THINGS OF WATER

Between June 10 to 20, 2016 in Nida Art Colony stdents of glass and ceramics specialties from Estonian, Latvian and Vilnius (Lithuanian) Academies of Art are working with several media to research, visualize and find solutions to problems connected with WATER. In most approaches the issue of clean water, its endangered situation and several ecological and social problems have come up. The event will be concluded with an exhibition starting on June 17 in the Nida Art Colony.

Nicola Trezzi’s lecture “Central Peripheries and Peripheral Centers: The New Paradigm”
Friday, June 10, 5 pm
Rauaniidi building
Kotzebue 1/ Põhja pst 7, Tallinn
IN ENGLISH!!
The lecture is held in lieu of the programme of TASE 2016 Degree Show

The lecture will investigate certain developments within the field of contemporary art and its connection to globalization. Following a series of recent events, specific situations and the structure of certain institutions and private identities, this new paradigm reconsiders the dichotomy “center” versus “periphery.”

The lecture takes the field of visual art as a study case, as a way to understand phenomena that go beyond its specificity (art, artists, museums, etc.) allowing a deeper understanding of reality at large.

Nicola Trezzi (Magenta, Italy, 1982) is an educator, exhibition maker and writer based in Tel Aviv. Until 2014 he was US editor at Flash Art International, New York Desk editor at Flash Art Italia, associate editor at Flash Art CZ&SK and consulting editor at Flash Art HU. Beside Flash Art, his writings appeared in Il Sole 24 Ore, Monopol, Flatt, erev-rav.com, biweekly.pl, White Fungus, in catalogues such as Joshua Neustein: Drawing the Margins (Jerusalem: Israel Museum), Postmonument (Carrara: The 14th Sculpture Biennial), Michal Helfman: Change (Tel Aviv: CCA), Ylva Ogland: She, an Introduction (Stockholm: Bonniers Konsthall) and Ido Bar-El: Bagatelle, Paintings, 1986–2015 (Tel Aviv Museum of Art) and in exhibition texts for Vibha Galhotra (Jack Shainman Gallery, New York) and Johan Creten (Galerie Perrotin, New York) and Matteo Callegari (Carl Kostyál, London). A staff member of the Prague Biennale Foundation from 2007 to 2014, he co-organized the following exhibitions: Painting Overall at the Prague Biennale 5, Four Rooms at the CCA in Warsaw, Modern Talking at the Muzeul National de Arta Cluj-Napoca, Circa 1986 at HVCCA in Peekskill NY, Champs-Élysées at Palais de Tokyo in Paris and Diagonal Histories—Imre Bak, Peter Halley—, at Art+Text in Budapest. He lectured at the Yale University School of Art (New Haven CT), SIAC (Chicago), iCI (New York), and at the Indonesian Institute of the Art (Yogyakarta). He is currently head of the MFA program at Bezalel Academy of Arts and Design in Jerusalem and Flash Art International’s contributing editor.

In addition to the lecture, Trezzi will visit different art institutions and artists’ studios in Tallinn.

Nicola Trezzi’s visit to Estonia is supported by ERASMUS+ International Credit Mobility.

Additional information:
Laura Toots
laura.toots@artun.ee

Meil on hea meel teatada tänavused Eesti Kunstiakadeemia lõpuaktuste ajad:

17. juunil Eesti Rahvusraamatukogu saalis, Tõnismägi 2, Tallinn

Kell 12.00 – Arhitektuuriteaduskond, Disainiteaduskond ja Kunstikultuuri teaduskond
Kell 15.00 – Vabade kunstide teaduskond ja Avatud Akadeemia

Lõpuaktuseid kantakse üle videopildis EKA kodulehel www.artun.ee
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We are pleased to announce the times of the 2016 Graduation Ceremonies accordingly:

17 June at the Estonian National Library Main Hall, Tõnismägi 2, Tallinn

12.00 o’clock – Faculties of Architecture, Design, and Art and Culture
3 o’clock pm – Faculty of Fine Art and Open Academy

The ceremonies will be broadcast via live video feed on the EAA website at www.artun.ee

NITHIKUL NIMKULRAT The White Forest
20. – 30.05. 2016
Hop Gallery
Tallinn
Hobusepea 2
On Thursday 19th May at 17.00, the opening of Nithikul Nimkulrat’s exhibition “White Forest” will be held.
The growing of “The White Forest” began in July 2008 in in Reykjavik, Iceland when Nithikul was an artist-in-residence at the Association of Icelandic Visual Artists (SÍM). Travelling around the country and experiencing Iceland’s wonderful landscape to seek inspiration, a question occurred to her mind: Why is Iceland treeless? Unlike Iceland, Finland – a country locating in the same continent as Iceland – has prosperous forests that surround people’s everyday life. As a textile artist and a designer who had lived in Finland for over a decade at that time, Nithikul was fascinated by it. Having researched this topic further, she found that Iceland was trying to revive their forests, but due to strong wind and little sunshine, trees grew extremely slowly (only 5cm a year). To contribute to their mission conceptually, “The Birch Tree” was made using paper string, a product of Finnish forests, to represent the beginning stage of growing trees or the becomingness of Iceland’s forests. After two years spent to complete “The Birch Tree”, Nithikul has continued growing a forest.
Since then, “The White Forest” has kept growing slowly. The slow growing gives an environmental message – although the process of growing “The White Forest” requires tremendous time and patience, to grow an actual forest can take much longer time, greater efforts and collective contribution.
“The White Forest” has been exhibited in Berlin (2012) and London (2013). It is now shown in Tallinn, the city in which it is currently being grown.
Nithikul Nimkulrat is Professor of Textile Design and Head of Department of Textile Design at the Estonian Academy of Art. Nithikul received a Doctor of Arts (2009) and a Master of Arts (2002) from Aalto University School of Arts, Design and Architecture (Finland) and a Bachelor in Industrial Design (1997) from Chulalongkorn University (Thailand). For over a decade, she has exhibited her worked internationally, and has worked as a researcher and an educator in universities in Finland, UK and now Estonia.
Thanks: Piret Valk.
The exhibition is supported by the Cultural Endowment of Estonia.
Hop Gallery exhibitions supported by the Estonian Ministry of Culture and the Cultural Endowment of Estonia.

Raja Spring Show
May 6 – 8, 2016

Opening: May 6th, 6PM

Department of Installation and Sculpture, Estonian Academy of Arts, Raja 11A (bus 23, Trummi stop).

The periphery of EAA, the department of Installation and Sculpture, is opening its doors and studios to show, in addition to everything else that’s exciting, the freshest artworks. To add more to the excitement, another Young Sculptor’s Prize is given out.

Participating artists:

Art Nõukas
Billy Sassi
David Wittinghofer
Harry Maberly
Jakob Tyroller
Jenny Grönholm
Kadi-Maarja Võsu
Karl Johanson
Katrin Enni
Kristin Reiman
Laurien Bachmann
Madlen Hirtentreu
Marti Kikojan
Rosa-Violetta Grötsch
Triinu-Liis Rahe

The opening is followed up by a party at 10PM!
https://www.facebook.com/events/634991099990054/

How to get here on friday!
Take Bus 23: http://soiduplaan.tallinn.ee/#bus/23/b-a/12402-1/map/en
or Bus 3: http://soiduplaan.tallinn.ee/#trol/3/b-a/21206-3/map or
or Bus 36: http://soiduplaan.tallinn.ee/#bus/36/b-a/map…
—
RAJA SPRING PARTY
6TH OF MAY 22.00

We would like to invite you all to join us on FRIDAY for the installation- and sculpture department’s SPRING PARTY, wich is a followup to the previously opened Spring Exhibition.
We have a PING-PONG table!! And OPEN GRILL/fireplaces, where you can weather cook your food on or cook yourself beside it (vegetarian, and meat separately). We advise you to load your store-carts full as soon as possible, ’cause the evening promises to be long and fun! All your thirst needs, and dreams will be satisfied by our POP-UP BAR, where you can find everything you need for toasting, comforting, or celebrating!
Music is taken care of by:
Eleonora Šljanda
Mihkel Maripuu
Antti Mäss
Katja Adrikova
Ellen Vene
Nikolajev

The party starts at 10PM, but everyone who will be coming for the Spring Exhibition opening, will be entertained, don’t you worry! No need to run, we won’t bite!

The weather will be nice! We installed the Sun, just come!
Department of Installation and Sculpture, Estonian Academy of Arts, Raja 11A (bus 23, Trummi stop, 24A Raja stop, also trolley nr 3 Keemia stop). We added the map with links to the bus schedules in the discussion of the event. Go check it out if you’re confused!

More information about the Raja Spring Show here:
https://www.facebook.com/events/1809848455903008/

You are cordially invited to the final presentation of the Urban Studies research studio The Zone.
The presentation will take place on May 10 (Tuesday), 17.00-19.00.
The venue is Faculty of Architecture (EKA), Pikk 20, Tallinn, 3rd floor, r. 304.
The Special Economic Zone, writes Keller Easterling, has not always been a global urban addiction and a world-city template. Yet, she contends, “the wild mutation of the form over the last thirty years only make it seem penetrable to further mutations.”
How might the Zone mutate in the coming thirty years? How would the special become the generic? How would it reshape the conditions of production and labour, globally and locally? How could the Zone be resisted and how could it fail? Will the Special Economic Zone converge to the Zone of Tarkovsky’s Stalker?
The semester project speculates about these question on the case of a production and logistics zone in Jüri, situated 15 km southeast from Tallinn.
Supervisors: Maroš Krivý, Kaie Kuldkepp
Students: Seth Amofah, Kasparas Lucinskas, Charlotte Niedenhoff, Nina Riewe, Juhan Teppart
The presentation and discussion is public. Everyone is welcome.
Maroš Krivý
Professor of Urban Studies
Faculty of Architecture, Estonian Academy of Arts
Kaie Kuldkepp
guest lecturer
Faculty of Architecture, Estonian Academy of Arts
urban designer, landscape architect @ NÜÜD architects

Engraving on glass in present-day Europe is diversified and multifaceted connecting both tradition and innovation. The touring exhibition „GRAVUR ON TOUR“ has been frequented and admired by numerous visitors in all the countries it has been presented so far. The 31 participants come from ten European countries. From Estonia Eeva Käsper, Mare Saare and Tiina Sarapu are participating. The initial idea for the touring exhibition comes from the English engraver Katharine Coleman. In the autumn of 2014 the plan started to materialise during a working session in Bavarian Frauenau. It was determined, which countries will be included in exhibiting: in May 2015 „Gravur on Tour“ will start in Stourbridge, where it will be part of the British Glass Biennial, going afterwards to Belgium (Glazenhuis Museum, Lommel), the Netherlands (Galerie De Avanturijn, Epe), Germany (Glasmuseum, Rheinbach), Czech Republic (Glass Museum, Kamenický Šenov), Estonia (National Library, Tallinn), Finland (Finnish Glass Museum, Riihimäki). The final stop will be Glasmuseum Frauenau in Germany, the starting point, where a symposium will also be held in September 2016.The three key persons are Katharine Coleman, Norbert Kalthoff and Wilhelm Vernim, assisted by Jeroen Maes (Belgium), Jakobine von Dömming and Hein van der Water (the Netherlands), Jaroslava Votrubová ja Helena Braunová (Czech Republic), Mare Saare (Estonia), Uta Laurén (Finland), Karin Rühl (Germany).In Tallinn four Estonian glass artists are also represented by their engraved works: Pilvi Ojamaa, Eve Koha, Peeter Rudaš and Riho Hütt. Engravings by several students – from Estonia, Ireland, Germany and Japan – enrich the overall impression with a certain boldness and freedom of expression, both from the artistic and innovative point of view of the younger artist generation. The latter have been invited to Tallinn by the initiative of the Estonian Academy of Art. The design of the exhibition in Tallinn is by Tiina Sarapu.The aim of the touring exhibition is to introduce more widely engraving on glass, one of the oldest and also most demanding, at the same time maybe less known, glass techniques in contemporary glass art.

Samson Shafran’s open lecture about 3D printing and modeling will be held on
26.04.2016 from 9-12 at Estonia pst 7, rm 405. Everyone’s welcome!
The lecture is titled “3D Modeling and Printing – New Technologies and Developments in Design, Software Applications and Manufacturing”
– An exploration on how 3D Modeling has shaped a multitude of Design segments, from Fashion Design to Architecture during the last decade.
– Practical examples of the use of 3D Modeling software in Design Development.
– New Trends, Attitudes and Developments in the field of 3D Printing, along with Current and Possible Research Fields.
– Sourcing of suitable Aids, Models, Techniques, Software and Manufacturing in 3D Modeling field.

Samson Shafran
After Receiving a Degree in Fashion Design form University of Westminster, Samson Shafran worked as a free-lance Fashion Textile Designer with variety of companies based in London, Los-Angeles and Singapore.
Since his return to Israel in 2007, Samson Shafran has been teaching at Shenkar College of Engineering and Design at Textile Design as well as Interior Building and Environment Design departments, at a variety of courses, majority of which concentrate on the implementation of Computer Design Software into the students creative development and workflow.

For the coming issue of Artizein: Arts & Teaching Journal we seek contributions of authors who reflect on the triad of art, education, and the natural environment. In what ways can artistic practice be a way to connect to and learn about nature in its own right? What practices are currently ongoing worldwide and what experiences have been gained so far? Are there pedagogical underpinnings that can be articulated, and perhaps even a developing epistemology? And what would be the relevance of facilitating and further promoting of arts-based environmental education in an age of climate fear? Which challenges come up when participants, through art, are encouraged to open their senses more fully to the world, at a time when psychic numbing and cognitive dissociation seem to be the default mode of many people, faced with the overwhelming news of the scale of the ecological crisis?
Artizein would like to put forth an encouragement for not only papers, but alternative research and dissemination formats such as curriculum, presentations, artworks, interviews, videos, essays, and poetry from artists/teachers/researchers/theorists who use art to share/expose/teach/inquire into the messages from the environment/climate/Nature/ecology via the arts.
Deadline for papers: July 1, 2016
Target publish date: November, 2016
Submit general inquiries to: Jodi at artizeinaatj@gmail.com
Submit editorial inquiries to: Jan van Boeckel at polarstarcentre@yahoo.com
In alignment with the mission of this issue, Artizein is happy to announce our 2016 guest editor to be Dr. Jan van Boeckel.
Dr. Boeckel is a Dutch anthropologist, Professor of Art Education at the Estonian Academy of Arts, visual artist, and filmmaker based in Estonia.

For Art Brussels 2016 the Contemporary Art Museum of Estonia (EKKM), presents a reconstruction and a reinterpretation of Anu Vahtra’s site-specific installation 17,9°. The installation was originally realised for the III Artishok Biennale (curated by Liisa Kaljula, 2012) and rebuilt for the exhibition Feeling Queezy?! (curated by Rebeka Põldsam, 2014) in the EKKM.
It employs the most peculiar space of the museum, which is situated in the former transportation bridge that has a 17,9-degree angle with the ground, therefore holding a strong physical presence by default. However, the work manifests itself when the viewer is confronted with his/her own perception of the space – the significance lies not in learning what’s depicted on the image that hangs in the middle of the room, but in realising that the frame is hanging (seemingly) at an angle. By bringing a section of the above described space as a 1:1 scale model into the art fair context we allow ourselves and the audience to explore the potentialities for further interpretation and to introduce the museum through the representation of its spatial characteristics.
The installation is accompanied by an essay written by the EAA lecturer, architecture historian and critic Ingrid Ruudi in a publication designed by the EAA Graphic Design Associate Professor Indrek Sirkel, published on the occasion of Art Brussels 2016 in collaboration with Lugemik.
A wider event programme coordinated by the Estonian Contemporary Art Development Center (ECADC) will take place in conjunction with Art Brussels and the international audiences have the opportunity to get acquainted with the work of many former Köler Prize nominees and laureates: Flo Kasearu and Visible Solutions LLC (Temnikova & Kasela Gallery at Art Brussels), Marge Monko (Ani Molnár Gallery at Art Brussels and Lugemik at Poppositions alternative art fair), Paul Kuimet (solo exhibition at the center for contemporary photography Contretype).
Anu Vahtra is an emerging young Estonian artist who is renowned for her artistic approach to site-specific space-oriented problematics and for the diligent methods of articulating them. Her installations, which often include the medium of photography, capture the surrounding space into itself, making the site become both the subject and the physical form of the artwork. Furthermore, she is one of the founders of Lugemik Publishing and Bookshop, and is also the winner of Köler Prize 2015 grand prix.
The Contemporary Art Museum of Estonia (EKKM) is a self-established non-profit initiative, that situates itself somewhere between official state-run institutions and artist-run-do-it-yourself venues. It is an unconventional concept of a contemporary art museum that works towards producing, exhibiting, collecting and popularizing local and international contemporary art while altering the prevailing working methods of established art institutions. It is a tool of self-establishment for younger generation artists, curators and art students. EKKM was founded by Anders Härm, Elin Kard, Neeme Külm, and Marco Laimre in late 2006. Since 2016 it is run by Marten Esko and Johannes Säre who joined the team in 2011.
EKKM’s participation at Art Brussels is supported by: Estonian Ministry of Culture, Estonian Contemporary Art Development Center, European Regional Development Fund, Government Office of Estonia, Cultural Endowment of Estonia, Draka Keila Cabels AS, Lugemik
Thank you: Dénes Farkas, Kadri Villand, Mihkel Säre, Raivo Väliste, Raivo Plado
Art Brussels 2016
Tour & Taxis
Avenue du Port 86c, Brussels
www.artbrussels.com
EKKM in booth F5
Preview: 21 April, 11 am – 5 pm
Vernissage: 21 April, 5 pm – 10 pm
Open: 22 April to 24 April, 11 am – 7 pm
info@ekkm.ee
www.ekkm.ee
www.anuvahtra.com