Category: Departments

“The Island of Girls”
EKA Gallery 22.08.–6.09.2026
Open Tue–Sat 12–6 pm Sun 12–4 pm
Opening: Friday, August 21 at 6 pm

What if there was a utopian island? A place where fragility, kindness, vulnerability, and care were not seen as weaknesses, but as forms of resistance and escape.

“The Island of Girls” is a feminist group exhibition and storytelling project that imagines a fictional island inhabited by girls alongside flowers and nature. Here, there is no war and no grief. Flowers and plants become symbols of resistance, while tenderness, imagination, and care become ways of surviving and creating another reality.

The project grows from Ukrainian artist Daria Titova’s lived experience of war and explores childhood, grief, home, and the need to create spaces where imagination can offer refuge. The “girls” of the island are not a restriction upon gender, but rather a symbol of openness, curiosity, sincerity, and the belief that the world can be different. Anyone is welcome here.

The exhibition features Titova’s visual works alongside Mariia Chudna’s ceramics and Helena Atkin’s original music. Natalia Stojkova and Kornélia Nemcová present their film “A Woman’s War”, adding another perspective on women’s experiences of war.

During the exhibition, the island will also become a space for shared meals and storytelling. Communal dinners planned by Aly Sparkling Beveridge will take place on August 22 and 24, bringing visitors together around food, conversation, and shared stories. On September 2, artist and designer Katya Lesiv will have an artist talk and lead a tea ceremony.

Programme:
The number of participants is limited, please sign up in advance!

• On Saturday, August 22 at 6–9 pm communal dinner and embroidery workshop. Register here
• On Monday, August 24 at 6–9 pm communal dinner and embroidery workshop. Register here
• Wednesday, September 2, 4–6 pm artist talk & tea ceremony with Katya Lesiv. Register here

Participating artists: Helena Atkin, Aly Sparkling Beveridge, Mariia Chudna, Natalia Stojkova & Kornélia Nemcová, Daria Titova
Project initiator: Daria Titova
Graphic design: Teele Kiisk
Technical support: Eugenio Marini
The exhibition is supported by the Cultural Endowment of Estonia, Tallinn City and Sadolin Estonia.
Opening drinks from mirai™ and Põhjala Brewery.

11.07.2026–25.10.2026

From 11 July, Tartu Art Museum’s project space will present Kaisa Maasik’s solo exhibition The Lightness of Being as part of the Young Tartu exhibition series.

Kaisa Maasik’s solo exhibition The Lightness of Being focuses on ordinary yet beautiful moments that are easy to overlook. These may be a fleeting smile between two strangers, the first day after a long winter when you can finally swap your boots for sneakers, or the sound of rain tapping on a windowsill that briefly wakes you in the night before lulling you back to sleep. Maasik’s works are rooted in observation and attentiveness, bringing together collected moments and everyday observations shared by different people. Against the backdrop of rapid information flows and constant competition for our attention in digital environments, the exhibition invites visitors to slow down and notice what usually remains in the background – situations that could happen to any of us and that remind us that life is largely made up of such small, genuine moments.

The Young Tartu exhibition series was launched in 2017 with the aim of promoting and supporting the work of emerging artists connected to Tartu. Previous participants in the programme have included Sten Eltermaa, Keiu Maasik, Mirjam Hinn, Siiri Jüris, Nele Marie Tiidelepp, Tõnis Jürgens and Viktoria Berezina.

Kaisa Maasik’s exhibition will take place in the project space on the third floor of the Tartu Art Museum from 11 July to 25 October 2026.

Kaisa Maasik (b. 1994) is an artist and curator based in Tallinn. She graduated from the Contemporary Art Programme at the Estonian Academy of Arts (MA, 2021) and from the Photography Department (BA, 2017). In 2019, she furthered her studies at the Academy of Fine Arts of the University of the Arts Helsinki in the Praxis curatorial master’s programme. Collaboration plays an important role in Maasik’s practice; she works both collectively and independently on projects that often take the form of spatial artworks. She focuses on the feelings and experiences of people she encounters, seeking to convey their stories through objects and memories. Collecting is central to Maasik’s methodology, drawing primarily on everyday life. She was a member of the Umbrella Group (2016–2017) and has been involved in the organising teams of the project space Vent Space (2018–2019) and the Tallinn Photomonth Biennial (2017 and 2019). In 2020, Maasik was awarded the Wiiralt Scholarship. In spring 2021, she participated in the FAIR residency at FABRIKKEN in Copenhagen. Maasik has been a member of the Estonian Union of Photography Artists since 2021 and of the Estonian Artists’ Association since 2022.

Artist: Kaisa Maasik
Curator: Stella Mõttus
Graphic designer: Kersti Heile
Supporters: Estonian Cultural Endowment, Ledzep OÜ
Exhibition team: Indrek Grigor, Joanna Hoffmann, Rene Kriisa, Katariina Leets, Katrin Lõoke, Anti Saar, Peeter Talvistu
Video clip credits: Arvi Anderson, Jana Arendi, Katariina Aule, Andrus Avarand, Yvette Bathgate, Marleen Eino, Alexei Gordin, Yiheng Gu, Viktor Gurov, Liisa-Lota Jõeleht, Erik Jürmann, Pirke Kaljula, Piret Klea-Velleste, Karel Koplimets, Nele Kurvits, Epp Kuslap, Kadri Lind, Maria Luiga, Mariel Luuk, Heiki Maasik, Katariin Mudist, Stella Mõttus, Reigo Nahksepp, Urmet Piiling, Evelyn Raudsepp, Mari-Liis Rebane, Yiyang Sun, Maryliis Teinfeldt-Grins, Annika Toots, Tõnu Tunnel, Simona Tätte, Lotte Ugandi, Ruudu Ulas, Pille-Riin Valk, Eliisabet Valmas, Sten Vendik, Helen Västrik

The duo exhibition “Something That Should Be Felt” by artists Hilla Kurki & Taavi Rekkaro opened at the FOKU Gallery.

In the exhibition, the artists engage in a shared exploration about memory, personal history, touch, and how we relate to images. Both artists are searching for new ways within their practices, moving perhaps towards a greater spatiality and material presence. Together, the works create a dialogue between distance and intimacy, presence and remembrance.

In the series Clay Diaries, Hilla Kurki approaches memory through her family’s history, seeking alternative modes of relating with tradition and heritage. In Kurki’s images human form is shown together with plants and creatures, things that are reborn every season seemingly unchanged. By inviting a range of fellow artists to visit her great-grandparents’ house she creates a living archive through shared moments where friendship can become the main outcome of the work, not just its subject.

Taavi Rekkaro presents photos and objects that rethink photography as something to be touched, where closeness becomes part of the experience. The images capture fleeting moments, inner uncertainties, and attempts to understand oneself and one’s relationships with others. Exploring the connections between memory, body and self-perception, the artist asks: how can we be sure that we were truly there, that these moments really happened? On the gallery wall unfolds a melting moment composed of works created since 2023. Rather than telling a single, fixed story, the works invite viewers to slow down and build their own narratives.

The exhibition will remain open until 26 September 2026.

Hilla Kurki (FI, b. 1985) has exhibited in various international venues and art fairs since 2016. Her first book Almost All the Flowers in My Mother’s Garden was published in 2022 (Khaos Publishing), and has two sold out editions. Exhibition adaptations of the book have been shown recently in for example the Institut finlandais in Paris, Foto Arsenal Wien and in the Centre de la Photographie Genève. Kurki was one of the headliners of the Copenhagen Photo Festival in 2023. Her work was selected for Elles X Paris Photo in 2018, showcasing the history and future of female photographers. She was awarded the Still Life Prize in the 34th edition of Festival d´Hyeres in 2019. She is a part of the FUTURES Photography Platform.
Kurki has graduated with a Master’s in Art from the Aalto University School of Art, Design and Architecture in 2018. She lives and works in Helsinki, Finland.
https://www.hillakurki.com/

Taavi Rekkaro (EE, b. 1988) is a mixed media artist whose work reflects an intuitive dialogue between visual art and photography. Combining images with physical materials, he seeks to capture the energy of fleeting moments, blurring the lines between memory and self-discovery. Rekkaro has shown his work internationally both at exhibitions and artfairs, and his work has been published in international publications.
https://taavirekkaro.com/

FOKU Gallery is a gallery-showroom focused on contemporary lens-based art. FOKU Gallery is run by the Estonian Union of Photography Artists (FOKU).

Supporters:
Cultural Endowment of Estonia, Finnish Cultural Foundation’s Kymeenlaakso regional fund, Artproof

Opening drinks provided by:
Nudist Drinks, Põhjala Brewery

Technical support:
Karmo Migur, Paul Kobert

Calligraphy:
Adèle Zabé

Thank you:
Albane, Alexis, Anne, Artproof team, Celine, Daniel, EKA Gallery, Elio, Ferdinand, Hikari, Hubert, Jack, Joosep, Kaisa Maasik, Margot, Mari-Leen Kiipli, Olari, Olivia, Oscar, Raphaël, Rasmus, Risako, Sheung, Thomas, Tor, Valter, Viivi, Woosung

FOKU Gallery
Väike-Karja 10, Tallinn
Thu–Sat 12–18
Free entrance

On 21 August at 13:00 the public peer-review of the exhibition project, part of the doctoral research of Cultural Heritage and Conservation doctoral candidate Triin Reidla will take place at the Museum of Estonian Architecture (Ahtri 2), first floor.

Supervisors: Ingrid Ruudi, PhD (Estonian Academy of Arts) and Maris Mändel, PhD (Estonian Academy of Arts)
Reviewers: prof Andres Kurg (Estonian Academy of Arts) and Jutta Tynkkunen, PhD (Museum of Finnish Architecture and Design, Helsinki)
The event will be held in English.
To get the most out of the discussion, visitors are encouraged to see the exhibition before attending the peer-review event.

The exhibition “Architect Miia Masso. In Five Acts”, the second project of the practice-based doctoral research, draws on Masso’s personal archive and presents highlights from her more than fifty-year architectural career. Divided into five thematic acts, the exhibition explores Masso’s work from both the Soviet period and the years following the restoration of Estonia’s independence. It features apartment buildings, summer houses, private residences, public buildings, urban plans and commercial buildings characteristic of both periods. From the personal archive, a number of distinctive original works and documents are presented alongside copies that the architect regarded as an essential part of her portfolio.
The exhibition is open until 23 August.

On 14 August, from 13:00 to 14:30 (EEST), the public peer review of Art and Design doctoral student Sonya Isupova’s first solo exhibition, “Water, Usually in the Shape of a River,” will take place in EKA Gallery on the second floor and via zoom (Meeting ID: 664 5412 1094, Passcode: 028984).

Water, Usually in the Shape of a River folds in itself infrastructures, shapes perceptions, and registers transformations. A river exists simultaneously as a border, a defence mechanism, and a source of both life and death. Its water can become a resource, a weapon, or a memorial. The exhibition investigates Soviet infrastructural projects and their modes of representation, focusing on hydroelectric dams built along the Dnipro River in southern Ukraine, particularly the Kakhovka and Dnipro hydroelectric stations. Through film and archival research, juxtaposed with media art installation, Isupova examines how these projects reshaped both landscape and collective memory.
The exhibition forms part of her doctoral research on the effects of colonial infrastructure on the landscape.
At the centre of the exhibition is the essay film Water, Usually in the Shape of a River, which functions as a visual map of a memory of a landscape that is no longer there.

Reviewers: Dr. Raivo Kelomees (EKA) and Prof. Madina Tlostanova (Linkoping University, Sweden)

Supervisors: Dr. Epp Annus, Dr. Varvara Guljajeva

Ronja Siitonen, Maria Wrang-Rasmussen, Martina Zito
“Charge, Jaw, Babble, Faucet”
EKA Gallery 4.07.–16.08.2026 (NB! Closed during 20.07.–2.08.)
Open Tue–Sat 12–6 pm Sun 12–4 pm
Opening: Friday, July 3 at 6 pm

The exhibition “Charge, Jaw, Babble, Faucet” expands through the magical, gray areas of active incoherence, wielding gibberish as both shield and tool to explore alternative logics of language. Here, communication extends beyond words into expanded forms and hidden meanings. Gibberish, as a private space of understanding, offers a playground for hide-and-seek between language and body, humour and mystery.

Working across video, installation, sculpture, and jelly painting, the exhibition brings together artworks by Ronja Siitonen, Maria Wrang-Rasmussen, and Martina Zito. Here, modern-day spells take shape as rhythmical languages in translation. Alchemical transformations simmer as teeth are scratched and paws wait patiently; skin wrinkles and stretches into a sweet tension; the trapeze pendulum hangs poised, ready for a push.

Graphic design: Simon Janson
Technical support: Ats Kruusing
The exhibition is supported by the Cultural Endowment of Estonia and Sadolin Estonia.
Opening drinks from mirai™.

On 22 June at 11:00–12:30 (EEST), the public peer-review of Art and Design doctoral student Zaur Babayev’s first case study “More Than Talking Heads: How Clinical Psychologists’ Bodily, Sensory, and Spatial Practices Can Inform Teletherapy Design” will take place online via Zoom.

The case study is part of Zaur’s practice-based doctoral thesis, which investigates how the embodied, sensory, and spatial practices of psychotherapy can inform the design of more empathetic digital therapeutic environments. Drawing on interviews, body mapping, and spatial mapping with clinical psychologists, the study examines how practitioners’ bodily and spatial knowledge becomes lost or transformed in videoconference-based therapy, and what this means for teletherapy design.

Reviewers: Ana Correia de Barros (Fraunhofer Portugal AICOS, Portugal) Claudia Núñez Pacheco (Malmö University, Sweden)

Supervisors: Dr. Kristi Kuusk and Dr. Nesli Hazal Oktay (EKA)

Zoom link (Meeting ID: 621 3833 6922, Passcode: 203268)

The event is public and will be held in English. Everyone is welcome.

On Friday, June 19th at 6:00 PM, the group exhibition “No matter what, matters” will open at the Uus Rada Gallery. The exhibition will remain open until June 28th.

The exhibition is open daily from June 20th to June 28th from 12:00 PM to 6:00 PM.

The group exhibition “No matter what, matters” explores the Anthropocene through a pagan and posthumanist perspective, offering alternative ways of understanding knowledge and experience. The exhibition places other agents alongside humans—materials, technological systems, virtual characters, and other non-human entities—that shape our world just as actively as we do. By remaining in constant relation with these actors, it arrives at a perspective being free from hierarchies, opening up new possibilities for perceiving information and inviting reflection on the diverse forms of identity, knowledge, and coexistence.

The exhibition brings together Estonian and international artists whose practice encompasses sculpture, installation, video and painting. Exploring the realities of modern landscapes, pre-apocalyptic future, power structures, self-exploration and heritage and relationality, artists approach in different ways the questions of consequences of interaction, ontology through material and negotiations with one another through posthuman and pagan lenses.

Participating artists: Éric-Olivier Thériault, Lili Maud Dobell, Yuko Kinouchi, Bob Bicknell-Knight, Ats Anton Varustin, Piia Bianka Pere and Daniil Musesovs.
The exhibition is curated by Daniil Musesovs.
Graphic design – Georg Ander Sild.

The exhibition is supported by Uus Rada Gallery, Estonian Academy of Arts, Estonian Cultural Endowment.

Towards Patterns of Making
Eik Hermann, Juss Heinsalu, Kärt Ojavee

The current publication introduces the key findings of the MUUSA: Synthesis and Modelling of Material Research project and situates them in a broader context. The opening text, an interview with anthropologist Tim Ingold, challenges prevailing ideas about the relationship between material practice and academic theory, while offering alternatives. This is followed by an introduction to the conceptware underlying the work and an overview of the project’s progression. This publication helps to better conceptualise different practices of making and research, and supports the teaching of new practitioners.

MUUSA brought together two artist-designers, Juss Heinsalu and Kärt Ojavee, philosopher Eik Hermann and several cross-disciplinary external experts. The project and its results were first shown as an exhibition (held in November 2024 at MUUSA Studio in Tallinn) and are now also presented as a publication.

Publishing of Towards Patterns of Making has been supported by the Estonian Academy of Arts, and the previous project was funded by the Estonian Ministry of Culture’s creative research grant. 

The launch will be held in English.

On 18 June at 17:00, the exhibition “Tosin” opens on the ground floor of Draakon Gallery. The exhibition brings together a selection of master’s projects completed in the glass workshop of the Estonian Academy of Arts over the past twelve years. The exhibition is open from 18 June to 19 July.

The point of departure for the exhibition is the history of glass education in Estonia. The archive collection of the Tallinn School of Arts and Crafts holds a 1936 protocol of the school council, which refers to the establishment of the crystal and glass-cutting department by a decision of the Minister of Social Affairs. This may be understood as one of the first important milestones in Estonian glass education. “Tosin” looks back at this historical point of origin from a contemporary perspective, bringing together EKA master’s projects in which glass is the primary material.

The exhibition does not present a chronological overview. Instead, it focuses on a selection of master’s projects completed during the past twelve years and considers glass as a contemporary artistic medium moving between technical skill, spatial thinking, embodied experience and conceptual research.

“Tosin” brings together master’s projects whose physical realisation is connected to the technical possibilities and know-how of the EKA glass workshop. Glass connects the authors, workshop-based knowledge, historical continuity and personal creative processes.

At the centre of the exhibition is the question: what has glass enabled EKA master’s students to explore? The selected works use glass to open questions related to the body, memory, space, working process, industrial heritage, psychological self-reflection, digital identity, material agency, and the borderlands of art and design. In the exhibition, glass may appear as a technical challenge, an embodied partner, a reflective surface, a spatial installation, an image of a psychological state, a carrier of material memory, or a trigger for the creative process.

“Tosin” brings master’s projects that have since moved into artists’ studios or private collections back into public view, creating a new dialogue between them.

The participating artists are Iohan Figueroa, Andra Jõgis, Niina-Anneli Kaarnamo, Elle Lepik, Rait Lõhmus, Maris Maasikas-Korts, Alyona Movko-Mägi and Kristiina Oppi.

Acknowledgements: Estonian Glass Artists’ Union, Estonian Academy of Arts, Cultural Endowment of Estonia, Draakon Gallery

Exhibition: Tosin  

Participating artists: Iohan Figueroa, Andra Jõgis, Niina-Anneli Kaarnamo, Elle Lepik, Rait Lõhmus, Maris Maasikas-Korts, Alyona Movko-Mägi, Kristiina Oppi  

Opening: 18 June at 17:00  

Exhibition dates: 18 June – 19 July  Venue: Draakon Gallery, ground floor