Exhibitions

The exhibition “Remake” of EKA Art Education students can be seen on the information screens of EKA from January 14 to February 4.

The works of the art education students were completed within the “Creative project” subject .

Artists: Inga Ausmeel, Liina Oja, Liina Raidoja, Marju Rajasalu, Lilli-Krõõt Repnau, Triin Resik, Tanel Roomere, Piret Suviste, Zhanna Toht, Kertu Tort, Kalev Vapper, Merle Vingerfeld, Viire Jagomägi

Supervised by Anna-Kaisa Vita

The works can be seen on the 2nd, 3rd, 4th floors of EKA and on the screen of the auditorium on the Kotzebue street side. Videos with sound on the 2nd floor screen. 

More about EKA Art Education studies

“The Science of Freedom”
Third act of the 18th Tallinn Print Triennial main exhibition “Warm. Checking Temperature in Three Acts”
22.01—26.02.2022
Tue-Sat at 12—18 pm
Opening and curators’ tour: 21.01 at 3 pm.

Curator: Róna Kopeczky
Artists: Olson Lamaj, Igor Eškinja, Flo Kasearu, Nada Prlja, Katja Novitskova and Bojan Stojčić

Join us for the opening of the exhibition “The Science of Freedom” on January 21 at 3 pm at EKA Gallery! The curator will give an exhibition tour at the event. Entrance with Covid certificate.

“Warm. Checking Temperature in Three Acts” is a multi-part exhibition that primarily gives thought to the radical political, cultural and social turns that affect Central and Eastern Europe, and it also inscribes these changes in a global perspective through the lens of universal absurdity. The project gives voice to contemporary artists based in or originating from the Central and Eastern European region who reflect boldly and critically on burning issues such as the rise of far-right politics, globally misplaced priorities, the collapse of democracies, the shrinking of freedom – in both life and art – and the general sense of conditioned fear and hostility prevailing today.

Inviting artists from the regional contemporary art scene with existing works and new commissions, Warm comprises three intertwined cycles entitled The Nation Loves It, Pickle Politics and The Science of Freedom. The imaginary, conceptual theatre play that embraces these three acts is conceived as dramatic and intensifying narration. It articulates around the spectacles of absurdity with the intention to dissect, appropriate and distort them, but also to playfully propose humour and derision as an intellectual antidote or an imagined alternative that builds on visionary defiance and poetic escapism.

The third act entitled “The Science of Freedom” presents a variety of proposals to counteract the oppressing situations of present times by referring loosely to natural sciences, biological and mathematical systems that, sublimed by imagination and given unknown forms, allow to visualise alternative ways to exist, perceive and behave. Humour, poetics and absurdity are the main conceptual pillars of this section and are employed to playfully divert or lyrically distort reality through the gentle negation of fixed roles or functions. In this newly created situation, instincts prevail over order and discipline, and make space for rethinking the unquestionable rules of our existence, imagining and demanding the impossible, and ultimately freeing ourselves from existing and imposed frames.

18th Tallinn Print Triennial venues: KAI Art Center | Temnikova & Kasela Gallery | Põhjala Brewery and Tap Room | EKA Gallery | Liszt Institute Tallinn | Flo Kasearu House Museum | Kanuti Gildi Saal

“Body slam/ihu ramm” is both an exhibition and a performance, a collaboration with Mihkel Maripuu and Tarvo Porroson.

While the installation lives independent during the day, on five selected evenings the performers’ bodies and soundscape activate the space turning the exhibition into a performance.

Two women, uninterested in achieving security neither on stage nor in the social sphere, explore the relationship between material and body, giving fragility a form.

Bodies and clay – simultaneously fragile and strong by nature – are placed in a space of dialogue, where experience recreates itself in interaction, materiality carries a question, and an executed act becomes an artwork. Opportunities arise for collision, accident, and the constant construction and deconstruction of the material. There is a system, there is chance, there is mechanics, there is text and sound in fragments and order. The unexpected produces fragility.

Fragile, fragile, strong. The clay, the human body and the presence of a performer. Resisting weight but not a slam. What remains are only fragile bodies of the two women.

Priemere: 8.1 at 7 pm
Opening of the exhibition on 8.1 at 8.30 pm
Performances: 11.1/12.1/14.1/15.1 at 7 pm
Exhibition is open on 10.1–15.1 at 12–6 pm
@ ARS Art Factory Project Room
Artist talk after the performance: 14.01

Sound by Mihkel Maripuu
Technical solutions by Tarvo Porroson
Graphic design: Cristopher Siniväli
Photos: Gabriela Leopard
Lenght: 60’

The exhibition is for FREE

Buy tickets at Fienta

Body Slam on Facebook

The EKA Design Showcase, which is taking place for the fifth year in a row, will once again present the best collaboration projects of EKA students with companies and public sector organizations. The event introducing innovative designs born as a result of collaborative projects will take place at EKA on 12 January.

Concepts, prototypes and final results for innovative products and services will be presented, featuring new developments in the field of design. Students of the Faculty of Design of EKA and Design & Technology Futures (TalTech and EKA joint curriculum) will speak about their collaboration project with companies and organizations such as PERH, ABB, Magnetic MRO, etc.

All enterprises, EKA’s present and future cooperation partners, and enthusiasts of innovative design are kindly invited to attend!

The event will be held in EKA (room A101) but will also be broadcasted on http://tv.artun.ee/ and Facebook.

PROGRAMME

14.00 Greeting and introduction. Moderator Andres Lõo

14.10 – 14:30 Inspiration speech by digi-evangelist Marten Kaevats

14.30 – 14.45 EKA x PERH. EKA rector Mart Kalm and Agris Peedu, Chairman of the Board, North Estonia Medical Centre

14:45 – 15:50 Presentations of EKA collaboration projects:

• “Tallinn Signage System” – graphic design students and city of Tallinn
• “Bringing Private Guardians Closer to the Special Care Services Provided by AS Hoolekandeteenused” – interaction design students and Hoolekandeteenused AS
• “Sleeping Beauty” – media graphics students and Estonian Society of Hematology, North Estonia Medical Centre, Tartu University Clinic and Tallinn Children’s Hospital

15:50 – 16:05 Coffee break

16.05 – 17.10 Project presentations of the joint curriculum of EKA and TalTech Future of Design and Technology, in collaboration with Environment Agency.

• “Transitioning to better digital habits” – project dealing with digital pollution
• “Transitioning to more useful food” – project dealing with food waste in storage
• “Transitioning to healthier traditions” – project dealing with negative social and environmental effects of our traditional celebrations
• “Transitioning to more resilient cities” – project dealing with climate change effects that will manifest in the cities
• “Transitioning to better ecological decisions” – project dealing with how we cope with changing food sources in the future
• “Transitioning to a better relationship with the outdoors” – project dealing with people spending too much time in the unhealthy indoor environment

17.10 – 17.25 Coffee break

17.25 – 18.25 Presentations of EKA collaboration projects:

• “ABB alajaamade sobitumine keskkonda” – industrial and digital product design students and ABB AS
• “Sensory modular carpet” – textile design students with Tallinn Support Center JUKS
• “Baby cot design for airplane interior” – accessory design students and Magnetic MRO

Presentations are in Estonian and English, without translation.

Additional information:

Karin Kiigemägi
Ettevõtlussuhete koordinaator
karin.kiigemagi@artun.ee
5035096

The event is funded by European Union Regional Fund

Paljassaare time capsules: hiding, making, stalking, digging, hopping, skipping, crawling, barking, hawking, hoping, expecting, lingering, sludging, metabolizing, digesting, dismantling, defending, demolishing, augmenting, building, intending, archiving, recreating  …  (etc never-ending)

Paljassaare, a place of wonderment in the periphery of Tallinn’s imagination, a nature’s reserve, a utopian paradise, a blessing in disguise, a magic potion, a myth, a cradle of birds, so green, so much green and so much peace. On the other side, Paljassaare has a disturbing presence of a parallel reality of illusions of all kinds that makes this peninsula a multiplicity of time capsules. It invites us to break beyond the realms of past, present, and future, and to peel through its endless secrets and triumph over this highly contested land.

Armed with warm clothing and winter boots, we invite you to join the group of first-year Urban Studies Master students at the Estonian Academy of Arts for the final critique of their works developed in the framework of the Urbanization Studio, tutored by Keiti Kljavin and Andra Aaloe. 

The exhibition-expedition will take place in situ all across Paljassaare and includes ten individual project stations (audio-walks and talks, immersive projections and installations, parties and screenings, exhibitions) approachable by foot. Be prepared for crispy cold temperatures, a lot of walking and long hours spent outside and bring along an extra pair of warm socks, snacks and a mug for tea refills along the way.

We kindly ask you to bring along your own earphones and devices with a data connection. If possible, take along a charger and/or a power bank to make sure your device can successfully endure this expedition.

Practicalities:

We will meet on Saturday, the 18th of December, at 10.45 (bus nr. 59 arrival time) at Pikakari bus stop, where, followed by a short introduction, we will collectively move towards the first project location of the day. The tour will end around 17.00. The event will be held in English.

The authors exposed: Kush Badhwar, Khadeeja Farrukh, Christian Hörner, Nabeel Imtiaz, Luca Liese Ritter, Paul Simon, Nora Soo, Katrin Tomiste, Paula Kristiāna Veidenbauma, Friederike Zängl.

Studio leads: Keiti Kljavin and Andra Aaloe

** FOR EMERGENCIES: if you get lost during the day you can call Paula Veidenbauma +37128642280**

More information and programme here!

An art installation “You Still Live In the Silence Between My Walls” made by the second year students of the sculpture department will open on Friday 17th of December at 7pm at Raja building.

In this exhibition the artists are asking what it is to be an effigy in the city? To view the passing of time? To be completely still while everything & everybody changes around you?

By capturing the day to day experiences of statues born under the roof of Raja, but now thriving in the elements, the installation gives us the chance to rest in their calm – a collective moment of wonder in an ever turning world.

Participating artists: Lisethe Maas, Inessa Saarits, Merilin Põldsam, Aleksandra Nyyssönen, Pablo Apellaniz, Michael O Reilly, Lauri Lest, Gregorio Migliaccio, Rain Saarik

Supervised by Sten Saarits

“You still live in the silence between my walls” will be open from December 17th to 21st, from 3pm to 7pm each day

THE WELL
Maria Metsalu (EST), Jaakko Pallasvuo (FI) & Tarvo Porroson (EST)
19.12.2021—25.05.2022
Opening: 19.12 at 5.30—7 pm
EKA Gallery Billboard, Kotzebue 1, open 24/h

Join us for the “The Well” exhibition opening at EKA Gallery Billboard on December 19 at 5.30 pm. The billboard is located on the EKA building at Kotzebue street 1. Opening is at EKA cafeteria, and the entrance is via a glass door next to the billboard.

Part of the performance “The Well” at Kanuti Gildi SAAL, three artists are exhibiting a pseudo-archaic photo series of the same name at EKA Gallery Billboard. Eighteen metal sheets etched with text and illustrations make up two books that are part of the performance. 

In “The Well” the preconceived notions regarding the structure and meaning of the protagonist’s reality have disappeared into the abyss and the anxiety in which she has become aware of her finitude, an ontological insecurity has taken effect. She has no family, no friends, no connections. The world has become overwhelming in its complexity so she is being lowered into the well by her four psychoanalysts – AJ, Brian, Kevin and Nick. Her job while lying on her leather couch in the bottom of the well is to write and give the world a structure. She is a composer. She is a magician and an alchemist.

Metsalu and Pallasvuo have been having writing sessions from the beginning of 2021 and have created the text in the project. With the help of the blacksmith Tarvo Porroson, a selection of these texts has found their place on different objects of which two books form this exhibition.

“The psychoanalysts send down a notebook and tell me it would be good for me to keep a journal. I draw flowers in the notebook. I draw horses. I draw medieval weapons. I draw pictures of what I think the psychoanalysts look like. I draw their humors: blood, yellow bile, phlegm and black bile. All of my psychoanalysts fall in love with me. I send my notebook back to them, the one with all the drawings, and they fight over the book, they tear pages out and hang them on the walls of the cottages where they’ve settled. They have to live here, in isolation with me, until the treatment is complete. They love me so much, and they don’t want to let me go. I sleep in the well. I wake up in the middle of the night and the psychoanalysts are gone, they are inside the house, maybe sleeping, maybe fucking each other.”

Thanks to: Kanuti Gildi SAAL, Taavi Teevet, Paul Klooren, Robin Siimann, Pire Sova
Supported by Kanuti Gildi SAAL

Tõnis Saadoja’s exhibition “September, October, … ” opens in the WIELS Project Room, Brussels. The exhibition opening takes place on December 1 at 18.

In the painting series “September, October, …” the artist’s focus lies equally on two aspects – how to portray an unfunctional environment and how to paint a picture that is primarily about painting?

“I’m interested in the poetic dimension of an image and the conditionality inherent in the painting process provides one possibility to amplify this,” says Saadoja. “Painting is, first and foremost, a potential that may lead to new connections and meanings. It can also lead back to old routes and there’s nothing wrong with that either. But inside every repetition lies something new and gradually everything drifts away from its initial course.”

The exhibition in the WIELS will be open until December 19.

Tõnis Saadoja participated in the WIELS residency programme in 2019. Every year two Estonian artists are selected via open call to take part in the programme as part of the WIELS and the Estonian Centre for Contemporary Art’s collaboration project. Right now Ingel Vaikla is working in Brussels. In 2022 Krista Mölder and Sandra Kosorotova will take part.

In December the Urban Studies department organizes two public events. The student exhibition “Fitness and the city” (opening 7 December, 15.00) encompasses topics ranging from housing and care to normativsity and semiocapitalism to ask how “fitness” produces value in the contemporary city.

On 18 December, a student-led
walk through Tallinn’s Paljassaare will explore how neoliberal urbanism and
resistances to it shape this contested urban landscape. Resulting from two separate resarch studio courses, the exhibition and the walk illustrate Urban Studies’s twin emphasis on critical theory and field research. More info on the program’s homepage.