Artist Hana Miletić holds a public talk and a workshop at Estonian Academy of Arts

On the 20th of September, artist Hana Miletić will hold a public talk about her practice at Estonian Academy of Arts. The talk takes place on the 20.09 at 18 o’clock at Estonia pst 7, room 440a. The talk is open for everyone.
Miletić comes to Tallinn at the invitation of the photography department of Estonian Academy of Arts. She will hold a workshop with the photography students on artist book making, drawing on the work of Mladen Stilinović, amongst other. For the production of the printed matter, the students are invited to use and appropriate the immediate surroundings of the school.
Hana Miletić was born in Zagreb (1982), she lives and works in Brussels and Zagreb. In her work she explores the residues and upheavals of political changes, whereby she focuses on the formation of subjectivity, on the level of both the individual and the community. She describes her artistic practice as street photography via which she documents objects and narratives in a continuous investigation into DIY cultures. Photography serves as a means of orientation in her ongoing exploration of social realities. She has a multiform practice that includes, among others, sculptures, textiles, performances, workshops, printed matter and writing.

Portrait photo by: Miles Fischler

Press release by:

Laura Kuusk
Associate professor and project manager
Department of Photography
Estonian Academy of Arts
+372 55 584 609
laura.kuusk@artun.ee

On Wednesday (20.09), 7PM, Mihhail gallery will open the exhibition “Sewage observation tower in baroque purple”. What is going to be seen is everyday poetry and exuberance through fragments, stains, removals and half-finished interior decoration. The works are connected by the living environment of Pirita, magical realism and everyday aesthetics, in-progress repairs, wiring from the walls and ceilings hanging out. Quality parquet where there should be a kitchen. This kind of contemporary art is a non-space, it is a homogeneous dimension of a person, and just like at home, art acquires architectural typologies.

What’s under the floor is another floor made of cashew. Later that day I was sitting in the garden drinking energy drinks, looking up stuff. This had been a dinner party, but I fucked it up. Another one. I really hoped for this home to stay gleaming, but now it has stains on it. I see traces of living, some parts of me are sad, buyer’s remorse, I guess. My home is your home. Mundane magic or domesticated aesthetics, however you want to take it. The belief in privacy, carried around everywhere. There’s always something a little extra. We are just visiting.

Artists participating Kadi Adrikorn, Spencer M. A., Vilen Künnapu, Anna Mari Liivrand, Joosep Maripuu, Eva Mustonen, Ann Paljuväli, Tomáš Roček, AW stuff, Anni Kivisto & Kirke Talu, Roman-Sten Tõnissoo.

The exhibition is part of the gallery programme of Tallinn Photomonth ’17 contemporary art biennial.
Graphic design: Tarmo Kübard
Installation views: Roman-Sten Tõnissoo
Coordinators: Madli Ehasalu, Sven Parker
Thank you Rand ja Tuulberg, Ober-Haus Kinnisvara, Merilin Paart, Hannus Luure, Eda Tuulberg, Lauri Tuulberg, Salto Architects

When: 20.09.2017 kell 19:00
Open: 21. Sept – 24. Sept from 3 pm to 8 pm and
28. Sept – 1. Oct from 3 pm to 8 pm
Where: Kosemetsa 11 Tallinn, http://www.vallikraavi.ee/projects/kosemetsa-91113/
Bus number 5, stop at Haljas tee
Contact: +372 5621 8422

resAs part of the Tallinn Photomonth programme, London-based Estonian artist Maria
Kapajeva returns to Narva Art Residency with a solo exhibition studying the social
legacy of Krenholm. For 150 years, Krenholm – the textile manufacture that was
declared bankrupt in 2010 – was the most important enterprise in Narva, shaping the
social and cultural as well as architectural atmosphere of the city. The exhibition
focuses on the mill in the late socialist period, when its workshops employed a
collective of 12,000 mainly female workers.
Inspiration for the exhibition was drawn from interviews conducted with former
workers of the mill and from the digitised family albums, diaries, and memorabilia
gathered by the artist during these interviews. By placing this material into the context
of a multimedia contemporary art exhibition, Kapajeva makes the history of the local
working class visible and enhances it with all of the artistic means at her disposal. The
viewer is presented a mill that is filled with lively female collectives and the deafening
rhythm of the looms, but which still seems like a bright and distant dream in today’s
competitive world, where the collective spirit and sense of togetherness between
women is challenged by the individualist and competition-based aims of global
capitalism.
Maria Kapajeva is a London-based Estonian artist who was born in Narva and has
exhibited her work internationally for the last 10 years. As the daughter of a designer
at Krenholm, she spent her childhood at the mill, drawing fabric patterns and
dreaming about the profession of a textile artist. The current exhibition thus takes a
distinctly personal approach, although the main topics of Kapajeva’s art are also
present: appropriation of found objects and highlighting of peripheral histories, use of
textile techniques and focusing on the representation of women, heightened sensitivity
towards social and political matters, and specifically East European feminism.
The exhibition takes its name from March of Enthusiasts, the signature song from the
soundtrack of the Soviet film The Bright Way (1940). This musical film, which starred
the Soviet cinema icon Ljubov Orlova in the role of a female weaver, inspired one of
the Krenholm’s weavers to seek employment at the mill after World War II. The
opening work of the exhibition, which bears the same name and performs reenactments
of the famous film, compares a woman’s loneliness then and now and
presents to the public for the first time the collaboration of Maria Kapajeva and dance
artist Maarja Tõnisson in the abandoned interior spaces of the former textile mill.
The exhibition is curated by Tallinn-based Liisa Kaljula, whose interests include
socialist-era art and post-socialist contemporary art dealing with the recent history of
its own region.
The exhibition is accompanied by a diverse trilingual public programme, including
Maria Kapajeva’s master class, artist talks, and curator’s tour, as well as an
educational programme for the schools of Narva and a lecture by Reverse Resources
on contemporary global textile production.
The opening of the exhibition will take place 8 September at 6 pm on the ground floor
of the Narva Art Residency at Joala 18.
On 8 September a special coach will be organized from Tallinn to Narva for the
opening of the exhibition. The coach leaves at 2 pm from the Russian Cultural Centre
at Mere pst 5. For further information and registration: koordinaator@fotokuu.ee.
The exhibition is sponsored by the Cultural Endowment of Estonia, Estonian Academy
of Arts, and Narva Gate OÜ. The entire public programme is supported by The British
Council in Estonia.
Maria Kapajeva’s solo exhibition, The Dream is Wonderful, Yet Unclear, will be open at
the Narva Art Residency until 8 October 2017 (T–S 12–6 pm).
Further information:
Liisa Kaljula
Exhibition curator
5162688
Maria Kapajeva
www.mariakapajeva.com
Tallinn Photomonth
www.fotokuu.ee

As part of the Tallinn Photomonth programme, London-based Estonian artist Maria
Kapajeva returns to Narva Art Residency with a solo exhibition studying the social
legacy of Krenholm. For 150 years, Krenholm – the textile manufacture that was
declared bankrupt in 2010 – was the most important enterprise in Narva, shaping the
social and cultural as well as architectural atmosphere of the city. The exhibition
focuses on the mill in the late socialist period, when its workshops employed a
collective of 12,000 mainly female workers.
Inspiration for the exhibition was drawn from interviews conducted with former
workers of the mill and from the digitised family albums, diaries, and memorabilia
gathered by the artist during these interviews. By placing this material into the context
of a multimedia contemporary art exhibition, Kapajeva makes the history of the local
working class visible and enhances it with all of the artistic means at her disposal. The
viewer is presented a mill that is filled with lively female collectives and the deafening
rhythm of the looms, but which still seems like a bright and distant dream in today’s
competitive world, where the collective spirit and sense of togetherness between
women is challenged by the individualist and competition-based aims of global
capitalism.
Maria Kapajeva is a London-based Estonian artist who was born in Narva and has
exhibited her work internationally for the last 10 years. As the daughter of a designer
at Krenholm, she spent her childhood at the mill, drawing fabric patterns and
dreaming about the profession of a textile artist. The current exhibition thus takes a
distinctly personal approach, although the main topics of Kapajeva’s art are also
present: appropriation of found objects and highlighting of peripheral histories, use of
textile techniques and focusing on the representation of women, heightened sensitivity
towards social and political matters, and specifically East European feminism.
The exhibition takes its name from March of Enthusiasts, the signature song from the
soundtrack of the Soviet film The Bright Way (1940). This musical film, which starred
the Soviet cinema icon Ljubov Orlova in the role of a female weaver, inspired one of
the Krenholm’s weavers to seek employment at the mill after World War II. The
opening work of the exhibition, which bears the same name and performs reenactments
of the famous film, compares a woman’s loneliness then and now and
presents to the public for the first time the collaboration of Maria Kapajeva and dance
artist Maarja Tõnisson in the abandoned interior spaces of the former textile mill.
The exhibition is curated by Tallinn-based Liisa Kaljula, whose interests include
socialist-era art and post-socialist contemporary art dealing with the recent history of
its own region.
The exhibition is accompanied by a diverse trilingual public programme, including
Maria Kapajeva’s master class, artist talks, and curator’s tour, as well as an
educational programme for the schools of Narva and a lecture by Reverse Resources
on contemporary global textile production.
The opening of the exhibition will take place 8 September at 6 pm on the ground floor
of the Narva Art Residency at Joala 18.
On 8 September a special coach will be organized from Tallinn to Narva for the
opening of the exhibition. The coach leaves at 2 pm from the Russian Cultural Centre
at Mere pst 5. For further information and registration: koordinaator@fotokuu.ee.
The exhibition is sponsored by the Cultural Endowment of Estonia, Estonian Academy
of Arts, and Narva Gate OÜ. The entire public programme is supported by The British
Council in Estonia.
Maria Kapajeva’s solo exhibition, The Dream is Wonderful, Yet Unclear, will be open at
the Narva Art Residency until 8 October 2017 (T–S 12–6 pm).
Further information:
Liisa Kaljula
Exhibition curator
5162688
Maria Kapajeva
www.mariakapajeva.com
Tallinn Photomonth
www.fotokuu.ee

FROM 25TH THROUGH 27TH OF SEPTEMBER A MASTERCLASS AND OPEN LECTURE WILL BE HELD BY DONATELLA BARBIERI, A COSTUME DESIGNER AND RESEARCHER FROM LONDON COLLEGE OF FASHION/ VICTORIA&ALBERT MUSEUM.
BARBIERI’S WORK FOCUSES ON THE EMBODIED EXPERIENCE CREATED THROUGH COSTUME IN PERFORMANCE.

25.09 – 01.10 Exhibition: https://www.facebook.com/events/853305954845876/

29.09 15.00 Talk: https://www.facebook.com/events/123706798363506/

The ways that materials and garments are created, are in a constant change. There are continuous dialogues between the appearance and functionality of the clothing. Sustainable design examples emerge as alternatives next to the mass production, and technology integrates into garment production means in different levels. Exploring alternative futures for textile and garment production, the exhibition presents examples from diverse interpretations of connecting textiles with technology. Textile Futures talk offers the opportunity to meet with the designers, artists and technologists behind the exhibition work to understand more their vision for the textile futures.

Anja Hertenberger (Holland) explores how technology can help us connect to our bodies and maximize our senses. Tara St James (USA) introduces sustainability in fashion. Oscar Tomico (Holland/Spain) offers insights into bringing technology close to the body. Kristi Kuusk (Estonia) wonders about the exhibition “Textile Futures” and talks to the Fashion & Textile MA students of Estonian Academy of Arts about their work at the exhibition.
Q&A with designers.

Event is free of charge, but please register:

RSVP kristi@spell.ee

More info: http://www.disainioo.ee/2017-program/textile-futures-talks

You are welcome to croquis drawing class of Faculty of Design on Fridays at 15.00-17.15
Room number 245, Estonia pst 7

You are welcome to croquis drawing class of Faculty of Design on Fridays at 15.00-17.15
Room number 245, Estonia pst 7

by Samson Shafran (Shenkar College of Engineering, Design and Art)

Mo 4th of September 2017. Estonia pst. 7 room 426 at 2.15 p.m.

An overview of 3D Modelling and Printing technologies and their impact on the industry both in terms of design process and creative development.

– 3D printing technologies, their use and implementation.
– Use of 3D modelling software as creative development tool.
– Use of 3D printing in a variety of design segments from industrial design to textiles.
– Recent developments and inventions in 3D printing technology.

– Work of prominent 3D artists who use 3D modelling and 3D printing technologies in their work.

You are very welcome to attend the open presentation of the results of the Tallinn Summer Academy – Numbers and Cognition in Urban Environment workshop results on August 25 at 2 pm. The presentation will take place at the Faculty of Architecture, Pikk 20, Tallinn on 3rd floor, main lecture room.

International students from top architecture schools worked on data collection in the urban environment and formed visualisations of the results. Come and see for yourself!