Category: Gallery

Entropy Gauntlet
Zody Burke, Taylor “Tex” Tehan, Joonas Timmi, Lauri Raus April 6 – April 28, 2023
Opening: April 6, 6pm–9pm

“There is nothing more mysterious than a TV set left on in an empty room … Suddenly the TV reveals itself for what it really is: a video of another world, ultimately addressed to no one at all, delivering its images indifferently, indifferent to its own messages. You can easily imagine it still functioning after humanity has disappeared.”

— Jean Baudrillard, America

Entropy Gauntlet invites you to pass a threshold into a transmutation of space. Inspired by wide-eyed summer night visits to amusement parks and roadside motels, laden with the nostalgia of childhood & playing with the expectations generated by the psychogeography of such spaces, the exhibition leads viewers to contemplate the tension between fantasies of the world we’ve inherited versus the reality of a warming planet.

Solastalgia, a concept which describes a form of emotional or existential distress caused by environmental change, presents itself materially through an amalgam of works and artifacts set inside a narrative. Within the Entropy Gauntlet is a contemporary apologue; using architecture as archetype, exploring the porousness of post-western notions of national identity and its haunted histories. Here, utopia and dystopia become uneven categories in the realm of the anthropocene.

In the tradition of transformative environmental-architectural works such as Gregor Schneider’s “Totes Haus u r” and Jonah Freeman’s “Hello Meth Lab in the Sun”, and hearkening to Robert Ashley’s operatic compositions of late capitalist melancholia, the Entropy Gauntlet manifests as a linear series of archaeological sites undergoing perpetual excavation. It is a narrative of motion and placelessness tropifying the notion that invisible, emotional environs can be injected into the visible sphere to create a sense of longing, dread, and even abject horror.

A note from the artists…

The roadside motel is a ubiquitous feature upon the sprawling face of the continental USA, but it is entirely absent in Estonia. It is taken for granted as a place where small tragedies may or may not occur. It is a location for repressed emotions to manifest due to its invisible status, despite its ubiquity in the flyover states. Within the Entropy Gauntlet, our aim is to engage with the surreality that permeates the line where memory and history interact, in an unexpected location in Tallinn; creating a hauntological simulacrum of a space that exists between destinations. The poetic transmutations of culture that occur when countries on opposite sides of the globe mirror and refract one another are acutely fertile terrain for our work.

The fact that the USA exists partially as a fantasy informed by media is intrinsic to our concept. Two out of four of us are American; despite this, the two of us have experienced our home country in ways that run contradictory to the America that exists in the imagination of the cultural status quo. The other two of us are Estonian and have spent a considerable amount of time formulating fantasies about America & weighing these fantasies against facts. To honestly engage with the USA is to deal with omnipresent shadows that resist truth & dominate the country’s emotional cartography, and with an endless deluge of popular fantasies that provide alternative images to the USA that exists.

Artist Bios:

With an eye towards the complicated nature of inherent and enforced structures, American multidisciplinary artist Zody Burke criticizes the absurdity of late capitalism and the mythologies and archetypes it generates, while leaving a liminal space for larger ways of being together.
Working with sculpture, illustration, sound, and other media, Burke has sought to establish that societal concepts of identity, symbolism, brutality and hierarchy are as tenuous as we see to craft them, and yet they paradoxically shape practically every facet of our lives.

Taylor “Tex” Tehan is an M.A. Graphic Design student from the United States and an interdisciplinary practitioner. Working with textiles, sound, metal, wood and film, his work is influenced by the landscape, nostalgia, speculative futures, mythology and romanticism of the American West. Previously working in the fashion industry, Tehan has worked as a designer for various brands, including a recent traineeship on the Menswear Design Team at Louis Vuitton in Paris. His interests meet at the cross section of fashion, music, contemporary art, film and graphic design, with a strong emphasis on experiential-environmental themes.

Joonas Timmi is an Estonian artist & designer who explores the contemporary identity of craftsmanship by combining traditional woodworking techniques with VR-modeling, 3D-printing and CNC-milling. In his work, he expresses the relations between functionality and sentimentality in objects using furniture as the main medium. Each piece aims to be a somewhat functional artifact with an emphasis on biomorphic form with anthropomorphic charisma. A recent work, “Traction” chair, was exhibited in the exhibition “Present Yet-to-Be” (Tallinn, Hobusepea gallery) in January 2022. The installation combined meandering forms of plywood with textile to create throne-like structure, inspired by the idea of alternate realities.

Lauri Raus is an Estonian songwriter & guitarist, most notable for his work in contemporary country/shoegaze ensemble Holy Motors. Through his work, he engages with western musical tropes from a distance, transfiguring his own interpretation of Americana into something subtly different and altogether unique. His band is signed to New York-based indie label Wharf Cat which has enabled him to tour the USA, allowing him to rupture, expand, and transform his relationship with the musical tradition he uses as a foundation for his art. He studies anthropology at Tallinn University.

Don’t cross their boundaries!
17.03-25.08.2023
Opening: 17.03, 4 pm at EKA lobby
EKA Billboard Gallery, Kotzebue 1

Participating artists:
Kristiina Aarna, Karola Ainsar, Katharina Grepp, Kärt Heinvere, Annika Hint & Irmeli Terras, Maria Kapajeva, Sanna Kartau, Hanna Eliise Kask, Karis Kivi, Maria Izabella Lehtsaar, Annemarie Maasik, Marlene, Susanna Mildeberg, Katariin Mudist, Enn Nazarov, Liisa Niit, Katerina Rothberg, Pamela Samel, Tiina Sööt, Daria Titova, Kadi Viik, Laura Vilbiks

Feministeerium and EKA Gallery invite you to the exhibition “Don’t cross their boundaries!” opening on March 17 at 4 pm in the EKA lobby!

72% of Estonian university students have experienced sexual or gender-based harassment at least once. The most common types of harassment that the students have experienced are stereotyping remarks, sexually suggestive language, ambivalent jokes and inappropriate staring.*

Everyone has the right to decide for themselves about their bodily integrity. However, how personal boundaries are established depends on the cultural norms and on the social contract, institutionalized in the form of civil laws. Any sexual relation must be based on the explicit free consent of all parties. Free consent means that the parties of a sexual relation can decide whether they want to continue or end it at any time, fully assured that their boundaries will be respected. Consideration of each other’s needs creates an emotionally safer space and is a step towards defying stereotypes that contribute to violence and inequality.

The 2017 Istanbul Convention on Preventing and Combating Violence Against Women and Domestic Violence, also ratified by Estonia, advocates for changing the definition of rape in the Penal Code, so it would be based on consensual sexual relations as the norm, while deviation from consent constitutes rape. Alongside the law, it is important to establish a popular understanding across the society that everyone has the right to physical and mental self-determination and integrity. 

For this exhibition, we have selected submitted artworks that address the principles of sexual consent culture and confront the problems created by stereotyping attitudes.

* Based on the 2020 Federation of Estonian Student Unions survey Gender and Sexual Harassment in Estonian Higher Education Institutions.

Supported by: Cultural Endowment of Estonia, Active citizens fund

Beyond the Blue Yonder

Denisa Štefanigová in collaboration with Johanna Ruukholm and Marleen Suvi, curated by Yilin Ma.

16.02–16.03.2023
Opening: 16.02, 5 pm

In Štefanigová’s Beyond the Blue Yonder exhibition, humans are melting, becoming tides into other creatures to coexist together, in the same body. Culture historian Astrida Neimanis writes on ”Hydrofeminism; Or, On Becoming a Body of Water”, how the space between ourselves and our others are at once as distant as the primaeval sea, yet also closer than our skin. 

Current in Štefanigová’s practice, is the fluidity between human and nonhuman subjects, where no living being is separated nor untouched from others. Like water connecting us all and ensuring we are always in a state of becoming as it travels in our bodies, in Beyond the Blue Yonder Štefanigová’s works are blending into new boundaries. Through works especially made for the exhibition, Beyond the Blue Yonder studies the possibilities of fluidity and fusing into each other, very much like boundless water crashing into itself in our bodies. 

When looking at Štefanigová’s work through connections, you can see how they are formed and how unavoidably they reach out to every corner of our own private lives in good or in bad. Neimanis writes how “Despite the fact that we are all watery bodies, leaking into and sponging off of one another, we resist total dissolution, material annihilation. Or more aptly, we postpone it: ashes to ashes, water to water”; this is evident in Štefanigová’s work where water, air, or anything that bounds us together, works as a communicator between our bodies, connecting us and facilitates bodies into being. Doing so, it shows all the things from the past to the present. Our bodies are holding the past, and simultaneously are on the verge of the future. The space of constant becoming that is trying to find its own, but without the naivety of being born again. 

There is also something queer about the way Štefanigová’s approach to challenge boundaries between human and nonhuman, and everything that sets them apart socially and environmentally. As bell hooks writes ”queer as not who you’re having sex with, that can be a dimension of it, but queer as being about the self that is at odds with everything around it and has to invent and create and find a place to speak and to thrive and to love”. 

Štefanigová’s technique holds water in an important role — from working with acrylics that water controls from how the water dries to the canvas, Štefanigová’s one line technique awakes something watery in the paintings; a reflection, that’s on a constant move. Installing these 31 pieces of paintings next to each other, Štefanigová is creating a wave that flows through the space. 

The exhibition consists of paintings and an installation by Denisa Štefanigová, as well as sculptures by Marleen Suvi. A limited amount of catalogues that examine the exhibition through a dialogue between the artists Denisa Štefanigová and the curator Yilin Ma is designed by Johanna Ruukholm. 

Denisa Štefanigová (she/her) (b.1995) is a Czech artist who mainly works in painting. She recently graduated from the Master’s Program in Contemporary Art at the Estonian Academy of Arts (EKA). She also holds a bachelor’s degree from the Technical University, Faculty of Fine Arts (FaVU), during her studies she also attended the Faculty de Bellas Artes in Bilbao. In 2021, Štefanigová was one of the 15 finalists for the Young Painter Award for the Baltic countries. Her recent exhibitions include MO Museum, Vilnius, and Hobusepea, and Hoib Gallery, both in Tallinn. Her works are represented in the KogArt collection based in Hungary and in SYNLAB based in Tallinn. This year, she will have a solo exhibition in Tallinn, Prague, and then one group show with the Hungarian artist Asztrid Csatlós in Brno. 

Marleen Suvi (b. 1998) (she/her)has graduated from the department of painting in the faculty of fine art at the Estonian Academy of Arts (2020) and is currently acquiring a MA degree in the contemporary art program at the Estonian Academy of Arts. Marleen Suvi is examining the interwovenness between the body and the human soul. At the moment she is working with ideas such as whether it is possible to meet yourself, how to let go of your selfishness and what it means to depict yourself in a sexual way. Most of her works are autoportraits. While writing haikus, the artist contemplates empty phrases, which arise from subconsciousness that sometimes seems to belong to someone else. She prefers to work with oil on canvas and glass. Among her recently held exhibitions are ‘‘A Visitor’’ (Hobusepea Gallery, 2022) and ‘‘So That the Body Does not Forget’’ (Vent Space Project Room, 2021). 

Johanna Ruukholm (she/her) (b. 1996) is a graphic designer and artist. She is part of a design duo Jojo&me. Her graphic works vary from websites to illustrated visuals and she enjoys telling stories through characters in colourful and enigmatic worlds. Besides working with a computer and pencils, she creates ceramic sculptures and everyday objects under a brand called Nestworkers. She is also one of the curators of the club event series HoneyCombat, which takes place in Tallinn. 

Yilin Ma (they/them) (b.1995) is a Helsinki based curator and writer, who works in intersections of literature and visual culture with a focus on East-Asian queer diaspora narratives and queer- feminist way of understanding the spaces in between lyrical and material. Currently they are attending The Praxis Master’s Programme in Exhibition Studies at The University of Arts in Helsinki. 

The exhibition is supported by the Cultural Endowment of Estonia and the Estonian Academy of Arts

Opening drinks by Punch

Aleyna Canpolat, Andrea Gudiño, Alp Eren Özalp “Inside Me, Unveiling Us” at EKA Gallery on 17.01—09.02.2023

Opening: 17.01 at 4 pm

According to Andy Goldsworthy, we often forget, that we are nature. When we lose our connection to nature, we’ve lost our connection to ourselves. The authors of the exhibition Aleyna Canpolat, Andrea Gudiño, and Alp Eren Özalp come together from different sides of the world Turkey and Mexico and study at EKA in the Urban and Animation departments. In the exhibition “Inside Me, Unveiling Us” they are asking how do we perceive a place, where we feel belonging, that embraces us as who we truly are. Nature tends to create a common roof for foreigners and locals. There are no various borders, languages, or countries. Nature is the only entity, that seems to be embracing us fully.

The exhibition invites the participants to explore connection points between their own identity and nature through physical and audiovisual elements. Each element is a different mixture of textures, animated territories, and anonymous silhouettes. The exhibition provides a periphery for visitors to reflect on their own emotions through different organic elements, words of unpredictable wishes, and shadows of daydreams and ambiance.

Aleyna Canpolat (b.1998) is an architect and designer who is currently studying in the Estonian Academy of Arts in the Urban studies department. She graduated with a MA level in architecture from Yıldız Technical University in 2021. In her creative practice, she is focused on biophilic and sustainable design. Throughout her education, she has curated many exhibitions and group discussions with ‘Mimarlık Bunun Neresinde?’. She has won different awards in several competitions, that she has participated in. 

Andrea Gudiño (b.1993) is a Mexican director, animator, and photographer. Her work is based on the experimentation of mixed media animation techniques such as stop-motion, cut-out, rotoscope, and 2D. She is currently studying in the Estonian Academy of Arts animation MA program. 

Alp Eren Özalp (b.1997) is a Turkish architect and designer who is currently studying at the Estonian Academy of Arts in the urban studies department. He graduated from the architecture department at Yıldız Technical University in 2020. He has worked professionally on urban planning and architecture and was awarded for creating a smart village project, which was then built in Azerbaijan. For this, he developed a design and a way to use wooden products using wood carving techniques. 

December brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in contemporary art, prints, installation, sculpture and painting curricula will be on display. On each morning of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

SCHEDULE

1.12. Drawing, supervisors Matti Pärk, Maiu Rõõmus

2.12. Drawing, supervisor Eero Alev

3.—4.12. Scenography, supervisor Mark Raidpere

5.12. Drawing, supervisors Tõnis Saadoja

6.12. Drawing, supervisor Britta Benno

7.12. Photography, supervisors Annika Haas, Kadri Otsiver

8.12. Photography, supervisor Taavi Piibemann

9.12. Photography, supervisor Kalle Veesaar

12.12. Graphic art, supervisors Liina Siib, Eve Kask, Maria Erikson, Len Murusalu, Martinus Daane Klemet, Viktor Gurov

13.12. Graphic art, supervisors Kadi Kurema, Mark Antonius Puhkan, Aarne Mesikäpp, Maria Izabella Lehtsaar

14.12. Painting, supervisors Tõnis Saadoja, Mart Vainre

15.12. Painting, supervisors Sirja-Liisa Eelma, Mihkel Maripuu, Jaan Toomik

16.12. Painting, supervisors Sirja-Liisa Eelma, Alice Kask, Mart Vainre

17.12. Sculpture and Installation, supervisors Taavi Talve, Laura Põld

19.—22.12. Contemporary Art, supervisors Anu Vahtra, Jaan Toomik, Liina Siib, Taavi Talve, John Grzinich, Reimo Võsa-Tangsoo, Marge Monko, Taavi Piibemann, Eve Kask, Maria Erikson, Kristi Kongi, Sirja-Liisa Eelma

Taavi Talve “Documented Points of View”
04—15.10.2022
Opening 04.10 at 4 pm

Join us for the opening of the solo show “Documented Points of View” by Taavi Talve on the 4th of October at 4 pm at EKA Gallery!

“Documented Points of View” consists of travel descriptions, diary entries and reportage snippets—observations from the subjective author’s position with the narrator’s gaze framing the landscapes. The narrator’s disembodied voice is creating a different kind of subjective time-space—fictive storytellers fragmented tale, retrospective autobiography, where the lines between the visual and imaginary are blurred.

Taavi Talve lives and works in Tallinn. He graduated from the Estonian Academy of Arts (MA in fine arts, 2008). Since 2005, Talve has been an active member of the artist group Johnson and Johnson, pursued a solo career and participated in various collaborations. His works in different media are characterized by neo-conceptualist institutional criticism, spatialization of data, a textual foundation and, to some extent, a melancholy fatalism.
Talve’s recent works spring from an archivist’s impulse and connections between past events with the present. His works can be found in the collections of Tartu Art Museum, the Art Museum of Estonia and Ludwig Museum Budapest. He is currently the chair of Installation and Sculpture and associate professor at the Estonian Academy of Arts.

DEAR FRIEND
15–29 September 2022
Opening. 15.09 at 6 pm
EKA Gallery, Estonian Academy of Arts

Dear Friend,

We have been thinking about you and we are looking forward to meeting you at the Dear Friend exhibition from 15–29 September 2022 at EKA Gallery. We hope you have time to pass by! The gallery doors open on 15 September at 18:00. 

Since 2019 we have been writing, folding, publishing, sharing and posting the Dear Friend publication. There are four seasons of published letters. This Fall seemed like the right time to meet after a few years of correspondence. It is a chance to talk about publishing, writing, small publications, doing things together, and why not just about how we are doing. 

The exhibition features all the published Dear Friend letters. The letters are available for you to read, take home or mail to another friend. Next to the letters there are projects and publications by our penfriends. These are mostly publications that connect with the Dear Friend project contextually, formally, community-wise and beyond borders. 

There is also a public programme that includes presentations of periodical publications and books; from 20–23 September readings and recordings of letters, programme Tracks as envelopes by oH radio; 24 September Dear Friend symposium, a day full of presentations and discussions; 29 September Dear Friend letter writing workshop and more. 

A catalogue will be published alongside the exhibition, with contributions by Singapore-based design writer Justin Zhuang, designer and writer Else Lagerspetz, and artist Lieven Lahaye. It will include published letters and a selection of photos of the activities. The book launch will take place at the symposium on 24 September. 

PUBLIC PROGRAM

16–29 September, EKA Gallery

16.09 17:00 artist Lieven Lahaye presents a new issue of Catalog

20.09–23.09 11:00–13:00 & 14:00–16:00 oH radio’s Tracks as envelopes, public readings of Dear Friend letters in the exhibition space. Come read one! 

22.09 18:00 presentation of Exercises in Practical Mischievery by Laura Pappa, Carlo Canun, Maki Suzuki

24.09 12:00–17:00 Dear Friend symposium and catalogue presentation. Come and join!

28.09 18:30 launch of the All Horses Are the Same Colour by EKA GD MA students 

29.09 18:00 Dear Friend letter writing workshop. Please join! 

SYMPOSIUM

24 September 12:00–18:00, EKA Gallery

Dear Friend symposium is a gathering where we explore practices and questions around experimental and self-publishing, mailing as a form of publishing, and design as writing through presentations and discussions. 

Symposium is held in English. 

12:00 Gathering

12:30 Presentation Undisclosed Relations, Henk Groenendijk 

Henk Groenendijk travels from Sofia, Bulgaria to open some boxes full of student publications, a selection of works from the Test Press exhibition, and copies of Test Press magazine. Henk will tell us about his library and collection of student publications and the links that are perhaps not visible. The connections are in the books, posters, and other paraphernalia. 

Heni Groenendijk is a collector, educator, and curator of Test Press Books. He worked as a professor at the Graphic Design Department of Gerrit Rietveld Academie and initiated the Rietveld & Sandberg Library Publications Archive. 

13:00 “A Lecture on Nothing: on the Legibility of Illegible Text”, Arja Karhumaa

What do typographic texts consist of? How does typography relate to language, image, and writing? How do you read illegible text? What is type beyond only form, as part of our coexistence and social environment? This performative talk has no answers to these questions but aims to stay with the trouble they make.

Arja Karhumaa is a text designer, a feral academic, and a language animal. She is Assistant Professor and Head of Programme in Visual Communication Design at Aalto University ARTS, Finland. 

13:30 open discussion

14:00–15:00 break/lunch

15:00 Presentation about de Appel’s publication The Remote Archivist, Nell Donkers

Nell Donkers, archivist of de Appel in Amsterdam will talk about The Remote Archivist, a recurring (one-page folded poster) publication from the Archive. There are four series of the publication that have been presented so far. The aim is to invite artists, thinkers, and readers to dive deeper into the archive and recalibrate the archive materials for their own practice. Bardhi Haliti is the designer of the project and of de Appel’s house style. 

Nell Donkers has managed the archive (library, archive, and collection) of De Appel in Amsterdam since 2002 and made it digitally accessible. 

15:30 Talk about Queer.Archive.Work and the resting reader, Paul Soulellis

Paul Soulellis’ talk will present his work at the nonprofit library, publishing studio, and residency Queer.Archive.Work in Providence, US with a focus on collectivity in the context of independent publishing. The resting reader is a book of texts and images assembled from source material found on the shelves of the Queer.Archive.Work library. The content was selected during the rise of the COVID-19 Omicron variant in December 2021, around the loose themes of rest, quiet, care, queer, sanctuary, reflection, collective, and generosity. 

Paul Soulellis is an artist and educator based in Providence, RI. His practice includes teaching, writing, and experimental publishing, with a focus on queer methodologies and network culture. 

16:00 open discussion

17:00 presentation of the Dear Friend catalogue, Ott Kagovere and Sandra Nuut

Ott Kagovere is a Tallinn-based graphic designer and the Head of the Department of Graphic Design at the Estonian Academy of Arts. 

Sandra Nuut is a curator at the Estonian Museum of Applied Art and Design. Previously she worked at the Estonian Academy of Arts and New York-based gallery Chamber. 

Exhibition concept/curation: 

Ott Kagovere & Sandra Nuut

Exhibition design

Ulla Alla & Nika Gabiskiria

Letters by
Alicia Ajayi, Stuart Bertolotti-Bailey, Claudia Doms, Nell Donkers, Maarin Ektermann, Rosen Eveleigh, Maryam Fanni, Saara Hannus, Eik Hermann, Paul John, Maria Juur, Ott Kagovere, Maarja Kangro, Arja Karhumaa, Kristina Ketola Bore, Nicole Killian, Rachel Kinbar, Tuomas Kortteinen, Keiu Krikmann, Kadri Laas, Else Lagerspetz, Lieven Lahaye, James Langdon, Jungmyung Lee, Kai Lobjakas, Michelle Millar Fisher, Maria Muuk, Sheere Ng, Sandra Nuut, Laura Pappa, Jack Self, Indrek Sirkel, Paul Soulellis, Triin Tamm, Laura Toots, Alice Twemlow, Loore Viires, Sean Yendrys, Justin Zhuang

Letter visuals by 

Mai Bauvald, Pärtel Eelmere, Martina Gofman, Kersti Heile, Laura Merendi, Mikk Oja, Rex, Johanna Ruukholm, Robin Siimann

Thank you

Andres Alliksaar, Louis Biasin, Rita Davis, Pärtel Eelmere, Maarin Ektermann, Mark Foss, Triin Jerlei, Mette Mari Kaljas, Kaur Karu, Kertu Klementi, Else Lagerspetz, Rasmus Lukas, Laura Merendi, Anete Ots, Laura Pappa, Steven Pikas, Lola Maria Pärna, Emma Reim, Filipp Rotšenkov, Maret Sarapu, Georg Ander Sild, Indrek Sirkel, Mariliis Tarja, Ljubov Terukova, Taylor Tex Tehan, Laura Tursk, Pille-Riin Valk 

Detailed program: facebook.com/events/440404928139944/440701844776919

Dear Friend web archive: https://gd.artun.ee/dearfriend/ 

Supported by Cultural Endowment of Estonia, Estonian Academy of Arts, European Regional Development Fund

See you soon!

Sandra & Ott

Join us for the opening of Kristel Zimmer’s solo show “The Rite of Spring” on August 11 at 4 pm at EKA Gallery! The exhibition is curated by Ene-Liis Semper and on view until September 10.

From the beginning, the body and physicality have been one of Kristel Zimmer’s themes. Her earlier works were more involved with the surreal and penetrating the darkest part of the subconsciousness. However, in the “The Rite of Spring” series, the brighter and more immediate side of being can also be perceived.
“The Rite of Spring” celebrates pure physical presence while at the same time opening the deeper layers of being behind feminine physicality.
Kristel does not use digital manipulation in her work but experiments with the field of view limited by the lens and different points of view. Therefore, her creation is also a performance carried out in front of the camera, in which the viewer can partake through the video medium.

Kristel Zimmer (b.1997) is a young artist and performer, currently studying in the Estonian Academy of Arts, Scenography MA. Her previous artistic activity has with the artists´ group dassemperdepot.

Ene-Liis Semper (b. 1969) is an Estonian video and installation artist and theatre director. Her works almost always involve a kind of duality, maintaining a precisely measured cognitive balance between seriousness and irony. The artist interacts with the viewer through testing the limits of both physical and psychological space.

Taming a Wild Tongue
Laura Cemin (IT/FI) and Bianca Hisse (BR/NO)
curated by Monika Charkowska (PL/DE)
8.–30.7.2022, EKA Gallery, Kotzebue 1, Tallinn

Opening: 8.07.2022, 4 pm

Referring to Gloria Anzaldúa’s notion of ‘wild tongue’ (Borderlands, 1987), the exhibition departs from the questions: How to tame a wild tongue? How to carry a language? The verbs ‘taming’ and ‘carrying’ imply certain dynamics of permission and restriction of movement, and suggest the entanglement between language and the body.
Through sculptural and audio elements, the exhibition explores the power of language and its poetics. It delves into the notion of ‘tongue’ as an archive: the tongue as a muscle shaped by the physical practice of moving/ talking, the tongue as a personal collection of the words that each of us speaks, the tongue as a ‘cultured’ part of the body. It explores the practices of accent reduction and speech therapy, tools widely used when ‘working on language’. It addresses accent as part of our linguistic identity, but also something that defines access or restriction. It examines the weight of different accents, their stigma, and what the process of adaptation to a new language can generate in a body.

Laura Cemin is an Italian artist based in Helsinki, Finland. Her work, often presented in galleries and non-traditional performance spaces, brings together elements of performance, writing and temporality with the intention of challenging the boundaries between dance and visual art. She graduated from Umeå Art Academy (SE) in 2019 and holds a degree in Ballet and Contemporary dance. She lives and works between languages.

Bianca Hisse is a Brazilian artist based in Norway. From a double movement between choreography and visual arts, her work investigates how today’s societies are choreographed by global demands. She graduated from Kunstakademiet i Tromsø in 2019 and has a BA in Performing Arts from Pontificia Universidade Catolica de São Paulo (2016). She lives and works between languages.

Monika Charkowska is a Polish-born researcher and curator based in Berlin (DE). Her current interests focus upon language, time relations and non-human ontologies. She studied in Toruń (PL), Freiburg (DE), Paris (FR) and Prague (CZ), and holds a MA degree in Art History, Philosophy and German Philology (with a focus on Modern German Literary History). She is also a Teacher of German as a Foreign Language. She lives and works between languages.

Graphic design: Kersti Heile

This year, the graduation party takes place on 21th of June, starting from 19:00 in the EKA Gallery.

In addition to the graduating students, all other students, graduates and staff are welcome to attend. To kick off the party, there will be a drag show followed by the band Arg Part.

After the band, DJs will take over. The EKA X SVETA BAR will be serving both alcoholic and non-alcoholic drinks all night long. Guests can also capture the night in the photobooth which will be installed next to the gallery. 

The EKA Grad Party is hosted by EKA Student Council. 

SCHEDULE: 

19:00 – beginning of the party 

19:30-21:00 – Drag Show

21:00-23:00 – Arg Part

23:00-00:00 – DJ Silikaat

00:00-03:00 — DJ YALLAH b2b DJ HOLY MOUNTAIN 

Event on Facebook