Category: Ceramics

Flows into Being. Eighth Estonian Small-Scale Sculpture Exhibition and the Annual Exhibition of the Estonian Sculptors’ Union in Gallery Pallas.

22.09.2021 – 23.10.2021

On Wednesday, 22 September at 5 p.m. the Eighth Estonian Small-Scale Sculpture Exhibition will be opened in the Gallery Pallas alongside the Annual Exhibition of the Estonian Sculptors’ Union. 

Among participating artists there are many of EKA’s alumni, current tutors and artists. 

Participating artists: Luisa Harjak, Reelika Harlatšov, Elize Hiiop, Kadri Jäätma, Kristiina Jakimenko, Juhan Jõers, Elle Kannike, Kersti Karu, Kati Kerstna, Tiiu Kirsipuu, Ellen Kolk, Georg Kotter, Heiti Kulmar, Leena Kuutma, Ingrid Allik, Olger Lehtsaar, Elo Liiv, Karmen Machachor, Maarit Mälgi, Paul Mänd, Mari Männa, Eneken Maripuu, Piret Meos (Uibotalu), Mare Mikoff, Meiu Münt, Iris Müntel, Ann Nurga, Jüri Ojaver, Terje Ojaver, Tamar Paal, Tõnis Paberit, Hille Palm, Per William Petersen, Rait Prääts, Kaie Pungas, Silver Rannak, Hristina Rinasci, Elise Rohtaas, Ingmar Roomets, Anne Rudanovski, Kärt Seppel, Ahti Seppet, Uku Sepsivart, Gea Sibola Hansen, Kerttu Siplane, Tõnu Smidt, Hannes Starkopf, Mari-Liis Tammi, Nele Tiidelepp, Silja Truus, Andras Tukmann, Ines Villido, Ivan Zubaka.

The tradition of these open call group exhibitions was founded by the long-time sculpture collection registrar at the Tartu Art Museum Ahti Seppet in 1986. Therefore, the present edition also marks the 35th anniversary of the series.

Small-scale works from 53 authors with the longest side being no longer than 60 centimetres were selected through the application process. In addition to numerous works in classical materials like ceramics and bronze, the exhibition also includes various installations. Participants include both art students and professional authors at the height of their careers.

The theme of the exhibition invited the artists to seek for the “flow” in their creative process. This allowed the authors to explore ideas and motifs that they found individually most intriguing, joining them to theme through their creative process.

The “flow” as a phenomenon was defined by the Hungarian psychologist Mihaly Csikszentmihalyi. It is a playful and enjoyable process that is free of criticism and can be accompanied by a loss of sense of time and a complete captivation by the joy of creation. Since most people encounter this to different extents in their everyday lives, this state is not limited to artists and musicians, but it is something shared by all humans. Therefore, instead of having a single motif as a theme, the aim of the exhibition is to consciously achieve “flow” during creation and to explore which tendencies and phenomena arise. The focus is on the process and the best result is determined by individual characteristics of the creator. 

The exhibition is accompanied by a publication about the history of the exhibition series containing an article by Ahti Seppet. The audience programme consists of a curatorial tour, a workshop and a discussion about the creative process.

Audience programme:
29.09.2021, 4pm–6pm Workshop “Creative assemblage from mass produced toys” (register at heiti.kulmar@gmail.com, 58581678)

6.10.2021, 5pm Curatorial tour

13.10.2021, 5pm–5.30pm Discussion group “Flow in creation”

We thank the Sculpture Department of the Pallas University of Applied Sciences and its head, Anne Rudanovski, sculptor Ahti Seppet, Estonian Sculptors’ Union, the Cultural Endowment of Estonia and Pallas University of Applied Sciences
Curator: Heiti Kulmar

Graphic design: Tnxalatte Design Collective

Exhibition team: Richard Adang, Anne Rudanovski, Ahti Seppet, Peeter Talvistu, Anti Saar, Reet-Pulk Piatkowska, Sculpture Department of the Pallas University of Applied Sciences.

For more info:
Heiti Kulmar
+372  58581678
heiti.kulmar@gmail.com

Galerii Pallas
Tue-Sat 11am–6pm
Riia 11, Tartu

The exhibition SECOND CHANGE at Tallinn Design Festival on the subject of reuse, which also includes the cooperation project “Food and Advice” of the Estonian Academy of Arts and the Fotografiska restaurant. The premiere of the exhibition, which was warmly received, was at the Venice Design Biennale this summer.

In cooperation with Fotografiska Tallinn restaurant and its chef Peeter Pihel, students of EKA ceramics, glass, jewelery and blacksmithing designed food utensils and accessories that would be in line with the restaurant’s values: recycling, zero waste, sustainability, local material and new design.

The project explored the experience of zero-cost restaurants around the world, found new ways to recycle broken dishes, and discovered unexpected ways to recycle scrap material. The design students used scrap metal, used tableware and cups as raw materials and created new, unique dishes that harmonize with the restaurant’s environment.

CERAMICS, GLASS, JEWELERY AND BLACKSMITHING
Artists: Indrek Linnamägi, Sofja Melikova, Kristin Sepp, Mart Talvar, Endel Maas, Taavi Teevet, Nga Man Chan, Kairit Mäeots, Rita Rebane Lonks, Cathy Saarm, Johanna Tamm, Mart Vaarpuu, Aleksandra Kazanina, Kerttu Rannik, Greete Rüütmann, Tiia Põldmets, Kristiina Väljamäe, Salome Ship, Mart Kekišev

“Fantasmagooria” is a group exhibition by Design & Crafts MA students of the Estonian Academy of Arts coming from five different countries from all over the world.

The exhibition will take place at Manufactory Quarter event hall on 29.05-19.06.2021, and as a part of the satellite programme of the Tallinn Applied Arts Triennial it reflects upon the main topic of this year’s event: translucency.

The etymology of the term phantasmagoria can be found in the ancient Greek: phantasma, which means phantom, apparition, and agora meaning gathering or assembly. “Fantasmagooria” brings together artists and designers with diverse backgrounds (ceramic, glass, jewellery, metal etc); showcasing an eclectic combination of media that aim to establish a fertile dialogue between disciplines. The works dwell in the space reconnecting past and present, celebrating the decay that gives room for new growth.

Under this perspective the show unravels narratives that tackle contemporary social issues and dystopian scenarios. What is familiar shows its hidden content, highlighting uncanny aspects of our society and anthropocentric view. Iron angels, sugar coated thornes, gender equality, delicate layering of fragile materials, imaginary objects that trigger a sense of wonder. Shining a light upon what usually stays secretive, the works accompany the viewer on a journey between mist and light.

Artists: Kaia Ansip, Amie Chan Nga Man, Karin Kent Grundberg, Yufang Hu, Ave Eiland, Liisbeth Kirss, Muyang Li, Sigrid Luitsalu, Karola Rianne Mahhova-Reinholm, Indrek Mesi, Terje Meisterson, Erle Nemvalts, Ulrika Paemurru, Taavi Teevet, Kaur Virkebau, Edgar Volkov

Sponsors: Estonian Academy of Arts, Cultural Endowment of Estonia, Manufactory Quarter

The exhibition is open every day 12–8 PM during 29.05-19.06.2021

The opening event is on 28.05.2021 at 6 PM

Please follow the 2+2 rule, remember to wash your hands and wear a mask when visiting!

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Opening event

For further information contact:
Ulrika Paemurru
ulrika.paemurru@artun.ee

The 8th Tallinn Applied Art Triennial opening at the end of May has selected events for its satellite programme. Among more than 20 exhibitions, the selection includes jewellery and glass art, site specific installations and events involving various fields of art. In the spirit of the times, the programme also features many window exhibitions and a flexible approach to programming.

The theme of the 2021 triennial is “translucency” and many satellite exhibitions have been inspired by that. For example, the installation “In-Tangible” by Federica Cogliandro and Tauris Reose will be set up in the Noblessner area at the end of May, and Master’s students from jewellery, blacksmithing, glass and ceramics departments of the Estonian Academy of Art will present their work at the group exhibition “Phantasmagoria” at Sitsi Factory in Tallinn.

Solo shows include projects by jewellery artists Darja Popolitova (Hobusepea gallery), Kristiina Laurits (Hop gallery), Jaan Pärn (Meistrite Hoov gallery), and Marta Boan (at the Estonian Applied Art and Design Museum’s gallery space). An exciting and dignified combination of installations, objects and jewellery by Kadri Mälk, Julia Maria Künnap and Kai Koppel will be presented at the Laboratooriumi street chapel. Jewellery artists Triin Kukk and Merlin Meremaa showcase their work in a garage on Luha Street. A-gallery shows fresh work from 18 local and international artists in their windows as well as in the Vault.

Rait Prääts and Gleb Divov bring together glass art and augmented reality at Okapi gallery. Kai Kaljo shows her fused glass objects and jewellery at the applied art and design gallery Kunstiaken. In parallel with the triennial Estonian Applied Art and Design Museum welcomes visitors to two glass art shows by Tiina Sarapu and Ivo Lill.

The satellite programme also includes Riste Laasberg’s tapestry exhibition at St. Jacob’s Church in Viimsi, window exhibitions of Katariina Guild’s studios, and an exhibition by ceramics and glass art students of the Estonian Academy of Arts at Salme Cultural Centre.

“I am thrilled that despite uncertain circumstances, we are able to present a substantial satellite programme and artists have found clever ways to showcase their works,” said Merle Kasonen, the chairwoman of the Triennial Society. “Interpreting the world through your art is part of being an artist and it is equally important to share your creations with an audience. I believe and hope that art audiences, too, are hungry for culture.”

The main exhibition of the 8th Tallinna Applied Art Triennial “Translucency” opens on 29 May at Kai Art Center and remains open to visitors until 15 August. The main exhibition of the Triennial is curated by Danish glass artist and art historian Stine Bidstrup, who selected works from 22 international artists to interpret the theme. While the main exhibition includes international artists, the satellite programme highlights local art and gives an overview of Estonian contemporary craft.

The events of the satellite programme take place in May and during summer months, a more detailed schedule will be announced as soon as the governmental Covid restrictions allow for that. 

More info

Portfolio Café is structured around one-on-one meetings that take place between local and international fine arts and design professionals and graduate students. Each meeting takes place about 50 minutes. During Portfolio Café sessions students introduce themselves and their work, and experts share their observations, provide recommendations ask, questions etc. After the first scheduled conversation student moves on to the next selected expert they have signed up for.
All Portfolio Café meetings are in English.

Portfolio Café is a collaborative project between the Faculty of Fine Arts and Faculty of Design.

Registration:
Portfolio Café invites all fine art and design students from the MA level to participate. The spots are limited and participants will be chosen according to the provided portfolios. The reviews are considered as part of the studies and you may receive credits for participating (3 ECTS).

To apply, please fill our this registration form before April 12, 2021 and upload your portfolio.

Find detailed information about our experts in the registration form.

Portfolio Café is supported by the European Regional Development Fund.

The Design & Crafts MA programme invites prospective MA students to join the programme’s Online Open House on Thursday, February 4, 2021 at 17:00 (GMT+2).

This will be a good opportunity to hear more about the programme, and to meet and ask questions directly from the department staff and current students. The open house event will be hosted online over Zoom.

If you would like to attend, please register online through the form below. A link to attend will be e-mailed shortly before the event begins.

REGISTER HERE

Design & Crafts is an interdisciplinary Master’s programme at the Estonian Academy of Arts. The students enter a common programme but also select a discipline: ceramics, glass, jewellery and blacksmithing, textile design, accessory design or fashion design.

More information about the Design & Crafts MA programme: https://www.artun.ee/en/curricula/design-and-crafts/.

Open lecture by Jonathan Keep ‘10 Years of Extrusion Clay Printing’ on EKA TV.

Jonathan Keep, a pioneer in clay 3D printing, will talk about his experience in the field of printing over the past ten years, starting at 1 PM on Thursday, November 26th. 

He began working as a ceramicist in South Africa 30 years ago. He has lived and worked in Suffolk, England since 1986.

Jonathan Keep started working in digital technology at the turn of the century, during his master’s studies at the Royal College of Art. From there on he became interested in the possibilities of clay 3D printing, which was realized in a delta printer built in cooperation with the Belgian design studio Unfold. Since then, he has worked and shared his experience in the field of clay 3D printing in many countries, also via the web.

The first half of the lecture at EKA covers what he has learned on the subject in his travels over the last 10 years.

The second half is more technical as he talks about what he has learned about machines and about extrusion clay printing. In this second part he describes some quite detailed research he has done into the characteristics of different clays when used for printing and research into layer height, nozzle size, clay consistency and printing speed.

The lecture can be rewatched on EKA TV till the end of Thursday.

Organizer: prof Urmas Puhkan, Department of Ceramics

Al₂Si₂O₅(OH)₄
Juss Heinsalu

Al₂Si₂O₅(OH)₄ is a simplified formula representing the chemical composition of clay. This exhibit of the same name is a continuation to the exhibition “Surface View” in the monumental gallery of the Tartu Art House (June 2020). It gathers together a wide range of artistic applications of clay in ceramics, glass, printmaking and in new material combinations. Heinsalu deals with clay as a source, medium and environment. In his material-based research and creation practice, he looks at the properties of clay while combining them with mythological derivations, scientific hypotheses and speculative solutions. EKA Gallery displays prints made with clay pigments, fused clay-glass samples, ceramic elements, formed clay-skin from bioplastic and wool mixture, micro-macro scales of clay through video format and much more.

Heinsalu adds: “My studio practice merges materials with invented tools, mythological narratives and folklore with contemporary technology. I often lean on fiction to playfully observe and (re)define the surrounding world. In this exhibition, clay is simultaneously a base material, form, language, metaphor and a reflection.”

Juss Heinsalu studied ceramics at the Estonian Academy of Arts and received his MFA at NSCAD University in Nova Scotia, Canada. Heinsalu deals daily with material-based research and creation, and in Fall 2020 began additional studies in the field of interior architecture at EAA. Previously, he has actively participated in various projects and exhibitions across Europe and North America.

Thanks from the artist for the support of this exhibition and his practice: Estonian Artists’ Association, Arts Nova Scotia, Cultural Endowment of Estonia, the departments of Glass Art, Ceramics, and Jewellery and Blacksmithing at Estonian Academy of Arts, Printmaking department at NSCAD University, Valge Kuup, and artist’s family and friends.

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Ceramic Dimension
10–28.11.2020
Lauri Kilusk, Martin Melioranski and Urmas Puhkan.

The international workshop-exhibit “Ceramic Dimension“ introduces the possibilities of clay 3D printing in EKA. The project is organized by Urmas Puhkan and Lauri Kilusk from the Department of Ceramics and Martin Melioranski from the Department of Architecture. Huge assistive support from Kaiko Kivi as a system architect and Madis Kaasik from Prototyping Lab.

During the period of almost five years, the professionals and students of different disciplines from EKA and elsewhere in the World, have been engaged in an experimental process, that has taken the knowledge and sensibility gathered through centuries of this specific materiality and combined it with current technological outputs, initiating novel outcomes from a well tested material.

The exhibit “Ceramic Dimension“ gives an overview of the wide spectrum of morphological and space-making topics led by design, art and architectural agendas, that have been brought to the physical environment by stratifying refined clay mass with digital tools and specially designed 3D printers and an advanced collaborative robot.

When compared to the now common plastic filament 3D printing, it brings forth contrasting results – clay is much more “alive”, even after going through the stages of digital-mechanical treatments. Clay, due to its substantiate internal properties, keeps on moving even after receiving its numerically driven exact shape. This in turn gives it a certain character, and avoids the easily attainable repetitive numbness and dryness when compared to regular digital prints from established industrial materials.

This has in some cases been integrated with properties of other materials in order to gain specific composite mixtures. Leftovers of Rockwool, waste paper, sand etc, has introduced a recycling and up-cycling perspective to the process, at the same time improving the printing properties of the base-material.

With our workshop-exhibit we wish to start a broader discussion on the possibilities of 3D clay printing. During this exhibition, the EKA Gallery will transform into a kind of laboratory, where new objects become alive during a continuous experiment. The viewer is expected to ask questions and express opinions, thereby becoming more akin to a participant in this process. We plan to make web-mediated meetings with several internationally recognized and established practitioners of this craft.

Next to the finished works shown and done prior to the opening, the exhibit will gain additional performative layers of integrating machinic intelligence to the joy of human discovery by making new results – showing both successes and mistakes.

Participants: Elize Hiiop, Madis Kaasik, Lauri Kilusk, Kaiko Kivi, Martin Melioranski, Urmas Puhkan Laura Põld, Oksana Teder, Katri Jürimäe, Sanna Lova, Jekaterina Burlakova, Aleksandra Kazanina, Kristel Ojasuu, Helena Tuudelepp.

Opening on Friday, September 28 at 6pm

Curators’ tour will take place on September 29 at 5pm (in English)

Curators: Laura Põld, Kati Saarits

Artists: Mona Aghababaee, Katja Beckman, Leesi Erm, Nadia Hebson, Anna Mari Liivrand, Eva Mustonen, Leo Rohlin, Kaisa Sööt ja Koit Randmäe, Mall Tomberg, Helle Videvik

Graphic design: Aadam Kaarma & Sandra Kosorotova

For the first time the Contemporary Art Museum of Estonia (EKKM) will host an exhibition presenting works by classic Estonian applied artists in dialogue with material-sensitive and process-based works by a younger generation of artists. one-on-one. on skills brings together tradition-rooted applied art and the increasingly material-centred contemporary art practices. The core of the exhibition is comprised of accomplished works from four classic Estonian applied art figures – Leo Rohlin, Leesi Erm, Helle Videvik and Mall Tomberg. Mona Aghababaee (IR), Katja Beckman (SE), Nadia Hebson (GB), Anna Mari Liivrand (EE), Eva Mustonen (EE), Kaisa Sööt and Koit Randmäe (EE) help explore the skill-based creative methods that have changed, persisted or reappeared in time.

The exhibition reflects on topics such as the possibility of self-contained form in a contemporary art exhibition, craftsmanship in material-based technologies, and the differences in the self positioning of artists working in time-consuming handicraft techniques in the immediate past and contemporary art field. The exhibition brings up questions like how can we best evaluate the part of the work of artists working in manual media that is articulated as tacit knowledge – natural or intuited knowledge? How best can we convey knowledge about skill? What is skill made up of?

The exhibition is accompanied by a catalogue, which will be presented on November 4.

Supporters and cooperation partners: Cultural Endowment of Estonia, Estonian Academy of Arts, Center for Contemporary Arts, Estonia, British Council Estonia, Estonian Artists’ Association, Akzo Nobel Baltics AS, Estonian Museum of Applied Art and Design.

Dates:  13-17 August 2018

Volume: 40 hours, 2 ECTS

Location:  Estonian Academy of Arts

Number of participants: max 13

Cost: FREE (Please note that this course is meant for higher education students only)

Registration deadline:  6th of May

In addition to the general required materials, candidates are expected to submit a letter of motivation explaining why they are applying and what is their experience with 3D printing so far (max A4).

The Department of Ceramics at the Estonian Academy of Arts invites you to participate in an international Clay 3D Printing workshop. Ceramics have properties that allow it to be used in the most disparate fields. We usually don’t consider that ceramics are all around us, not just in kitchenware, but also in bathrooms, swimming pools and public interiors, and that stoves and fireplaces, even houses, are made of fired clay. Top-quality ceramics can be found in medical equipment, audio technology and air and space industry. Clay is sensitive, flexible and versatile material with its’ own technological limits which the participants will learn during the workshop.

3D printing in clay allows us to print three-dimensional objects or models at lower cost and more easily. For ceramists, it represents a new technological possibility, while for others it gives a chance to convert digital sketches into real three-dimensional objects. During this course, participants will learn the technical skills of 3D printing and printing in clay: creating G-code and STL files, plus preparation of the clay and printing. The aim of the course is to use innovative thinking to discover new ways of printing, using clay and the printed ceramics. The end of the workshop will feature a pop-up exhibition of the objects created.

The workshop is aimed at ceramics, architecture and design students, but admission is open to all students who have had experience with 3D printing and know how to create 3D files. Every participant needs to bring their own laptop. All other materials are provided, and students may keep the objects they print.

Homework assignment for selectees:

1) students will be asked to bring one of their 3D-file, print ready

2) students will be asked to come up with a design they would like to execute in the workshop. They will be asked to give a presentation on the design in person. As in a hackathon, they will then set to work on the problem.

More information and link to registration form: https://www.artun.ee/summeracademy/clay-3d-printing/