Category: Ceramics

Open lecture by Jonathan Keep ‘10 Years of Extrusion Clay Printing’ on EKA TV.

Jonathan Keep, a pioneer in clay 3D printing, will talk about his experience in the field of printing over the past ten years, starting at 1 PM on Thursday, November 26th. 

He began working as a ceramicist in South Africa 30 years ago. He has lived and worked in Suffolk, England since 1986.

Jonathan Keep started working in digital technology at the turn of the century, during his master’s studies at the Royal College of Art. From there on he became interested in the possibilities of clay 3D printing, which was realized in a delta printer built in cooperation with the Belgian design studio Unfold. Since then, he has worked and shared his experience in the field of clay 3D printing in many countries, also via the web.

The first half of the lecture at EKA covers what he has learned on the subject in his travels over the last 10 years.

The second half is more technical as he talks about what he has learned about machines and about extrusion clay printing. In this second part he describes some quite detailed research he has done into the characteristics of different clays when used for printing and research into layer height, nozzle size, clay consistency and printing speed.

The lecture can be rewatched on EKA TV till the end of Thursday.

Organizer: prof Urmas Puhkan, Department of Ceramics

Al₂Si₂O₅(OH)₄
Juss Heinsalu

Al₂Si₂O₅(OH)₄ is a simplified formula representing the chemical composition of clay. This exhibit of the same name is a continuation to the exhibition “Surface View” in the monumental gallery of the Tartu Art House (June 2020). It gathers together a wide range of artistic applications of clay in ceramics, glass, printmaking and in new material combinations. Heinsalu deals with clay as a source, medium and environment. In his material-based research and creation practice, he looks at the properties of clay while combining them with mythological derivations, scientific hypotheses and speculative solutions. EKA Gallery displays prints made with clay pigments, fused clay-glass samples, ceramic elements, formed clay-skin from bioplastic and wool mixture, micro-macro scales of clay through video format and much more.

Heinsalu adds: “My studio practice merges materials with invented tools, mythological narratives and folklore with contemporary technology. I often lean on fiction to playfully observe and (re)define the surrounding world. In this exhibition, clay is simultaneously a base material, form, language, metaphor and a reflection.”

Juss Heinsalu studied ceramics at the Estonian Academy of Arts and received his MFA at NSCAD University in Nova Scotia, Canada. Heinsalu deals daily with material-based research and creation, and in Fall 2020 began additional studies in the field of interior architecture at EAA. Previously, he has actively participated in various projects and exhibitions across Europe and North America.

Thanks from the artist for the support of this exhibition and his practice: Estonian Artists’ Association, Arts Nova Scotia, Cultural Endowment of Estonia, the departments of Glass Art, Ceramics, and Jewellery and Blacksmithing at Estonian Academy of Arts, Printmaking department at NSCAD University, Valge Kuup, and artist’s family and friends.

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Ceramic Dimension
10–28.11.2020
Lauri Kilusk, Martin Melioranski and Urmas Puhkan.

The international workshop-exhibit “Ceramic Dimension“ introduces the possibilities of clay 3D printing in EKA. The project is organized by Urmas Puhkan and Lauri Kilusk from the Department of Ceramics and Martin Melioranski from the Department of Architecture. Huge assistive support from Kaiko Kivi as a system architect and Madis Kaasik from Prototyping Lab.

During the period of almost five years, the professionals and students of different disciplines from EKA and elsewhere in the World, have been engaged in an experimental process, that has taken the knowledge and sensibility gathered through centuries of this specific materiality and combined it with current technological outputs, initiating novel outcomes from a well tested material.

The exhibit “Ceramic Dimension“ gives an overview of the wide spectrum of morphological and space-making topics led by design, art and architectural agendas, that have been brought to the physical environment by stratifying refined clay mass with digital tools and specially designed 3D printers and an advanced collaborative robot.

When compared to the now common plastic filament 3D printing, it brings forth contrasting results – clay is much more “alive”, even after going through the stages of digital-mechanical treatments. Clay, due to its substantiate internal properties, keeps on moving even after receiving its numerically driven exact shape. This in turn gives it a certain character, and avoids the easily attainable repetitive numbness and dryness when compared to regular digital prints from established industrial materials.

This has in some cases been integrated with properties of other materials in order to gain specific composite mixtures. Leftovers of Rockwool, waste paper, sand etc, has introduced a recycling and up-cycling perspective to the process, at the same time improving the printing properties of the base-material.

With our workshop-exhibit we wish to start a broader discussion on the possibilities of 3D clay printing. During this exhibition, the EKA Gallery will transform into a kind of laboratory, where new objects become alive during a continuous experiment. The viewer is expected to ask questions and express opinions, thereby becoming more akin to a participant in this process. We plan to make web-mediated meetings with several internationally recognized and established practitioners of this craft.

Next to the finished works shown and done prior to the opening, the exhibit will gain additional performative layers of integrating machinic intelligence to the joy of human discovery by making new results – showing both successes and mistakes.

Participants: Elize Hiiop, Madis Kaasik, Lauri Kilusk, Kaiko Kivi, Martin Melioranski, Urmas Puhkan Laura Põld, Oksana Teder, Katri Jürimäe, Sanna Lova, Jekaterina Burlakova, Aleksandra Kazanina, Kristel Ojasuu, Helena Tuudelepp.

Opening on Friday, September 28 at 6pm

Curators’ tour will take place on September 29 at 5pm (in English)

Curators: Laura Põld, Kati Saarits

Artists: Mona Aghababaee, Katja Beckman, Leesi Erm, Nadia Hebson, Anna Mari Liivrand, Eva Mustonen, Leo Rohlin, Kaisa Sööt ja Koit Randmäe, Mall Tomberg, Helle Videvik

Graphic design: Aadam Kaarma & Sandra Kosorotova

For the first time the Contemporary Art Museum of Estonia (EKKM) will host an exhibition presenting works by classic Estonian applied artists in dialogue with material-sensitive and process-based works by a younger generation of artists. one-on-one. on skills brings together tradition-rooted applied art and the increasingly material-centred contemporary art practices. The core of the exhibition is comprised of accomplished works from four classic Estonian applied art figures – Leo Rohlin, Leesi Erm, Helle Videvik and Mall Tomberg. Mona Aghababaee (IR), Katja Beckman (SE), Nadia Hebson (GB), Anna Mari Liivrand (EE), Eva Mustonen (EE), Kaisa Sööt and Koit Randmäe (EE) help explore the skill-based creative methods that have changed, persisted or reappeared in time.

The exhibition reflects on topics such as the possibility of self-contained form in a contemporary art exhibition, craftsmanship in material-based technologies, and the differences in the self positioning of artists working in time-consuming handicraft techniques in the immediate past and contemporary art field. The exhibition brings up questions like how can we best evaluate the part of the work of artists working in manual media that is articulated as tacit knowledge – natural or intuited knowledge? How best can we convey knowledge about skill? What is skill made up of?

The exhibition is accompanied by a catalogue, which will be presented on November 4.

Supporters and cooperation partners: Cultural Endowment of Estonia, Estonian Academy of Arts, Center for Contemporary Arts, Estonia, British Council Estonia, Estonian Artists’ Association, Akzo Nobel Baltics AS, Estonian Museum of Applied Art and Design.

Dates:  13-17 August 2018

Volume: 40 hours, 2 ECTS

Location:  Estonian Academy of Arts

Number of participants: max 13

Cost: FREE (Please note that this course is meant for higher education students only)

Registration deadline:  6th of May

In addition to the general required materials, candidates are expected to submit a letter of motivation explaining why they are applying and what is their experience with 3D printing so far (max A4).

The Department of Ceramics at the Estonian Academy of Arts invites you to participate in an international Clay 3D Printing workshop. Ceramics have properties that allow it to be used in the most disparate fields. We usually don’t consider that ceramics are all around us, not just in kitchenware, but also in bathrooms, swimming pools and public interiors, and that stoves and fireplaces, even houses, are made of fired clay. Top-quality ceramics can be found in medical equipment, audio technology and air and space industry. Clay is sensitive, flexible and versatile material with its’ own technological limits which the participants will learn during the workshop.

3D printing in clay allows us to print three-dimensional objects or models at lower cost and more easily. For ceramists, it represents a new technological possibility, while for others it gives a chance to convert digital sketches into real three-dimensional objects. During this course, participants will learn the technical skills of 3D printing and printing in clay: creating G-code and STL files, plus preparation of the clay and printing. The aim of the course is to use innovative thinking to discover new ways of printing, using clay and the printed ceramics. The end of the workshop will feature a pop-up exhibition of the objects created.

The workshop is aimed at ceramics, architecture and design students, but admission is open to all students who have had experience with 3D printing and know how to create 3D files. Every participant needs to bring their own laptop. All other materials are provided, and students may keep the objects they print.

Homework assignment for selectees:

1) students will be asked to bring one of their 3D-file, print ready

2) students will be asked to come up with a design they would like to execute in the workshop. They will be asked to give a presentation on the design in person. As in a hackathon, they will then set to work on the problem.

More information and link to registration form: https://www.artun.ee/summeracademy/clay-3d-printing/

Graphic designer, blogger and enterpreneur Helene Vetik:

Self presentation in internet.
10 years on the field – evolution of the field and myself.

www.uustuus.ee

Open lecture series in the Faculty of Design

Opening April 10, 4 pm at Löwenschede tower, Kooli 7, Tallinn

Photo as a unavoidable reality of the product. Expected and unexpected image. How to influence viewers through the photo?

Kaupo Kikkas has strong experience in different areas of photography – from product to portrait, from travelling to free artistic expression.

www.kaupokikkas.com

This Wednesday, 4.02.15 we are going to meet renown fashion designer and researcher REET AUS, who is internationally acclaimed expert of ecological design.

For several years already, the upcycling designer Reet Aus and her team have been involved in a innovative research project together with Beximco, the largest vertically integrated fabric and garment producer in Bangladesh. The unity between the two companies aims for upcycling to be implemented into the regular production processes of Beximco in order to save resources, grow efficiency and significantly reduce environmental impacts. Upcycling could potentially reduce at least 65% of waste created by the giant production of 56 million garments a year.
Reet Aus team in cooperation with Beximco are leaders in designing, mass-producing and selling 100% upcycled, unique and high-fashion garments, enabling to save on average 70% of water and create 88% less CO2 emission compared to non upcycled mass-production.