Asmus Soodla in Uus Rada gallery

Asmus Soodla’s solo exhibition “Standardised Lumber” opening event on the 15th of September at 6PM at Uus Rada gallery. 

“Standardised Lumber” provides a podium for the unnoticed – wood products that in their versatility serve the whole of human-made space. They are the instruments from which things are made and their value is mostly expressed only in the finished result. This exhibition shifts the focus from the result to the tools, analysing, illustrating and discovering unaltered wood products. The exhibition explores the transition between the natural material and the artificial product, and about society’s criteria for the means by which it creates space around itself.

Asmus Soodla is an artist, who in recent years has been mainly engaged in sculpture, installation and sound art. While his earlier work is mostly narrative-based and intertwined with dramatic elements, his recent projects, including “Standardised Lumber”, focus on isolated and direct concepts. Asmus studies Installation and Sculpture at the Estonian Academy of Arts.

The exhibition will be open from 16th to 23rd of September at the Uus Rada gallery, Raja 11a.

Open hours:
MON-FRI 4PM-8PM
SAT-SUN 12PM-8PM

Tanja Muravskaja’s exhibition “The Vernacular” represents an atlas of the words of Russian-speaking Estonian people, which reflects several processes that have taken place in the past and are still emerging in the local society.

This unique trace of the times and culture is recorded in the mother tongue of the Estonian Russian community and is a very expressive verbalization of the Esto-Russian identity. The set of words has been collected in close cooperation with the above-mentioned community and the Tallinn Russian Museum.

Tanja Muravskaja’s work proceeds from an analytic approach and psychological observation. In her artworks, she tackles such topics as identity and memory, as well as the relationships between society and its members. While focusing on photography, she creates installations, which evolve into total environments. Murasvkaja’s works are represented in the collections of the Art Museum of Estonia and the Tartu Art Museum. In 2018, Muravskaja was awarded the Köler Prize Grand Prix by the Contemporary Art Museum of Estonia. In 2019, Order of the White Star Fifth Class was bestowed on her. She was the recipient of the national artist’s salary in 2018-2021.

“The Vernacular” was part of the “Museum Laboratory” project of the Tallinn Russian Museum. In the Narva Art Residency, the work continues to develop and together with the visitors, the collection is expanded further.

Exhibition design concept by Raul Kalvo
Graphic design by Vladimir Loginov
Technical implementation by Johannes Säre and Denes Farkas
Translator: Ilona Martson
Special thanks to : Cultural Endowment of Estonial, Tallinn Russian Museum of the Tallinn City Museum 

Exhibition is open until October 29th 2023
Thu – Fri 15 – 19, Sat – Sun 13 – 19

On 9 September at 16.00 in Narva Art Residency (Joala 18)

Tanja Muravskaja’s exhibition “The Vernacular” at the Narva Art Residency displays an atlas of the words of Russian-speaking Estonian people. This collection of words reflects several processes that have taken place and are still taking place in the local society.

Muravskaja uses an analytical approach and psychological observation in her work – whether the object of her approach is the psychology of an individual, society or place. His works deal with identity and memory, as well as the relationship between society and its members.

In the special Station Narva artist talk Tanja will open up about the exhibition and the words collected for it. This is followed by a practical workshop “Word game”, in which Muravskaja invites the participants to play with language, concepts, words and translations – substances that everyone can employ in a unique and creative way.

Part of Station Narva program

Attending free of charge

On Wednesday, September 6 at 18.00, Keiu Maasik‘s exhibition Meadows of Change, A Place Called Home will open in Hobusepea gallery.

“For the past few years, I had buried myself in the world of computer games and preferred to spend my free time in virtuality. It seemed to be an acceptable thought exercise that in the future human life will move to the virtual world. One of the games I immersed myself in for several months was Red Dead Redemption 2. I felt like there was no other place I’d rather be than in the world of RDR2. The game takes place in 1899 in America. The story follows the ventures of a gang of outlaws at a time when the Wild West is fading and civilization is encroaching. Their time is coming to an end and fear is in the air ahead of changes bound to arrive. I was very frightened last year when I encountered a herd of wild horses. A rumble could be heard in the distance, and the ground beneath shook gently. At some point, about twenty horses came into view, galloping at full speed through sea water. The horses and the powerful scenery seen in the game now seemed hollow in comparison. I want the world to move forward, but I don’t want to lose the galloping horses roaming about freely.” Keiu Maasik

Keiu Maasik has graduated from the Estonian Academy of Arts with a bachelor’s degree in photography and a master’s degree in contemporary art. In 2019, she received the EAA Young Artist Award. In 2018, she received the Wiiralt scholarship and was the laureate of the competition Young Tartu of Tartu Art Museum. In her work, she has discussed the impact of documentation on memory, identity and relationships between people. In her latest projects, Maasik has focused on the virtual world, using computer game recordings or aesthetics in her videos and installations to unveil personal stories of people.

The artist’s gratitude to: Madis Kurss, Kaisa Maasik.

Exhibitions in Hobusepea gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko AS.

On September 6, 2023 at 18.00, the co-exhibition of Kelli Gedvil and Kristen Rästas Wake Me Up, When It’s All Over will open in Draakon Gallery.

Wake Me Up, When It’s All Over, the co-exhibition of Kelli Gedvili and Kristen Rästas, poetically reflects on the introverted urge to find shelter from everyday sensitivities and encapsulate in the digital world. The artists are focused on creating an atmosphere in which they explore the contemporary condition of humans living through one crisis after another.

EEE is a graphic design studio based between Bologna and Ravenna (IT) born from the collaborative experience of Emilio Macchia and Erica Preli.

The studio is engaged in a wide range of projects within the field of arts and culture, including publication and book design, brand identities and exhibition design.

EEE gives lectures and holds workshops at universities and other educational institutions, both in Italy and abroad, such as: Fine Art Academy Bologna, Fine Art Academy Macerata and Alma Mater Studiorum Bologna University.

The studio also works on research-based and self-initiated projects; some of the most recents are SUBSTITUTES and Fahrenheit 39 art book fair in Ravenna since 2010.

On Friday, 1 September at 6 pm, Erki Kasemets and Camille Laurelli will open their duo exhibition Bricollage at Tallinn City Gallery, where material becomes art and art becomes material, and where the artists give each other futile tasks and misleading instructions. The exhibition is curated by Siim Preiman.

Erki Kasemets and Camille Laurelli are artists whose lives and works are equally deeply intertwined. Their work is not determined by specific methods or finely honed techniques, but rather by a generally open and hybrid attitude towards art and their role in it. Both are fascinated by games; both are avid collectors and equally enjoy invention and mishap.

A three-way ping-pong of ideas has led to a labyrinth-like exhibition based on reuse and playfulness. The display features light, kinetics, interactivity, readymades and textiles. Rather than finger-wagging and moralising, it deals with figurative issues, yet it is still performative and active in its own way, rather than static or passive.

“Inviting Erki Kasemets and Camille Laurelli to make an exhibition together is one of those ideas that, in retrospect, seem so natural that you can’t even put your finger on the moment when it happened. Neither of them could be considered exactly a cultural blocker, however, there is definitely a certain amount of resistance or refusal in their actions. How is it possible that these two artists didn’t meet sooner?” Siim Preiman, curator of the exhibition reflects on the exhibition.

You are kindly invited to the opening of the exhibition on 1 September at 6 pm. Bricollage will remain open until 5 November 2023.

Tallinn City Gallery (Harju 13, Tallinn) is open from Wednesday to Sunday 11–6 pm. Free entry.

Erki Kasemets (1969) is an installation, painting, performance and theatre artist whose work covers various fields of activity: trash art, polygon theatre, systematic documentation of his personal life, material culture, kinetic art, environmental and stage designs, etc. His most recent performances include participation in the group exhibition Untamed at the Tartu Art Museum (2021), the solo exhibition Karl Marx in the Animal Kingdom at the Draakoni Gallery (2020) and the solo exhibition at the Audru Museum (2019).

Camille Laurelli (1981) is an intermedia artist whose confusing, failing and evasive creations span video, photography, performance, sculpture and curation. Laurelli is a dedicated collaborator, initiator and collector who, among other things, runs the video game museum LVLup! in Tallinn since 2018. His recent appearances include participation in the group exhibition Crawl Out Through the Fallout at the Contemporary Art Museum of Estonia (2022), the solo exhibition Kaudze at Low Gallery in Riga (2021) and the solo exhibition News Feed at ARS Showroom (2019).

The Tallinn Art Hall Foundation is a contemporary art establishment that currently presents exhibitions in two galleries – at Tallinn Art Hall’s Lasnamäe Pavilion and Tallinn City Gallery. The exhibitions of Tallinn Art Hall are installed by Valge Kuup Studio.

We are excited to welcome you to 19:01, an interactive exhibition by the Daylight Project Collective, at @Vent Space.

It is a site-specific installation that radically re-evaluates the function of liminal spaces, and explores the ethics of early 000s office culture.

Inspired by the catharsis experienced in the free video game “The Perfect Vermin” – the interactive exhibition will feature performances, a site-specific installation, audiovisual works, and contributions of artworks from various artists.

Programme:
24.08 Opening / musical performance/Collective drawing
25.08 Performance / LARP
26.08 Performance
27.08 Daylight space happening / Video game day
28.08 Text reading and discussion: Resistance to work

Cecilia Alemani

“The Milk of Dreams. A journey through the 59th edition of the Venice Biennale”

Cecilia Alemani is one of the most influential curators in the world today. She curated the 59th International Venice Biennale, a much talked about landmark exhibition. The title of the biennale, Milk of Dreams is borrowed from a book by the surrealist artist Leonora Carrington, in which she describes a magical world where everyone has the capacity to change, to become something or someone else, a world where there are no limits but which is bursting with possibilities.

In her talk, Cecilia Alemani will speak about the process of organising the most prestigious art exhibition in the world: The Venice Biennale. She will talk about how she developed a theme for the exhibition, how the so-called “Time Capsules” built a foundation for her show, how she selected the artists, worked with the participants on new commissions, the installation, and many other aspects behind the making of such a large scale exhibition. 

Cecilia Alemani is an Italian curator based in New York. Since 2011, she has been the Donald R. Mullen, Jr Director & Chief Curator of High Line Art, the public art program presented by the High Line in New York. In 2022, she curated The Milk of Dreams, the 59th International Art Exhibition at La Biennale di Venezia. In 2018, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017, she curated the Italian Pavilion at the Venice Biennale. Currently, she also is working on Anu Põder’s solo exhibition, opening at Muzeum Susch in January 2024. 

The open lecture is organised by the Faculty of Art and Culture of the Estonian Academy of Arts in cooperation with the Estonian Centre for Contemporary Art.

The lecture will take place in English.

No registration needed.

More information: Annika Toots (annika.toots@artun.ee)