“Mordere manus” Group Exhibition at Ülase 12

MORDERE MANUS

On Monday, May 27 at 12 am a group exhibition “Mordere manus”, will open at the Ülase 12 Social Center.

“Mordere manus” means to bite both the hand that feeds you and your own hand in order to silence oneself. Critical thinking primarily reflects the ability to identify and deconstruct power dynamics in the surrounding world. Asserting oneself in that world is akin to the question: “You’ve seen yourself as part of a system; what do you do with this knowledge?”

The artists involved in the project find themselves in positions where these same questions have become unavoidable, whether they are opposing societal power structures or the hierarchies present in their own bodies.

The exhibition takes place at the Ülase 12 Social Center . A space that has always served as a platform for all those who have dared to think differently.

On Thursday, May 30, at 5.30 pm, the exhibition will close with a grand finissage with performances by the participating artists.

Participating artists: Katariina Kesküla, KitKit Para, Merilin Põldsam, Mihhail Boitsov, Vitor Pascale
Curator: Kaur Järve
Special thanks: Ülase team, Anders Härm and Margit Säde

Exhibition will be open until May 30, Mon-Thr 12-5pm
Ülase 12 Social Center, Ülase 12, Tallinn

More info:

Kaur Järve

The material-led group exhibition “Objects or Things” opens on May 30th at 18:00 in the Krull Quarter.

Objects or Things brings together ten master students from the academy’s new Craft Studies program, presenting works in various materials, including glass, metal, stone, textile and ceramics. The presented works stay on the border between objects and things and question the importance of functionality with their nature, combining different craft disciplines. The group members position themselves in between the worlds of art, design, and craft, brought together by a deep interest in the nature and roles that different materials shaped by humans have and occupy. The crafts represent traditions with long histories that are nevertheless alive and capable of changing with the world.

Participants: Sofiya Babiy, Iohan Figueroa, Rait Lõhmus, Juulia Aleksandra Mikson, Katariin Mudist, Maarja Mäemets, Alyona Movko-Mägi, Kati Saarits, Hannah Segerkrantz, and Elias Sormanen.

Objects or Things is open from 31.05–9.06.2024, Fri-Sat 13:00–19:00, or by appointment. Address: Kopli 70a, Krulli Quarter, 2nd floor.

This exhibition is part of the TASE satellite programming.

For more information and rsvp, please contact Maarja Mäemets maarja.maemets@artun.ee

The exhibition opening is sponsored by Põhjala Brewery.

SISU is a major event in the field of Estonian interior architecture and spatial design, which deals with topics related to interior architecture. The symposium has become a meeting place for recognized theorists and practitioners in the field of (interior) architecture from all over the world. This year’s SISU will take place from the 13th until the 2oth of June  in the premises of the National Archives film archive in Pelgulinn. The focal point of SISU is an exhibition and the accompanying symposium, which will take place on 13th of June at 5.00 p.m.

The title of this year’s exhibition … And Nothing is Forever refers to the question of temporality in spatial design. Participants from all over Europe were asked to open up the current state of their profession through one artefact that was to be sent to Tallinn with the smallest size box of the international postal service. Both found objects and works created especially for this event will be on display at the symposium. However, the participants had to take into account the fact that after the end of the exhibition they wouldn’t get back their works. The objects will be put back in the boxes and they will remain in the building as a unified time capsule. 

The curators of the Time Capsule project, Aet Ader, Karin Tõugu Gregor Taul and Pavle Stamenovic, invited 50 individuals and offices from Estonia and abroad to participate in SISU this time, and half of them responded with an artefact. Among the participants are interior architects, architects, designers, artists, urban activists, material researchers, furniture makers, creative researchers as well as performance artists, all of whom have come into contact with the field of interior architecture in one way or another. Attempts have been made to capture the spirit of the era and the profession both through text-based manifestos and ephemeral mock-ups.

In the exhibition, the artefacts enter into a dialogue with the cells of the Ristiku 84 building, which was built as a prison for the Tallinn garrison in the 1950s. It is a unique horseshoe-shaped prison, which reflects the 18th century English enlightener Jeremy Bentham’s idea of a penitentiary as a panopticon. Although the neoclassical prison underwent a thorough renovation in the 1990s when it was converted into an archive, the cells on the first floor were left intact. Films have been shot in these rooms, and architecture enthusiasts have been able to get to know the house as part of the annual Museum Nights, but the house is unknown to the general public. It may happen that it will stay that way, because it is not known what the state will do with the building after the Film Archive moves out. It is not a listed building, moreover, the building is in poor condition, has a somewhat tainted history and is located on a valuable plot. Based on current practice, the entire complex – along with the “buried” SISU 2024 time capsule – is threatened with demolition.

The SISU exhibition opens at 3 p.m on the 13th of June. At 4 p.m there will be a guided tour in the Film Archives building led by its director Eva Näripea. The symposion will take place from 5 p.m to 7 p.m. The exhibition will remain open from the 14th to the 20th of June, Mon-Thu 9 a.m to 5 p.m, Fri 9 a.m to 4 p.m. Further information in English below.

SISU is supported by the Cultural Foundation, the Ministry of Culture, Film Archive of the National Archives of Estonia and the Estonian Association of Interior Architects. In addition to the curators, Gregor Taul and Annamari Nael from the EKA Department of Interior Architecture and graphic designer Anna Kaarma belong to the organizing team of the symposium.

Initial list of participants:

45 degrees (Greece/Germany) – https://www.forty-five-degrees.com/

Hanna Loora Arro

Ljubica Arsic (Serbia/Switzerland) – https://ljubicaarsic.com/

Masayo Ave (Japan/Germany) – https://www.masayoavecreation.org/

Jean Jacques Balzak (France) – https://www.instagram.com/jeanjacquesbalzac/

Laurens Bekemans (Belgium) – https://bcmaterials.org/

Katarina Bonnevier (Sweden) – https://mycket.org/

Janka Csernak (Hungary) – https://mome.hu/en/people/janka-csernak

Aleksandr Delev (Germany) – https://www.aleksandrdelev.com/

Davor Eres (Serbia) – https://ifdt.bg.ac.rs/dt_team/eres-davor/?lang=en

Failed Architecture (Holland) – https://failedarchitecture.com/

Caterina Figuera (Spain/Switzerland) – https://rotativestudio.com/

Ana Filipovic (Germany) – https://www.ana-filipovic.com/

Daniel Fuchs (Switzerland) – https://bach-muehle-fuchs.ch/

Atelier Gapont (Liechenstein) – https://ateliergapont.li/

Tinatin Gurgenidze (Georgia/Germany) – https://www.instagram.com/post_soviet_space/

Matilde Igual (Spain) – https://matildeigual.eu/

Silvia Ingver

Jüri Kermik – https://www.kermikdesign.com/

Keithy Kuuspu – https://www.keithykuuspu.com/

Kuidas.works – https://kuidas.works/

LLRRLLRR – https://llrrllrr.com/

Milica Lopičić (Serbia/Germany) – https://www.lopicic.de/

Urmas Lüüs – https://urmasluus.com/

Tom Vam Malderen (Malta) – https://tomvanmalderen.com/

Philip Mecke (Germany) – https://www.philipp-mecke.com/

Arnita Melzoba and Kārlis Melzobs (Latvia) – https://gaissarhitekti.lv/

Jelena Mitrovic (Serbia) – https://poligon.rs/

mitte_tallinn – https://www.instagram.com/mitte_tallinn/

Maria Muuk, Nele Kurvits, Aimur Takk

Platvorm – https://www.platvorm.ee/

Laura Pormeister

Miro Roman (Croatia/Switzerland) – https://miro.romanvlahovic.com/

Sampling (Latvia) – https://www.sampling.lv/

SPOLKA (Slovakia) – https://spolka.cc/

Sven Samyn

Dubravka Sekulić (Serbia/United Kingdom) – https://en.wikipedia.org/wiki/Dubravka_Sekulić

Sander Joosep Siigur

Linda Marie Zimmer

Pent Talvet – https://www.iseasi.ee/

Margus Tammik, Mari Möldre, Ulla Alla, Merilin Kaup – https://vares.space/

TEN studio (Serbia/Switzerland) – https://ten.studio/

Kristi Tšernilovski

Stuudio TÄNA – https://stuudiotäna.ee/

Mari Uibo

Linda-Marie Urke

Tüüne-Kristin Vaikla – https://www.vaiklastudio.ee/people/tuune-kristin/

Kristina Õllek – https://kristinaollek.com/

Mirell Ülle – https://www.tervislikruum.ee/

With Love and Fortitude
ARS Project Space & Showroom & Studio 53
Exhibition open: May 25 – June 14, Mon–Sun 12.00–18.00
Opening: Friday, May 24, 18.00

With Love and Fortitude is a joint exhibition by the 1st year MA Contemporary Art students of EKA, taking place in ARS Project Space, Showroom and Studio 53. The exhibition brings together a variety of practices and features works created during the spring semester’s Art Practice module, addressing the following keywords and topics: accumulation, brokenness, canons, contact points, expected randomness, fantasies, forgiving, growing, in-betweenness, indifference, meetings, ordeals, relations, romanticizing, traumas and withering.

With love and fortitude:
Yvette Bathgate
Mihhail Boitsov
Anna Broučková
Chloé Geinoz
Christina Gradtke
Katariina Kesküla
Yuko Kinouchi
Eleftheria Kofidou
Tea Lemberpuu
Sven Mantsik
Jane Muts
Jana Mätas
KitKit Para
Vitor Pascale
Merilin Põldsam
Jake Shepherd
Liza Tsindeliani
Elo Vahtrik
Kristi Vendelin

Technical support:
Dream Team (Johannes Säre)

Thank you:
Maris Karjatse, David Ross, Eve Kask, Kristi Kongi, Camille Laurelli, Marge Monko, Laura Põld, David Ross, Liina Siib, Taavi Talve, Jaan Toomik, Anu Vahtra, Reimo Võsa-Tangsoo, Estonian Academy of Arts, ARS Art Factory, Estonian Artists’ Association

More information:
Anu Vahtra & Maris Karjatse
Heads of MA Contemporary Art
anu.vahtra@artun.ee
maris.karjatse@artun.ee

Cancelled!

On May 31, at 11 AM Sofia Nannini will present a lecture “The mechanization of life: Histories, architecture, and paradoxes of intensive animal farming” in room A-403.

The zootechnical buildings of animal farming are everywhere and, paradoxically, they seem to be nowhere. Also, they are often perceived as anonymous and timeless. Yet, we may ask: How did the architecture of intensive animal farming develop since the late nineteenth century? This talk will briefly explore its geographical and institutional origins, and it will critically analyse the spatial, social, and ethical paradoxes on which the animal-industrial complex is grounded.

The lecture is intended for all disciplines, not only for students and professionals in the field of architecture.

Sofia Nannini is an Assistant Professor in architectural history at the Politecnico di Torino. She is author of “Icelandic Farmhouses: Identity, Landscape and Construction (1790-1945)” (Firenze University Press, 2023) and of “The Icelandic Concrete Saga: Architecture and Construction (1847–1958)” (Jovis, 2024). She is currently working on a book project tentatively entitled “The Mechanization of Life: An Architectural History of Intensive Animal Farming”.

The peer-review of Maria Kapajeva’s exhibition “Listen To My Scream, Hear Their Dreams”  will take place on June 3 12.00-13.30 in EKA, room A502.  This exhibition is the second event of Kapajeva’s practice-based doctoral studies.

The thesis is supervised by Dr. Redi Koobak (University of Strathclyde, Glasgow) and Prof. Annika Elisabeth von Hausswolff (University of Gothenburg). The peer-reviewers of the exhibition are Dr. Ingrid Ruudi (EKA) and Dr. Britta Benno (EKA).

The exhibition was open 17.04.—11.05.2024 at Draakoni Gallery in Tallinn.

Maria Kapajeva’s exhibition, “Listen To My Scream, Hear Their Dreams,” is profoundly influenced by Draakon Gallery’s location directly across from the Russian Embassy in Tallinn’s Old Town. Positioned in this manner, Kapajeva aims to foster a more nuanced dialogue regarding the ongoing war in Ukraine, which has led to a continual exposure to harrowing imagery. Consequently, a process of desensitization has transpired, rendering us less able to empathize with the enduring violence faced by real individuals still fighting for their lives in Ukraine. The intricate details, nuances, and personal narratives have been reduced to easily shareable content that briefly crosses our screens before fading into obscurity.

The artworks selected and created for this exhibition stem from the necessity to provide a platform for the personal accounts of those who have fled Ukraine, as well as the artist’s own imperative to express and scrutinize her suppressed anger regarding the ongoing conflict. In this exhibition, there are no images of war; instead, viewers are presented with works that demand time to engage with— to be read, listened to, and truly heard. These artworks compel us to scrutinize the language of the oppressor, where imperialist ambitions lurk behind ostensibly positive rhetoric. We encounter intimate tales of despair and devastation, yet also of hope and compassion. We are invited into a tumult of emotions, ultimately finding catharsis in releasing the anger buried deep within us.

NART OPEN LECTURE IN EKA 3/3 – Kristiin Hanimägi and Joel Freeman
21 May at 17.45
Põhja pst 7 room A-501, EKA, Tallinn

The third and final NART open lecture this season will be on May 21. It will be by Kristiin Hanimägi (EST) and Joel Freeman (USA). Kristiin is an experimental photographer living in Tallinn where she works at the National Heritage Board of Estonia as an archivist. Joel is an artist and art worker living in Los Angeles, California. Together, they work as a duo and in Narva they research collective memory by offering locals to engage with camera obcuras.

Artists-in-residence from the Narva Art Residency give semi-regular public lectures at the Estonian Academy of Arts in Tallinn. They talk about the practicalities of being a professional artist, what the daily life of an art residency is like, and how to get involved in the opportunities offered to artists. Of course, they also introduce their creative work.

The final lecture this spring takes place on Tuesday, 21 May at 17.45. It will be in EKA (Põhja pst 7) in room A.501 on the fifth floor. The lecture is free of charge and open to all! The lecture will be held in English.

Russia’s full-scale invasion of Ukraine has sparked debates and conflicts over Russian and Soviet monuments in the former Eastern Bloc and has also revitalized global discussions about dissonant heritage. This has created a new need and a new framework for comparisons – for comparing monuments, as well as their toppling and rebuilding in different parts of the world and historical contexts.

This event is primarily about learning from cases of reframing. The lectures, seminars and workshops will bring together expertise and knowledge from different fields and contexts to explore solutions that aim not to dismantle dissonant heritage but to place it in a new, critical framework. During the three days, we will discuss the broader conceptualizations and histories of reframing monuments and heritage, as well as focus on concrete cases. The cases will include various artistic interventions as well as other means of reframing, ranging from educational programs and museology to community engagement.

We believe that there is an urgent need to bring together knowledge of existing cases also to develop future practices for reinterpreting heritage through cross-disciplinary collaboration: artistic research and memory studies, heritage conservation and digitization, and spatial interventions. Thus, this event aims to generate new knowledge and skills for dealing with complex heritage at different levels.

The event will consist of lectures, seminars, tours and group work. Students are divided into interdisciplinary groups to develop a reframing project, each of which will focus on a case study representing dissonant heritage from Narva and the neighbouring industrial regions of northeastern Estonia.

The workshop will include the following events open to the public:

September 2 @ NART

13:00-14:45 Introductions:
Conceptualisations of Dissonant Heritage

Linara Dovydaitytė (Vytautas Magnus University):
How to Articulate Dissonance in a Dissonant Heritage?

Kristo Nurmis (TLU),
Illiberal Heritage: Preserving Soviet-Era Historical Layers in Estonia

Moderator: Linda Kaljundi (EKA)

15:00-16:00
Victoria Donovan (University of St Andrews):
Towards a Method of Critical Care: Community and artist engagement with ‘difficult heritage’ in Ukraine’s industrial East

Moderator: Hilkka Hiiop (EKA)

September 3 @ NART

10:00-11:30
Case studies – the artist in focus

Runo Lagomarsino:
Geography of Haunted Places

Kristina Norman:
Looking Back at “After-War” (2009) during the War

Moderator: Epp Annus (Ohio State University / TLU)

12:00-14:00
Case studies – bridging different contexts

Olha Honchar (Territory of Terror Museum, Lviv):
Formation and interpretation of the collection of Soviet totalitarian sculpture in the “Territory of Terror” Museum in Lviv

Tullia Catalan (University of Trieste):
Managing Controversial Memories: The Recontextualisation of Fascist Legacies at the Italian Borders. Case Studies of Bolzano and Trieste

Moderator: Anneli Randla (EKA)

15:00-16:00
Case studies – Estonia

Epp Annus (Ohio State University / TLU):
Rotting Bones and Caked Blood: War Graves and Reburials in Estonian Literature

Kirke Kangro (EKA):
Art and Recontextualisation of Heritage: The Case of Tehumardi in a Wider Context

16:30-17:45
Egle Grebliauskaite (Vilnius University):
Artistic Autonomy Against Political Control: Clash of Wills in Memory Transformations (presentation and film screening)

19:00 Screening of Alyosha (2008) and discussion with the film director Meelis Muhu

September 4 @Sillamäe Cultural Center

14:00-14:45
Riin Alatalu, Anu Soojärv (EKA):
Sillamäe – fascinating dissonance

September 6 @ EKA, room A 501 and EKA TV

14:00 Presentations of the group work
Moderator: Gregor Taul (EKA)

Experts: Riin Alatalu, Kirke Kangro, Gregor Taul, Anu Soojärv and Triinu Väikmeri (Estonian Academy of Arts), Kristo Nurmis (Tallinn University), Victoria Donovan (University of St. Andrews), Oksana Denisenko and Linara Dovydaitytė (Vytautas Magnus University), Egle Grebliauskaite (Vilnius University), Olha Honchar (Territory of Terror Museum, Ukraine)

The workshop takes place within the framework of the Transform4Europe (T4EU) project. T4EU, consisting of ten universities, operates under the European Universities Initiative with the aim of making European higher education more competitive, based on European values ​​and identity.

More info:
Triinu Väikmeri (triinu.vaikmeri@artun.ee)

On 17th June Nina Stener Jørgensen, a PhD candidate of the Estonian Academy of Arts, curriculum of Architecture and Urban Planning, will defend her thesis “Participation as Data? Architecture and Cybernetics in Europe around 1968” (Osalus kui andmed? Arhitektuur ja küberneetika Euroopas 1968. aasta paiku).

A public defence will be held on 17th June 2024 at 11.00 at EKA (Põhja pst 7), room A501.
Defense will be broadcast on EKA TV.

Supervisor: Prof. Maroš Krivy (Estonian Academy of Arts)
External Reviwers: Dr. Tahl Kaminer (Cardiff University), Dr. Ingrid Halland (University of Oslo)
Opponent: Dr. Tahl Kaminer

This dissertation unpacks histories of participation and computer technology, through the analysis of the intersection of adaptable space and cybernetics in architectural practice around 1968, focusing in particular on the role of participation in this convergence.

The main body of the thesis comprises three articles studying projects spanning from 1965 to the time around the oil crisis in 1973. From a moment in European architectural history, where the political East-West divide was particularly tangible, the cases represent and cover a broad sample of attitudes towards participation and cybernetics from a Western-European perspective. From Paris, which in many ways is the ‘locus of 1968’, from London which at the time fostered a rapid development of new computer technologies and business models, as well as from Copenhagen, which at the height of architectural modernism witnessed the first critiques of the so-called Scandinavian welfare model.

With its focus on archival material and historic case studies, “Participation as Data? Architecture and Cybernetics in Europe around 1968” aims to show how the urban and its city dwellers were accessed through the practice of participation and how this extraction was framed and conceived by architectural and cybernetic means. Throughout the articles, the main research question ‘Participation as data?’ has served as a recurring method of analysis, aimed at comprehending how exactly the architects made use of cybernetics and participation, and how they aimed to intersect the two concepts in an architectural practice, looking at how cybernetic participation cut across multiple scales, from the singular room to the city, all potentially expanding to a global and networked infrastructure. Through the analysis of British architect Cedric Price’s feasibility study for Oxford Corner House (1965–1966), Franco-Hungarian spatial artist Nicolas Schöffer’s proposal Tour Lumière Cybernétique (1961–1973) as well as Danish architects Susanne Ussing and Carsten Hoff’s practice as Atelier Cyberspace (1968–1970), the thesis proposes the term ‘Cybernetic participation’ to encompass their programmatic similarity; mainly the treatment of participation as an information collection process, but also how the projects subsequently sidestepped a direct interaction with its users.

The thesis is available HERE.

Defence Committee: Dr. Siim Tuksam (Head of the Committee), Dr. Anu Allas, Dr. Renee Puusepp, Prof. Andres Kurg, Prof. Panu Lehtovuori, Prof. Klaske Havik, Prof. Helena Mattsson.

TASE ‘24
Estonian Academy of Arts Grad Show
30.05.–14.06.24
Open every day from 12 to 6 pm
tase.artun.ee

TASE is the yearly graduation show of the Estonian Academy of Arts, where the faculties of Architecture, Design, Art Culture and Fine Arts present current master theses and a selection of bachelor theses and portfolios. See the graduation works also on the website tase.artun.ee!

OPENING ON MAY 29

Schedule of the opening of TASE ’24 on Wednesday, May 29:

• 3 pm doors open at the Estonian Academy of Arts
• 4 pm opening of TASE ’24 at the graduation show of the Faculties of Architecture and Art Culture at the Estonian Academy of Arts
• 5.30–6 pm collective procession from the Estonian Academy of Arts to Tallinn Art Hall
• 6 pm opening of the graduation show of the Faculties of Design and Fine Arts at Tallinn Art Hall
• 7–11 pm party at Tallinn Art Hall

On the opening day, on May 29, the graduation show is open to visitors from 5–8 pm at the Estonian Academy of Arts and from 5–9 pm at Tallinn Art Hall.

LOCATIONS

Estonian Academy of Arts
Graduation works of the Faculties of Architecture and Art Culture
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Põhja puiestee 7, Tallinn

Tallinn Art Hall, Tallinn Art Hall Gallery, Vent Space
Graduation works of the Faculties of Design and Fine Arts
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Vabaduse väljak 6 & 8, Tallinn

Design and Architecture Gallery
Graduation works of the bachelor students of Digital and Industrial Product Design and the master students of Product Design
29.05.–8.06.24, open Mon–Fri from 12 to 6 pm, Sat–Sun from 12 to 5 pm, free entry
Address: Pärnu mnt 6, Tallinn

ETC
Graduation exhibition “Do You Copy?” of the master students of Graphic Design
1.–7.06.24, open every day from 1 to 5 pm, free entry
Address: Niine 8a, Tallinn

Long Leg Gate Tower
Graduation exhibition “ETHEL IS GOD” by Ethel Ütsmüts, bachelor student of Ceramics
30.05.–14.06.2024, open Mon–Fri 10 to 14 pm, free entry
Address: Pikk Jalg 3, Tallinn

PoCoLAB.ai
Graduation works of the master students of Interaction Design (MIxD)
01.–08.07.2024, open every day from 3 to 8 pm, entry 5€/3€/0€
Address: Rotermanni 14, Tallinn

Põhja pst 2, Tallinn
Graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture
1.–4.06.24, open every day from 12 to 6 pm, free entry

Uus Rada Gallery & Raja Building
Graduation works of the master students of Contemporary Art, participants Sandra Ernits, Mara Kirchberg, Sarah Noonan, Siim Preiman
31.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Raja tn 11a, Tallinn

PROGRAMME

EKA pop-up shop
29.05.–2.06.24 in the lobby of Tallinn Art Hall, open Wed 6–11 pm Thu–Sun 12–6 pm

Theses defences
27.05.–13.06.24

Guided tours about the graduation works part of Architecture with Gregor Taul at the Estonian Academy of Arts, starting in the lobby:
5.06. at 2 pm in English
5.06. at 4 pm in Estonian

Guided tours at Tallinn Art Hall, start in front of the building on Freedom Square:
8.06. at 1 pm by Anna-Liisa Villmann in Estonian
8.06. at 3.15 pm by Valeriya Ferschel in Russian
9.06. at 1 pm by Anna-Liisa Villmann in Estonian
9.06. at 3 pm by Anna-Liisa Villmann in English
14.06. at 4.30 pm tour about the stories of the building’s past with Kaisa Maasik in Estonian

TASE FILM, curated by Kaur Järve
11.06.2024 at 6 pm at the Estonian Academy of Arts, room A-101, free entry

28.05. at 5 pm opening of the exhibition by the students of Product Design at the Design and Architecture Gallery

30.05. at 4 pm opening of the graduation show of the master students of Contemporary Art at Raja 11a

31.05. at 4 pm opening of graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture

31.05. at 7 pm opening of the graduation show „Do You Copy?“ of the master students of Graphic Design in the project space ETC

Public programme in the Design and Architecture Gallery:

1.06 at 1.30-3 pm workshop “Design quality time” for families in Estonian
1.06. at 12 & 3 pm guided tours in Estonian
2.06. at 12 & 3 pm guided tours in Estonian
8.06. guided tour at 12 pm in Estonian
2.06 at 1.30-3 pm workshop “Experiencing Design” in Estonian

SATELLITE PROGRAMME

Exhibition “Disruptive Dissonance” by the second year students of the department of Jewellery, Telliskivi 60, Telliskivi Kvartal
23.05.–5.06.24, open Tue–Sun from 12 to 7 pm, free entry
Opening: 22.05. at 6 pm
Participants: Emilia Santaella Barreto, Elisabet Kiverik, Alice Kupri, Lucie Pastyrikova, Liisu Saar, Jekaterina Šehovtsova, Ronja-Marjam Vene

Exhibition “With Love and Fortitude” by the first year master students of Contemporary Art, ARS Project Space, Showroom and Studio 53, ARS Art Factory, Pärnu mnt 154, Tallinn
25.05.–14.06.24, open every day from 12 to 6 pm, free entry
Opening: 24.05. at 6 pm
Participants: Yvette Bathgate, Mihhail Boitsov, Anna Broučková, Christina Gradtke, Katariina Kesküla, Yuko Kinouchi, Eleftheria Kofidou, Tea Lemberpuu, Sven Mantsik, Jana Mätas, Jane Muts, KitKit Para, Vitor Pascale, Merilin Põldsam, Jake Shepherd, Liza Tsindeliani, Elo Vahtrik, Kristi Vendelin

Screenings of Elle Lepik’s film “Agentic Glass Landscapes 1”, Energy Discovery Centre, Põhja pst 29, Tallinn
30.05.–14.06.24, Mon–Fri 11.15 am & 2.15 pm Sat 11.15 am & 3.15 pm, entry 15€/12€

Craft studies coursework, Kopli 70a, 2nd floor, Krull kvartal, Tallinn
31.05.–9.06.24, open Fri–Sat from 1 to 7 pm or by appointment
Opening: 30.06. at 6 pm
Participants: Sofiya Babiy, Iohan Figueroa, Rait Lõhmus, Juulia Aleksandra Mikson, Katariin Mudist, Maarja Mäemets, Alyona Movko-Mägi, Kati Saarits, Hannah Segerkrantz, Elias Sormane

Exhibition of the master students of Contemporary Art titled “AEGn/a: exhibition in the city centre of Tallinn”, Aegna Island, Tallinn
2.-26.06.24, visiting according to the ferry schedule
Opening: 2.06., guided tours at 11 am & 3 pm
Finissage: 26.06.
Participants: Yvette Bathgate, Chloé Geinoz, Katariina Kesküla, Eleftgeria Irene Kofidou, Jane Muts, Anumai Raska, Jake Shepherd, Melina Unterhauser, Elo Vahtrik
Curator: Keithy Kuuspu

Exhibition “Contemporary Drawing: Worlding in Layers” by the second year students of Fine Arts, NART studio and Narva Kreenholm Manufacturing Company
3.–30.06.24, NART studio open Mon–Fri from 3 to 7 pm Sat–Sun from 1 to 7 pm, Kreenholm can be visited on Saturdays at 1pm as part of a guided tour, free entry
Opening: 2.06. at 1 pm
Participants: August Joost, Maria Kallau, Laura Lillepuu, Triin Mänd, Elise Marie Olesk, Sandra Puusepp, Mia Mai Seppel, Hanna Vinter

Jana Mätas’ solo exhibition, Keskpuur, Keskturg, Keldrimäe 9, Tallinn
3.–23.06.24, open every day from 9.30 am to 3.30 pm, free entry
Opening: 8.06. at 1 pm

Graduation exhibition “Imprints of Being” by the photography students of the EKA Open Academy, EKA Billboard Gallery, Kotzebue 1, Tallinn
4.06.–25.08.24, open 24/7, free
Opening: 4.06. at 6 pm
Participants: Birgit Aitsam, Priit Jaak Sild, Karolin Kaplan, Reelika Helde-Mikkor, Geroli Peedu, Eveli Smitt, Liisi Tali, Grete Tuiken

Exhibition “I Hope You Don’t Mind…” by Rebecca Norman and Elisa Margot Winters, Cafe Ait, Vene 14, Tallinn
10.06.–31.10.24, open every day from 9 am to 7 pm, free entry
Opening: 8.06. at 5 pm

Screening of the graduation works of the Animation department’s bachelor and master students, Kino Sõprus, Vana-Posti 8, Tallinn
15.06.24 from 5 to 7 pm, free entry
Participants: Carlos Santiago Ordoñez Alarcon, Aurelijus Čiupas, Ditiya Ferdous, Naira Hatšaturjan, Kate Jansone, Elise Kruusel, Evridiki Papaiakovou, Inês Machado Sales Grade Pinto, Piret Potter, Kirke Ross, Xingpei Shen, Nicole Tanysh, Laura Andrea Gudiño Sosa, Kelli Tõnurist

Pille-Riin Valk’s artwork “Scent of Moments”, the facade of the Estonian Academy of Arts, Kotzebue 1, Tallinn
Open 24/7, free 

TASE TEAM

Organizer
Kaisa Maasik (kaisa.maasik@artun.ee, +372 5396 2524)

Assistant
Mia Tohver

Creative logisticians of TASE ’24
Vabaduse väljak 6 & 8
Brigit Arop, Johannes Luik

Creative logisticians of TASE ’24
Faculty of Architecture at the Estonian Academy of Arts
Anni Kärmik, Kairi Mändla

Curator of TASE FILM
Kaur Järve

Graphic design
Robin Raspel, Georg-Ander Sild, Ronald Trei

Communication
Pärtel Eelmere, Laura Jüristo, Triin Käo, Maarja Pabut, Andres Lõo (contact for press: andres.loo@artun.ee, +372 526 7253)

Technical director
Erik Hõim

Technical team
Katariina Kesküla, Ats Kruusing, Eke Ao Nattan, Reigo Nahksepp, Jake Shepherd, Mattias Jürgen Veller

SUPPORTERS

AkzoNobel, Cultural Endowment of Estonia, Estonian Artists’ Association, Punch, Tallinn Art Hall, ERASMUS