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30 September 2016 at 4 pm, EKA Faculty of Fine Arts, Lembitu 10B, room no 136
On Friday, 30 September at 4 pm British artist Laura Buckley will speak about her works.

Laura Buckley is the main guest of the Kumu Art Film Festival KuFF, her film The Magic Know-How will be presented at the KuFF’s opening screening Moving Pictures: Artist’s Films from the Film London Jarman Award on 29 September 2016 at 7 pm in Kumu Auditorium.
Laura Buckley works expansively with moving image, sound, light, sculpture and digital print. Working with scanned imagery, her prints feed back into her projected videos which when combined with footage from life create highly abstracted environments. On entering Buckley’s installations a collective memory is evoked where various of states of mind are played out, from melancholy and anxiety to euphoria. Combining footage and audio from life with studio produced sound, the viewer is taken on a journey through a combination of parts intertwining personal, structural, and emotional dynamics.

Born 1977, Ireland, Buckley lives and works in London. Solo projects include Polarised (with Kim Coleman) at Block 336, Brixton (2016), Re-discovery 1 at Autocenter, Berlin (2014); The Magic Know-How at Site Gallery, Sheffield (2013); Fata Morgana at Cell Project Space, London (2012); Shields at the Zabludowicz Collection, Sarvisalo, Finland (2012); The Mean Reds at Supplement, London (2011); and Waterlilies at Mothers Tankstation, Dublin (2010). Her films have featured in screenings for MJ Gallery, Geneva (2014); Bold Tendencies, London (2013); and the Derek Jarman programme for Serpentine Gallery, London (2008). In 2010 Buckley was shortlisted for the Converse/Dazed Award and in 2014 she was shortlisted for the Jarman Award. Collaborative projects have included a live performance with Paul Purgas at the Whitechapel Gallery (2014), Slate with Dan Coopey at Turner Contemporary, Margate (2013); Bismuth Eyes with Andrew Spence at Cell Projects, London (2012) and Stage Frightwith Dave MacLean and Haroon Mirza at Rokeby, London (2009). Current projects include solo exhibitions at EIGEN+ART Lab, Berlin and Art House Foundation, London.
Vaata ka / See more at:

www.laurabuckley.com
https://vimeo.com/user10152368

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Exhibition “Encounter Estonian Design. An Introduction”

Exhibited designs:
Anna von Maydell / Atelier für Kunstgewerbe, A.M. Luther furniture factory, J. Lorup glass factory, E. Taska workshop, Tarbeklaas, Standard, Estoplast, Kunst ja Kodu, Tallinna Ehituskeraamikatehas, Kunstitoodete Kombinaat, Punane Ret, Salvo, Ruum ja Vorm, Martin Pärn, Tarmo Luisk, Veiko Liis, Jaanus Orgusaar, Kärt Ojavee, Raili Keiv, Keha3, HUUM, Iseasi, Scheckmann, Kärt Põldmann, Marit Ilison, Warm North, Johanna Tammsalu, Monika Järg, Anton Koovit, Kelpman Textile, etc.

Curator: Kai Lobjakas, Estonian Museum of Applied Art and Design

On 29 September, an overview of the history of Estonian design curated by the Estonian Museum of Applied Art and Design will be opened in Tartmus. It concentrates on the most important aspects and trends in Estonian design. For Tartmus, this is the first overview of Estonian design. “Encounter Estonian Design. An Introduction” will remain open until 1 January 2017.

Over the last decades the various aspects and layers of Estonian design have been thoroughly researched. Design, like most other labels and ideas with a prolonged history, has been redefined to reflect the needs of any era. The rise of new meanings, however, has meant that understanding design has become harder and some of the newer definitions might not be compatible with the older ones. To some, “design” might mean a specific technical detail or an especially valuable chair, but others might define it as life altering innovation. This raises the questions: is design an object or a service, visible or invisible, a product, a unique item or an idea?

The spatial and temporal borders have also been changing. The history of design either begins with human civilization, with the industrialization period of the end of the 18th century, or with the years following the Second World War. All of these definitions, however, see design as a means of change – either for a group or an individual. It makes life easier, safer and happier.

Although Estonians have participated in the creation of many important design solutions – like the spy camera Minox or the communication platform Skype – our design has been historically associated with light industry and everyday life.

The Estonian Museum of Applied Art and Design has used the last 15 years to map the local design landscape and to place its history into context. With new information, the idea of Estonian cultural heritage has grown. The present exhibition is based on this research and connects the history of design with contemporary ideas. Using a selection of examples that have been considered the most prominent of their time, it contextualizes the Estonian design landscape and reveals the various aspects that are its most distinguishing characteristics.

An educational programme for various age groups will accompany the exhibition. More information at www.tartmus.ee

Pseudo
22 September – 30 October at the Contemporary Art Museum of Estonia (EKKM)
Vernissage on Wednesday 21 September at 6pm
Artists: Dénes Farkas & Taavi Talve, Dora García, Flo Kasearu, Jevgeni Zolotko, Kristiina Hansen & Sigrid Viir, Neeme Külm
There is no beginning. I was begotten – just like you – and since then I’ve been lumbered.
Émile Ajar > Paul Pavlovich > Romain Gary, Pseudo
These are the first lines from a novel titled Pseudo (translated: Hocus Bogus), written in 1976 by French author Émile Ajar, drawing only modest attention during the time. This novel could be taken as pseudo-autobiographical writing by Émile Ajar. Pseudo was his third work, which was published a year after prix Goncourt winning The Life Before Us. Émile Ajar was Romain Gary’s pseudonym. For Gary, this was the second time to win a prize that could not be won twice. With increased media attention Gary asked his cousin Paul Pavlowitch to impersonate Émile Ajar. Pseudo is a novel written by Romain Gary, impersonating Paul Pavlowitch, in order to prove that Paul Pavlowitch was Émile Ajar, and it worked, but the exhibition does not speak of that.
This exhibition does not speak the language we understand, similarly to the protagonist of the novel Pseudo, who tries to avoid any connection to the context. The exhibition does not speak English, “but not well enough”. We still comprehend something, or at least apprehend, even if there is no speaking taking place.
Of course straightforwardness does not exist here. There is nothing given, nothing stated, except for this very thing here. But here one can sense universality, topicality as well as obscurity; the construction of parallel realities, which might seem more real than everyday or identically lukewarm; stagings, portraits and renditions caught in between graveness and absurdity, that are playful and rigorously composed at the same time; things that do not accommodate, that are searching for an exit, that wish to detach themselves, that would fit elsewhere; an exhibition that is pseudo, and tries to be a whole, while at least consisting of wholes.
Curator: Marten Esko
Graphic design: Allan Appelberg
Supporters: Cultural Endowment of Estonia, Estonian Ministry of Culture, Draka Keila Cables AS
More info:
www.ekkm.ee
info@ekkm.ee
www.facebook.com/ekkmtallinn/

On 29 September, the exhibition “Who Creates the City?” asks who has shaped the urban environment of Tartu, for what reasons and with what resources and results. Three galleries introduce the activities and spatial outcomes of the city government, the developers and the citizen activists. The fourth contains contemporary visual and textual works representing the notable locations of Tartu and shaping the face of the town. The exhibition is curated by the architectural historian Pille Epner and co-curated by architect Kaja Pae. “Who Creates the City?” will remain open until 4 December.

The aim of the exhibition is to look at the town from the viewpoint of different participating groups. The intelligent development of urban environment is determined by the visions of various participants, their ability to carry out dialogues and to achieve co-operation. We can create a better city together by understanding what possibilities and means for developing the urban space are held by the city government, the real estate developers and the citizens themselves.

The exhibition offers a map for an active citizen, an overview of designs for public spaces and shows architectural objects that understand their context. Glimpses of the mysterious edges of Tartu that shape the atmosphere in the town in their own hidden ways can also be found. In addition, 15 interviews representing various relevant groups are displayed, including architects and officials who plan the town, real estate developers and citizen activists.

According to the curators, the exhibition concentrates on the most important processes and initiatives that shape the urban environment of Tartu. “Over the last years, a heated discussion has been carried out asking critical questions about a high-quality urban environment that would follow the historic traditions of Tartu. On the one hand, it is a sign that a more thorough approach to urban planning is needed, on the other it also suggests that the different parties are prepared to hold dialogues.”

The exhibition is accompanied by a map for an urban connoisseur that introduces the contemporary architecture of Tartu and shows the ways off the beaten path.

Estonian Research Council, Estonian Academy of Sciences and Estonian Ministry of Education and Research call upon participating in the national contest for university students. The contest is open for all students studying in Estonia, including foreign students and Estonian citizens studying abroad.

Papers can be submitted on all university levels (applied higher education and bachelor’s studies, master’s studies, doctoral studies) until 17 October 2016!

Starting this year the award fund of the national contest is larger, over 67 000 euros, as a similar contest of the Academy of Sciences has been merged into the national contest.

The national awards are as follows:

• students following bachelor’s or professional degree programmes: 1st prize 960 euros, 2nd prize 650 euros, 3rd prize 320 euros;
• master’s students: 1st prize 1600 euros, 2nd prize 1300 euros, 3rd prize 700 euros;
• doctoral students: 1st prize 1600 euros, 2nd prize 1300 euros, 3rd prize 700 euros;

The special prizes conferred by President of the Estonian Academy of Sciences are as follows:

• students following bachelor’s or professional degree programmes: special prize for auspicious scintillating sparks – π×250=785.40 euros;
• doctoral or master’s students: 1st special prize for the most elegant student research paper – π×1000=3141.59euros; 2nd special prize for an unconventional student research paper – π×500=1570.80 euros.

The aim of the national contest for university students is to promote research among university students, stimulate them to be more active and to acknowledge students who have achieved outstanding results.

Website of the national contest

Contacts:

Sirli Taniloo
Ph +372 731 7347
mobile +372 526 0562
e-mail sirli.taniloo@etag.ee

Terje Tuisk
mobile +372 511 0356
e-mail terje.tuisk@etag.ee

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