Exhibitions

The exhibition brings together three different, yet equally sensitive artistic visions. Through the lens of a camera, the photographers Peeter Tooming (1939–1997) and Endel Veliste (1930–2001) and the visual artist Hedi Jaansoo (b 1989) recorded points of intersection between human beings and nature.

Their photographic series exemplify how the camera may amplify the distance from the surrounding environment, lend voices to stones, plants and water, and make the intrinsic interlacing of natural and artificial environments visible.

In the context of current environmental issues, this exhibition creates a poetic dialogue between photographic series by two Soviet-era photographers and a modern-day visual artist. It urges viewers to think about the relationship between nature and people and about the mediating role of technology in that relationship.

“You, River” is the exhibition that reopens the Project Room, which is part of the permanent Soviet Estonian art display. The purpose of Project Room exhibitions is to expand and complement the range of topics and artists included in the permanent exhibition, to contribute to creating trans-temporal and transnational dialogues, and to correlate with the primary research and exhibition projects of Kumu.
Curator Annika Toots on the exhibition:
The title of the exhibition You, River has been borrowed from Peeter Tooming’s photo series devoted to a body of water and its surrounding natural environment. Created in the 1970s, it stands out as being poetic and fragile, and is associated with the environmental topics that entered Estonian art in those days. Endel Veliste’s series View Through the Car Window dates from the same decade. Veliste’s eye follows and captures the surrounding environment through a double barrier: the camera lens and the car window.

The 21st-century visual artist Hedi Jaansoo enters into dialogue with Tooming’s and Veliste’s photos from the second half of the 20th century. She does not set up an opposition between the natural environment and the artificial environment, but rather tries to capture points of intersection between the two realms. Jaansoo’s photos feature carefully composed human-made and natural compositions located in areas where borders are blurred and personal and public environments blend into one.

The display is part of the permanent exhibition “Conflicts and Adaptations: Estonian Art of the Soviet Era (1940–1991) ” on the 4th floor of the Kumu Art Museum.

Team
Curator: Annika Toots
Artists: Hedi Jaansoo, Peeter Tooming and Endel Veliste
Exhibition design: Villu Plink
Graphic design: Tuuli Aule
Coordinator: Anastassia Langinen

You are kindly invited to the opening of Hanna Samoson’s debut exhibition today, 8 December at 6 pm in Tallinn Art Hall’s Lasnamäe Pavilion. 

Magic is sometimes very close to nothing at all is an exhibition about a great flood inside a person caused by a great loss and coming to terms with it, letting go of the previous world order and building a new world from the ruins of the past life. The curator of the exhibition is Siim Preiman.

How to attain a feather-light existence and shed all excess? Hanna Samoson dedicated the past year to pondering this quest. Through her contemplations, a series of patterns emerged from her experiences, aligning like puzzle pieces with the symbols she encountered. Within the confines of the Lasnamäe Pavilion, visitors are invited to traverse a path crafted by videos, stone sculptures, and installations. This journey captivates, involving us in its narrative, yet maintaining an openness that mirrors the artist’s profound realization — that every ending is always the beginning of something new.

Fueled by grief, Samoson unlocks the door to understanding profound human experiences. Curator Siim Preiman emphasizes the impossibility of encapsulating another person’s journey in words, stating, “Hanna Samoson is not a suffering artist, but a curious, empathetic and caring person. After her loss she set her sights on reconciliation, deciding to give up everything superfluous and strive for a state where nothing is redundant, but nothing is lacking, either. On her journey Hanna encounters various people and animals, experiences powerful natural phenomena and other seemingly small but magical coincidences.”

Hanna Samoson (1987) explores the boundaries of art and tries to perceive the unknown. Being in constant motion as an intuitive creator, her work is characterised by quick and spontaneous decisions. She studied photography at the Estonian Academy of Arts and graduated from the FAMU Academy of Performing Arts in Prague in 2021. In the autumn of 2020 she walked the future route of Rail Baltic from Ikla to Tallinn as an endurance art performance, as a result of which the film Trail Baltic: A Trip to the Green (2023) was produced in cooperation with Levila. Among her latest shows are group exhibitions Pine-fulness at Tallinn City Gallery (2021) and Vana-Võromaa Cultural Centre (2022) and Runner Along the Border, Rat Catcher and Bricklayerat the Art Hall Gallery (2022).

The collaboration for the exhibition involved the support of spiritual guide Klara Hobza, along with artists and companions Helena Keskküla and Johanna Ranne, composer Janek Murd, sound designer Martin Kikas and project manager Hanna-Antheia Stern. The exhibition was designed by Kairi Mändla.

The exhibition is accompanied by a versatile audience and educational programme, information about which will be announced on Tallinn Art Hall’s website at https://www.kunstihoone.ee/programm/

The exhibition will remain open until 25 February 2024.

Tallinn Art Hall’s Lasnamäe Pavilion is located next to the Lindakivi Centre at 24 Jaan Koorti Street and is open from Wednesday to Friday from 12 to 18 and Saturday to Sunday from 12 to 19. Free entrance.

On January 25, 2024, the EKA Design Showcase gala will present to the audience the best cooperation projects of EKA students from the last year with companies and public sector organizations.

We are waiting for all current and future cooperation partners of EKA and those interested in future design to take part in the event!

REGISTRATION

Concepts, prototypes and ready-made solutions of innovative products and services created by students of the Faculty of Design of EKA during the last year for companies and organizations such as the Estonian National Library, Estonian Prison Service (Ministry of Justice), Antonius ÕU (Tartu Creative Economy Center), Eesti Energia, Pagulasabi MTÜ, Cignomet OÜ, Liven AS, GraceFit, Swedbank, Xarus Cosmetics OÜ, Integration SA (Ministry of Culture) and PERH will be presented.

The most influential and innovative projects will also receive awards!

These are projects created within the framework of the new business cooperation program LAETUS of the EKA Faculty of Design.

EKA has accumulated a very strong wealth of experience in carrying out cooperation projects over the years, and the LAETUS program, launched in 2022, has further expanded this field of activity. The program brings together EKA’s design field courses and business challenges of companies, offering synergy and fruitful cooperation, resulting in sustainable research and development projects that move all parties forward.

Come to the Design Showcase and get new knowledge and inspiration on how to take your organization’s products or services to the next level with the help of new generation design and open innovation in cooperation with EKA!

THE PROGRAM

15:00 EKA house tour for those interested (pre-registration required)

16:00 Start
Welcome words by moderator Jan Teevet and dean of EKA’s Faculty of Design Ruth-Helene Melioranski.

16:15-17:30 Presentations of cooperation projects

“Service Design Sprint with Real Life Challenges in Tallinn’s Biggest Hospital” – MA students of social design and service design and PERH

“Personal City – Let’s Walk!” – MA students of social design and Integration SA (Ministry of Culture)

“How to Become President?” – MA students of social design and Integration SA (Ministry of Culture)

“What Happens when a Schoolchild gets to the National Library?” – interaction design MA students and the Estonian National Library

“Nuclear Energy Experience in 2035” – MA students of interaction design and Eesti Energia

“Making Estonia a Stepping Stone” – MA students of interaction design and Pagulasabi NGO

Sustainable Natural Cosmetics Brand Concepts “PIXEL” and “æsce” – BA students of design and innovation and Xarus Cosmetics OÜ

17:20-17:45 Coffee break

17:45-18:50 Presentations of cooperation projects

“Giving Agency to Prison Inmates by Establishing Digital Communication in Tallinn Prison” – Design & Technology Futures MA students and Prison Service (Ministry of Justice)

“Empowering your fitness journey on GraceFit” – MA interaction design students and GraceFit

“National Library Service System to Support Adults with Dyslexia” – BA students in digital product design and the Estonian National Library

“Onboarding for Swedbank Based on Design Thinking” – BA students of digital product design and Swedbank

“Modular Storage of Electric Bicycles for Public Space and Apartment Associations” – BA students of industrial design and Cignomet OÜ

“Small forms of the Outdoor area of the New Residential Quarter” – BA students of design and innovation and Liven AS

“Rebranding of Antonius Õu Located in Tartu’s Historic Jaani Quarter” – BA students of design and innovation and Antonius ÕU (Tartu Creative Economy Center)

18:50 Acknowledgments and presentation of awards

19:00 The End

Presentations will be held in Estonian or English, without translation.

It is possible to participate both on site at EKA (room A101) and watch the broadcast http://tv.artun.ee/ .

We look forward to hearing from all current and future cooperation partners of EKA and those interested in future design!

Watch a video reminder of last year’s event: https://www.youtube.com/watch?v=ykpI2Jevyn0

From its abandoned beaches to the smelly yet indispensable water treatment plant, the hill made from trash, the willfully resistant garage town and its shiny new future plans – everything in Paljassaare seems to be exactly that: an ever-changing sequence of elements, a kaleidoscope.

After researching its abundance of topics, places and processes for one semester, first year Urban Studies students from Estonian Academy of Arts will take their turn and reflect on what they have spotted in that kaleidoscope, in a sequence of creative projects presented on site, in Paljassaare.

The detailed route and more information on each stop can be found on Urban Studies facebook page and Instagram soon!

EET/GMT+2 is a reflection on the Israel-Palestine conflict from Estonia.

The artworks featured represent the dual relations of artists and students as both insiders and outsiders to Estonian society and as insiders and outsiders to the Israeli Palestine conflict.

Navigating through the themes of war, identity, migration, local laws and the Estonian media landscape, this exhibition attempts to raise our collective political as well as social awareness.

We open up Vent Space as a space for learning, empathy, and discussion in order to lay the groundwork for building solidarity.

Collaborators:

Augustas Lapinskas
Community in EKA for Palestine
Ditiya Ferdous
Fatima-Ezzahra El Khammas
Karolis Lasys
Kush Badhwar
Lara Brener
Martha Liise Kapsta
Nabeel Imtiaz
Noah Morrison
Rok Ifko
Rose Magee
Ryan Galer
Shubham Aggarwal

On December 4, EKA Urban Studies students will present the zine “The Cheapest Option”.

Urban Studies students Elena Pusčiūtė, Ishrat Shaheen, Jonas Vyšniauskas, Maria Laura Benduzu Ulluo, Kalina Trajanovska and Kush Badhwar in collaboration with EKA GD students Joao Nogueira and Karthik Palepu release The Cheapest Option, a zine emerging from the semester-long studio Production of Urban Space, guided by Helen Runting and Leonard Ma.

The zine explores how ideas of the non-plan, neoliberalism, markets, cybernetics, and neo-liberal subjects shape our experience of space, explored through forms including city postcards, generic characters, local newspapers, and memes. The event takes place in 501, 5th floor. A limited number of copies of the zines will be available for distribution.

The zine launch will be followed by a presentation from Professor Helena Mattsson on her recent book “Architecture and Retrenchment: Neoliberalization of the Swedish Model across Aesthetics and Space, 1968–1994,” which investigates the relation between architecture and the neoliberalization of the Swedish welfare state.“

Schedule:

The department of Interaction Design MA at EKA will contribute to the World Usability Day Estonia (WUD) with a public talk and workshop.

Conference FB event

Nesli Hazal Oktay’s Talk

Tanel Kärp’s Workshop

Conference LinkedIn event

World Usability Day Estonia (WUD) is an annual UX-, web- and interaction design conference, the largest in the Baltics. WUD 2023 topic is Collaboration and Cooperation.

This year’s WUD theme encompasses the essence of effective teamwork and smooth interaction in the realm of User Experience (UX). We aim to shed light on the significance of synergy and collective effort in driving innovation and fostering a cohesive UX community.

The event is in English and this year we will continue with the hybrid format which combines a live event (Kultuurikatel) with an online event.

November 21-23rd – workshop days
November 23rd – pre-event at Tallinn University (Narva mnt 25, Tallinn)
November 24th – conference day – the hybrid format – combines a live event (Kultuurikatel, Põhja puiestee 27a, Tallinn, ESTONIA) with an online event

You can watch the conference till the end of the year 2023!

More information on the event website

#wud2023 #ux #conference

“How to give structure to something that itself is lacking one? How to present something like that? This is a question of visibility and making visible. What are the means for making visible something that always remains invisible? More precisely: the thing that remains invisible in real life, but of which we can get a glimpse in Crystal Grid, is the structure of capitalism. But how to display something like that?”

Neeme Lopp Paul Kuimet’s Analytical Photography
Essay from artist’s book Crystal Grid (Lugemik, 2023)

The exhibition features 25 new works from the Crystal Grid series. The series, commenced in 2020, consists of collages composed of photos taken in palm houses of various botanical gardens around the world. The collages are arranged in sets of two, three or four, juxtaposing plant fragments, which in reality are located hundreds or even thousands of kilometers apart.

For the collages, a pattern is used, derived from the structure of the ceiling of the central transept of the Crystal Palace, erected for the Great Exhibition in London in 1851. For each work, a new pattern is designed within the existing framework, based on the internal composition of each photo – part of the image is cut according to the pattern, and part is left uncut.

Public programme:

23.11, Draakoni Gallery and Kanuti Gildi SAAL

18.00 Guided tour with the artist (in English) and book launch (in Estonian)

Please join us for the launch of Crystal Grid – a new artists’ book by Paul Kuimet – on Thursday, November 23 at 6 pm. The event will begin at Draakoni Gallery with a guided tour by the artist. The tour will be held in English. After the tour the book launch will take place at Kanuti Gildi SAAL. At the launch the artist will be in conversation with the art critic Hanno Soans. Discussion is held in Estonian. During the launch the publication will be sold at a special price of 20 euros. On the evening of the launch Paul Kuimet’s exhibition at Draakoni Gallery will be open until 8 pm.

Paul Kuimet’s new book presents two series by the artist – “Crystal Grid” (2020–2023) and an ensuing series of assemblages “What It Is to Be What You Are Not” (2022).

The works are connected by a set of geometric shapes from a grid that is based on the roof structure of the central transept of the Crystal Palace, erected for the Great Exhibition in London in 1851. While the photographic material of the “Crystal Grid” collages has been photographed in different botanical gardens around the world, the assemblages of the “What It Is to Be What You Are Not” series use images exposed to light-sensitive paper in the darkness of a photo lab together with leaves collected in the Tallinn Botanic Garden. Juxtaposed, the works raise different questions about the notions of place, form and representation in photography.

The book includes an essay by Neeme Lopp and was designed by Indrek Sirkel. The book is published by Lugemik and supported by the Cultural Endowment of Estonia.

Paul Kuimet (1984) is an artist who works with photography, 16 mm film, and installation comprising of these media. Although his work is often described by a technological way of seeing, his practice places emphasis on the movement and presence of the beholder in the exhibition space. Since 2013, his work has been interested in modernist forms. In his latest works he has concentrated not so much on the forms of modernism, but on its materials, such as steel and glass, and their relationship to the development of modern capitalism since the mid-nineteenth century. He received an MA degree from the Estonian Academy of Arts (2014). In 2018, he participated in residency programmes at WIELS Contemporary Art Centre, Brussels, and at the International Studio & Curatorial Program (ISCP) in New York City. Since 2022, Kuimet is the Associate Professor at the Estonian Academy of Arts, Department of Photography.

Draakoni Gallery (Pikk 18, Tallinn)
Open: Mon–Fri 11.00–18.00, Sat 11.00–17.00
Opening 1.11.2023 at 18.00
Free entrance
Limited wheelchair accessibility

Exhibition “Crystal Grid”

You are invited to the opening of the exhibition LET’S GET PHYGITAL and a guest talk, where the organisers Anneleen Swillen, Mala Siamptani and Darja Popolitova will discuss contemporary jewellery practices through the prism of digital technologies.

The exhibition opening and a guest talk is on the 30th of November, 17:00–18:30.

The exhibition is open from 30.11 to 18.12.2023.

If you can’t join IRL, sign up for a Zoom guest talk via this link

Meeting ID: 912 0263 6427
Passcode: 202810
Topic: Let’s Get Phygital vestlusõhtu
Time: Nov 30, 2023 05:00 PM Helsinki 

Exhibition Information:

LET’S GET PHYGITAL is a students’ exhibition celebrating the 3rd edition of a collaborative project between the jewellery departments of the London College of Fashion (LCF), the Estonian Academy of Arts (EKA) and the PXL-MAD School Of Arts.

The exhibition acknowledges how digital experiences advance artistic thinking and practice by creating an IRL space for digital adornment. By using Augmented Reality filters as tools, the students investigated how contemporary adornment can exist in non-physical forms, be wearable and interact with their audience.

Information About Speakers:

• Anneleen Swillen is a postdoctoral researcher and tutor at PXL-MAD School of Arts Hasselt and Hasselt University, located in Belgium. She explores jewellery in a phygital culture through research in the arts, education, curation, and writing. In 2020, she co-founded Artificial Intelligems in collaboration with composer Greg Scheirlinckx. As a fluid and interdisciplinary collective, currently working on the intersection of jewellery, graphic design, music, XR-performance, dance, and data science, they aim to explore more-than-human co-creation.
• Mala Siamptani is a design practitioner with substantial experience in the research, development and delivery of creative projects in Fashion, Design and Art sector. After obtaining two Masters degrees and currently conducting a PhD research, Mala runs her studio in east London specializing in the design and manufacture of products and sculptural objects. Mala has designed and manufactured jewellery and object collections which have been exhibited in Cyprus, Greece, Spain, Italy, Australia, Germany and the UK. Following extensive material research, Mala’s work attempts to connect traditional craft with digital technology. She has recently presented her research projects at the Global fashion Conference (Leon), the Creativity Researchers Conference (UK) and the 1st World Symposium for Fashion, Jewellery and Accessories (Shanghai). Through her design work and research, Mala demonstrates both the use and need for material research and its acknowledgment of experiential knowledge to advance craft thinking and practice.
• Darja Popolitova is a contemporary jewellery artist, curator, lecturer and PhD student at the Estonian Academy of Arts; born in 1989 in Sillamäe and based in Tallinn. An ironical view of nowadays drives her process, which fuels her to blend digital craft and video performances with fiction. She finds jewellery’s haptic and symbolic nature a generous medium that allows her to conceptualise ideas. For her artistic practice, she was honoured with numerous awards and scholarships such as Annual Award of Estonian Cultural Endowment (2020), the EAA Research Publication Award (2020), Adamson-Eric Scholarship (2018) and the Artist Laureate Salary (2022). She took part in the shows at the Smack Mellon Gallery in New York (2022), the Arnhem Museum in the Netherlands (2020) and the Museum of Arts and Design in New York (2019).