Open Lectures

The 2025 spring semester session of the Open Lectures “City as Novel Ecosystem” focuses on landscape architecture, specifically the interaction of the city, people and nature. In connection with the EKA doctoral school conference taking place on April 10, the lecture series will include a lecture by one of the seminar’s keynote speakers on the meaning of research methods.

On April 10 at 6 pm, Dr. Jan van Schaik will give an open lecture “The work is the Knowledge” in the EKA main auditorium.

Jan van Schaik will discuss the productive conflict inherent in reflective practice research – namely that there are both benefits and detriments to halting the flow-state of creating to critically observe that same act of creating. And he will discuss how reflective practice research is bound to a networked community of practice, and how defining and owning this binding is critical to a practitioner making a case for the existence of an original contribution to knowledge in their own work.

Dr Jan van Schaik is an artist and architect based in Melbourne. He is the director of MvS Architects, a researcher and PhD supervisor at RMIT Architecture & Urban Design, founder of +Concepts creative practice presentation and performance series, author of the Lost Tablets artwork series, and the design director of creative sector strategy and advocacy consultancy Future Tense. Making art about architecture, and vice versa, Jan is engaged in the governance and communities of both.

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

Schedule of the Spring 2025 lectures:

March 27. Toposcape: Justyna Dziedziejko & Magdalena Wnęk 

April 3. Ingo Kowarik

April 10. Jan van Schaik

April 24. Taktyk

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

www.avatudloengud.ee

The lecture series is supported by the Cultural Endowment of Estonia.

Lecture by Dr. Jan van Schaik will be held in cooperation with the Estonian Doctoral School for Engineering and Technology. Project “Cooperation between universities to promote doctoral studies” (2021-2027.4.04.24-0003) is co-funded by the European Union.

Ingel Vaikla: You Have Become the Space – Cross-Disciplinary Translation Between ‘the Built’ and ‘the Displayed’

Artist and filmmaker Ingel Vaikla talks about her PhD research in Arts You Have Become the Space – Cross-Disciplinary Translation Between ‘the Built’ and ‘the Displayed’ that investigates modernist architectural environments, their role in fostering strong communities, and the representational strategy which conveys the existential dimension of a place. Drawing from literary translation theory, this research employs cross-disciplinary translation to transfer the formal, sensorial, historical, and conceptual characteristics of built environments into moving image practice. This approach encourages an understanding of space not merely as a subject but as an active metaphor for sociopolitical dynamics, where architecture represents past ideologies and community embodies contemporary values.

Ingel Vaikla (1992, Tallinn) is a visual artist and filmmaker based in Brussels, working primarily with video, 16mm film, and found footage. Her artistic practice explores the representation of architecture through its relationship with communities, seeking a visual language that goes beyond observing architecture as a sculptural form. Instead, she aims to convey the existential, conceptual, and ideological qualities that spaces embody. Ingel is a former resident of the HISK postgraduate program (2018–2019) and WIELS Contemporary Art Centre (2021) and is currently in the end phase of pursuing her PhD at PXL-MAD/UHasselt. Her audiovisual works, including The House Guard, Roosenberg, Double Exposure, Papagalo, What’s the Time?, EUR42 and Moi aussi, je regarde have been screened internationally at film festivals and art institutions such as IDFA in Amsterdam, Kunsthalle Wien, EKKM in Tallinn, Beursschouwburg and Bozar in Brussels, Manifesta 13 in Marseille, Videonale in Bonn, Tramway in Glasgow, the European Media Art Festival in Osnabrück, and the Busan International Video Art Festival, among others.

Contemporary Art and Context is a lecture series hosted by MA Contemporary Art and features talks by artists, curators, and researchers, offering diverse perspectives on contemporary art practices and their societal contexts.

The lecture takes place in English, everyone is welcome to join!

In this public talk, Victoria Donovan will introduce how decolonial thinking has informed her research and projects, as well as her new book Life in Spite of Everything: Tales from the Ukrainian East (2025). Life in Spite of Everything is a cultural portrait of Ukraine’s east before it was devastated by Russia’s full-scale invasion. It is a history on foot through the beautiful Donbas region, a celebration of its past and present, and its people’s tenacity, creativity and independence. Victoria will discuss the book in conversation with the historian and curator Linda Kaljundi (Estonian Academy of Arts). 

Victoria Donovan is a Professor of Ukrainian and East European Studies and the Director of the Centre for Global (Post)socialisms at the University of St Andrews. She works at the intersection of heritage studies, urban history, visual anthropology, and the public humanities. She is the co-producer of academic research, literature, exhibitions, archives, community workshops, and artistic practice exploring the industrial history and heritage of eastern Ukraine and the UK. She is the author of Chronicles in Stone: Preservation, Patriotism, and Identity in Northwest Russia (2019); Limits of Collaboration: Art, Ethics, and Donbas (2022); and Life in Spite of Everything: Tales from the Ukrainian East (2025).

Lecture will be held in cooperation of Institute of Art History and Visual Culture and Estonian Doctoral School for Humanities and Arts Project “Cooperation between universities to promote doctoral studies” (2021-2027.4.04.24-0003) is co-funded by the European Union.

The 2025 Spring semester session of the Open Lectures ”City as novel ecosystem” focuses on landscape architecture and, more specifically, urban nature. 

The lecture series is being put together by landscape architects Karin Bachmann, Merle Karro-Kalberg and Anna-Liisa Unt, who have co-founded and edited the landscape architecture magazine ÕU for 7 years and are currently leading the project “Curated Biodiversity”, which experiments with ways to make urban landscaping more diverse as an environment. Therefore, the open lectures in the spring will also turn their attention to the quality of the space between buildings and, using the speakers’ words and creations, show how to make the city more biodiverse and enjoyable and how people and other species that call the city their home can live in symbiosis.

Next week, on April 3rd at 6:00 PM, Ingo Kowarik will give the next open lecture of the spring semester, “Wild Urban Nature: Challenge or Opportunity?”.

Cities have long been wrested from the wilderness, and traditional urban design often contrasts sharply with nature. Yet even highly urbanised areas can become places of wild nature, as seen in an unintended experiment in the shadow of the Berlin Wall. After 1945, many areas lay fallow, and in West Berlin, redevelopment progressed much more slowly than elsewhere. The study of urban revegetation — and its potential for quality of life and biodiversity conservation — made Berlin a cradle of modern urban ecology. The “Berlin School of Urban Ecology” uniquely integrates ecology, planning, and design. This approach, together with community-based activities, has enabled vast areas of urban wilderness to be woven into the city’s green system, despite growing land competition. The fusion of wilderness, design, and management has created distinctive green spaces that connect people with nature while supporting climate adaptation.

Ingo Kowarik studied landscape planning at TU Berlin and led the Department of Ecosystem Science/Plant Ecology for over 20 years. As Berlin’s honorary State Commissioner for Nature Conservation and Land Management, he was also involved in numerous green projects.

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

Schedule of the Spring 2025 lectures:

March 27. Toposcape: Justyna Dziedziejko & Magdalena Wnęk https://toposcape.pl/

April 3. Ingo Kowarik https://www.tu.berlin/en/oekosys/about/team/ingo-kowarik

April 10. Jan van Schaik https://www.janvanschaik.com/

April 24. Taktyk https://taktyk.net/

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

The lecture series is supported by the Cultural Endowment of Estonia.

www.avatudloengud.ee

On March 27 at 4:30 p.m in room A501

Formed by Judit Eszter Kárpáti and Esteban de la Torre,  EJTECH [ˈeɪtɛk’] is an polydisciplinary artist duo working with hyperphysical interfaces, programmable matter, and augmented textiles as media to investigate sensorial and conceptual relationships between subject and object, aiming to rediscover networks of emerging structures and immanent causality within realist metamaterialism. 

Sound, space, light and time as material building blocks are paramount elements in their practice, analyzing the process of unfolding patterns between technology and the human body. Driven by material research, resulting in performative installations, multichannel sonic sculptures and dynamic surfaces. Influenced by the philosophy of New Materialism, Holonic Theory and Somaesthetics, EJTECH aims to provide tools for exploring liminality, thirdspace, and the elusive state of now.

Their work has been presented in galleries, festivals and exhibitions such as Japan Media Arts Festival, European Media Arts Festival, Sensorium Festival, Smithsonian’s Hirshhorn Museum, Design Museum Holon, Ludwig Museum, Budapest Kunsthalle, LRRH Gallery, Collegium Hungaricum Berlin, Trafo House of Contemporary Arts, HayArt Center in Yerevan, Eastopics Gallery, Horizont Gallery, LOM Art Space, iii Instrument Inventors Initiative, Rewire among others.

EJTECH has created commissioned art pieces for cultural institutions and commercial brands such as DIOR, Blade Runner 2049, Dune: part two, Material ConneXion.

They regularly hold workshops and lectures on new media art and creative technology internationally. Founded the Soft Interfaces Lab in 2020 for further research in soft technology and material ecologies at MOME.

The artist duo currently works and lives in Budapest, Hungary.

Textile 110 is a series of events celebrating the 110th anniversary of EKA’s textile design education, as part of which a series of open lectures focusing on textiles will be held, a series of publications will be published, and a selection of works from the EKA Museum’s textile collection can be seen throughout the year.

The lecture series opens up the spectrum of diverse opportunities in the field of textiles, both in design, industry, and creative practices, bringing out different roles and methods of creation in the field through various invited guests.

Supported by the Research Fund of EKA and the Cultural Endowment of Estonia

Artist talk by Tris Vonna-Michell at 17:30 on March 4th in EKA, A-501

The artist is visiting EKA to run a workshop in the department of photography on March 24-26, 2025 together with Henrik Follesø Egeland.

Tris Vonna-Michell (1982) is an artist, publisher and guest professor in Expanded Performance and Installation at the Royal College of Art in Stockholm.

Recent works can be found in public collections such as Serralves Museum, Porto, Moderna Museet, Stockholm, San Francisco Museum of Modern Art (MoMA), Tate Modern, London, and Hamburger Kunsthalle, Hamburg.

Vonna-Michell has exhibited widely, most recently at the Badischer Kunstverein in Karlsruhe.

Vonna-Michell’s work utilises a plethora of technical devices, modes of presentation and installational approaches, encompassing performance, audio recordings, slide projections, poetry, sound poetry, printed matter, photography and film. Since 2010 he has been co-running the publishing space and analogue studio Mount Analogue.

https://www.vonna-michell.com

On Tuesday, March 18th, we’re reading a series of writings by the EKA Craft Studies MA programme students.
All texts were composed through research, writing and editing supervised by Lieven Lahaye and Else Lagerspetz. The event takes place at the Craft Studies Krulli studio (Kopli 70a, II floor), from 18:00-20:00

There are 8 texts as part of the components required for graduation, reflecting on a diverse range of topics and approaches relevant to the students’ individual practices and the expanded field of design and craft, with links to the making and footwork-handwork-headwork relations.

Belongings

Written by Kati Saarits
This text is exploring local material culture history through the lens of industrial ceramics heritage, touching on questions of how sentimentality settles into material and how surroundings shape our perception of home.

Creature. Maker. Mire. 
Written by Alyona Movko-Mägi
Through the entanglement of organic and digital materiality Creature. Maker. Mire explores the bog as an archive — where bodies, landscapes, and crafts are preserved, transformed, and reinterpreted across time.

Reblow toolset
Written by Rait Lõhmus 
Reblow toolset examines ways to upgrade premade glass objects and explores the causes of devaluation and potential for revaluations.

Through the hammer, through the body

Written by Elias Sormanen
A deep look into the importance of skill in making, as seen through the craft of a metal hammerer.

Hääbuda, et taas tärgata.
Written by Juulia Aleksandra Mikson
A poetical observation of decay as an integral part of the cyclical process of life, while approaching it with acceptance and a sense of hope.

On Extractivism and Care for Landscapes:
From Mines to Mountains in the East of Estonia
Written by Hannah Segerkrantz
This text explores the post-industrial mountains of mining waste in the east of Estonia through questions about how we relate to our surroundings and their materiality.

Movement Matter. Embodied knowledge in material practices
Written by Iohan Figueroa
Series of dialogues between materials and the way we embody our practice, the importance of contact during the making process.

A Book of Mashed Potatoes
Written by Sofiya Babiy
A contemplation on shades of vanishing through photography, trees, cinema, land, time, death and family.

The 2025 Spring semester session of the Open Lectures ”City as novel ecosystem” focuses on landscape architecture and, more specifically, urban nature.

The lecture series is being put together by landscape architects Karin Bachmann, Merle Karro-Kalberg and Anna-Liisa Unt, who have co-founded and edited the landscape architecture magazine ÕU for 7 years and are currently leading the project “Curated Biodiversity”, which experiments with ways to make urban landscaping more diverse as an environment. Therefore, the open lectures in the spring will also turn their attention to the quality of the space between buildings and, using the speakers’ words and creations, show how to make the city more biodiverse and enjoyable and how people and other species that call the city their home can live in symbiosis.

The first lecture of the spring semester lecture series will take place on March 27 at 6:00 pm in the EKA large auditorium. Architects Justyna Dziedziejko and Magdalena Wnęk from the Polish landscape architecture firm TopoScape will take the stage with a lecture „Park on the Warsaw Uprising Mound – design development method”.

„The topic of this lecture is to discuss the design process we used in the creation of the ‘Park on the Warsaw Uprising Mound’. During the lecture we will discuss strategies aimed at creating a place-related design that supports biodiversity and closed cycle economy, we will define principles for typifying components that constitute the value of a place. The example of the park realises our postulation of an interdisciplinary design process, combining ideas based on the history of a place and nature. We will talk about the practical principles of information selection, interdisciplinary cooperation and guidelines for the construction phase of the park. The example of the Warsaw park shows how a degraded, abandoned and forgotten area, which is a post-industrial type space (brownfield), becomes a vibrant place again.”

The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.

All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.

Schedule of the Spring 2025 lectures:

March 27. Toposcape

April 3. Ingo Kowarik

April 10. Jan van Schaik

April 24. Taktyk

For those registered for optional subjects, the essay submission date is 12.05.2025.

Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year.

The lecture series is supported by the Cultural Endowment of Estonia.

www.avatudloengud.ee

Bart Pushaw is Assistant Professor of Art History at the University of Tennessee in Chattanooga. His research, teaching, and curatorial work focus on Arctic and Baltic art histories.

Baltic actors played a critical role in the expansion of the Russian Empire across the Pacific. Starting in the eighteenth century, people from throughout the Russian Empire facilitated the invasion and occupation of Alaska Native homelands until the U.S. acquired “Russian America” in 1867. The imperial initimacies that entangled these edges of the Russian Empire — the Baltic Sea and the Bering Sea — also brought Alaska Native artworks and material culture to Estonia. Today, these objects remain in collections throughout the country. This talk explores the histories that made it possible for Alaska Native art to come to Estonia, and what futures might be possible as museums reconsider their role in rematriation.

Lecture is connected to the joint project of KUMU Art Museum and Estonian Academy of Arts Expedition: Estonian and Indigineity.

Lecture is held in cooperation with KUMU Art Museum and is funded by:

Conversation evening on Japanese architecture with Yuma Shinohara

 on Monday, March 10 at 5:00 PM in room A-501

The Estonian Association of Architects and the Estonian Academy of Arts invite you to participate in a conversation evening, where Yuma Shinohara, curator of the Swiss Museum of Architecture, will introduce the work of the younger generation of Japanese architects, whose focus is on society and environmental issues. Moving away from the usual image of the architect-author, they have discovered for themselves the charm of working together. The conversation evening will be hosted by Siim Tanel Tõnisson and Saskia Krautman.

Exhibitions curated by Yuma Shinohara: “Make Do With What Is: New Directions in Japanese Architecture” (2024), “Make Do With Now” (2022), “SAY Swiss Architecture Yearbook” (2023), “Beton” (2021) and “Swim City” (2019). Before joining S AM Swiss Architecture Museum, he worked as an editor and curator at the Storefront for Art and Architecture gallery in New York, Ruby Press, the Academy of Arts in Berlin and the Canadian Centre for Architecture.

Yuma Shinohara was invited by the Estonian Association of Estonian Architects – he is a member of the jury for this year’s Young Architect Award.

Supported by the Cultural Endowment of Estonia.