“Root Tooters “

On May 27 from 15:00 to 19:00, an abstract-form-melodic* expedition will take place in the garden of Ööbiku 19, where life forms, perspectives, and fields converge.

*abstract, formal and melodic

In the garden, things clink and clatter, everyone has their own dance and whistle.

Each with their own character and their own sense of humor.

Some seek shelter from the outside, some seek vastness within the wrap.

Where does the neighbor fly, where does the cable run?

Who owns the field of view

and what crackles in the background?

Root Tooters Ensemble: Ats-Anton-Varustin, Eva Maria Põldmäe, Mia-Stella Aaslaid, Nikola Šmeralová

((It can also be added that:)This is an exhibition by students of the sculpture department, supervised by Laura Põld. If you have any questions, please read the event’s Facebook page, which can be found in the bio of @eka.installation.sculpture or contact us on Instagram.)

Oona Libens
29.05 17.00 B-305

NAUSEA – performance and lecture

Oona Libens is a swedish-belgian visual and performance artist. Her work revolves around the history of the (moving) image and media-archeology. Using simple components such as light, shadows, and analog projections, she illustrates scientific subjects, providing a tactile screen experience with shadows and refractions that animate the entire space.  Her performances become a mixture of object theatre and film. The audience gets to see how the images are being created and manipulated live.

Zwaantje Kurpershoek & Indrė Liškauskaitė
“Pastel Paws and Resting Rafts”
EKA Gallery 24.05.–17.06.2025

Guided tour: 23.05.2025 at 5 pm
Opening: 23.05.2025 at 6 pm
Open Tue–Sat 12–6 pm Sun 12–4 pm, free entry
NB! EKA Gallery is closed during Pentecost on June 8!

The exhibition “Pastel Paws and Resting Rafts” is the first joint exhibition by Dutch artist Zwaantje Kurpershoek and Lithuanian artist Indrė Liškauskaitė. Both artists have spatial practice: the work of Zwaantje Kurpershoek comes from an interaction between physical materials and fictional stories resulting in mainly paintings and installations, Indrė Liškauskaitė creates drawings that she weaves with everyday found objects and that occupy the exhibition space in unconventional ways.

The selected works offer a glimpse into the personal relationships the artists have with their four-legged companions. Zwaantje Kurpershoek observes and depicts in her painting series the differences and points of contact between two living beings sharing a living space. How, in passing moments, she becomes close with her cat Nami, then distant once again. Her second work is an installation of pastel colored sculptures — part toy, part survival tool — that guides the viewer through a landscape evoking a mythical, ambiguous feeling of childhood. Indrė Liškauskaitė, who researches dog-human play and train dog agility sport with her non-human companions Delta and Delfina, suspends her four-legged collaborators’ toys and leashes within the exhibition space, also making her drawings go through obstacle course-like physical objects.

Artists: Zwaantje Kurpershoek & Indrė Liškauskaitė
Curator: Kaisa Maasik
Graphic design: Fatima-Ezzahra Khammas
Technical support: Karmo Migur

Exhibition is supported by the Cultural Endowment of Estonia, Erasmus+ Mobility Programme and Sadolin Estonia.
Opening drinks from Põhjala Brewery.

Visit Peru, Sicily, Słubice and more on May 26: Urban studies thesis presentations and defence

Urban Studies students will present and defend their thesis projects on May 26, 10–18 (A501).

This year’s projects explore a real kaleidoscope of places and themes: urban creativity and cooptation in Ljubljana; post-disaster reconstruction in Hatay, Turkey; urban river regulation in Vienna; anti-gentrification movements in Lisbon; an informal market at the Polish-German border; fishermen and urban NGOs vying to shape a Peruvian coastal community; and a housing speculation scheme in Sicily.

Come join us on this journey and support the students—the final review is open to the public.

Follow our channels for further details.

The 2025 graduation ceremonies will be held on Thursday, June 19th in the EKA Assembly Hall (room A101, Põhja puiestee 7).

• At 11:00 AM, the ceremony will begin for graduates of the Faculty of Design and the Faculty of Art Culture, as well as for doctoral school graduates
• At 3:00 PM, the ceremony will begin for graduates of the Faculty of Architecture and the Faculty of Fine Arts, as well as for doctoral school graduates

Dear graduates, please arrive 15 minutes early to the EKA Gallery, where you will be seated in designated seats. Guests can sit in the Assembly Hall, watch the ceremony on screens in the foyer, or follow it online via EKA TV.

More info:
Elisabeth Kuusik
elisabeth.kuusik@artun.ee

On Wednesday, May 21st at 18:00 in the EKA Auditorium,

a world-renowned architect Mark Cavagnero will share his thoughts and experiences in a lecture titled:
“The Architectural Approach and the Use of Light in Civic Architecture”

Mark Cavagnero is an acclaimed American architect whose work has been strongly influenced by Scandinavian architecture. Cavagnero is also working on the design of the new U.S. Embassy building in Tallinn.

In his lecture, Cavagnero will discuss how light, materials, and architectural approach create meaning in public spaces.

The lecture will be in English.

For more information about the speaker: cavagnero.com

Kata-stroofe / Catastrophes is the group exhibition of the second year painting students of the Estonian Academy of Arts, opening Thursday, 22nd of May in ARS Project Space (Pärnu mnt. 154, Tallinn).

The participating artists are Aleksander Kiigemägi, Alec Hales, Kirke Kits, Marit Loitmets, Liisa Nurklik, Veronika Pavliuk, Elery Sallert, Polina Solovjova.

This exhibition brings together the works of eight different young painters who are connected by a shared studio space, common studies and the era into which they have been born. In addition, the works on display are connected by their format, the starting point of these paintings was a large blank canvas, mostly measuring around 2 x 3 metres in size. Such a surface challenges a painter in various ways, expecting sufficient planning and an ability to keep a freshness throughout the whole process.

Painting big is like running a marathon, with the performer needing to keep the spark until the end, knowing and preparing in advance for the idea and resources to last for a longer time and a wider brushstroke.

The resulting artworks variate between figuration and abstraction, predominantly being poetic and introspective. The artists themselves comment on the following:

Here on the walls we have verses made of frames, canvas, paint and something else in between. We have reached for what appeals to us, haunts, nourishes, questions without giving an answer. What ought to be the answer, instead turns out to be a pair of opposites divided by a slash. Control/trust, something/nothing, serious/absurd, emptiness and fulfillment, individuality and hiding oneself.

The exhibition remains open until the 15th of June, Wed-Sat 12-18, Sun 12-16.

The students were supervised by Sirja-Liisa Eelma, Alice Kask and Holger Loodus.

Graphic design by Pärtel Eelmere, photography by Mikk Keis.

The exhibition is supported by the painting department of the Estonian Academy of Arts, Rott/Rat, Estonian Academy of Arts, Estonian Artists’ Association, ARS Art Factory, Põhjala Brewing AS, Kulinaaria OÜ, Punch Club OÜ.

The exhibition is held by the painting department of the Estonian Academy of Arts and is a part of the Estonian Academy of Arts Grad Show TASE’25 satellite programme.

Contact: sirja-liisa.eelma@artun.ee, holger.loodus@artun.ee

Catastrophes

Hello, dear person – you are so welcome in our space. Here on the walls we have verses made of frames, canvas, paint and something else in between. We have reached for what appeals to us, haunts, nourishes, questions without giving an answer. What ought to be the answer, instead turns out to be a pair of opposites divided by a slash. Control/trust, something/nothing, serious/absurd, emptiness and fulfillment, individuality and hiding oneself.

Should we consider this lack of one certain answer a catastrophe of multitudes? See the absence of one final and definitive confirmation as a failure of the question itself? If we truly believed in that, we would have covered up our stanzas and left this room.

The exhibition’s title comes from a poem of the same name by Artur Alliksaar. In this poem, the following line can be found: “Why won’t you believe in the doors you have not unlocked? Why?!” Thank you, our guest, for taking the step towards our door. We’ll now lead you to more than one window.

Public screening of the short films by the 2nd year students of the department of photography at the Estonian Academy of Arts will take place at 10:00AM on Monday, May 26th in Cinema Sõprus (Vana-Posti Street 8, Tallinn).

Films were made during the Art Project 3 course, supervised by Paul Kuimet, Lauri Laasik, Mattias Veermets and Jevgeni Berezovski.

The screening is free and everyone is welcome!

More info: Paul Kuimet, paul.kuimet@artun.ee

20.05–21.05

 EKA Artists Reclaim Forgotten Military Ruins in Astangu, Tallinn 

Co(h)e(r)cion is a site-specific group exhibition by Contemporary Art MA (MACA) students of the Estonian Academy of Arts, held in the historic ruins of the ammunition tunnels in Astangu, Tallinn. Once part of a Tsarist-era military complex and later a highly protected Soviet ammunition site, this area is now largely forgotten and abandoned.

Four international contemporary artists :
Fausta Norekaite (LT), Denis Lebedev (DE), Giulio Cusinato (IT), and Kroplya (BY) – mediate the layered histories of this unique landscape through sound, language, ecology, image, and interactive elements.

The title Co(h)e(r)cion is a wordplay, reflecting the site’s ambiguous nature and the emotions it evokes –  blending cohesion, coercion, and erosion.
The mysterious ambience of Astangu inspired the artists to explore concepts that extend beyond human consciousness.

Co(h)e(r)cion invites you to experience these artistic incarnations of loss, presence, absence, and natural forces firsthand.

This exhibition also raises awareness about the role of ruins in post-humanist art ethics — exploring the potential for artistic intervention in more cohesive, integrated, and thoughtful ways.

From May 20 to 21, Co(h)e(r)cion dares visitors to immerse themselves in the secret realm of the unspeakable and the unseen.

Curated by Anastassia Janovskaja

Location
The exhibition takes place in Astangu forest, Haabersti, Tallinn.
Coordinates: 59°23’50.6″N 24°37’35.0″E

You can find the exact location by scanning the QR code provided or clicking the link below:
 https://maps.app.goo.gl/UiC3KA5CYYYknW3u5 .

The map is also available on our flyer for your convenience.

On May 22nd at 6:00 PM, filmmaker Nathaniel Kahn will present the film “My Architect” at the Estonian Academy of Arts about his father, the world-famous Estonian born architect Louis Kahn, and his work.

There will also be a conversation with Nathaniel on site and an opportunity to ask questions.

Trailer and information:

https://www.imdb.com/title/tt0373175/

“Astonishingly, this personal saga blossoms into a “Citizen Kane”-like meditation on whether anyone is truly knowable – but the showpiece is Kahn the younger’s spellbinding photography, which shows off his dad’s buildings’ epic grandeur as well as their spiritual intimacy.”

– Robert Kolker, New York Magazine
“One of the best films of this, or any, year.”
–Leonard Maltin, Hot Ticket
“For gripping drama and suspense, there are few fictional movies that can hold a candle to Mr. Kahn’s odyssey through time and space.”
–Andrew Sarris, The Observer

Louis I. Kahn, who died in 1974, was one of the greatest architects of the twentieth century, creating a handful of buildings that, in the words of the L.A. Times, “change your life.” But he left behind an illegitimate son, Nathaniel, and a personal life of secrets and broken promises. “My Architect” takes us on a heartbreaking yet humorous journey as Nathaniel attempts to reconnect with his deceased father. The riveting narrative takes us from the men’s room in Penn Station, where Kahn died bankrupt and alone, to the bustling streets of Bangladesh and the inner sanctums of Jerusalem politics, as well as through unforgettable encounters with the world’s most celebrated architects. In a documentary with all the emotional impact of a dramatic feature film, Nathaniel’s journey becomes a universal investigation of identity—and a celebration of art and, ultimately, life itself.