Category: Contemporary Art

06.02.2019 — 09.02.2019

Carol Katkoff’s solo show USING A METAMORPHOTIC PHOTO STORY AS A MEDIUM FOR THE ANALYSIS OF THE VIEWER at Vent Space

Carol Katkoff will open her solo exhibition “Using a Metamorphotic Photo Story as a Medium for the Analysis of the Viewer” at Vent Space project space on Wednesday,
February 6, 2019 at 6pm. 

Carol Katkoff is interested in the psychological process of perceiving
the world and how it makes everyone experience the surroundings through
their own unique distorting mirrors. The world we are experiencing is only the imagination of reality. The image
dictates the ways we perceive.

The key of the exhibition is a meta-morphotic photo story bound into an accordion book, which is accompanied by videos of the interviews with the viewers. The author created the book with an idea, that it’s story is formed depending on the viewer and one’s individual experiences and imagination. In a chaotic, but narrative photo story, the aimlessly drifting camera creates a metamorphotic plot, where the characters might or might not be linked together through only a chance. The actions of the characters might seem to have a purpose, but before we reach it, the camera might have already found a new subject of interest or brought us into an absurd situation.

The photo story is like a little replicate of the chaos we experience in real life, in which we try to find a meaning already because we have an instinctive need for it. The instinctive need is the reason why also the viewer is trying to reach an order in the chaos and find meanings in the story. The viewer is an active participant in the creative process, so that the story behind is formed by the individual experience and imagination. The complete form comes into being in a moment the viewer meets the story. The process the viewer goes through is a reflection of how the analyze should take place with the perceived information in general. The meanings the author might have actually had creating the story don’t own an importance.

The exhibition will be open daily from 12pm to 6pm until February 9, 2019.

Carol Katkoff is studying in MA Programme of Contemporary Art at Estonian Academy of Arts. The current exhibition was created as a thesis work
in Photography at Pallas University of Applied Sciences in 2018.

Posted by Mart Vainre — Permalink

Carol Katkoff’s solo show USING A METAMORPHOTIC PHOTO STORY AS A MEDIUM FOR THE ANALYSIS OF THE VIEWER at Vent Space

Wednesday 06 February, 2019 — Saturday 09 February, 2019

Carol Katkoff will open her solo exhibition “Using a Metamorphotic Photo Story as a Medium for the Analysis of the Viewer” at Vent Space project space on Wednesday,
February 6, 2019 at 6pm. 

Carol Katkoff is interested in the psychological process of perceiving
the world and how it makes everyone experience the surroundings through
their own unique distorting mirrors. The world we are experiencing is only the imagination of reality. The image
dictates the ways we perceive.

The key of the exhibition is a meta-morphotic photo story bound into an accordion book, which is accompanied by videos of the interviews with the viewers. The author created the book with an idea, that it’s story is formed depending on the viewer and one’s individual experiences and imagination. In a chaotic, but narrative photo story, the aimlessly drifting camera creates a metamorphotic plot, where the characters might or might not be linked together through only a chance. The actions of the characters might seem to have a purpose, but before we reach it, the camera might have already found a new subject of interest or brought us into an absurd situation.

The photo story is like a little replicate of the chaos we experience in real life, in which we try to find a meaning already because we have an instinctive need for it. The instinctive need is the reason why also the viewer is trying to reach an order in the chaos and find meanings in the story. The viewer is an active participant in the creative process, so that the story behind is formed by the individual experience and imagination. The complete form comes into being in a moment the viewer meets the story. The process the viewer goes through is a reflection of how the analyze should take place with the perceived information in general. The meanings the author might have actually had creating the story don’t own an importance.

The exhibition will be open daily from 12pm to 6pm until February 9, 2019.

Carol Katkoff is studying in MA Programme of Contemporary Art at Estonian Academy of Arts. The current exhibition was created as a thesis work
in Photography at Pallas University of Applied Sciences in 2018.

Posted by Mart Vainre — Permalink

16.01.2019 — 20.01.2019

Janne Lias’ solo exhibition DOG SHOW at Vent Space

Janne Lias will open her first
solo exhibition titled “Dog Show”
on Wednesday, January 16 at 6–8pm
at Vent Space project space.

“To get over some fears, you need to actively deal with them. Some others you may simply grow out of and realise at some point that you just aren’t afraid anymore. That said, terrifying past events leave their mark and leave you with unpleasant memories.

One active method for overcoming phobias is to confront them i.e. through exposure, in which you get used to the frightening situation or object through careful yet consistent contact with them. Another method is to poke fun at the fear and convince yourself you aren’t afraid anymore. But does this work?”

The exhibition will be open from January 17 to 19 at 12–6pm and
on January 20 at 12–4pm.

Janne Lias (b. 1981, Tallinn) studies
at the painting department of the Estonian Academy of Arts. Having previously acquired a master’s in computer science from Tallinn University of Technology,
Lias often uses IT knowledge in her work. Working in the field of art, she likes to experiment with different materials and techniques. Emotions and a sense of humour are important tools for her in creating her work.

Posted by Mart Vainre — Permalink

Janne Lias’ solo exhibition DOG SHOW at Vent Space

Wednesday 16 January, 2019 — Sunday 20 January, 2019

Janne Lias will open her first
solo exhibition titled “Dog Show”
on Wednesday, January 16 at 6–8pm
at Vent Space project space.

“To get over some fears, you need to actively deal with them. Some others you may simply grow out of and realise at some point that you just aren’t afraid anymore. That said, terrifying past events leave their mark and leave you with unpleasant memories.

One active method for overcoming phobias is to confront them i.e. through exposure, in which you get used to the frightening situation or object through careful yet consistent contact with them. Another method is to poke fun at the fear and convince yourself you aren’t afraid anymore. But does this work?”

The exhibition will be open from January 17 to 19 at 12–6pm and
on January 20 at 12–4pm.

Janne Lias (b. 1981, Tallinn) studies
at the painting department of the Estonian Academy of Arts. Having previously acquired a master’s in computer science from Tallinn University of Technology,
Lias often uses IT knowledge in her work. Working in the field of art, she likes to experiment with different materials and techniques. Emotions and a sense of humour are important tools for her in creating her work.

Posted by Mart Vainre — Permalink

08.01.2019 — 11.01.2019

Katrin Enni’s solo show ALMOST PARALLEL at Vent Space

Katrin Enni will open her solo exhibition “Almost Parallel” at Vent Space project space on Tuesday, January 8, 2019 at 6pm.

“Almost Parallel” is an audiovisual installation. The inspiration for creating
the installation came from a romantic
sci-fi fantasy about lonely robots drifting around in space and looking for companions. During the process, while investigating the physicality of sound and how materials resonate, the robots were born with bodies looking like large metal cones. At the same time they also function as large vibrating speakers. The final result is a cosmic sound installation, involving sound, noise, light, movement, algorithms and also randomness.

A live performance by Katrin Enni
will take place on Thursday, January 10
at 7pm. Various soundscapes that are created specially for this sound installation will be presented. Entrance is free.

The exhibition is open daily from
1pm to 7pm and will remain open
until January 11, 2019.

Katrin Enni is currently studying at the Master programme of Contemporary Art at the Estonian Academy of Arts (where she also obtained her BA in 2018 in the department of Sculpture and Installation). She has created sound installations from electronic components, micro motors, found objects, ready-mades and industrial materials. “Almost Parallel” is her first solo exhibition.

Posted by Mart Vainre — Permalink

Katrin Enni’s solo show ALMOST PARALLEL at Vent Space

Tuesday 08 January, 2019 — Friday 11 January, 2019

Katrin Enni will open her solo exhibition “Almost Parallel” at Vent Space project space on Tuesday, January 8, 2019 at 6pm.

“Almost Parallel” is an audiovisual installation. The inspiration for creating
the installation came from a romantic
sci-fi fantasy about lonely robots drifting around in space and looking for companions. During the process, while investigating the physicality of sound and how materials resonate, the robots were born with bodies looking like large metal cones. At the same time they also function as large vibrating speakers. The final result is a cosmic sound installation, involving sound, noise, light, movement, algorithms and also randomness.

A live performance by Katrin Enni
will take place on Thursday, January 10
at 7pm. Various soundscapes that are created specially for this sound installation will be presented. Entrance is free.

The exhibition is open daily from
1pm to 7pm and will remain open
until January 11, 2019.

Katrin Enni is currently studying at the Master programme of Contemporary Art at the Estonian Academy of Arts (where she also obtained her BA in 2018 in the department of Sculpture and Installation). She has created sound installations from electronic components, micro motors, found objects, ready-mades and industrial materials. “Almost Parallel” is her first solo exhibition.

Posted by Mart Vainre — Permalink

02.11.2018

Tobias Kaspar’s artist talk

The dress code for the artist talk “Independence” is black (checked at the door).
Tobias Kaspar is a Swiss artist based in Zürich. His practice raises questions about how to behave in today’s society; how, when and under what circumstances, one can curve out a space of one’s own, and thus question this very ambition in itself. RECAP: questions, behave, today, society, circumstances, space, own, ambition.
Tobias Kaspar work has been shown in institutions, including the Kunsthalle Bern (2018), kim? Riga (2017), Museum of Modern Art in Warsaw (2016), Wattis Institute for Contemporary Art, San Francisco (2015), Solo Shows, São Paulo (2015), CAFAM Biennale, Beijing (2014), Kunsthalle Wien (2014), Kunsthalle St. Gallen (2014), Midway Contemporary Art, Minneapolis (2013), Artists Space, New York (2013), Palais de Tokyo, Paris (2012), Kunsthalle Zürich (2011), Kunsthalle Basel (2011), Museum Hamburger Bahnhof, Berlin (2011), Kunsthaus Bregenz (2011), Künstlerhaus Stuttgart (2010).
More info:
Posted by Mart Vainre — Permalink

Tobias Kaspar’s artist talk

Friday 02 November, 2018

The dress code for the artist talk “Independence” is black (checked at the door).
Tobias Kaspar is a Swiss artist based in Zürich. His practice raises questions about how to behave in today’s society; how, when and under what circumstances, one can curve out a space of one’s own, and thus question this very ambition in itself. RECAP: questions, behave, today, society, circumstances, space, own, ambition.
Tobias Kaspar work has been shown in institutions, including the Kunsthalle Bern (2018), kim? Riga (2017), Museum of Modern Art in Warsaw (2016), Wattis Institute for Contemporary Art, San Francisco (2015), Solo Shows, São Paulo (2015), CAFAM Biennale, Beijing (2014), Kunsthalle Wien (2014), Kunsthalle St. Gallen (2014), Midway Contemporary Art, Minneapolis (2013), Artists Space, New York (2013), Palais de Tokyo, Paris (2012), Kunsthalle Zürich (2011), Kunsthalle Basel (2011), Museum Hamburger Bahnhof, Berlin (2011), Kunsthaus Bregenz (2011), Künstlerhaus Stuttgart (2010).
More info:
Posted by Mart Vainre — Permalink

30.10.2018

Mare Tralla’s artist talk about feminist tactics, art and activism

Break-up, Burn-out, Re-boot. Reflections on Feminist Tactics, Art and Activism
Presentation and Conversation with Mare Tralla, artist, activist 
Tuesday, 30th of October at 5pm, room A302. 
Mare Tralla is an Estonian queer-feminist artist and activist living in London. Mare’s professional art career started in Estonia in the early 1990s, where they became one of the leading interdisciplinary artists of the younger generation. Drawing from their personal history and everyday experience, their practice was in direct critical response to how the transition period of East-European societies affected women. They were one of the very few artists conducting a feminist revolution in the field of contemporary art in Estonia.
More info: <http://www.tralla.net
Recent exhibitions include: ‘Give Up the Ghost. Baltic Triennial 13, kim?, Riga (2018); ‘Things’, Tamaraprojects, London (2018); ‘Bastard Voices’ launch of Baltic Triennial 13, evening of performances, South London Gallery, London (2018);  ‘Women’, Threshold Artspace, Perth, UK (2017-2018); ‘Amor’, Oi Futuro, Rio De Janeiro, Brazil (2016); “Love At the Edge”, Gallery Arsenal, Białystok power station, Poland (2015); “1995”, Museum of Contemporary Art Estonia (EKKM), Tallinn (2015).
The talk is in English and is part of the international Contemporary Art Master Programme (MACA). Everybody is welcome to join!
Posted by Mart Vainre — Permalink

Mare Tralla’s artist talk about feminist tactics, art and activism

Tuesday 30 October, 2018

Break-up, Burn-out, Re-boot. Reflections on Feminist Tactics, Art and Activism
Presentation and Conversation with Mare Tralla, artist, activist 
Tuesday, 30th of October at 5pm, room A302. 
Mare Tralla is an Estonian queer-feminist artist and activist living in London. Mare’s professional art career started in Estonia in the early 1990s, where they became one of the leading interdisciplinary artists of the younger generation. Drawing from their personal history and everyday experience, their practice was in direct critical response to how the transition period of East-European societies affected women. They were one of the very few artists conducting a feminist revolution in the field of contemporary art in Estonia.
More info: <http://www.tralla.net
Recent exhibitions include: ‘Give Up the Ghost. Baltic Triennial 13, kim?, Riga (2018); ‘Things’, Tamaraprojects, London (2018); ‘Bastard Voices’ launch of Baltic Triennial 13, evening of performances, South London Gallery, London (2018);  ‘Women’, Threshold Artspace, Perth, UK (2017-2018); ‘Amor’, Oi Futuro, Rio De Janeiro, Brazil (2016); “Love At the Edge”, Gallery Arsenal, Białystok power station, Poland (2015); “1995”, Museum of Contemporary Art Estonia (EKKM), Tallinn (2015).
The talk is in English and is part of the international Contemporary Art Master Programme (MACA). Everybody is welcome to join!
Posted by Mart Vainre — Permalink

09.05.2018

JEFFREY ALAN SCUDDER’S PERFORMATIVE LECTURE ON RADICAL DIGITAL ART

On Wednesday, 5 September at 17.00 EKA Gallery and the Faculty of Fine arts invite you to a public lecture on radical digital art by visiting artist Jeffrey Alan Scudder (USA). The lecture is in English and takes place in room A302.

 

Lecture “Radical Digital Painting” groups and presents several ideas and artifacts related to contemporary painting and contextualizes its connection to historical processes and digital technology. It is inspired by and is a continuation of Radical Computer Music. Through demonstrative, interactive performance lectures, American artist and educator Jeffrey Alan Scudder presents homegrown software inventions and new theories about painting and picture making. A Google search for “digital painting” today mostly brings up Photoshop tutorials related to translating age old representational painting techniques to computational media, but the topic of digital painting has much more to offer fine arts in terms of poetry and theory. Jeffrey has created several programs that highlight abstract expressivity, play, and improvisation over production quality and technical control.

In addition to software demos, new theoretical models of image resolution, computer literacy, and picture making are presented and described, and connected to the history of abstraction in drawing and painting. He presently spends all his time traveling, performing, and continuing to develop his software and media performances.

 

As of summer and fall 2018 he is traveling and lecturing with the Danish composer Goodiepal and his band throughout Europe. Jeffrey’s work Ten Minute Painting is now a part of the permanent Goodiepal collection at the SMK Statens Museum for Kunst in Copenhagen, Denmark.

 

Interview with Jeffrey on Rhizome: http://rhizome.org/editorial/2017/dec/05/Artist-Profile-Jeffrey-Alan-Scudder/

Posted by Keiu Krikmann — Permalink

JEFFREY ALAN SCUDDER’S PERFORMATIVE LECTURE ON RADICAL DIGITAL ART

Wednesday 09 May, 2018

On Wednesday, 5 September at 17.00 EKA Gallery and the Faculty of Fine arts invite you to a public lecture on radical digital art by visiting artist Jeffrey Alan Scudder (USA). The lecture is in English and takes place in room A302.

 

Lecture “Radical Digital Painting” groups and presents several ideas and artifacts related to contemporary painting and contextualizes its connection to historical processes and digital technology. It is inspired by and is a continuation of Radical Computer Music. Through demonstrative, interactive performance lectures, American artist and educator Jeffrey Alan Scudder presents homegrown software inventions and new theories about painting and picture making. A Google search for “digital painting” today mostly brings up Photoshop tutorials related to translating age old representational painting techniques to computational media, but the topic of digital painting has much more to offer fine arts in terms of poetry and theory. Jeffrey has created several programs that highlight abstract expressivity, play, and improvisation over production quality and technical control.

In addition to software demos, new theoretical models of image resolution, computer literacy, and picture making are presented and described, and connected to the history of abstraction in drawing and painting. He presently spends all his time traveling, performing, and continuing to develop his software and media performances.

 

As of summer and fall 2018 he is traveling and lecturing with the Danish composer Goodiepal and his band throughout Europe. Jeffrey’s work Ten Minute Painting is now a part of the permanent Goodiepal collection at the SMK Statens Museum for Kunst in Copenhagen, Denmark.

 

Interview with Jeffrey on Rhizome: http://rhizome.org/editorial/2017/dec/05/Artist-Profile-Jeffrey-Alan-Scudder/

Posted by Keiu Krikmann — Permalink