Spatialist Studio “Silicate Ontology I. A Material and Social History 1900-2025” EKA Gallery 11.–27.04.2025

SILICATE ONTOLOGY I. A material and social history 1900-2025
EKA Gallery 11.–27.04.2025
Opening: 11.04.2025 at 6pm
Open Tue–Sat 12–6 pm Sun 12–4 pm, free entry

Silicate embodies the evolution of 20th-century Estonian architecture. Among the few widely available materials during Soviet deficits, silicate played a crucial role in shaping both monumental and everyday architecture – from the heyday of functionalist villas to self-built garages, from standardised apartment buildings to military infrastructure.

Through a kaleidoscopic lens, the exhibition marries perspectives from material science, architectural history, and cultural anthropology to critically examine the contested status of silicate and its potential for future application. Interwoven throughout are the insights of alumni and research conducted by students and scholars of the Estonian Academy of Arts.

In an era of increasing resource constraints, the exhibition invites viewers to consider whether, and how, material contaminated by Soviet association can be reborn anew.

Curated by: Henri Kopra ja Iiris Tähti Toom (Spatialist Studio)
Technical support: Erik Hõim

The exhibition is supported by the Estonian Association of Architects, the Cultural Endowment of Estonia, Tallinn City, Bauroc and Sadolin Estonia.
Opening drinks from Põhjala Brewery.

Maria Lalou & Skafte Aymo-Boot
→ Lecture performance: [UN]FINISHED
→ Screening: Barbaresou Legacy, or The Cursed One, 2024
→ Book presentation: [UN]FINISHED – Atlas of Athens’ Incomplete Buildings – A Story of Hidden Antimonuments (Jam Sam Books, 2023)

The architectural archetype of the unfinished concrete building can be found everywhere in the Athenian cityscape. Those structures, left in the middle of a discontinued building process in a seemingly never-ending pause, are signs of invisible financial and political forces defining the physical appearance of the city. With its character of a ruin of a forgotten purpose the unfinished building is at the same time pointing to the past and to the future, as a frozen moment of time preserved ever since its volume reached that concrete state. The unfinished concrete skeletons of Athens are keepers of stories that are evidence of unseen structures that form the Greek society: family, bureaucracy, and finance. The work of Lalou & Aymo-Boot makes apparent how these ever-present factors continuously influence the everyday of the city and its inhabitants.

The full story of Barbaresou Legacy, or The Cursed One is included as one of the chapters in the book [UN]FINISHED – Atlas of Athens’ Incomplete Buildings – A Story of Hidden Antimonuments by Maria Lalou & Skafte Aymo-Boot, published in 2023 by Jap Sam Books.

Maria Lalou is a Greek conceptual sculptor and experimental filmmaker. Her work focuses on the politics of the viewer in the form of installations, performances, filmic documents and publications. She has presented her work internationally in exhibitions, screenings and lectures and published two monographs: [theatro] (Onomatopee, 2015) and the camera (Dolce Publications, 2019).

Skafte Aymo-Boot is a Danish architect with an independent design and research practice. He has realised a variety of permanent and temporary works in Europe and Asia, many of which are the result of collaborations with artists operating in the overlap between architecture and visual art. He is also a partner at the architectural office OP – Open Platform in Copenhagen.

Since 2012, Lalou & Aymo-Boot have worked together on [UN]FINISHED, their continuous research on the unfinished concrete buildings of Athens. In 2020, they founded cross section archive in Athens, a space for art and architecture, exploring urban phenomena that occur in the intersection of those disciplines and how historical facts, political structures and everyday circumstances have been interfering with, forming, and directing them. They curate an annual thematic program of research and exhibitions, inviting artists, architects and thinkers to collectively investigate and expand the theme at stake, and publish the zine Document.

Contemporary Art and Context is a lecture series hosted by MA Contemporary Art and features talks by artists, curators, and researchers, offering diverse perspectives on contemporary art practices and their societal contexts.

The lecture takes place in English, everyone is welcome to join!

The 2025 spring semester session of the Open Lectures “City as Novel Ecosystem” focuses on landscape architecture, specifically the interaction of the city, people and nature. In connection with the EKA doctoral school conference taking place on April 10, the lecture series will include a lecture by one of the seminar’s keynote speakers on the meaning of research methods.

On April 10 at 6 pm, Dr. Jan van Schaik will give an open lecture “The work is the Knowledge” in the EKA main auditorium.

Jan van Schaik will discuss the productive conflict inherent in reflective practice research – namely that there are both benefits and detriments to halting the flow-state of creating to critically observe that same act of creating. And he will discuss how reflective practice research is bound to a networked community of practice, and how defining and owning this binding is critical to a practitioner making a case for the existence of an original contribution to knowledge in their own work.

Dr Jan van Schaik is an artist and architect based in Melbourne. He is the director of MvS Architects, a researcher and PhD supervisor at RMIT Architecture & Urban Design, founder of +Concepts creative practice presentation and performance series, author of the Lost Tablets artwork series, and the design director of creative sector strategy and advocacy consultancy Future Tense. Making art about architecture, and vice versa, Jan is engaged in the governance and communities of both.

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

Schedule of the Spring 2025 lectures:

March 27. Toposcape: Justyna Dziedziejko & Magdalena Wnęk 

April 3. Ingo Kowarik

April 10. Jan van Schaik

April 24. Taktyk

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

www.avatudloengud.ee

The lecture series is supported by the Cultural Endowment of Estonia.

Lecture by Dr. Jan van Schaik will be held in cooperation with the Estonian Doctoral School for Engineering and Technology. Project “Cooperation between universities to promote doctoral studies” (2021-2027.4.04.24-0003) is co-funded by the European Union.

Ingel Vaikla: You Have Become the Space – Cross-Disciplinary Translation Between ‘the Built’ and ‘the Displayed’

Artist and filmmaker Ingel Vaikla talks about her PhD research in Arts You Have Become the Space – Cross-Disciplinary Translation Between ‘the Built’ and ‘the Displayed’ that investigates modernist architectural environments, their role in fostering strong communities, and the representational strategy which conveys the existential dimension of a place. Drawing from literary translation theory, this research employs cross-disciplinary translation to transfer the formal, sensorial, historical, and conceptual characteristics of built environments into moving image practice. This approach encourages an understanding of space not merely as a subject but as an active metaphor for sociopolitical dynamics, where architecture represents past ideologies and community embodies contemporary values.

Ingel Vaikla (1992, Tallinn) is a visual artist and filmmaker based in Brussels, working primarily with video, 16mm film, and found footage. Her artistic practice explores the representation of architecture through its relationship with communities, seeking a visual language that goes beyond observing architecture as a sculptural form. Instead, she aims to convey the existential, conceptual, and ideological qualities that spaces embody. Ingel is a former resident of the HISK postgraduate program (2018–2019) and WIELS Contemporary Art Centre (2021) and is currently in the end phase of pursuing her PhD at PXL-MAD/UHasselt. Her audiovisual works, including The House Guard, Roosenberg, Double Exposure, Papagalo, What’s the Time?, EUR42 and Moi aussi, je regarde have been screened internationally at film festivals and art institutions such as IDFA in Amsterdam, Kunsthalle Wien, EKKM in Tallinn, Beursschouwburg and Bozar in Brussels, Manifesta 13 in Marseille, Videonale in Bonn, Tramway in Glasgow, the European Media Art Festival in Osnabrück, and the Busan International Video Art Festival, among others.

Contemporary Art and Context is a lecture series hosted by MA Contemporary Art and features talks by artists, curators, and researchers, offering diverse perspectives on contemporary art practices and their societal contexts.

The lecture takes place in English, everyone is welcome to join!

In this public talk, Victoria Donovan will introduce how decolonial thinking has informed her research and projects, as well as her new book Life in Spite of Everything: Tales from the Ukrainian East (2025). Life in Spite of Everything is a cultural portrait of Ukraine’s east before it was devastated by Russia’s full-scale invasion. It is a history on foot through the beautiful Donbas region, a celebration of its past and present, and its people’s tenacity, creativity and independence. Victoria will discuss the book in conversation with the historian and curator Linda Kaljundi (Estonian Academy of Arts). 

Victoria Donovan is a Professor of Ukrainian and East European Studies and the Director of the Centre for Global (Post)socialisms at the University of St Andrews. She works at the intersection of heritage studies, urban history, visual anthropology, and the public humanities. She is the co-producer of academic research, literature, exhibitions, archives, community workshops, and artistic practice exploring the industrial history and heritage of eastern Ukraine and the UK. She is the author of Chronicles in Stone: Preservation, Patriotism, and Identity in Northwest Russia (2019); Limits of Collaboration: Art, Ethics, and Donbas (2022); and Life in Spite of Everything: Tales from the Ukrainian East (2025).

Lecture will be held in cooperation of Institute of Art History and Visual Culture and Estonian Doctoral School for Humanities and Arts Project “Cooperation between universities to promote doctoral studies” (2021-2027.4.04.24-0003) is co-funded by the European Union.

Kadri Liis Rääk, “Morphogenesis” 
Opening: April 4, 2025, at 18:00 
04.04.–20.04.2025
Open Mon–Sun, 12–18
ARS Project Space, Pärnu mnt. 154, Tallinn

Kadri Liis Rääk presents an immersive exhibition at ARS Project Space that explores multisensory encounters between space and the body.

“Morphogenesis” functions as a poetic ecosystem, offering opportunities for embodied interaction. The exhibition reveals metamorphoses of the creative process—transformations of materials that have taken shape through the artist’s sensitive, persistent handiwork. This method is morphogenetic, a process of giving form to ideas, creating and transforming materials, similar to biological processes and life cycles. Combining natural and synthetic matter and merging ancient craft techniques with contemporary practices, the artist creates a timeless space to contemplate relationships between mental, physical, and social realms. How do we perceive ourselves when faced with the boundaries between self and the Other? What beliefs and values shape our relationship with the environment and those around us?

Displayed sketches, drawings, and sculptures visualize the artist’s thought processes and express personal bodily experiences. The exhibition intertwines found materials, soft and rigid sculptures, creative residues, and old works reinterpreted alongside new pieces, layering new meanings. “Morphogenesis” serves as a refuge for sensitive organisms, inspired by spatial experiences from Icelandic and Peruvian landscapes as well as the forests of Hiiumaa.

Kadri Liis Rääk is a multidisciplinary artist and researcher, focusing on creating immersive and tactile environments. Operating simultaneously in the expanded fields of art and design, she investigates how tactile interactions with artworks shift perceptions and foster dialogues extending beyond the visible. She studied scenography (BA) and contemporary art (MA) at the Estonian Academy of Arts and autonomous design (MA) at the Royal Academy of Fine Arts in Ghent (KASK, Belgium). Her works engage with bodily and symbolic narratives, addressing entanglements and dialogues between humans and other life forms. She has participated in exhibitions and residencies in Peru, Czech Republic, Belgium, Denmark, Iceland, and Estonia.

Sound design: Ekke Västrik

Special thanks: Raimond Põldmaa, Marika Agu, Kerli Praks, Siim Toomet, Liina Unt, Kristjan Vahtra 

The exhibition is supported by the Cultural Endowment of Estonia and the Estonian Artists’ Association

On the 3rd of April at 6pm, Hobusepea gallery will open Zody Burke’s solo exhibition “The House of Asterion”. A live performance will take place at 7pm by experimental musician & performance artist Nick Klein (US/DE).

A new series of works shall be introduced to gallery visitors, featuring sculptural high reliefs, illustrations (accompanied by short stories written by the artist), and several 3D floor-based sculptures, many of which contain oblique allegories to the Labyrinth of Greek mythology. These new works endeavor to challenge viewers to reconsider how modernity reimagines spaces of disorientation and entrapment. Through magical-realist reinterpretations of classical mythology, Burke offers varying glimpses of alternate narratives woven through the labyrinth. The sculpture Pasiphaë, Queen of the Rodeo draws thematic references from both the foundational Greek myth that inspired Borges’ story and contemporary Americana, bridging two distinct cultures—an ongoing theme in Burke’s work. The upstairs space, conceived in the clarity of the white cube, serves as a prelude to the darker, more visceral experience below. The exhibition utilises mythological tools to probe broader questions of power, identity, and the spaces we inhabit—whether spatial, digital, cultural, or existential.

Zody Burke (b.1991, Manhattan) is an American multimedia artist and musician who is currently living and working in Tallinn, Estonia. Informed by her perspective as a New Yorker displaced by the city’s economic inaccessibility, Burke creates cyphers through sculpture and other media through which to cartograph the complexity of American identity within late capitalism, exploring how this mutable identity is refracted and transfigured through the mirror of other cultural spatiality. Often utilizing narrative structures, she is interested in interfacing world-building with geological time, and visualizing a diffusion of boundaries between distinct countries & their national mythologies by the omnipresence of what lies beneath. She recently completed her master’s thesis at the Estonian Academy of Art, which attempted to bridge sociopolitical narratives, legacies, and trajectories of industrialization between Estonia & the USA.

Location Hobusepea gallery (Hobusepea 2, Tallinn)

The opening 03.04.2025 kell 18:00

Open for visit Mon, Wed-Sun 11am to 6pm

Curator Liisi Kõuhkna

Graphic design Taylor “Tex” Tehan

Title Typeface Brian Uhl

Technical support Hobusepea gallery, Gregor Sirendi

Support/Grateful to:

Cultural Endowment of Estonia, Paavli Kultuurivabrik, Valge Kuup Studio, Estonian Academy of Arts, Batuudijuss, Pruulikoda Tuletorn, Punch Club, Põhjala Pruulikoda, Kanuti Gildi Saal, Dan Edelstein, Nora Schmelter, Taylor “Tex” Tehan, Gert Gutmann, Lauri Raus, Jordan Reyes, Roberta Staats, Nora King, Harry Figueroa, Lara Brener, Nick Klein, Oscar Ramos, Jane Treima, Diandra Rebase, Michael Anthony Farley, Laura De Jaeger, Kerli Kurikka, Kaspar Kannelmäe, Composite EE, Karjase Sai

The 2025 Spring semester session of the Open Lectures ”City as novel ecosystem” focuses on landscape architecture and, more specifically, urban nature. 

The lecture series is being put together by landscape architects Karin Bachmann, Merle Karro-Kalberg and Anna-Liisa Unt, who have co-founded and edited the landscape architecture magazine ÕU for 7 years and are currently leading the project “Curated Biodiversity”, which experiments with ways to make urban landscaping more diverse as an environment. Therefore, the open lectures in the spring will also turn their attention to the quality of the space between buildings and, using the speakers’ words and creations, show how to make the city more biodiverse and enjoyable and how people and other species that call the city their home can live in symbiosis.

Next week, on April 3rd at 6:00 PM, Ingo Kowarik will give the next open lecture of the spring semester, “Wild Urban Nature: Challenge or Opportunity?”.

Cities have long been wrested from the wilderness, and traditional urban design often contrasts sharply with nature. Yet even highly urbanised areas can become places of wild nature, as seen in an unintended experiment in the shadow of the Berlin Wall. After 1945, many areas lay fallow, and in West Berlin, redevelopment progressed much more slowly than elsewhere. The study of urban revegetation — and its potential for quality of life and biodiversity conservation — made Berlin a cradle of modern urban ecology. The “Berlin School of Urban Ecology” uniquely integrates ecology, planning, and design. This approach, together with community-based activities, has enabled vast areas of urban wilderness to be woven into the city’s green system, despite growing land competition. The fusion of wilderness, design, and management has created distinctive green spaces that connect people with nature while supporting climate adaptation.

Ingo Kowarik studied landscape planning at TU Berlin and led the Department of Ecosystem Science/Plant Ecology for over 20 years. As Berlin’s honorary State Commissioner for Nature Conservation and Land Management, he was also involved in numerous green projects.

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

Schedule of the Spring 2025 lectures:

March 27. Toposcape: Justyna Dziedziejko & Magdalena Wnęk https://toposcape.pl/

April 3. Ingo Kowarik https://www.tu.berlin/en/oekosys/about/team/ingo-kowarik

April 10. Jan van Schaik https://www.janvanschaik.com/

April 24. Taktyk https://taktyk.net/

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

The lecture series is supported by the Cultural Endowment of Estonia.

www.avatudloengud.ee

Aivar Tõnso’s solo exhibition “Light Matter in Dark State”
EKA Gallery 3.–6.04.2025
Open Thu–Fri 2–10 pm Sat 12–10 pm Sun 12–6 pm, free entry
Opening: 3.04.2025 at 6 pm

Aivar Tõnso’s exhibition “Light Matter in Dark State” continues his experiments in the field of sound art that grew out of his musical work. The spatial sound exhibition, created with the Ebakõlar System, which relies on the sound characteristics of various materials, aims to push the boundaries of the listening experience, inviting viewers not only to listen, but also to actively perceive and participate in the sound space. It is possible to move within a sound composition without a definite beginning and end, which can be entered at any moment in time from any freely chosen direction.

Since sound and imagination are the central themes in Tõnso’s work, he also considers the character of sounds important, and as one way to achieve unique sounds, he often uses the constantly evolving Ebakõlar System built on the basis of various physical materials. Unlike commercial speakers designed for listening to music, Ebakõlar System do not try to play the widest possible sound frequency spectrum evenly. Each speaker has its own unique raw and undesigned character resulting from the properties of the material. It is also a process where the material visible to the eye acquires new hidden meanings due to the excitation by sounds.

Photos of the Ebakõlar System can be downloaded here.

Aivar Tõnso is a musician, sound artist and curator of interdisciplinary cultural events. He has been involved in electronic music creation since the early 90s and has participated in projects such as Hüpnosaurus, Kismabande, Kulgurid and Ulmer. Having long ventured into the fringes of club music and experimental electronic music, he has been active in the field of sound art in recent years both as an artist and as the organizer of the Üle Heli festival.

On Saturday, April 5th at 3 pm, artist Aivar Tõnso will give a guided tour at the exhibition in English.

The event is part of the Tallinn Music Week city program. Check out the full program here.

Graphic design by: Jaan Evart
Light design by: Rene Manivald Tamm
Technical support: Erik Hõim
The exhibition is supported by Cultural Endowment of Estonia, Sadolin Estonia, Tallinn City and Tallinn Music Week.
Opening drinks from Põhjala Brewery.

Thanks: Ian Simon Märjama, Maria Aua, Märt Vaidla, Tarvo Porroson, Tiina Tõnso, Timo Toots, Madis Reivik, Raivo Raidvee

Anu Jakobson’s solo exhibition “Finite_Jest.psd”
EKA Billboard Gallery 3.04.–25.05.2025
Open 24/7, free
Opening: 3.04.2025 at 6.30 pm

Anu Jakobson’s paintings explore internet culture by using symbols and images that are widely spread online. Much like ancient civilizations used hieroglyphics and stone carvings for representation to encode power, myth, and collective identity, Jakobson’s work similarly engages with contemporary symbols. The cloudiness achieved with an airbrush emphasizes the virtual, while the painting itself resembles a file of poor quality. By translating these fleeting digital symbols into the physical permanence of a painting, the work reflects a return to classical representation. It suggests that, in the age of excessive information, our need to document and decode reality mirrors the visual storytelling of past civilizations.

Curated by: Kaisa Maasik
The exhibition is supported by Tallinn City.
Opening drinks from Põhjala Brewery.