Open Lectures

Open architecture lecture “Dumb Emancipatory Housing. Dumb Emancipatory City Planning”: Sebastian Bietenhader and Matthias Moroder / Büro Bietenhader Moroder

On January 12 at 6 pm in room A-400

The lecture is held in English, is free and open to all interested parties.

The open lecture will finish the “Dumb emancipatory housing Workshop” held by EASA (European Architecture Student Assembly) on January 8 – 12. The workshop at EKA is supported by Cultural Endowment of Estonia.

Sebastian Bietenhader and Matthias Moroder have been working together as Büro Bietenhader Moroder since 2015. Büro Bietenhader Moroder deals with copyness as a positive formal property of architecture, which makes it possible to work formally against the neoliberal architecture of differentiation, flexibilization and individualization. By simultaneously maximizing the formal relations of architectural settings to one another, which is conceptually defined as copyness, Büro Bietenhader Moroder opens up a re-reading of the formal characteristics of social housing of French and Russian revolutionary architecture and that of Red Vienna.

Cities are starting again to build housing as builder-owners to counter the suffocation of urban life through real-estate speculation. This new public housing needs its own architecture. However, the historical formal and aesthetic distinctions between public and free market housing have been lost, all housing mimics or is luxury housing.

In the search for an intrinsically public housing architecture Büro Bietenhader Moroder has discovered a totally overlooked formal quality of architecture: Maximalist intentional sameness, termed dumb copyness. Dumb copyness is fundamentally different than mere serial repetition. Instead, it relies on formal qualities that enhance the maximum sameness of rooms, flats, entire housing blocks or urban settings far beyond mere industrial or functionalist seriality.

Hereby methodological rigor is central. Through a rejection of creative ad-hoc-subversion, deviation on every level, – the ubiquitous demand for ‘smartness’ –, a methodical planning can be re-established that achieves a directness that is greatly and blatantly dumb.

Guided by this focus Büro Bietenhader Moroder seeks to rediscover and reclaim the historical forms and aesthetics of pre-WWII public housing, such as Russian revolutionary architecture and that built by Red Vienna from 1919 to 1934. In this period, we find specific formal articulations of a non-functionalist public housing architecture that is almost forgotten and that gives shape to a collective life that is affordable and emancipatory. Through this critical historical re-reading we are developing a design method for emancipatory housing that is so directly public, so clear and basic that it is dumb.

Sebastian Bietenhader and Matthias Moroder have been working together as Büro Bietenhader Moroder since 2015. Büro Bietenhader Moroder deals with copyness as a positive formal property of architecture, which makes it possible to work formally against the neoliberal architecture of differentiation, flexibilization and individualization. By simultaneously maximizing the formal relations of architectural settings to one another, which is conceptually defined as copyness, Büro Bietenhader Moroder opens up a re-reading of the formal characteristics of social housing of French and Russian revolutionary architecture and that of Red Vienna.

Sebastian Bietenhader studied architecture at the ETH Zurich (BSc.) and at the Harvard GSD, as well as history and philosophy of knowledge, also at the ETH Zurich (MSc.), where he did a thesis on the development of the computer modelling space, which will be essential for BIM. He headed the student discussion group “Ambitus”. He is a regular guest critic at the ETH and has been teaching architecture at various (non)- institutions.

Matthias Moroder studied architecture (AA Dipl.) at the Architectural Association in London, art history (BA) and philosophy (BA) at the University of Vienna and history and theory of architecture (MAS) at the ETH Zurich. Besides the work as Büro Bietenhader Moroder, since 2018 he is co-leading MAGAZIN, an independent exhibition space for architecture in Vienna. He is currently a PhD candidate at the department of art history of the University of Vienna and has been teaching architecture and architectural history and theory at various (non)- institutions. Matthias is also co-founder of the Vienna Architecture Summer School.

Open Lecture
 Blood-sweat-tears-love-animation

Animation at UMPRUM in Prague

Michaela Režová  

The Department of Animation and Film at the University of Art, Architecture and Design in Prague is the oldest in the Czech Republic, founded in 1951. The department has a rich history and is known for its exploration of formal intersections and experimentation with audiovisual works. In a lecture by Michaela Režová, a filmmaker and studio lecturer, the evolution of the studio’s history over the past 70 years will be discussed, along with the changes in teaching and curriculum. Režová, herself a graduate of the department, is known for her work in the animated documentary genre, with a focus on different forms within that genre. She has collaborated with Czech Radio and worked as a creative director on various projects, including a permanent exhibition at the National Museum in Prague. The lecture will be followed by the screening of short films.

Blood-sweat-tears-love-animation / Animation at UMPRUM in Prague
The Animation and Film Department at the Academy of Art, Architecture, and Design in Prague, established in 1951, holds the distinction of being the oldest in the Czech Republic. While it cherishes and builds upon traditions, the department actively explores formal crossovers and possibilities for experimenting with audiovisual works. Lecture will present 70 years and their transformations. How did the research of the studio’s history unfold? What have we discovered? And what does the teaching and curriculum look like today? This will be presented by Michaela Režová, a filmmaker and lecturer from the studio. In conclusion, a presentation of short films will follow.

bio

Michaela Režová is a filmmaker and director whose work primarily focuses on the genre of animated documentary and its various forms. In 2017, she graduated from UMPRUM with a specialization in animation and film. Her diploma project, the short film Chase (2017), brings to life the glory days of Czechoslovak hockey, exploring both its triumphs and darker moments. In 2018, she collaborated with Czech Radio on the film Gambler. Between 2020 and 2022, she was the curator for the exhibition ANIMATION 70 (celebrating the 70th anniversary of the animation studio at UMPRUM) and also she was the editor of a publication bearing the same name.
As a creative director, she worked on a 360° video for the permanent exhibition History of the 20th Century at the National Museum in Prague and on six films for the exhibition Design and Transformation: Stories of Czech Design 1990-2020. She stands behind the platform f-a-t.cz which works under the motto “From animators to animators” and brings content from animation world. Currently she is also a lecturer at UMPRUM.

Open Design Lecture: “Go Hack Yourself!” by Jordi Closa / Adidas Maker Lab

In the dynamic world of arts and design, where innovation is the heartbeat of progress, we often find ourselves facing complex challenges that demand fresh perspectives and out-of-the-box thinking. That’s where hacking steps in—a powerful and transformative problem-solving tool that can revolutionize the way we approach creativity, adaptability, and sustainable design.

With over two decades of experience as an influential product designer and a fervent advocate for hacking as a means of problem-solving, Jordi Closa has redefined what it means for him to create and innovate.

From his explorations in furniture, lighting, sports gear, and even food design, Jordi demonstrates a deep commitment to pushing the boundaries of conventionality. Drawing inspiration from the very ingredients that fuel our bodies and excite our senses, he has harnessed the transformative potential of materials in ways that captivate and leave an indelible mark on our experiences.

It is his passion for upcycling, his efforts to repurpose and reinvent materials and objects, that truly sets him apart. By extending the life of discarded products, Jordi boasts an unwavering commitment to diverting waste from landfills, protecting our precious oceans, and cultivating a more sustainable future.

Together, let us delve into the captivating realm of the Adidas MakerLab Network, a vibrant community of creatives, inventors, and problem solvers united by their insatiable curiosity and shared dedication to pushing the boundaries of design. Here, Jordi’s vision of hacking as a problem-solving tool has flourished. Through collaboration and experimentation, he has uncovered unique and thought-provoking solutions to even the most complex design challenges.

Let us embrace the power of hacking as a catalyst for creativity, innovation, and sustainable progress.

The lecture is in English and will be recorded for EKA TV. Everyone is welcome to join!

Morning Coffee: “From Numbers to Sneakers – Unconventional Design Story” by Thomas Ayme / Adidas Originals

Thomas Ayme is a French footwear color-and-material designer currently working at adidas Originals. However, his journey as a designer was not straightforward and began in a very different field.

After graduating in Mathematics, Economics, and Finance, Thomas joined Adidas, initiating his ten-year tenure at the brand as a business analyst. Realizing that analytics was not his true calling, he embarked on a journey toward becoming a footwear designer, navigating through multiple countries and jobs along the way. His unique background now informs his approach to design and has become one of his greatest assets.

Learn more about Thomas’ journey and his advice on how to reach your personal goals and ambition.

We invite everyone to the Narva Art Residency’s third open lecture that takes place next Thursday.

In autumn of 2023, international artists from the Narva Art Residency give three lectures at the Estonian Academy of Arts. The last lecture will be by two artists:

Elke Renate Steiner is a comics creator living and working in Berlin, Germany. She is creating comics and illustrations, drawing live at events and process documentations for communities. In Narva she will have workshops for adults with the aim of translating their experiences into comics.

Uwe Lützen is a swiss screenwriter based in Zurich and Berlin. During his residency he created a performance “28 questions (no answers needed)” about home, places, and identity.

They will talk about the practicalities of being a professional artist, what the daily life of an art residency is like, and how to get involved in the opportunities offered to artists. Of course, they will also introduce their own creative work.

The lecture is free of charge and open to all! It will be held in English.

We are delighted to invite you for a thought-provoking and inspiring lecture on “Embracing Purpose through Art and Design for a Future We Want.”

In an era marked by rapid change and global challenges, the role of art and design becomes increasingly crucial in shaping a future that aligns with our aspirations and values.

Mariana Amatullo (PhD) is Vice Provost and Academic Dean of Continuing and Professional Education (CPE) and Associate Professor of Strategic Design and Management at Parsons, The New School. Mariana publishes and lectures internationally about design and social innovation, serving on various executive, editorial, and advisory boards in design and the arts. Her latest publication, Design for Social Innovation: Case Studies from around the World (Routledge, 2021), presents an overview of the design field for social innovation through 45 global case studies. Her upcoming monograph positions design as a leadership capability for the 21st century.

Mariana has a twenty-year-long trajectory in senior executive administration positions in art and design education. She is an experienced strategist, award-winning educator, and practitioner-scholar. Mariana’s research and teaching bridge the art and design education and management disciplines and examine the role of a design attitude as a cognitive approach to social innovation and organizational learning. Initially trained as an art historian and curator, she has been a pioneer in developing the design for social innovation field, where she remains an active scholar globally. Before joining The New School in 2017, Mariana co-founded and was at the helm of the social impact award-winning program Designmatters at ArtCenter College of Design in Pasadena.

Q&A session after the lecture is an opportunity for participants to seek insights directly from the expert.

We kindly ask you register here:

https://docs.google.com/forms/d/e/1FAIpQLScZB4FDJKMc31UNTp30It-tszhsBl3DyzwA72zpzlnxfMN8Dw/viewform

Within the framework of the Open Lectures Series of the Department of Architecture and Urban Design of EKA, Birgitte Svarre will take the stage in the hall of EKA on 30th November at 6:15 pm with lecture “Public space / public life – an interaction – how to study and make room for it.” She talks about her work studying public life and creating space for it.

The lecture is preceded by public presentation of the book “How to Study Public Life” at 5:30 pm in EKA lobby.

Birgitte Svarre is the co-author of the book “How to Study Public Life”. She has a MA on Modern Culture, a PhD in Architecture and is CEO at BARK, Copenhagen, a consultancy focused on strategic development of places with a focus on both people and places. BARK is owned by the Building Heritage Foundation. Until 2022, Birgitte Svarre has been with Gehl Architects for more than 14 years consulting cities mainly in Northern Europe on human centered planning, public space and public life, including as head of Gehl’s Cities team. She is currently part of the advisory board for lively city centers for the Danish Foundation Realdania.

Architect Jan Gehl is an Adjunct Professor at the Aarhus School of Architecture, Professor (ret.) of Urban Design, The Royal Danish Academy and Founding Partner, Gehl Architects. In 1971 Jan Gehl published the seminal book Life Between Buildings launching a whole new thinking about the design and development of cities. Gehl’s first book and subsequent publications sparked a showdown with the car-centric cities and began mapping and describing people-friendly interventions in the infrastructure of cities. His books include Life Between Buildings, Public Spaces – Public Life, New City Spaces, New City Life, Cities for People.

The open lectures are intended for students and professionals of all disciplines, not just the field of architecture. All lectures take place in the large auditorium of EKA, are in English, free of charge and open to all interested parties. Be there!

Within the framework of a series of open lectures, the Department of Architecture and Urban Design of EKA brings to the audience in Tallinn every academic year about a dozen unique practitioners and valued theoreticians of the field. You can watch previous lectures from www.avatudloengud.ee

The lecture series is supported by the Cultural Endowment of Estonia.

Open Lecture:

Gustav Kalm
The Look of States as Investment Vehicles:
A Snapshot from Millennial Capitalism

Tuesday, Dec 5, 17.30
EKA, A501

India is open for business. Guinea is open for business. Promoting Bulgaria as a successful investment destination. Choose France. Welcome to Estonia. Advertisements of this kind litter the pages of Financial Times, The Economist, Äripäev and other business outlets. What do they do? Is it insignificant blabber or do they actually change something?

Promoting states as investment destinations took off in the 1990s after the liberalization of international capital flows. Typically associated with peak neoliberalism, in the 1990s policy circles came to think of states as competing with one another on a variety of metrics. Attracting foreign investment now came to be considered central political aim for most states. By the 2000s, most countries in the world had opened investment promotion agencies. By the 2020s, this millennial vision of capitalist globalization seems to be receding. As dusk is setting over the “end of history,” Minerva’s owl can take flight and we can look back and analyze millennial capitalism that we are leaving behind.

This talk untangles how that form of statehood operated and how it reconfigured politics in most countries in the world. It is grounded in a study of one of the crucial visual forms of this era—advertising states as investment destinations. No longer heraldry of throned heads, nor glass palace fantasies of colonialism, the millennial representation of the state was an advertisement proclaiming the state to be open for foreign investment. What is or was this political form?

Gustav Kalm is an Anthropologist of Law and Economy. He is currently Fondation Bruno Latour postdoctoral fellow at Sciences Po Law School. His research studies how the legal techniques that undergird world economy operate as a form of power and structure international inequalities. In his doctoral dissertation, he studied how the legal forms of foreign investment have recalibrated statehood. He also writes cultural and political commentary and has pursued multiple collaborations with artists and curators. Gustav Kalm received his PhD in Sociocultural Anthropology from Columbia University (2023) and previously trained as a lawyer at Sciences Po (2014).

Everyone is welcome to join!

In autumn 2023, the open architectural lectures will take place under the title Mobile Masters. The theme brings architects and theorists to Tallinn, who analyse architecture’s flexibility and the mobile practices of architects, spatial designers and artists.

Gregor Taul, the curator of the autumn lectures, introduces the program with the following words: “Architecture stands at a significant crossroads. Ten-year-old buildings are demolished and taken to the landfill. The lifespan of an interior design project is five years at best, if that. These bleak facts do not inspire confidence in a discipline that requires so many resources in light of such a short time perspective. What does ‘better not do anything’ mean for spatial design? What might ‘mobile architecture’ refer to or who is a ‘mobile designer’? How can moving people or things be a positive spatial practice?”

On December 7, Brussels-based Laurens Bekemans and co-founder of Brussels-based BC architects & studies, will be on the EKA main hall stage in Tallinn with the lecture The Act of Building.

BC is BC architects, studies and materials. BC stands for Brussels Cooperation and points to how BC grew – embedded within place and people. Started in 2012 as a hybrid office, BC is manoeuvring the boundaries of architecture in a doers manner. With three different legal entities, the team engages in a variety of experimental projects through which it designs bioregional and circular architecture, researches educational and construction processes and produces new building materials using local waste streams such as excavated earth

Laurens introduces his lecture in the following words:

From the first fieldtrips for the design of a library in Burundi to involving over 150 workshop participants in the construction of a public building in Belgium, these stories tell how BC engages in acts of building. The act of building is act and discourse.It is the complex effort of a temporary association to create an infrastructure of its own. In order to have a positive impact on our society, BC believes that architects need to intervene beyond the narrow definition of the professional who designs and controls the execution of buildings. 

Hence, BC ventures into material production, contracting, storytelling, knowledge transfer, community organization, which all influence BC’s design approach. The act of building has an impact and is at the same time a manifestation of values and ideas, which grew out of a broad network around a specific project. Building has a transformative power, driven by action, narrative and result. The lecture will guide you through key moments and key projects, which helped transform BC into the hybrid practice it is today. 

*

The open lectures are intended for students and professionals of all disciplines, not just the field of architecture. All lectures take place in the large auditorium of EKA, are in English, free of charge and open to all interested parties. Be there!

Within the framework of a series of open lectures, the Department of Architecture and Urban Design of EKA brings to the audience in Tallinn every academic year about a dozen unique practitioners and valued theoreticians of the field. You can watch lectures from previous years on YouTube or www.avatudloengud.ee

The lecture series is supported by the Cultural Endowment of Estonia.

Curator: Gregor Taul