Exhibitions

On May 19, a joint exhibition “SHIFT” of the second-year jewelery and blacksmithing students of the Estonian Academy of Arts will be opened in the Old Town of Tallinn, Uus tn 4, where various states of change will be discussed.

There is a constant hidden movement within the apparent stability of the material world. Although stability and change seem at first sight to be opposites, change is the only constant element in our lives. However, we cannot escape the effects of the slightest change – regardless of its essence, we will inevitably have a shift between reality and the assumptions made on the basis of our experience, knowledge and feelings.

As the temporal forms solidify through exploratory and repetitive practice, the viewer will remain a testimony to the limits of our age.

As spatial phenomena change around through emerging and diverse practices, the viewer is left with only a tribute to the inaccuracies of our existence. “artybollocks generator”

Participants in the exhibition: Anna-Maria Vaino, Ardo Teesalu, Bianca Triinu Toots, Ellen Axberg, Hugo Toss, Margus Elizarov, Camilla Prey, Villu Mustkivi, Visa Eino Eduard Nurmi

The works have been supervised by: Nils Hint, Eve Margus

The exhibition is part of the EKA’s TASE ’22 satellite program and will be open daily from 12.00–20.00, until June 2.

The exhibition is supported by: Estonian Academy of Arts, Kaili Baked Goods, Fabric Jungle, Kräftwärk, Valmiermuiža, Barrel

Facebook event

When you think about the phrase “beautiful legs’’, you may first associate it with the idea of something feminine and seductive, which reflections are secretly stored in our minds through advertising culture. What if the stereotypical and restrictive standards would turn into playful self-expression where feminine accessories could easily be worn by anyone, regardless of their gender identity? The photo is inspired by fashion photography and advertisements from the turn of the century and the last decades, using known symbols in a twisted manner.

The actors of Lunacharsky Drama Theatre have arrived in Tallinn! Let us introduce: The Christmas Boy, The Knight, Mr. Xavier and The Dog With a Man’s Body. The collage is composed of pictures taken in the 1970s which were found in a former military base.

Group exhibition “Ideations of the World”
Manufaktuuri 7, Uue Loomingu Maja (ULM)

Artists: Alyona Movko-Mägi, Ats Kruusing, Cloe Jancis, Kati Müüripeal, Lara Brener, Laura Liventaal, Maris Paal, Noah Emanuel Morrison, Samuel Lehikoinen, Zody Burke
Curator: Liisi Kõuhkna
Graphic design: Taylor Tex Tehan

Jaan Valsiner (2021) has written, that culture is a part of a person’s relationship with their self and the outside world. Due to psychological limitations, animals have to accept the fact of an experience as they are unable to enrich the experience with meaning. However, people cannot be satisfied with the fact that a bad experience has taken place. They feel the need to make sense of it – to give it meaning. If a car accident is explained as a coincidence, it does not sound too meaningful. By adding karma or sorcery as a justification for the event, one has enriched a personal experience with cultural significance. People are the creators of meanings, and the meanings they create frame their relationships with their surroundings. Art is a delusion, that speaks the truth (Picasso).

Open until 26.05
Sat-Thur 12 am–6 pm 

Installation and technical support: Estonian Fairs Centre, Valge Kuup Studio, Tallinn Art Hall

Artists: 

Laura Liventaal is an Estonian artist and filmmaker, who is interested in physicality, tactility, intimacy and uniqueness of an individual experience. Her work was last exhibited at the EKA Young Sculptor Award Exhibition at ARS Art Factory 17.02-05.03.2022.

Samuel Lehikoinen is on abstract and surreal painter from Finland. His last solo exhibition “Strange questions” took place in Helsinki, Malmitalo Center on 10.02-6.3.2022. His works are depicting dream states and obsessive thought patterns with repetition and sense of materiality.

Maris Paal is a painter, who has graduated from the Painting Department at Pallas University of Applied Sciences and received further education in Greece and Hungary. Her last exhibition with Brita Maripuu “Parallel Potentials” took place in Põhjala Tehas on 17.04-01.05.2022. 

Kati Müüripeal is an Estonian painter, who has participated in several group exhibitions since 2019. In her painting she depicts abstract magical realism. 

Cloe Jancis has studied photography at EKA. Her last exhibition took place at the Riga Photography Biennale on 21.05.2022 , where she represented Estonia with an artist Sigrid Viir.

Zody Burke is an American artist and musician. The last exhibition “Mousetrap. America eats it young ”took place at the DOM Gallery in Riga from 1.04-15.04.2022. In addition, on 17.02.2022 she participated in the EKA Young Sculptor Award Exhibition at the ARS Art Factory and won the silver medal.

Lara Brener is an artist and educator from São Paulo, Brazil. She is interested in building ambiguous narratives and spaces that could incite memories and projections. Her works are developed mostly by experimentations in text, photography, and graphic processes.

Noah Emanuel Morrison is an artist and a professional photographer from New York. The main art mediums used in his work are video, photography and text. He is interested in the topics of gender, nationality and origin, family and race.

Ats Kruusing is a master’s student at EKA, whose main art mediums are painting, photography and video. He participated in the EKA graduation festival TASE21. He is mostly interested in everyday rituals, relationships between space and the individual and modern masculinity and sexuality.

Alyona Movko-Mägi is an audiovisual and video artist studying at EKA. She creates installations and art with mixed media. The artist recreates her perception, revealing the inseparable connection between image and sound. She collaborates with directors, orchestras and theaters and works in the field of new media. 

The curator Liisi Kõuhkna is an art therapist and artist, who has graduated her BA (2014) and MA (2016) in art therapy at Tallinn University. She is currently studying jewellery and blacksmithing, curating in EKA.

Info:
Liisi Kõuhkna
liisi.kouhkna@artun.ee
+56665255 

Exhibition “Notes on Fashion and Gender” on the 4th floor of Estonian Academy of Arts on 14–16 May 2022.

Participants: Karl Martin Kelder, Hedy Kohv, Karolin Kärm, Maria Kristiin Peterson, Jentl Rietdij, Mairo Seire, Sanna Särekanno, Kirke Talu, Liis Tisler, Anni Vallsalu, Dana Lorên Vares

This Saturday, the exhibition Notes on Fashion and Gender, which is outcome of the course Fashion and Gender opens at the 4th floor of Estonian Academy of Arts. 11 students present their works that could be considered floating between the areas of fashion, design and contemporary art. The focus of the course was on fashion as visual communication and as embodied practice: how different embodied practises contribute to the creation and communication of gender and other identity-related categories (age, sexuality, ethnicity, social class), and how the prevailing notions of identity can be challenged. Shoes, a mask, a hat, bags, pants and other objects will be exhibited at the show.

Tutors of the course are Sten Ojavee from Estonian Center for Contemporary Art and Annamari Vänskä from Aalto University. Ojavee and Vänskä first collaboration took place in 2016 in the event VI Artishok biennale which was produced by CCA.

Tutors: Sten Ojavee, Annamari Vänskä (Aalto University)

Exhibition is open until 16 May 2022.

Estonian Academy of Arts, 4^th floor, Sat–Mon 08–23.

Difficult Pasts. Connected Worlds

With the beginning of Russia’s war in Ukraine, the past has returned in Eastern Europe, changing from something distant into a present-day disaster for millions of people. The invasion that started in 2014 with Crimea, Luhansk and Donetsk was often dismissed by the international community, but it has now grown into a situation that is affecting the whole world. This war hits Eastern Europe most alarmingly, reviving many silences, unhealed wounds and unprocessed memories of the totalitarian past.

We are used to thinking about past times through the lens of national histories, with their selective, smoothed and linear narrations, instead of the plural, messy and nonlinear stories shared in daily life. The difficult sides of these histories have often been neglected; instead, comforting stories are told that stress positive narratives and ways of overcoming challenges. This exhibition brings together difficult and often-silenced aspects of pasts that include violent conflicts, traumatic losses and their long-term legacies. The difficult pasts addressed here involve nationalist and communist regimes, recent warfare and histories of colonialism, the uneasy balances between modes of survival and collaboration and the ongoing specificities of post-soviet societies coping with the shadows of the past.

 Difficult Pasts. Connected Worlds includes works by artists from the three Baltic countries, Ukraine, Poland, Finland and the Netherlands. The experiences the works evoke are ones that are often forgotten or ignored, excluded from official histories. Artists included in the exhibition narrate those experiences through individual stories, while evoking broader layers of cultural memory. What is the place of these stories in the present? How could we integrate them in our understanding of history? What do they change in our perception of the world around us? Overcoming local and national borders, the exhibition calls for reflection on the relationships between difficult pasts and their impact today through the perspective of a shared history-opening dialogue, forging connections and foregrounding solidarities between the different difficult histories that are often perceived as incompatible or in competition with each other.

The exhibition was first shown in 2020 at the Latvian National Museum of Art in Riga, as part of Communicating Difficult Pasts, an international project which engages with the uncomfortable and often forgotten sides of history in order to understand their influences in the Baltic region and neighboring countries. The project has fostered collaboration and synergy between artists, curators and researchers who seek new approaches and means to study difficult legacies and to overcome their omission. The current exhibition is organized within the framework of the project From Complicated Past Towards Shared Futures, which is a collaboration between the Latvian Centre for Contemporary Art in Riga, the National Gallery of Art in Vilnius (Lithuanian National Museum of Art), OFF-Biennale in Budapest, Muzeum Sztuki in Lodz, and Malmö Art Museum. The project seeks to explore and communicate the entanglements of past and present, and is searching for new ways how art and culture can raise awareness of these issues for the wider public and influence current realities.

Curators: Ieva Astahovska, Margaret Tali, Eglė Mikalajūnė

Artists: Anastasia Sosunova, Eléonore de Montesquiou, Jaana Kokko, Laima Kreivytė, Lia Dostlieva & Andrii Dostliev, Matīss Gricmanis & Ona Juciūtė, Quinsy Gario & Mina Ouaouirst, Paulina Pukytė, Ülo Pikkov, Vika Eksta, Zuzanna Hertzberg

Exhibition design: Jonas Žukauskas

Graphic design: Alexey Murashko

Organized by: Latvian Center for Contemporary Art, National Gallery of Art (Lithuanian National Museum of Art)

The project is financed by Lithuanian Council for Culture

Supported by: European Union Programme “Creative Europe”, Ministry of Culture of the Republic of Latvia, Cultural Endowment of Estonia, Frame Contemporary Art Finland, Nordic Council of Ministers, Mondriaan Fund, Fundermax, Exterus

Media sponsor: lrytas.lt

“Soft Negotiations”
EKA (Estonian Academy Of Arts) Department of Textile Design
25/04/2022–15/05/2022

Vilnius Academy of Arts gallery “Artifex”,  Gaono g.1, Tue to Sun 12.00–18.00

The exhibition presents works by students and teaching staff of the Estonian Academy of Arts that investigate the all-encompassing role of textile design. Besides conventional roles, new hybrid forms emerge, presenting new knowledge in the context of artistic research. Emerging technological approaches are demonstrated, in which textile, interwoven with digital properties or technology at different levels, mediates collaborative processes in design of social interaction.

Just as the warp threads connect the weft, serving as a bridge for each other, this exhibition by the Department of Textile Design invites audiences to ponder the role of textile in today’s and future society. At the exhibition, the department presents contemporary trends that often straddle or meld with the boundaries of other disciplines. That in turn creates a new, multidisciplinary approach where textile can take very different forms: it can convey structure, idea, protest, message, self-expression, pattern or simply colour combination.

The exhibition has three conceptual threads, which intersect each other:
Textile as STATE(MENT)
#critical and conceptual practices
Textile as LAB
#experimental practice #flirting with science #biotextiles #new materials and structures
Textile as WELLBEING
#design that values the environment and well-being #sustainability #recycling #healthcare #social responsibility #therapy

Participants: Frank Abner, Arife Dila Demir, Katrin Kabun, Kadi Kibbermann, Mari-Triin Kirs, Kristi Kuusk + Ana Tajadura-Jiménez (Universidad Carlos III de Madrid) + Aleksander Väljamäe (University of Tartu), Krista Leesi, Kille- Ingeri Liivoja + Juulia Aleksandra Mikson, Greth-Ann Loog + Riina Samelselg + Anete Vihm, Nithikul Nimkulrat (OCAD UNIVERSITY), Marin Nooni, Maria Kristiin Peterson, Piret Roos + Liisa Torsus, Zane Shumeiko, Marie Vihmar + Sirje Sasi (TLU), Piret Valk, Varvara & Mar + Sebastian Mealla

Curators: Varvara Guljajeva (HKUST(GZ)), Kristel Laurits, EKA Department of Textile Design
Graphic design: Jesus Rodriguez Santos
Exhibition team: Kristi Kuusk, Varvara Guljajeva, Krista Leesi, Kadi Kibbermann, Piret Valk

Having buried her daughter and husband, 69-year-old Polina Rayko found solace in painting. The walls of her home became her easel. I spent a day in Rayko’s footsteps, covering my kitchen with floor-to-ceiling drawings. I didn’t have a definite plan and found myself, like Rayko, illustrating personal memories.

In this portrait, I embody the absurd hyper-sexualised ‘ideal’ woman portrayed in the media. The inspiration for creating this image came from Gillian Flynn’s novel ‘Gone Girl’ (2012). The protagonist describes her experience as a woman trying to be the perfect ‘cool girl’ stereotype her whole life. ‘Cool girl jams hot dogs into her mouth like she’s hosting the world’s biggest culinary gang bang.’

The opening of Estookin’s solo show SIMULACRUM will take place at Telliskivi Creative City’s Outdoor Gallery on Saturday 7 May at 17:00.

The exhibition features portraits of ten popular Estonian musicians: Ivo Linna, Ott Lepland, Laura Pōldvere, Kerli, Leslie Da Bass, Maarja Nuut, Genka, Anna Kaneelina, Rita Ray, Tanel Padar and ten abstractions inspired by their music, all on large one and a half metre canvases. The exhibits are the results of a quest to explore the effects of music on the works of a visual artist.

The opening show of the exhibition will be performed by Laura Põldvere and Uku Kübar.

The opening show will be followed by a conversation between Estookin and Rita Ray about the processes of creating music and art. The conversation is moderated by Henrik Ehte.

The exhibit is open around the clock from 7 May until 7 June 2022.

Curated by: Estookin

Designed by: Estookin

Special thanks to: Ene-Liis Semper, Katrin Reimann, Janno Reimann, Anita Kremm, Kristel Zimmer, Alice Aleksandridi, Andres Ojasu, Reene Teder, Henrik Ehte, Magdaleena Maasik, and the Creative City’s Outdoor Gallery.

The paintings were created as part of an experiment, where Estookin would exclusively listen to the music of the pictured artist during the entire painting process. Drawing inspiration from the music, she created staged portraits that enter into an intimate dialogue with the abstract landscapes that present the artist’s vision of each musician and their music. 

“I love keeping an eye on what other artists are putting out into the world and sharing aesthetic elements that drive me to express my artistic views in a more distinct and personal manner. The exhibits are not made-to-order vinyl designs that draw on a conversation between the artist and musician, and aim to represent the musician’s image as closely as possible. I chose these musicians intentionally and allowed my senses to guide the process of artistic interpretation. These reproductions of the paintings created during my experiment form an independent reality that has lost connection with its origins – in other words, a simulacrum*,” explains Estookin. 

Estookin (b. 1997, Tallinn), who began exploring digital painting in 2012, is an illustrator, and visual and digital artist active in Estonia and abroad. Over the past few years, Estookin has taken part in various creative projects that, in addition to allowing her to create, learn and polish her technical skills, have brought her close to the music industry. Music and sound have always been of integral importance to Estookin’s artistic output. As an outstanding album cover designer, she has created visual identities for musicians such as Bella Poarch, nublu, Wateva and Lexsoul Dancemachine. In addition to music, Estookin draws inspiration from fashion, theatre, architecture, technology and electropunk. Aside from digital art, Estookin finds expression in photography, and video and theatre arts.

SIMULACRUM is part of Estookin’s bachelor’s project for her degree in scenography at the Estonian Academy of Arts. The project is supervised by Ene-Liis Semper. 

* According to Jean Baudrillard, a simulacrum replaces the real. In Simulacra and Simulation he writes, “Simulation is no longer that of a territory, a referential being or a substance. It is the generation by models of a real without origin or reality: a hyperreal. […] It is no longer a question of imitation, nor of reduplication, nor even of parody.” The simulation no longer reflects reality but creates a new and independent reality – a visual representation of sound.

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Additional information:
Estookin
Phone +372 528 8110
info@estookin.studio
www.estookin.studio