of nature.

 

CV: https://www.etis.ee/CV/Jane_Remm/, creative portfolio: www.janeremm.ee

 

Events previously held in the project: 06.08.24 “Determining, noticing, drawing and thinking walk” within the nature observation marathon led by Liina Remm, Indrek Hiiesalu, Jane Remm, Riin Magnus and Tiit Remm, 16.06.24 “Omailmatalgudled by Timo Maran; 15.07.24 “Bat walk” led by Jaanus and Piret Remm. The review of the project will take place as part of the 4th trip. Reviewers: prof. Linda Kaljundi (Estonian Academy of Arts) and Taru Elfving (CAA Contemporary Art Archipelago, Finland).

 

The artist thanks dialogue partner Marta Konovalov, EKA Doctoral School, Remmik, all human and non-human neighbours of Karula.

 

“Interspecies Social Sculpture” is partly related to the project “Artists and designers as researchers, rethinkers, and partners of nature in the context of degrowth” (01.07.2023–31.12.2024), PR02049, which is funded by the Ministry of Culture. 

Posted by Andres Lõo — Permalink

Jane Remm’s Interspecies Exhibition Opening Tour

Sunday 25 August, 2024 — Friday 04 October, 2024

With the exhibition of Jane Remm’s creative research project “Interspecies Social Sculpture”, the doctoral student pays homage to Joseph Beuys, the creator of the world’s first green party, and invites you to participate in a nature walk at the opening of the exhibition.

 

On August 25, from 5:00 p.m. to 8:00 p.m., there will be a tour of the opening of the exhibition of Jane Remm’s artistic research project “Interspecies Social Sculpture”, which conceptualizes the garden and the forest as a multi-perspective creative environment. Expanding Joseph Beuys’ concept of social sculpture into a multifaceted context, the artist explores what it means to harness everyone’s creative potential in a modern age, when the world in an ecological crisis needs to adapt to degrowth.

 

“Interspecies social sculpture” combines the ecological dimension in the form of increasing biodiversity, the dimension of interspecies co-creation and the social dimension through public events. The experiential exhibition tour opens up different perspectives on the garden and forest through active participation. “It’s an attempt to co-create with other species and thereby think about the role of art in the long term,” says Jane Remm and continues: “This is a garden diary where drawings and writings have accumulated over the course of a year. It is a multi-perspective composition that is constantly changing through the cooperation of different actors. I act as an equal among other beings. It is an attempt to act in art locally, slowly and on a small scale. At the same time, this is a provocation through which I am investigating whether growing food, hay or firewood can be positive activism in today’s world, and in the context of Estonia. It is an attempt to give the everyday garden and forest a creative and artistic conditionality, and the suspicion that in competitive capitalism local peripheral actions have little value. It is the hesitation that co-creation with other species will not succeed. It is the uncertainty that less is not better. Let’s get entangled into that uncertainty and vulnerability.”

 

“Interspecies Social Sculpture” is the second peer-reviewed project of Jane Remm’s artistic

research doctoral thesis.

 

The “Interspecies Social Sculpture” exhibition is open during tours on August 25, September 15 and 22, and October 4.

 

The tour starts at 17:00 from the Mähkli bus stop: https://maps.app.goo.gl/fidsotPcnY2HtJgc9, passes through points in the forest and garden and leads to the common dinner table. Public transport to the place is poor, those coming from further away could share a car, while those coming closer could travel by bike or on foot. Weather conditions must be taken into account when it comes to clothing. The trip is free.

Registration:  https://forms.gle/vytS5ybUy8L9h98F8

 

More information about the project

 

Jane Remm is an artist, art teacher and artistic researcher, doctoral student at EKA and art didactics lecturer at Tallinn University BFM. Jane Remm’s work focuses on the representation of the experience of nature, co-creation and communication with different life forms. She is interested in what are the possibilities to understand and interpret the life experience of other species and communicate with them as equal dialogue partners using the means of art. She values manual working and co-creation with other species as a way of perceiving herself as part of nature.

 

CV: https://www.etis.ee/CV/Jane_Remm/, creative portfolio: www.janeremm.ee

 

Events previously held in the project: 06.08.24 “Determining, noticing, drawing and thinking walk” within the nature observation marathon led by Liina Remm, Indrek Hiiesalu, Jane Remm, Riin Magnus and Tiit Remm, 16.06.24 “Omailmatalgudled by Timo Maran; 15.07.24 “Bat walk” led by Jaanus and Piret Remm. The review of the project will take place as part of the 4th trip. Reviewers: prof. Linda Kaljundi (Estonian Academy of Arts) and Taru Elfving (CAA Contemporary Art Archipelago, Finland).

 

The artist thanks dialogue partner Marta Konovalov, EKA Doctoral School, Remmik, all human and non-human neighbours of Karula.

 

“Interspecies Social Sculpture” is partly related to the project “Artists and designers as researchers, rethinkers, and partners of nature in the context of degrowth” (01.07.2023–31.12.2024), PR02049, which is funded by the Ministry of Culture. 

Posted by Andres Lõo — Permalink

07.08.2024 — 01.09.2024

Mart Vainre and Paintman at Haapsalu Town Gallery

Mart Vainre’s solo exhibition, “Paintman: The Birth of a Painting Machine and His Unexpected Enemy,” at Haapsalu Town Gallery is the superhero’s second coming. After its debut at the ARS Project Room group exhibition “Allow Yourself to Change. From Painting Art to Machine Art,” Paintman (in Estonian, Värvmees) is now at the Haapsalu Town Gallery amidst his comic-book-like origin story, where he also encounters his treacherous enemy.

Haapsalu Town Gallery
7.08–1.09.2024

The Birth of Paintman
The superhero Paintman was created from leftover paint that accumulated on the palette. He is an unintended byproduct of painting, a character that wasn’t supposed to exist. However, artist Mart Vainre desires a synthetic companion, an assistant who could expand his work into new realms.

Through experimentation, Vainre digitizes Paintman, who quickly begins to live his own life in virtual space. He evolves, mutates, and multiplies. Before long, Paintman gains independence and acquires the superpower to transform between physical and digital environments, surpassing the limits of human abilities.

Human Envy
Paintman begins to create as well. He is now a well-known superhero whose capabilities have long surpassed those of his creator. Vainre starts to feel increasingly overshadowed by him. “Slower, clumsier, more flawed,” the artist describes himself when comparing his skills to those of the digital twin he created.

He hatches a plan to save himself from being relegated to second-tier status. Vainre begins to mechanically mimic his synthetic companion’s creations—under the guise of fan art, he subtly plants human flaws in his works, attempting to hack Paintman’s perfect algorithm. And to bring himself back into the spotlight.

The Final Showdown
Since Paintman “feeds” on the paint residue from Vainre’s works, he also starts to transform into a human-like form. Paintman is forced to live on a battlefield filled with the treacherous traps Vainre has set, where he must use his artificial wit and creativity. He is now fully aware of Vainre’s intentions and begins defending himself to survive. Their final showdown takes place at the art exhibition, where Vainre struggles to assert himself and Paintman fights to stay alive.


Mart Vainre (born 1988) is an artist based in Tallinn, Estonia. He received his MA in New Media in 2014 and his BA in Painting in 2011 from the Estonian Academy of Arts. Vainre has had several solo exhibitions, and his work has been featured in curatorial exhibitions at the KUMU Art Museum and Tallinn Art Hall. His artistic method involves mirroring physical paint with its digital representations. By blending painting, a symbolic method of marking the presence of a human, with high-tech digital tools like 3D scanning and modeling, he experiments with the overlap between human and machine. Vainre’s visual language can take on a digital dystopian or techno-psychedelic quality that is translated into painting.

martvainre.com

More Information:
Haapsalu Town Gallery
Posti 3, Haapsalu
www.galerii.kultuurimaja.ee
Wed–Sun 12:00–18:00

Posted by Mart Vainre — Permalink

Mart Vainre and Paintman at Haapsalu Town Gallery

Wednesday 07 August, 2024 — Sunday 01 September, 2024

Mart Vainre’s solo exhibition, “Paintman: The Birth of a Painting Machine and His Unexpected Enemy,” at Haapsalu Town Gallery is the superhero’s second coming. After its debut at the ARS Project Room group exhibition “Allow Yourself to Change. From Painting Art to Machine Art,” Paintman (in Estonian, Värvmees) is now at the Haapsalu Town Gallery amidst his comic-book-like origin story, where he also encounters his treacherous enemy.

Haapsalu Town Gallery
7.08–1.09.2024

The Birth of Paintman
The superhero Paintman was created from leftover paint that accumulated on the palette. He is an unintended byproduct of painting, a character that wasn’t supposed to exist. However, artist Mart Vainre desires a synthetic companion, an assistant who could expand his work into new realms.

Through experimentation, Vainre digitizes Paintman, who quickly begins to live his own life in virtual space. He evolves, mutates, and multiplies. Before long, Paintman gains independence and acquires the superpower to transform between physical and digital environments, surpassing the limits of human abilities.

Human Envy
Paintman begins to create as well. He is now a well-known superhero whose capabilities have long surpassed those of his creator. Vainre starts to feel increasingly overshadowed by him. “Slower, clumsier, more flawed,” the artist describes himself when comparing his skills to those of the digital twin he created.

He hatches a plan to save himself from being relegated to second-tier status. Vainre begins to mechanically mimic his synthetic companion’s creations—under the guise of fan art, he subtly plants human flaws in his works, attempting to hack Paintman’s perfect algorithm. And to bring himself back into the spotlight.

The Final Showdown
Since Paintman “feeds” on the paint residue from Vainre’s works, he also starts to transform into a human-like form. Paintman is forced to live on a battlefield filled with the treacherous traps Vainre has set, where he must use his artificial wit and creativity. He is now fully aware of Vainre’s intentions and begins defending himself to survive. Their final showdown takes place at the art exhibition, where Vainre struggles to assert himself and Paintman fights to stay alive.


Mart Vainre (born 1988) is an artist based in Tallinn, Estonia. He received his MA in New Media in 2014 and his BA in Painting in 2011 from the Estonian Academy of Arts. Vainre has had several solo exhibitions, and his work has been featured in curatorial exhibitions at the KUMU Art Museum and Tallinn Art Hall. His artistic method involves mirroring physical paint with its digital representations. By blending painting, a symbolic method of marking the presence of a human, with high-tech digital tools like 3D scanning and modeling, he experiments with the overlap between human and machine. Vainre’s visual language can take on a digital dystopian or techno-psychedelic quality that is translated into painting.

martvainre.com

More Information:
Haapsalu Town Gallery
Posti 3, Haapsalu
www.galerii.kultuurimaja.ee
Wed–Sun 12:00–18:00

Posted by Mart Vainre — Permalink

12.09.2024

PhD Thesis Defence of Nesli Hazal Oktay

Image (1)
nesli-1080x1080

On 12 September at 12:00 Nesli Hazal Oktay will defend her thesis „Far-away bodies: Co-creating design(s) in and for remote intimacy“ ( „Koosolemine distantsilt: läheduse kogemine ühisloomelise disaini abil“).
The public defence will be held in EKA (Põhja pst 7), room A101.
The defence will be broadcast on EKA TV.
The defence is in English.

Supervisor: Dr. Kristi Kuusk (Estonian Academy of Arts), Prof. Danielle Wilde (Umeå University, University of Southern Denmark)
External reviewers: Dr. Verena Fuchsberger-Staufer (University of Salzburg), Dr. Vasiliki Tsaknaki (IT University of Copenhagen)
Opponent: Dr. Verena Fuchsberger-Staufer (University of Salzburg)

The doctoral thesis can be found HERE

Intimacy is an embodied experience rooted in everyday life activities including bodily interactions. For some, intimacy is experienced and built across distances when intimate partners find themselves physically apart for various periods. In such scenarios, people turn to technology, using devices to connect with their loved ones intimately. When using technology, a boundary exists between loved ones in the digital and physical worlds. Despite this boundary, intimacy can be maintained and nourished when bodies are apart.

This dissertation delves into the role of interaction design in fostering non-sexual intimacy across distances through an embodied approach. By designing for intimate, yet distant, bodies, it offers the research programme co-creating design(s) in and for remote intimacy. Derived from the main research question – How can a close-to-body experience be designed to support intimacy between people across distances? – this research programme explores the design of a remote, close-to-body experience for individuals who are emotionally close but physically apart. The designed experience aims to invite far-away loved ones to reflect on, disrupt, and reinvent their habitual ways of building and experiencing intimacy across distances. Within this programmatic framework, the dissertation offers three key contributions to interaction designers and design researchers: methodological, designerly, and theoretical. Methodologically, it proposes new approaches for co-designing remote intimacy. Designerly, it presents commitments to consider when designing in the realm of remote intimacy. Theoretically, it provides situated knowledge that highlights the multifaceted nature of remote intimacy, emphasising its individual, collective, bodily, virtual, and material dimensions.

In conclusion, this dissertation challenges conventional methods and advocates for embodied design practices and approaches, opening new design spaces for supporting intimacy across distances. It invites interaction designers and design researchers to rethink and reimagine how humans experience and build intimacy in an increasingly digital world.

Defence committee: Dr. Jaana Päeva, Dr. Anu Allas, Ruth-Helene Melioranski, Prof. Indrek Ibrus, Dr. Liina Unt, Dr. Claudia Nunez-Pacheco

 

Posted by Irene Hütsi — Permalink

PhD Thesis Defence of Nesli Hazal Oktay

Thursday 12 September, 2024

Image (1)
nesli-1080x1080

On 12 September at 12:00 Nesli Hazal Oktay will defend her thesis „Far-away bodies: Co-creating design(s) in and for remote intimacy“ ( „Koosolemine distantsilt: läheduse kogemine ühisloomelise disaini abil“).
The public defence will be held in EKA (Põhja pst 7), room A101.
The defence will be broadcast on EKA TV.
The defence is in English.

Supervisor: Dr. Kristi Kuusk (Estonian Academy of Arts), Prof. Danielle Wilde (Umeå University, University of Southern Denmark)
External reviewers: Dr. Verena Fuchsberger-Staufer (University of Salzburg), Dr. Vasiliki Tsaknaki (IT University of Copenhagen)
Opponent: Dr. Verena Fuchsberger-Staufer (University of Salzburg)

The doctoral thesis can be found HERE

Intimacy is an embodied experience rooted in everyday life activities including bodily interactions. For some, intimacy is experienced and built across distances when intimate partners find themselves physically apart for various periods. In such scenarios, people turn to technology, using devices to connect with their loved ones intimately. When using technology, a boundary exists between loved ones in the digital and physical worlds. Despite this boundary, intimacy can be maintained and nourished when bodies are apart.

This dissertation delves into the role of interaction design in fostering non-sexual intimacy across distances through an embodied approach. By designing for intimate, yet distant, bodies, it offers the research programme co-creating design(s) in and for remote intimacy. Derived from the main research question – How can a close-to-body experience be designed to support intimacy between people across distances? – this research programme explores the design of a remote, close-to-body experience for individuals who are emotionally close but physically apart. The designed experience aims to invite far-away loved ones to reflect on, disrupt, and reinvent their habitual ways of building and experiencing intimacy across distances. Within this programmatic framework, the dissertation offers three key contributions to interaction designers and design researchers: methodological, designerly, and theoretical. Methodologically, it proposes new approaches for co-designing remote intimacy. Designerly, it presents commitments to consider when designing in the realm of remote intimacy. Theoretically, it provides situated knowledge that highlights the multifaceted nature of remote intimacy, emphasising its individual, collective, bodily, virtual, and material dimensions.

In conclusion, this dissertation challenges conventional methods and advocates for embodied design practices and approaches, opening new design spaces for supporting intimacy across distances. It invites interaction designers and design researchers to rethink and reimagine how humans experience and build intimacy in an increasingly digital world.

Defence committee: Dr. Jaana Päeva, Dr. Anu Allas, Ruth-Helene Melioranski, Prof. Indrek Ibrus, Dr. Liina Unt, Dr. Claudia Nunez-Pacheco

 

Posted by Irene Hütsi — Permalink

08.08.2024 — 08.09.2024

“Translucent Dreams” at EKA Gallery 8.08.–08.09.2024

“Translucent Dreams”
EKA Gallery 8.08.–08.09.2024
Open Tue–Sun 12–6 pm, free entry
Opening: 15.08.2024 at 6 pm

Participating artists: Chloé Geinoz, Rose Magee, Vitor Pascale, KitKit Para, Syed Sachal Rizvi

In today’s interconnected world, the notion of identity has progressively become more
complex and multifaceted. Gender, geography, and social/political beliefs, to name but a few shape the ways individuals perceive and express themselves.

This exhibition brings together five artists from diverse corners of the globe, each accentuating themes of intersecting identities through the lenses of chimerism, duality, hybridity, queer identity, and the construction and deconstruction of self. Using various visual strategies, these artists delve into the intricate layers of identity formation and expression, inviting you to journey through contemporary identity’s dynamic and ever-changing landscape.

The exhibition is supported by Sadolin Estonia.

Opening drinks from Põhjala Brewery.

Posted by Kaisa Maasik — Permalink

“Translucent Dreams” at EKA Gallery 8.08.–08.09.2024

Thursday 08 August, 2024 — Sunday 08 September, 2024

“Translucent Dreams”
EKA Gallery 8.08.–08.09.2024
Open Tue–Sun 12–6 pm, free entry
Opening: 15.08.2024 at 6 pm

Participating artists: Chloé Geinoz, Rose Magee, Vitor Pascale, KitKit Para, Syed Sachal Rizvi

In today’s interconnected world, the notion of identity has progressively become more
complex and multifaceted. Gender, geography, and social/political beliefs, to name but a few shape the ways individuals perceive and express themselves.

This exhibition brings together five artists from diverse corners of the globe, each accentuating themes of intersecting identities through the lenses of chimerism, duality, hybridity, queer identity, and the construction and deconstruction of self. Using various visual strategies, these artists delve into the intricate layers of identity formation and expression, inviting you to journey through contemporary identity’s dynamic and ever-changing landscape.

The exhibition is supported by Sadolin Estonia.

Opening drinks from Põhjala Brewery.

Posted by Kaisa Maasik — Permalink

10.10.2024 — 10.07.2024

EKA Arh Conference 2024: Building Systems

arh pilt

Read more: https://www.artun.ee/en/curricula/architecture-and-urban-design/research/conference-2024-building-systems/

Posted by Triin Käo — Permalink

EKA Arh Conference 2024: Building Systems

Thursday 10 October, 2024 — Wednesday 10 July, 2024

arh pilt

Read more: https://www.artun.ee/en/curricula/architecture-and-urban-design/research/conference-2024-building-systems/

Posted by Triin Käo — Permalink

28.07.2024 — 31.08.2024

“Under the Iron Rain” in EKA Library

“Under the Iron Rain”

Exhibition of Ukrainian art students in the library of the Estonian Academy of Arts

28.07.-31.08.2024

Mon-Fri 10:00-15:00
The library is closed from 22.07 to 4.08.2024

Artists: Dariia Silchuk, Sonia Kharkovets,Kseniia Romaschenko, Alina Zadvirna

Graphic design: Daria Titova (UKR)

To provide students with the opportunity to emerge as visible artists, an exhibition will be held at the EKA Library Gallery featuring works by Ukrainian students mentored by EKA. The exhibition will showcase graphics, illustrations, and drawings created during their studies, reflecting the teachings and approaches of Ukrainian universities.

The work of students living and working across Ukraine is heavily influenced by the war situation – mental coping, freedom of movement, and survival. Under the iron rain, students have continued their studies in their chosen fields, pouring their skills, anxiety, fears, and dreams into their creations. The EKA Library offers a small glimpse into their world. We can support these young creators by recognizing their aspirations. We extend our gratitude to all individuals and institutions who have donated to the EKA Ukrainian Student Scholarship Fund.

ELIA UAx Platform

At the ELIA leadership symposium held at EKA (Estonian Academy of Arts) and EMTA (Estonian Academy of Music and Theatre) in June 2022, leaders of higher arts education in Ukraine emphasized their primary priority: stopping the “institutional destruction” of the arts. They believe it is crucial to support students so they can continue their education in their homeland and to remind the world of the importance of their artistic practice for the preservation of Ukrainian cultural life.

On November 15, 2022, the Abakanowicz Arts and Culture Charitable Foundation (AACCF), in collaboration with ELIA, announced a funding measure to support art students and higher arts education institutions in Ukraine. This led to the creation of the ELIA UAx Platform. The UAx Platform embodies the spirit and values of Magdalena Abakanowicz. This initiative is aimed at artists affected by the war, enabling them to fulfill one of their most important tasks – creating art despite oppression.

The supervisors of the EKA UAx platform for Ukrainian students in the 2023/24 academic year are Britta Benno and Anne Pikkov.

All works are for sale. By purchasing, you support artists in Ukraine.

More information:
https://sihtasutus.artun.ee/ukraina2022
https://elia-artschools.org/general/custom.asp?page=UAx
https://www.artun.ee/et/ukraine/

Posted by Andres Lõo — Permalink

“Under the Iron Rain” in EKA Library

Sunday 28 July, 2024 — Saturday 31 August, 2024

“Under the Iron Rain”

Exhibition of Ukrainian art students in the library of the Estonian Academy of Arts

28.07.-31.08.2024

Mon-Fri 10:00-15:00
The library is closed from 22.07 to 4.08.2024

Artists: Dariia Silchuk, Sonia Kharkovets,Kseniia Romaschenko, Alina Zadvirna

Graphic design: Daria Titova (UKR)

To provide students with the opportunity to emerge as visible artists, an exhibition will be held at the EKA Library Gallery featuring works by Ukrainian students mentored by EKA. The exhibition will showcase graphics, illustrations, and drawings created during their studies, reflecting the teachings and approaches of Ukrainian universities.

The work of students living and working across Ukraine is heavily influenced by the war situation – mental coping, freedom of movement, and survival. Under the iron rain, students have continued their studies in their chosen fields, pouring their skills, anxiety, fears, and dreams into their creations. The EKA Library offers a small glimpse into their world. We can support these young creators by recognizing their aspirations. We extend our gratitude to all individuals and institutions who have donated to the EKA Ukrainian Student Scholarship Fund.

ELIA UAx Platform

At the ELIA leadership symposium held at EKA (Estonian Academy of Arts) and EMTA (Estonian Academy of Music and Theatre) in June 2022, leaders of higher arts education in Ukraine emphasized their primary priority: stopping the “institutional destruction” of the arts. They believe it is crucial to support students so they can continue their education in their homeland and to remind the world of the importance of their artistic practice for the preservation of Ukrainian cultural life.

On November 15, 2022, the Abakanowicz Arts and Culture Charitable Foundation (AACCF), in collaboration with ELIA, announced a funding measure to support art students and higher arts education institutions in Ukraine. This led to the creation of the ELIA UAx Platform. The UAx Platform embodies the spirit and values of Magdalena Abakanowicz. This initiative is aimed at artists affected by the war, enabling them to fulfill one of their most important tasks – creating art despite oppression.

The supervisors of the EKA UAx platform for Ukrainian students in the 2023/24 academic year are Britta Benno and Anne Pikkov.

All works are for sale. By purchasing, you support artists in Ukraine.

More information:
https://sihtasutus.artun.ee/ukraina2022
https://elia-artschools.org/general/custom.asp?page=UAx
https://www.artun.ee/et/ukraine/

Posted by Andres Lõo — Permalink