AksessuaaridisainAnimatsioonArhitektuur ja linnaplaneerimineArhitektuuriteaduskondAvatud akadeemiaDesign and Technology FuturesDisainiteaduskondDoktorikoolDoktorikoolEhte- ja sepakunstErialadERKI MoeshowFotograafiaGaleriiGraafikaGraafiline disainHaldusosakond ja töökojadInstallatsioon ja skulptuurIT osakondJätkusuutliku disaini laborJoonistamineKaasaegne kunstKeraamikaKlaasKommunikatsiooniosakondKunstiharidusKunstiteadus ja visuaalkultuurKunstikultuuri teaduskondMaalMoedisainMuinsuskaitse ja konserveerimineÕppeosakondRaamatukoguRahandusosakondRektoraatSisearhitektuurStsenograafiaTasapinnaliste tehnoloogiate tehnokeskusTeadus- ja arendusosakondTegevuskunstTekstiilidisainTootedisainTugistruktuuridÜliõpilasesindusUncategorizedUrbanistikaUusmeediaVabade kunstide teaduskondVälissuhete osakond
Rubriik: Graafika
21.04.2018
Liina Siib kõneleb KUMUs ajaloolistest kompromissidest
Graafika
Kumu kunstimuuseumi näitusel „Ajalugu pildis – pilt ajaloos“ saab näha, kuidas pildid on läbi aegade aidanud kujundada arusaama Eesti ajaloo tähtsamatest mälupaikadest – sündmustest, tegelastest ja sümbolitest.
Näitust saadab kohtumisõhtute sari, kus vestlusringis on ajaloolased ja kunstnikud, arutletakse ajaloopiltide sünniloo ja tähenduse üle Eesti ajaloomälus ja identiteedis.
Järgmine kohtumisõhtu leiab aset laupäeval, 21. aprillil kell 16.00. Eesti Kunstiakadeemia professor Liina Siib vaatleb, milliseid kompromisse teevad need, kes ütlevad, et kompromiss on välistatud ja tehakse katse visualiseerida monofoonilist ajalookirjutust Eestis 20. sajandil aset leidnud ajaloosündmuste näitel tesoses „Kompromiss välistatud“.
Osalemine muuseumipiletiga.
Vestlusi juhivad näituse kuraatorid Linda Kaljundi ja Tiina-Mall Kreem
Näituse „Kas pildid teevad ajalugu?“ tutvustus ja üritustesarja ajakava on KUMU veebilehel.
Postitas Mart Vainre — Püsilink
Liina Siib kõneleb KUMUs ajaloolistest kompromissidest
Laupäev 21 aprill, 2018
Graafika
Kumu kunstimuuseumi näitusel „Ajalugu pildis – pilt ajaloos“ saab näha, kuidas pildid on läbi aegade aidanud kujundada arusaama Eesti ajaloo tähtsamatest mälupaikadest – sündmustest, tegelastest ja sümbolitest.
Näitust saadab kohtumisõhtute sari, kus vestlusringis on ajaloolased ja kunstnikud, arutletakse ajaloopiltide sünniloo ja tähenduse üle Eesti ajaloomälus ja identiteedis.
Järgmine kohtumisõhtu leiab aset laupäeval, 21. aprillil kell 16.00. Eesti Kunstiakadeemia professor Liina Siib vaatleb, milliseid kompromisse teevad need, kes ütlevad, et kompromiss on välistatud ja tehakse katse visualiseerida monofoonilist ajalookirjutust Eestis 20. sajandil aset leidnud ajaloosündmuste näitel tesoses „Kompromiss välistatud“.
Osalemine muuseumipiletiga.
Vestlusi juhivad näituse kuraatorid Linda Kaljundi ja Tiina-Mall Kreem
Näituse „Kas pildid teevad ajalugu?“ tutvustus ja üritustesarja ajakava on KUMU veebilehel.
Postitas Mart Vainre — Püsilink
26.03.2018
Avatud loeng: Kristina Õllek “Tri(dia)loog”
Fotograafia
Esmaspäeval, 26. märtsil kell 17.00 toimub Kristina Õlleku avatud loeng “Tri(dia)loog”, mille raames ta tutvustab enda loomingut ja viimaseid näituseprojekte (aadress Lembitu 10B, ruum 144).
Kristina Õllek (s. 1989) on kunstnik, kelle loomingu keskmes on peamiselt fotograafia, video- ja installatsioonikunst, keskendudes ruumi, objekti ja pildi vahelistele suhetele. Tema teosed tegelevad kaasaegse pildikultuuriga, analüüsides representatsiooni tähendust tänapäeva ühiskonnas. Sellele täiendavalt on ta huvitatud kunstinäitusest kui formaadist ja selle dokumenteerimise nähtusest, vaadeldes kunstiteose dematerialiseerumise küsimusi ja digitaalkujutise mõju vaatajale.
Postitas Mart Vainre — Püsilink
Avatud loeng: Kristina Õllek “Tri(dia)loog”
Esmaspäev 26 märts, 2018
Fotograafia
Esmaspäeval, 26. märtsil kell 17.00 toimub Kristina Õlleku avatud loeng “Tri(dia)loog”, mille raames ta tutvustab enda loomingut ja viimaseid näituseprojekte (aadress Lembitu 10B, ruum 144).
Kristina Õllek (s. 1989) on kunstnik, kelle loomingu keskmes on peamiselt fotograafia, video- ja installatsioonikunst, keskendudes ruumi, objekti ja pildi vahelistele suhetele. Tema teosed tegelevad kaasaegse pildikultuuriga, analüüsides representatsiooni tähendust tänapäeva ühiskonnas. Sellele täiendavalt on ta huvitatud kunstinäitusest kui formaadist ja selle dokumenteerimise nähtusest, vaadeldes kunstiteose dematerialiseerumise küsimusi ja digitaalkujutise mõju vaatajale.
Postitas Mart Vainre — Püsilink
19.03.2018
Eve Kask kunstnikuvestlus “2 + 2 = ” graafika osakonnas 19. märtsil kell 17
Graafika
Avatud loeng toimub esmaspäeval, 19. märtsil kell 17, EKA graafika osakonnas, Lembitu 10B, ruum 144.
Kunstnikuvestluses keskendub kunstnik oma viimaste aastate loomingule avamaks Tartu Kunstimuuseumis kuni 13. maini eksponeeritud isiknäituse
“2 + 2 =…” sisu ja tagamaid.
Näituse kuraator Brigita Reinert näeb kunstnikku triksterina, kes kunstilise fiktiivsuse abil mängib ja kavaldab, soovides sel viisil tühistada võimu autoriteeti ning sotsiaalselt kehtivaid diskursuseid. Näituse jaoks on valminud mitu uut kunstiteost, milles kerkivad esile teemad nagu näiteks uuspopulism, poliitiline propaganda ning teadmiste ja võimu suhe. Näitus asetub tõe ja fiktiivsuse piirimaile ning suhestub tõejärgsuse fenomeniga, esitades neli erinevat, kuid omavahel seotud projekti ja tööd kunstniku lähiaastate loomingust.
Eve Kask (s 1958) lõpetas 1984. aastal ERKI-s raamatukujundajana graafika eriala ja töötab 2009. aastast EKA graafika osakonnas dotsendina. Alates 1992. aastast on Kask olnud seotud Tallinna graafikatriennaalide organiseerimisega (1996–2015 triennaali president) ning 2011. aastast on ta Vikerkaare kunstitoimetaja. 1989–2018 on ta korraldanud 33 personaalnäitust Eestis ja välismaal ja osalenud rohkem kui sajal rahvusvahelisel näitusel. Tema töid on aja jooksul kirjeldatud alateadvuse, müütilisuse, sümbolismi, ekspressionismi, feminismi ja antropoloogilise dokumentalismi võtmes. Nullindatel on ta tegelenud mahukate fotoprojektidega – “Kärberi 37” (2004), “Käsmu inimesed” (1999–2003; 2013–2019), “Bussiputkad” (2004–2008), “Mida inimesed tahavad” (2007–2010), millest kolm viimast on leidnud väljundi ka kunstnikuraamatu formaadis. Viimasel kümnendil on ta pööranud oma loomingus uue lehekülje, mida näeb Tartmusi näitusel “2 + 2 =…”
EKA vabade kunstide teaduskonna 2017/2018 kevadsemestri Seminari sari alapealkirjaga “Sfäärid” hõlmab kümmekond loengut ja kunstnikuvestlust erinevatest valdkondadest, mis toimuvad peamiselt esmaspäeviti algusega kell 17.00. Seminari sari on vabaaine, mis annab 3 ainepunkti. Registreerimine toimub kohapeal.
Postitas Mart Vainre — Püsilink
Eve Kask kunstnikuvestlus “2 + 2 = ” graafika osakonnas 19. märtsil kell 17
Esmaspäev 19 märts, 2018
Graafika
Avatud loeng toimub esmaspäeval, 19. märtsil kell 17, EKA graafika osakonnas, Lembitu 10B, ruum 144.
Kunstnikuvestluses keskendub kunstnik oma viimaste aastate loomingule avamaks Tartu Kunstimuuseumis kuni 13. maini eksponeeritud isiknäituse
“2 + 2 =…” sisu ja tagamaid.
Näituse kuraator Brigita Reinert näeb kunstnikku triksterina, kes kunstilise fiktiivsuse abil mängib ja kavaldab, soovides sel viisil tühistada võimu autoriteeti ning sotsiaalselt kehtivaid diskursuseid. Näituse jaoks on valminud mitu uut kunstiteost, milles kerkivad esile teemad nagu näiteks uuspopulism, poliitiline propaganda ning teadmiste ja võimu suhe. Näitus asetub tõe ja fiktiivsuse piirimaile ning suhestub tõejärgsuse fenomeniga, esitades neli erinevat, kuid omavahel seotud projekti ja tööd kunstniku lähiaastate loomingust.
Eve Kask (s 1958) lõpetas 1984. aastal ERKI-s raamatukujundajana graafika eriala ja töötab 2009. aastast EKA graafika osakonnas dotsendina. Alates 1992. aastast on Kask olnud seotud Tallinna graafikatriennaalide organiseerimisega (1996–2015 triennaali president) ning 2011. aastast on ta Vikerkaare kunstitoimetaja. 1989–2018 on ta korraldanud 33 personaalnäitust Eestis ja välismaal ja osalenud rohkem kui sajal rahvusvahelisel näitusel. Tema töid on aja jooksul kirjeldatud alateadvuse, müütilisuse, sümbolismi, ekspressionismi, feminismi ja antropoloogilise dokumentalismi võtmes. Nullindatel on ta tegelenud mahukate fotoprojektidega – “Kärberi 37” (2004), “Käsmu inimesed” (1999–2003; 2013–2019), “Bussiputkad” (2004–2008), “Mida inimesed tahavad” (2007–2010), millest kolm viimast on leidnud väljundi ka kunstnikuraamatu formaadis. Viimasel kümnendil on ta pööranud oma loomingus uue lehekülje, mida näeb Tartmusi näitusel “2 + 2 =…”
EKA vabade kunstide teaduskonna 2017/2018 kevadsemestri Seminari sari alapealkirjaga “Sfäärid” hõlmab kümmekond loengut ja kunstnikuvestlust erinevatest valdkondadest, mis toimuvad peamiselt esmaspäeviti algusega kell 17.00. Seminari sari on vabaaine, mis annab 3 ainepunkti. Registreerimine toimub kohapeal.
Postitas Mart Vainre — Püsilink
08.03.2018
Piilu graafikasse! + Zine workshop ja pinksiturniir
Graafika
Neljapäeval, 8. märtsil kell 17:00 toimub EKA graafika osakonnas “Piilu graafikasse!” üritus + zine workshop. Kõigil on võimalik tulla ja tutvuda graafika osakonnaga! Töötuba viivad läbi vabade kunstide teaduskonna tudengid ning üritust toetab EKA Üliõpilasesindus. Õhtu lõpeb pinksiturniiriga! Zine workshopis osalemiseks registreerumine: sidney.lepp@artun.ee
Postitas Mart Vainre — Püsilink
Piilu graafikasse! + Zine workshop ja pinksiturniir
Neljapäev 08 märts, 2018
Graafika
Neljapäeval, 8. märtsil kell 17:00 toimub EKA graafika osakonnas “Piilu graafikasse!” üritus + zine workshop. Kõigil on võimalik tulla ja tutvuda graafika osakonnaga! Töötuba viivad läbi vabade kunstide teaduskonna tudengid ning üritust toetab EKA Üliõpilasesindus. Õhtu lõpeb pinksiturniiriga! Zine workshopis osalemiseks registreerumine: sidney.lepp@artun.ee
Postitas Mart Vainre — Püsilink
26.02.2018
Avatud loeng seminaride sarjast Sfäärid. Madli Ehasalu “Ajutine ja kohaspetsiifiline ruumilisus: korterinäituse formaat”
Graafika
Esmaspäeval, 26. veebruaril kell 17 toimub Madli Ehasalu avatud loeng “Ajutine ja kohaspetsiifiline ruumilisus: korterinäituse formaat”.
Kvartirnye vystavki teisisõnu korteri väljapanekud on nõukogude mitteametliku kunstiloo lahutamatu osa. Loeng annab ülevaate korterinäituste ajaloost ja küsib, mis rolli mängivad selles ruumitüübis koosolemise ja ühise mõtteruumi mõisted. Nii ruumipoeetika, suhestuv esteetika kui seminari tüüpi kohtumised on kannustanud paljusid omaalgatuslikke ruumihõivamisi. Vaatame, kuidas need ruumiloogikad on arenenud ja milliseid valikuid on tehtud, mis võimalused on nendes ruumides kohaspetsiifiliste teoste loomiseks ja kureerimispraktikateks. Küsime mis ühendab kaasaegset kunsti ja igapäevaesteetikat?
Madli Ehasalu (s 1988) on kuraator ja loometöötaja, ajakirja-kunstiprojekti Uus Materjal toimetaja ning nomaadse korterigalerii Galerii Mihhail asutaja. Praegu keskendub ta Eesti Kunstiakadeemia kunstiteaduse koolituuride projekti elluviimisele. Madli Ehasalu on lõpetanud Tartu Ülikooli bakalaureuseõppes semiootika eriala ja täiendanud ennast Helsingi Ülikooli kunstiteaduskonnas. Tal on valmimas magistritöö korterinäituste praktikatest ja samalaadsetest iseorganiseeruvatest kunstiruumidest nüüdisaja kultuuris (EKA 2018). Madli Ehasalu on osalenud Eesti Kaasaegse Kunsti Arenduskeskuse rahvusvahelises galeristide praktikaprogrammis.
EKA vabade kunstide teaduskonna 2017/2018 kevadsemestri Seminari sari alapealkirjaga „Sfäärid“ hõlmab kümmekond loengut ja kunstnikuvestlust erinevatest valdkondadest, mis toimuvad peamiselt esmaspäeviti algusega kell 16.00. Seminari sari on vabaaine, mis annab 3 ainepunkti. Registreerimine toimub kohapeal.
Olete oodatud!
Postitas Mart Vainre — Püsilink
Avatud loeng seminaride sarjast Sfäärid. Madli Ehasalu “Ajutine ja kohaspetsiifiline ruumilisus: korterinäituse formaat”
Esmaspäev 26 veebruar, 2018
Graafika
Esmaspäeval, 26. veebruaril kell 17 toimub Madli Ehasalu avatud loeng “Ajutine ja kohaspetsiifiline ruumilisus: korterinäituse formaat”.
Kvartirnye vystavki teisisõnu korteri väljapanekud on nõukogude mitteametliku kunstiloo lahutamatu osa. Loeng annab ülevaate korterinäituste ajaloost ja küsib, mis rolli mängivad selles ruumitüübis koosolemise ja ühise mõtteruumi mõisted. Nii ruumipoeetika, suhestuv esteetika kui seminari tüüpi kohtumised on kannustanud paljusid omaalgatuslikke ruumihõivamisi. Vaatame, kuidas need ruumiloogikad on arenenud ja milliseid valikuid on tehtud, mis võimalused on nendes ruumides kohaspetsiifiliste teoste loomiseks ja kureerimispraktikateks. Küsime mis ühendab kaasaegset kunsti ja igapäevaesteetikat?
Madli Ehasalu (s 1988) on kuraator ja loometöötaja, ajakirja-kunstiprojekti Uus Materjal toimetaja ning nomaadse korterigalerii Galerii Mihhail asutaja. Praegu keskendub ta Eesti Kunstiakadeemia kunstiteaduse koolituuride projekti elluviimisele. Madli Ehasalu on lõpetanud Tartu Ülikooli bakalaureuseõppes semiootika eriala ja täiendanud ennast Helsingi Ülikooli kunstiteaduskonnas. Tal on valmimas magistritöö korterinäituste praktikatest ja samalaadsetest iseorganiseeruvatest kunstiruumidest nüüdisaja kultuuris (EKA 2018). Madli Ehasalu on osalenud Eesti Kaasaegse Kunsti Arenduskeskuse rahvusvahelises galeristide praktikaprogrammis.
EKA vabade kunstide teaduskonna 2017/2018 kevadsemestri Seminari sari alapealkirjaga „Sfäärid“ hõlmab kümmekond loengut ja kunstnikuvestlust erinevatest valdkondadest, mis toimuvad peamiselt esmaspäeviti algusega kell 16.00. Seminari sari on vabaaine, mis annab 3 ainepunkti. Registreerimine toimub kohapeal.
Olete oodatud!
Postitas Mart Vainre — Püsilink
19.02.2018
Seminaride sari “Sfäärid” / Varvara & Mar avatud loeng “Surveillance Capitalism”
Graafika
Varvara & Mar. Surveillance Capitalism
19. veebruar kell 17.00 graafika osakond, Lembitu 10B, ruum 144
On Monday, 19 February at 5 pm there will be an open lecture by Varvara & Mar. During the lecture Varvara & Mar will explore the influences of technological age on society and how it resonates in their artistic practice.
The notion of surveillance capitalism is borrowed from Shoshana Zuboff, who underlines ongoing and expanding monetisation of big data. In her word this is a new form of information capitalism aims to predict and modify human behaviour as a means to produce revenue and market control.
Varvara & Mar. The Big Other. 360-degree video, VR (virtual reality). 2017-2018.
Varvara & Mar is an artist duo formed by Varvara Guljajeva and Mar Canet in 2009. Often duo’s work is inspired by the digital age. In their practice they confront social changes and impact of technological era. In addition to that, Varvara & Mar are fascinated by kinetics and participation, which are integral parts of their work.
Artist duo has exhibited their art pieces in a number of international shows and festivals. In 2014 duo has been commission by Google and Barbican for creating a new art piece for Digital Revolution exhibition. In 2015 their public art proposal for Green Square Library and Plaza in Sydney was nominated for the final stage. This year they have completed public art commission in Tallinn and have won 2nd and 3rd prizes for public art in Estonia. Varvara & Mar has exhibited at MAD in New York, FACT in Liverpool, Santa Monica in Barcelona, Barbican in London, Onassis Cultural Centre in Athens, Ars Electronica museum in Linz, Maribor City Gallery in Slovenia, etc.
Varvara (born in Tartu, Estonia), gained her bachelor’s degree in IT from Estonian IT College, master’s degree in digital media from ISNM in Germany and currently is a PhD candidate at the Estonian Academy of Arts in the department of Art and Design.
Mar (born in Barcelona) has two degrees: in art and design from ESDI in Barcelona and in computer game development from University Central Lancashire in UK. He also has gain a master’s degree from Interface Cultures at the University of Art and Design Linz. In addition to that, Mar is a co-founder of Derivart and Lummo.
More info: http://var-mar.info
EKA vabade kunstide teaduskonna 2017/2018 kevadsemestri Seminari sari alapealkirjaga „SFÄÄRID“ hõlmab kümmekond loengut ja kunstnikuvestlust erinevatest valdkondadest. Seminari sari on vabaaine, mis annab 3 ainepunkti. Registreerimine toimub kohapeal.
Seminar series SPHERES in the spring semester 2017/2018 consists of 11 lectures and talks from different fields. Seminar series is a free elective that gives 3 ECTS.
Olete oodatud!
Postitas Mart Vainre — Püsilink
Seminaride sari “Sfäärid” / Varvara & Mar avatud loeng “Surveillance Capitalism”
Esmaspäev 19 veebruar, 2018
Graafika
Varvara & Mar. Surveillance Capitalism
19. veebruar kell 17.00 graafika osakond, Lembitu 10B, ruum 144
On Monday, 19 February at 5 pm there will be an open lecture by Varvara & Mar. During the lecture Varvara & Mar will explore the influences of technological age on society and how it resonates in their artistic practice.
The notion of surveillance capitalism is borrowed from Shoshana Zuboff, who underlines ongoing and expanding monetisation of big data. In her word this is a new form of information capitalism aims to predict and modify human behaviour as a means to produce revenue and market control.
Varvara & Mar. The Big Other. 360-degree video, VR (virtual reality). 2017-2018.
Varvara & Mar is an artist duo formed by Varvara Guljajeva and Mar Canet in 2009. Often duo’s work is inspired by the digital age. In their practice they confront social changes and impact of technological era. In addition to that, Varvara & Mar are fascinated by kinetics and participation, which are integral parts of their work.
Artist duo has exhibited their art pieces in a number of international shows and festivals. In 2014 duo has been commission by Google and Barbican for creating a new art piece for Digital Revolution exhibition. In 2015 their public art proposal for Green Square Library and Plaza in Sydney was nominated for the final stage. This year they have completed public art commission in Tallinn and have won 2nd and 3rd prizes for public art in Estonia. Varvara & Mar has exhibited at MAD in New York, FACT in Liverpool, Santa Monica in Barcelona, Barbican in London, Onassis Cultural Centre in Athens, Ars Electronica museum in Linz, Maribor City Gallery in Slovenia, etc.
Varvara (born in Tartu, Estonia), gained her bachelor’s degree in IT from Estonian IT College, master’s degree in digital media from ISNM in Germany and currently is a PhD candidate at the Estonian Academy of Arts in the department of Art and Design.
Mar (born in Barcelona) has two degrees: in art and design from ESDI in Barcelona and in computer game development from University Central Lancashire in UK. He also has gain a master’s degree from Interface Cultures at the University of Art and Design Linz. In addition to that, Mar is a co-founder of Derivart and Lummo.
More info: http://var-mar.info
EKA vabade kunstide teaduskonna 2017/2018 kevadsemestri Seminari sari alapealkirjaga „SFÄÄRID“ hõlmab kümmekond loengut ja kunstnikuvestlust erinevatest valdkondadest. Seminari sari on vabaaine, mis annab 3 ainepunkti. Registreerimine toimub kohapeal.
Seminar series SPHERES in the spring semester 2017/2018 consists of 11 lectures and talks from different fields. Seminar series is a free elective that gives 3 ECTS.
Olete oodatud!
Postitas Mart Vainre — Püsilink
11.12.2017
Avatud loeng seminari sarjast MITTE-AURA: Teemu Mäki “ART, POLITICS, RESEARCH AND HAPPINESS — How Are They Related To Each Other?”
Graafika
11. detsember kell 16.00, graafika osakond, Lembitu 10B, ruum 144
On Monday, 11 December at 4 pm there will be an open lecture ART, POLITICS, RESEARCH AND HAPPINESS – How Are They Related To Each Other by Finnish artist, writer and director Teemu Mäki.
Teemu Mäki describes his activities in the following way: “I work in the fields of art, philosophy and politics by whatever means necessary. The results are usually some kind of visual art, literature, theatre, film or theory. For me art is the most flexible, versatile and holistic form of philosophy and politics”.
Good reading beforehand if someone is interested:
A Practical Utopia / Käytännöllinen utopia
(Published in RUUKKU – Studies in Artistic Research, 13.10.2013)
https://www.researchcatalogue.
Art and Research Colliding / Nokkakolari – taide ja tutkimus kohtaavat
(Published in JAR – Journal for Artistic Research, 26.5.2014)
https://www.researchcatalogue.
| TEEMU MÄKI (b 1967 in Lapua, Finland) is an artist, director, writer and researcher (Doctor of Fine Arts, Finnish Academy of Fine Arts 2005). Since 1990 he has been an independent, freelancing artist, except for the years 2008–2013, when he was the Professor of Fine Arts in Aalto University.
Mäki has had 51 solo exhibitions, participated in about 200 group shows, written seven books and directed and written numerous theatre plays, films and operas. www.teemumaki.com |
|
|
| Seminar series Non Aura in the autumn semester 2017/2018 consists of 11 lectures and talks from different fields, which take place on Mondays from 4 pm. Seminar series is a free elective that gives 3 ECTS.You are warmly welcome! |
Postitas Mart Vainre — Püsilink
Avatud loeng seminari sarjast MITTE-AURA: Teemu Mäki “ART, POLITICS, RESEARCH AND HAPPINESS — How Are They Related To Each Other?”
Esmaspäev 11 detsember, 2017
Graafika
11. detsember kell 16.00, graafika osakond, Lembitu 10B, ruum 144
On Monday, 11 December at 4 pm there will be an open lecture ART, POLITICS, RESEARCH AND HAPPINESS – How Are They Related To Each Other by Finnish artist, writer and director Teemu Mäki.
Teemu Mäki describes his activities in the following way: “I work in the fields of art, philosophy and politics by whatever means necessary. The results are usually some kind of visual art, literature, theatre, film or theory. For me art is the most flexible, versatile and holistic form of philosophy and politics”.
Good reading beforehand if someone is interested:
A Practical Utopia / Käytännöllinen utopia
(Published in RUUKKU – Studies in Artistic Research, 13.10.2013)
https://www.researchcatalogue.
Art and Research Colliding / Nokkakolari – taide ja tutkimus kohtaavat
(Published in JAR – Journal for Artistic Research, 26.5.2014)
https://www.researchcatalogue.
| TEEMU MÄKI (b 1967 in Lapua, Finland) is an artist, director, writer and researcher (Doctor of Fine Arts, Finnish Academy of Fine Arts 2005). Since 1990 he has been an independent, freelancing artist, except for the years 2008–2013, when he was the Professor of Fine Arts in Aalto University.
Mäki has had 51 solo exhibitions, participated in about 200 group shows, written seven books and directed and written numerous theatre plays, films and operas. www.teemumaki.com |
|
|
| Seminar series Non Aura in the autumn semester 2017/2018 consists of 11 lectures and talks from different fields, which take place on Mondays from 4 pm. Seminar series is a free elective that gives 3 ECTS.You are warmly welcome! |
Postitas Mart Vainre — Püsilink
14.12.2017
Breanne Trammell’i kunstnikuvestlus EKA graafika osakonnas, 14. detsembril
Graafika
Breanne Trammell. The Magic of Believing (in organic bug spray). 2017. CNC whiteline woodcut, unique 1/1. 14” x 14”
14. detsember kell 16.00, |
| Neljapäeval, 14. detsembril kell 16 räägib graafika osakonnas oma töödest ja tegemistest Ameerika kunstnik Breanne Trammell.
Breanne Trammell is a multi-disciplinary artist with a background in printmaking. Breanne will discuss her project-based creative practice, research interests, and her relationship to printmaking. Her studio practice explores objects and icons from popular culture, the confluence
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| Breanne Trammell (b. 1980 Vallejo, CA) lives and works in Cincinnati, Ohio. She received her MFA from the Rhode Island School of Design and has been an artist-in-residence at Ox-Bow (MI), the Women’s Studio Workshop (NY), the Wassaic Project (NY), Kimmel Harding Nelson Center for the Arts (NE), Kala Institute (CA), and Endless Editions (NY). Trammell is an Assistant Professor of Fine Arts at the University of Cincinnati and previously taught at the University of Iowa, Kent State University, and Anderson Ranch Art Center. She will teach workshops at Ox-Bow School of Art, Anderson Ranch Art Center, and the Women’s Studio Workshop in Summer 2018, respectively.
More info at: |
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| Please join Breanne Trammell and Kristina Paabus for their upcoming two-person exhibition, the grass is the same color over there, at Tallinn’s Gallery Metropol December 16–26, 2017. Opening December 16, 2017, Galerii Metropol, Vana-Kalamaja 46, Tallinn, Estonia. www.kristinapaabus.com / www.breannetrammell.com |
Postitas Mart Vainre — Püsilink
Breanne Trammell’i kunstnikuvestlus EKA graafika osakonnas, 14. detsembril
Neljapäev 14 detsember, 2017
Graafika
Breanne Trammell. The Magic of Believing (in organic bug spray). 2017. CNC whiteline woodcut, unique 1/1. 14” x 14”
14. detsember kell 16.00, |
| Neljapäeval, 14. detsembril kell 16 räägib graafika osakonnas oma töödest ja tegemistest Ameerika kunstnik Breanne Trammell.
Breanne Trammell is a multi-disciplinary artist with a background in printmaking. Breanne will discuss her project-based creative practice, research interests, and her relationship to printmaking. Her studio practice explores objects and icons from popular culture, the confluence
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| Breanne Trammell (b. 1980 Vallejo, CA) lives and works in Cincinnati, Ohio. She received her MFA from the Rhode Island School of Design and has been an artist-in-residence at Ox-Bow (MI), the Women’s Studio Workshop (NY), the Wassaic Project (NY), Kimmel Harding Nelson Center for the Arts (NE), Kala Institute (CA), and Endless Editions (NY). Trammell is an Assistant Professor of Fine Arts at the University of Cincinnati and previously taught at the University of Iowa, Kent State University, and Anderson Ranch Art Center. She will teach workshops at Ox-Bow School of Art, Anderson Ranch Art Center, and the Women’s Studio Workshop in Summer 2018, respectively.
More info at: |
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| Please join Breanne Trammell and Kristina Paabus for their upcoming two-person exhibition, the grass is the same color over there, at Tallinn’s Gallery Metropol December 16–26, 2017. Opening December 16, 2017, Galerii Metropol, Vana-Kalamaja 46, Tallinn, Estonia. www.kristinapaabus.com / www.breannetrammell.com |
Postitas Mart Vainre — Püsilink
04.12.2017
Avatud loeng seminari sarjast MITTE-AURA: Kristina Paabus “Something to Believe In”
Graafika
Kristina Paabus. Something to Believe In. 2015. Screen monoprint and digital plotter on paper. 48.25 x 35.5 cm
4. detsember kell 16.00, graafika osakond, |
| On Monday, 4 December at 4 pm there will be an artist talk by American Estonian artist Kristina Paabus who will discuss her creative practice and research, as well as the role of print within her work and contemporary discourse.
Kristina Paabus is a multidisciplinary visual artist with a focus in printmaking. Kristina’s work investigates systems and strategies that we use to perceive, control, and negotiate our surroundings. She examines tools such as language, architecture, internet, government, and beliefs to expose our constant yet sometimes futile attempts at structure. By exploring the pursuit, successes, fractures, and failures within our individual and shared rules, she questions the factual and fictional constructions that we employ to interact with the world around us. |
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| Kristina Paabus (US/EE) earned her BFA from the Rhode Island School of Design and MFA from the School of the Art Institute of Chicago. She also studied Fine Arts and Religious Studies at University of Massachusetts-Amherst, and Printmaking at the Estonian Academy of Arts. Kristina has exhibited her work throughout the US and Europe, with recent exhibitions including NEO Geo at the Akron Art Museum (OH) and Belt and Road at the National Gallery (Bulgaria). Paabus is the recipient of a Fulbright Fellowship for Installation Art in Estonia, the Grant Wood Fellowship in Printmaking at the University of Iowa, and the Southern Graphics Council International Guanlan Residency Award. Kristina has attended numerous artist residences such as Women’s Studio Workshop (NY), ACRE (WI), Ox-Bow (MI), Kimmel Harding Nelson (NE), Lillstreet (IL), Emmanuel College (MA), Culture Factory Polymer (Estonia), SÍM (Iceland), Inside Zone (Romania), Muhu A.I. (Estonia), Guanlan Original Printmaking Base (China), NCCA Kronstadt (Russia), and in spring 2018 will be at Anderson Ranch Art Center (CO). Paabus is Associate Professor of Reproducible Media at Oberlin College, and previously taught at The School of the Art Institute of Chicago, Ox-Bow School of Art, and The University of Iowa.More info at: www.kristinapaabus.comNB! Please join Kristina Paabus and Breanne Trammell for their upcoming two-person exhibition, the grass is the same color over there, at the Gallery Metropol, December 16–26, 2017. Opening December 16, 2017, Galerii Metropol, Vana-Kalamaja 46, Tallinn. |
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| Seminar series Non Aura in the autumn semester 2017/2018 consists of 11 lectures and talks from different fields, which take place on Mondays from 4 pm. Seminar series is a free elective that gives 3 ECTS. You are warmly welcome! |
Postitas Mart Vainre — Püsilink
Avatud loeng seminari sarjast MITTE-AURA: Kristina Paabus “Something to Believe In”
Esmaspäev 04 detsember, 2017
Graafika
Kristina Paabus. Something to Believe In. 2015. Screen monoprint and digital plotter on paper. 48.25 x 35.5 cm
4. detsember kell 16.00, graafika osakond, |
| On Monday, 4 December at 4 pm there will be an artist talk by American Estonian artist Kristina Paabus who will discuss her creative practice and research, as well as the role of print within her work and contemporary discourse.
Kristina Paabus is a multidisciplinary visual artist with a focus in printmaking. Kristina’s work investigates systems and strategies that we use to perceive, control, and negotiate our surroundings. She examines tools such as language, architecture, internet, government, and beliefs to expose our constant yet sometimes futile attempts at structure. By exploring the pursuit, successes, fractures, and failures within our individual and shared rules, she questions the factual and fictional constructions that we employ to interact with the world around us. |
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| Kristina Paabus (US/EE) earned her BFA from the Rhode Island School of Design and MFA from the School of the Art Institute of Chicago. She also studied Fine Arts and Religious Studies at University of Massachusetts-Amherst, and Printmaking at the Estonian Academy of Arts. Kristina has exhibited her work throughout the US and Europe, with recent exhibitions including NEO Geo at the Akron Art Museum (OH) and Belt and Road at the National Gallery (Bulgaria). Paabus is the recipient of a Fulbright Fellowship for Installation Art in Estonia, the Grant Wood Fellowship in Printmaking at the University of Iowa, and the Southern Graphics Council International Guanlan Residency Award. Kristina has attended numerous artist residences such as Women’s Studio Workshop (NY), ACRE (WI), Ox-Bow (MI), Kimmel Harding Nelson (NE), Lillstreet (IL), Emmanuel College (MA), Culture Factory Polymer (Estonia), SÍM (Iceland), Inside Zone (Romania), Muhu A.I. (Estonia), Guanlan Original Printmaking Base (China), NCCA Kronstadt (Russia), and in spring 2018 will be at Anderson Ranch Art Center (CO). Paabus is Associate Professor of Reproducible Media at Oberlin College, and previously taught at The School of the Art Institute of Chicago, Ox-Bow School of Art, and The University of Iowa.More info at: www.kristinapaabus.comNB! Please join Kristina Paabus and Breanne Trammell for their upcoming two-person exhibition, the grass is the same color over there, at the Gallery Metropol, December 16–26, 2017. Opening December 16, 2017, Galerii Metropol, Vana-Kalamaja 46, Tallinn. |
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| Seminar series Non Aura in the autumn semester 2017/2018 consists of 11 lectures and talks from different fields, which take place on Mondays from 4 pm. Seminar series is a free elective that gives 3 ECTS. You are warmly welcome! |
Postitas Mart Vainre — Püsilink
27.11.2017
Avatud loeng seminari sarjast “Mitte-aura”: Kirill Tulin “Soviet Stoker? Militant Worker? Hot Artist?”
Graafika
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27. november kell 16.00, |
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| On Monday, 27 November at 4 pm there will be an artist talk by Kirill Tulin who will introduce his current work at the EKKM – “Abiks keskküttekatla kütjale / Help for the stoker of the central heating boiler” and discuss his earlier projects. Apart (but not really) from that you are very welcome to join Kirill Tulin during the remaining 24h shifts of his EKKM work on 26th, 30th of November and December the 4th.The stoker is the one who warms all those, and those only, who do not warm themselves. The question is, does the stoker warm himself? (A reformulation of a “paradox” by Bertrand Russell)Heat is pushed with water along the pipe following the assumption that somewhere there where the pipe ends there is a need for heat. I look at that as the thermo-dynamics of help – help is given based on the assumption that it is needed and the ventil is open, otherwise the heat dissipates from the pipe midway, and the giver and the receiver of help stay separate and cold with all the heat lost in transfer. Opening the ventil partially solves the problem, but question remains that of a separation (and the pipe) between the site of production of heat and the one of its consumption. I think this issue is crucial for the understanding of help because such separation brings “coloniality” to its very gesture. If we move from the boiler-room in which my practice now takes place, into the room 144 of Estonian Academy of Arts, the issue could be reformulated as the one of separation between the site of knowledge production and the one of its consumption. To complicate issues even further I would throw here a term of “autonomy” for all those interested in Monday the 27th discussion to try to come up with definition or example of. Needless to say the pipes would be jammed and the outlined flows disrupted or reversed as they would (should) be for any given system. Discussion would take place in “international” English, but occasional translation can be given if need into Estonian (by Liina Siib) and into Russian (by Kirill Tulin). |
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| Kirill Tulin (b 1989 in Moscow) studied for a couple of years mathematics in the Moscow State University’s Math and Mechanics department. After quitting he worked as a reportage photographer for the Moscow based publishing house, then for AP and Reuters and then for himself. For a few months studied at the Institute of Problems of Contemporary Art (organized in Moscow by Joseph Backstein), did not hear there about any problems indeed and went on searching for those on his own. From 2011 on lives and works as an artist in Tallinn.
His recent exhibitions include: “[ ]” with-in-with Konstanet gallery (EST) & Kunsthalle Linz (AT), Tallinn-Linz-Online, Winter/Spring/Autumn 2016 “and suddenly we become afraid of changing anything…” sound installation in Sculpture Quadriennale Riga, Autumn 2016 “Work” durational performance and installation in a group exhibition “The Perennial Gale”, EAA Gallery, Tallinn, Winter 2016 “We are about to come up with a title, please bear with us”, durational performance and installation, in Tallinn Art Hall, Winter 2017 “Abiks keskküttekatla kütjale / Help for the stoker of the central heating boiler”, EKKM, 10.11-04.12.2017 |
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EKA vabade kunstide teaduskonna 2017/2018 sügissemestri Olete oodatud! |
Postitas Mart Vainre — Püsilink
Avatud loeng seminari sarjast “Mitte-aura”: Kirill Tulin “Soviet Stoker? Militant Worker? Hot Artist?”
Esmaspäev 27 november, 2017
Graafika
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27. november kell 16.00, |
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| On Monday, 27 November at 4 pm there will be an artist talk by Kirill Tulin who will introduce his current work at the EKKM – “Abiks keskküttekatla kütjale / Help for the stoker of the central heating boiler” and discuss his earlier projects. Apart (but not really) from that you are very welcome to join Kirill Tulin during the remaining 24h shifts of his EKKM work on 26th, 30th of November and December the 4th.The stoker is the one who warms all those, and those only, who do not warm themselves. The question is, does the stoker warm himself? (A reformulation of a “paradox” by Bertrand Russell)Heat is pushed with water along the pipe following the assumption that somewhere there where the pipe ends there is a need for heat. I look at that as the thermo-dynamics of help – help is given based on the assumption that it is needed and the ventil is open, otherwise the heat dissipates from the pipe midway, and the giver and the receiver of help stay separate and cold with all the heat lost in transfer. Opening the ventil partially solves the problem, but question remains that of a separation (and the pipe) between the site of production of heat and the one of its consumption. I think this issue is crucial for the understanding of help because such separation brings “coloniality” to its very gesture. If we move from the boiler-room in which my practice now takes place, into the room 144 of Estonian Academy of Arts, the issue could be reformulated as the one of separation between the site of knowledge production and the one of its consumption. To complicate issues even further I would throw here a term of “autonomy” for all those interested in Monday the 27th discussion to try to come up with definition or example of. Needless to say the pipes would be jammed and the outlined flows disrupted or reversed as they would (should) be for any given system. Discussion would take place in “international” English, but occasional translation can be given if need into Estonian (by Liina Siib) and into Russian (by Kirill Tulin). |
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| Kirill Tulin (b 1989 in Moscow) studied for a couple of years mathematics in the Moscow State University’s Math and Mechanics department. After quitting he worked as a reportage photographer for the Moscow based publishing house, then for AP and Reuters and then for himself. For a few months studied at the Institute of Problems of Contemporary Art (organized in Moscow by Joseph Backstein), did not hear there about any problems indeed and went on searching for those on his own. From 2011 on lives and works as an artist in Tallinn.
His recent exhibitions include: “[ ]” with-in-with Konstanet gallery (EST) & Kunsthalle Linz (AT), Tallinn-Linz-Online, Winter/Spring/Autumn 2016 “and suddenly we become afraid of changing anything…” sound installation in Sculpture Quadriennale Riga, Autumn 2016 “Work” durational performance and installation in a group exhibition “The Perennial Gale”, EAA Gallery, Tallinn, Winter 2016 “We are about to come up with a title, please bear with us”, durational performance and installation, in Tallinn Art Hall, Winter 2017 “Abiks keskküttekatla kütjale / Help for the stoker of the central heating boiler”, EKKM, 10.11-04.12.2017 |
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EKA vabade kunstide teaduskonna 2017/2018 sügissemestri Olete oodatud! |
Postitas Mart Vainre — Püsilink