Exhibitions

Exhibition How to be Here by the 3rd year students of the department of painting at the Estonian Academy of Arts will be opened in the hall of exhibitions in the library of the University of Tartu at 18:00 on Monday, October 16th, 2023.

Participating artists are: Karola Ainsar, Anaïs Dubois, Maria Hindreko, Liisa-Lota Jõeleht, Stanislav Alexander Mihheljus, Daria Morozova and Marc Léger Sauvageot 

All artworks exhibited at the current venue have been completed during this autumn, during the seven-week long studio practice. Therefore, this exhibition serves as a transient gesture of the present moment, reminding of a leaving a quick handwritten note to the audience while asking the question: how to be here. 

During the third year of their BA studies, students increasingly dedicate themselves to searching for their artist statement and unique style that often develops throughout years. These young artists are at the beginning of this journey. Even their paintings are simultaneously similar and different. While sharing the studio space, the artists share other things as well – they are influenced by common ideas, conversations and working hours. Even when seeking their individuality, the shared workspace connects them with each other. The inevitable solitude of a painter and the skill as well as the desire to cope with this solitude is something that they still have to experience in the future. 

The artist comment on their work as follows: 

Karola Ainsar: When I said that I desired to be away, I was already on the road. The field is endless, yet the rain has stopped and colours around me are entirely different than before. The gates take the shape of bridges and I want to know what’s there on the other side. I am already on my way. 

Anaïs Dubois: My purpose in painting is to create a world of my own where everything is possible. This world depicts different spaces like landscape and interior scenes that blend together to create an image. While working with the process of reappropriating my memories I create fragmented and colourful compositions in oil painting that question space and how we perceive it. 

Maria Hindreko: In my painting series I work with the means of collage. The starting point is the repetition of patterns and shapes as well as various contrasts: pink and green; geometric and ambiguous forms; spatiality and flatness; opacity and transparency. I depict these contrasting world with specific transitions characteristic of collages. 

Liisa-Lota Jõeleht: My works are inspired by risograph printing: in order to print photos, colour layers (blue, red, yellow and black) are separated and printed out in layers on top of each other. Small dots of colour blend thus creating new hues. When working on these paintings, I have been contemplating on how much so-called raw information could be included in an image that without any context won’t convey anything and leaving an abstract impression. I compare visuals with fossils where there is a trace of something specific, yet the image/object itself is absent. All we have is the knowledge about its existence. 

Alexander Stanislav Mihheljus: Sometimes you have to face the truth and accept that you don’t always have great ideas swimming around in your head. So, embrace what is given. The hay! 

Daria Morozova: My artwork “Language barrier” addresses the difficulties in expressing one’s emotions and thoughts, as well as the strong desire to communicate with the world either through one’s mother tongue or a foreign language. I often find it difficult to find the right words. I feel that every act of communication is inevietably distorted, words get stuck in your throat, get lost or misinterpreted so that you end up alone with these and your emotions. 

Marc Léger Sauvageot: In the painting series “Wrestle I” and “Wrestle II”, the underlying themes are the power of bodies, their mutual collisions and vulnerability. The artist uses bodies as a starting point to explore sexual identity and psychology while revealing the nuances of sensitivity and subconsious emotions. Various materials such as chalk primer, egg tempera and oil paint. 

Supervisor: Sirja-Liisa Eelma 

Technical support of the exhibition: Mihkel Ilus

Exhibition will be open until December 17, 2023.  

The hall of exhibitions in the library of the University of Tartu (Struve Street 1, Tartu) is open Mon-Fri 9–21, Sat-Sun 12–18. 

On Tuesday October 17th at 18:00, Noah Emanuel Morrison opens his first solo exhibition NNNNNNNNNNNN at Vent Space, Vabaduse väljak 6/8.

The exhibition is a part of Tallinn Photomonth’s satellite program.

Within this ongoing, site-specific body of work, he considers how and where racist language becomes camouflaged within the city. The exhibition draws attention to the contemporary phenomenon of the NGR/S/Z series of graffiti, present throughout Tallinn. Walking around as a Black, queer-identified individual, he has been deeply disturbed by these. Reactive and self-reflective, the exhibition veers from research-informed to quotidian in its interventions into Tallinn’s racialized public space.

The show’s central sculpture, Substrate, is a chimera of a fence in Tallinn, on which an early 1990’s graffiti, Neegrid Eestist Välja, was written. Amid the global fascist turn, the piece reflects on the stakes of reaction within the graffiti’s wake.

He will show documentation of his 2022 public performance, Harm’s Way, in which he recites an autobiographical narrative from his time in Tallinn at three sites of the NGR graffiti around his home. At the third of these sites, he attempts to interpret the graffiti’s meaning.

These pieces are accompanied by diaristic and self-reflective analogue image series and video works.

It will be open 12-19 every day through October 24th.

Noah Emanuel Morrison (b. 1995) is a lens-based artist from New York City, currently enrolled in the Masters of Contemporary Art program at the Estonian Academy of Arts and the Masters of Photography program at Aalto University. His practice centers on identity, belonging, and the construction of desire.

Graphic Design: Shubham Aggarwal
Project Assistant: Elias Kuulmann
Supported by: The Cultural Endowment of Estonia

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Within dictionaries, a flag is claimed as being “a piece of cloth with a particular design representing a country, party, association, etc.” From 8 October until 15 October, artist Thomas Sadée is going to challenge this description.

Together with you!

In How about flags we play with the concept of flags. What can a flag be? What can it stand for? When do we identify a thing as a flag? Let’s talk together, brainstorm together, and work together!

From 8 October until 15 October Ventspace will be open from 12:00 until 18:00.

Feel free to stop by to explore the idea of flags together.

On 13 October there will be a free workshop where we will make our own flags, and afterward partake in the unique flag parade from 15:00 until 19:00 – so please bring your own everyday materials to use.

This whole project will come together in a Finissage on 15 October from 15:00 until 20:00.

All activities take place at Vent Space, Vabaduse väljak 6-8.

On 6 October at 6 pm, Trance, the main exhibition of Tallinn Photomonth’s seventh edition, will open at Tallinn Art Hall’s Lasnamäe Pavilion.

It explores people’s everyday addiction to screens and includes works by 17 artists from eight countries, as well as three artist duos and one artist group. Several artists will present their works in Estonia for the first time. Curated by New York based, Finnish curator, Ilari Laamanen, the exhibition will remain open until 26 November.

“Trance looks into the charm and allure of being engaged with technology on the one hand, and the darker side of these rapid developments on the other. The presence of these objects is so mundane and pervasive, even to the point that not having one could give an individual the feeling of isolation from the social context altogether,” says Ilari Laamanen, curator of the exhibition. The exhibition focuses on technological trance as people’s dependence on screens, and it examines how the transition from photographic images to interactive screens, as well the intimately intertwined relationship between the two, marks one of the most significant and destabilising changes in the way in which humans perceive reality, but also how contemporary art can be a fertile ground for making sense of the relationship between technology and the human experience.

According to Laamanen, an art exhibition offers an environment where alternative ways of communicating and transmitting information can be used: “The artists in the exhibition utilise glitch as a conceptual tool, which offers the viewer an opportunity to take a break, step back from the technological trance, and contemplate on the meanings and significance of art and images.” The presented artworks invite viewers to perceive and analyse various means of (audio)visual presentation and to review their own relationship with watching.

The artists participating in the main exhibition are Sara Bjarland (FI/NL), Zody Burke (US/EE), Patricia Domínguez (CL), Elo-Reet Järv (EE), Karel Koplimets (EE), Diane Severin Nguyen (US), Veli Granö (FI), Laila Majid (AE/UK) and Louis Blue Newby (UK), Norman Orro and Joonas Timmi (EE), Pire Sova and Ando Naulainen (EE), Viktor Timofeev (LV/US), Anu Vahtra (EE), Jessica Wilson (US) and artist group CUSS Group (ZA).

According to Laamanen, Trance has an interdisciplinary and cross-generational focus, and each artist’s work has an unexpected impact at the exhibition: “The process of curatorial work has been strongly influenced by the unusual architecture of Tallinn Art Hall’s Lasnamäe Pavilion. The presented works are in dialogue with the exhibition space, which makes the exhibition an engaging and multi-sensory experience. Estonia-based artists Zody Burke, Karel Koplimets, Anu Vahtra, Pire Sova and Ando Naulainen will create new installations specially for Photo Month. I am very pleased to introduce the works of international artists Patricia Domínguez, Laila Majid and Louis Blue Newby, and the CUSS Group for the first time in Tallinn.”

The exhibition is accompanied by a rich public and educational programme, you can find further information on the Tallinn Art Hall website: https://www.kunstihoone.ee/en/programme/.

Running from 6 October to 26 November the Tallinn Photo Month ’23 main programme, includes international group exhibition Trance at Tallinn Art Hall’s Lasnamäe Pavilion and Artist Film screenings at Sõprus Cinema in collaboration with the Tallinn Black Nights Film Festival (16 and 17 November; curators Piibe Kolka and Genevieve Yue). The biennial’s Satellite programme includes a continued collaboration with several important partners and exhibition spaces focused on photo-led art in Tallinn. In cooperation with Tallinn City Transport, an urban space installation will be presented in two Tallinn trams. More information about the Tallinn Photomonth contemporary art biennial programme can be found at https://www.fotokuu.ee/en/programm.

BACKGROUND INFORMATION

Ilari Laamanen
Ilari Laamanen is an independent curator based in New York. He co-curated the ninth edition of the Momentum biennial in Moss, Norway in 2017. As the Director of Programs at the Finnish Cultural Institute in New York (2013–2020), he curated and commissioned projects to the Museum of Arts and Design, New York, New Museum’s Ideas City festival, and Brooklyn Bridge Park. At the FCINY he led the MOBIUS Fellowship Program for six years, establishing partnerships with institutions such as Artists Space, Cooper Hewitt, Smithsonian Design Museum, and JUDD Foundation. He has edited the publications Crossroads – New Views on Art and Environment, MOBIUS Manual and Beyond the Pleasure Principle.

Lasnamäe Pavilion of Tallinn Art Hall
The Tallinn Art Hall Foundation is a contemporary art establishment that presents exhibitions in two galleries in 2022–2024 – at Tallinn Art Hall’s Lasnamäe Pavilion and Tallinn City Gallery. The exhibitions of Tallinn Art Hall are installed by Valge Kuup.

Tallinn Photomonth
Tallinn Photomonth is an international biennial of contemporary art which presents works from almost all areas of visual culture and looks more broadly at the development of art and society, increasingly mediated by photographic images, cameras and screens. Tallinn Photo Month was initiated in 2011 by the Estonian Union of Photography Artists (FOKU), which coordinates and supports collaboration between art institutions, galleries and artists.

How is knowledge about the city produced and to what ends? What methods help broaden perspectives on the city? How to learn from urban space and represent the results?

Urban Studies year I students invite you to the final presentations of the “Art and the City” course, which has focused on creative urban methods. Entitled Momentum Montenegro, the evening of presentations delves into the social and material aspects of the first microdistrict of Mustamäe.

As Estonia’s first panel house district, it pioneered a new spatial configuration and quickly became an iconic dream destination in war-ravaged mid-century Tallinn. However, the implementation of this housing model has been heavily critiqued since its inception. Now, four houses from the I micro-district have been earmarked for a neighbourhood renovation pilot project seeking to upgrade the buildings as well as the space between them.

The presented projects focus on the public space between these four panel houses, not with the aim to prove something but to learn something.

The course is tutored by Mattias Malk.

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We provide an overview of the current status of the Benin traditional music project.

Introducing the traditional music of Grand-Popo in Benin (West Africa).

Composer and singer Steve Abeni (Benin) and the Benin traditional music ensemble will contribute
Hans-Gunter Lock
Andrus Haugas
Janek Samberg
Asya Dorofeeva
Andrus Kallastu 

Since Grand-Popo is one of the most important voodoo spiritual centers in addition to extremely exciting musical traditions, in addition to musicians, anthropologists, religious researchers, dance researchers, visual artists, filmmakers, cultural historians, philosophers and experts in other fields are invited to exchange ideas.

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The ceramics department of EKA is celebrating its 100th anniversary this year. This exhibition is one of the events. The large-scale ceramic forms exhibited in Viimsi Artium have been completed as a first-year study project of the EKA Ceramics Department.

The works planned and built during March and April have been fired in the beginning of May in the anagama-type kiln located in Tohisoo manor park in Kohila. The special feature of the kiln is that it is heated with wood and the objects to be fired are in direct contact with the flame, one firing lasts on average 50 hours and the kiln cools down in 4-5 days.

Participating current and former students: Anna-Liisa Villmann, Merilyn Kasemets, Keily Kerem, Lilian Maasik, Elisabeth Tönne, Sanna Lova, Kristel Kärdi, Linda Viikant, Mari-Ann Maask, Maria Kim, Kätriin Reinart, Marta Vikentjeva, Gaida -Erica Pärn, Helen Griffiths, Ethel Ütsmüts.

Subject supervisor and exhibition organizer: Karin Kalman

The exhibition will remain open until October 19.

On Monday, 18th September, the EKA Library will open an exhibition to present the results of the artistic research project „The Reconstruction and Artistic Development of the Historical Relief Print Technique“.

The starting point of the study is the relief printing technique used in the workshop of leather artist and bookbinder Eduard Taska in 1924. The technique is currently unknown but distinguished from the well-known cliché and linoprint by its two-dimensional result and the absence of fine graphic lines.

The exhibition provides an overview of the experiments conducted to reconstruct the relief printing process as authentically as possible and develop printing solutions suitable for contemporary materials and techniques based on the restored historical technique that allows for mass production.

The reinvented reverse print technique allows for the use of a wide range of reusable and recyclable materials as printing plates. It enables blind and foil printing on various materials. The results of the experiments show that the reverse print is suitable for prototyping as well as for the production of unique items and small-scale products.

The exhibition will remain open until 15^th November 2023.

For more information, please contact Jaana Päeva: jaana.paeva@artun.ee

EKA artistic research project team of „The reconstruction and artistic development of the historical relief print technique“: Jaana Päeva, Eve Kaaret, Lennart Mänd, Riina Samelselg

Exhibition design: Ran-Re Reimann

Project is funded by: Ministry of Culture’s Artistic Research Support Program in the field of culture and creative industries

Special thanks to: The Estonian History Museum, EKA Bookbinding Studio, IKIGI

Monday to Friday 10.00–18.00
Saturday 11.00–15.00

(Russian below)

KEEPING THINGS IN THE DARK, AGAIN
Anna Škodenko, Darja Popolitova, Viktor Gurov and Francisco Martínez 
22.09—25.10.2023
Opening: 22.09 at 5 pm

Join us for the exhibition “Keeping things in the dark, again” opening on September 22, 5 pm at EKA Gallery!
“Keeping things in the dark again” is a collectively curated art project, based on ethnographic research. The exhibition at the EKA gallery is the final part of a trilogy, which reflects on the correlation between public secrets and shadow spaces in Ida-Virumaa. Over the past three years, we have visited 37 basements, exploring the underground material culture of this post-industrial, Russian-speaking, ecologically devastated region. A four-artist installation has been the first outcome of our collective work, which was exhibited in the Riga Art Space (2022) and at the Sillamäe Museum (2023). In the meantime, we have been developing our installation and continued with our research and the exchange of ideas. As a result, we have created 4 new, individual works:

THE PAST OF THE FUTURE—this installation stages a series of encounters with the time capsule buried into the ‘Glory to Labour’ monument in 1971 in Kohtla-Järve, which is supposed to be opened in 2046 but was accidentally unearthed in 1996.

KRATT© MADE IN IDA-VIRUMAA—a wall installation consisting of sculptured oil shale fragments exposed on 3D-printed shelves. Kratt is a workaholic mythological creature who destroys oneself when its creator entrusts it with impossible tasks.

CAVE GHOSTS—an installation that combines fumage aesthetics with spatial design. By covering the entrance to the gallery, it reproduces the experience of descending a staircase and stepping into a cellar. Or into a mining tunnel.

LIQUID SHADOWS AT THE BORDER—a series of Byzantine collages inspired by the bonding gestures of garage users in Kulgu (aka ‘Narva Venice’). This is a male, amphibious territory for doing things other than in the city and being in time at ease.

What had been concealed and kept in the dark has a particular efficacy while resurfacing and being on display. This exhibition presents different instances of this, reflecting on material hoarding, messages for the future, existentialist aesthetics and shelters where to test different sides of the self. People need hideouts and places to store things in the dark. The main installation deals with this issue and is composed of 4 parts: the ‘Cellar Door’ video installation in which Jelena guides us around her cellar in Kohtla-Järve; the audio-visual sculpture titled ‘Баю-бай’ introduces a surreal video located in a sculpture in the form of a stroller; the visual representation ‘Sartre downstairs’ of various existential messages found in local basements; and ‘Subterranean biographies’, which displays a series of extracted objects alongside personal stories.

Anna Škodenko (b. 1986) is a multidisciplinary artist and guest lecturer at the Estonian Academy of Arts. Her work is characterized by a lyrical and analytical approach to the medium and the visual image.

Darja Popolitova (b. 1989) is a multidisciplinary artist, guest lecturer and doctoral student at the Estonian Academy of Arts. Darja creates jewellery and video installations on the topic of digital culture, mixing it with pseudo-magical aesthetics.

Viktor Gurov (b. 1989) is an artist and graphic designer interested in urban landscapes and decommissioned places. He works as creative director of the Estonian National Library.

Francisco Martínez (b. 1982) is an anthropologist of Tampere University dealing with contemporary issues of material culture through ethnographic experiments. In 2018, he was awarded with the Early Career Prize of the European Association of Social Anthropologists.

We express our gratitude to Pire Sova, Svetlana Ivanova, Ekaterina Grafova, Jelena Mutonen, Andrei Mitkovets, Nadežda Popolitova, Jakob Tulve, Andres Nõlvak, Allar Rebane, Madis Kaasik, Riina Varol, Mari Kivipõld, Taavi Teevet, Dmitri Fedotkin, Enas Amerkhanov, Dept. of Jewelry and Blacksmithing, WasteMatters ERC project, and, overall, to all who have contributed to the exhibition in different ways.

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И СНОВА ВЕЩИ В ТЕМНОТЕ?
Анна Шкоденко, Дарья Пополитова, Виктор Гуров и Франсиско Мартинес
Галерея EKA, 22.09—25.10.2023
Открытие: 22.09 в 17.00

И СНОВА ВЕЩИ В ТЕМНОТЕ? – это коллективный художественный проект, основанный на этнографических исследованиях. Выставка в галерее EKA является заключительной частью трилогии, которая размышляет о том, как хранимые обществом тайны соотносятся со скрытыми пространствами в Восточной Эстонии. За последние три года мы посетили 37 подвалов, исследуя подземную материальную культуру этого постиндустриального, русскоязычного, экологически разоренного региона. Инсталляция, созданная четырьмя художниками стала первым результатом нашей коллективной работы, которая была выставлена в Рижском городском выставочном зале (2022) и в музее Силламяэ (2023). Тем временем мы дополняли нашу инсталляцию, продолжали наши исследования и обмен идеями. В результате мы создали 4 новые индивидуальные работы: 

ПРОШЛОЕ БУДУЩЕГО—эта инсталляция представляет собой серию встреч с капсулой времени, замурованной в 1971 году в монументе «Слава Труду», возведенном в Кохтла-Ярве. Капсулу предполагалось открыть в 2046 году, но ее случайно обнаружили в 1996.

ДОМОВИК© MADE IN IDA-VIRUMAA—настенная инсталляция, состоящая из скульптурных фрагментов горючего сланца, выставленных на полках, напечатанных на 3D-принтере. Kratt (домовик) – мифологическое существо-трудоголик, которое уничтожает себя, когда его создатель поручает ему невыполнимые задачи.

ПЕЩЕРНЫЕ ПРИЗРАКИ—инсталляция, сочетающая эстетику фьюмажа с пространственным дизайном. Закрывая вход в галерею, инсталляция воспроизводит ощущение спуска по лестнице в подвал. Или в шахтный туннель.

ЖИДКИЕ ТЕНИ НА КРАЮ—серия коллажей в византийском стиле, вдохновленная тем, как вяжут узлы пользователи лодочных причалов в районе Кулгу (также известном как «Нарвская Венеция»). Это, так сказать, земноводная, мужская территория, где можно отдохнуть от городской рутины и отлично провести время. 

То, что было скрыто и хранилось во тьме, приобретает особое очарование, когда извлекается на поверхность. И выставка позволяет нам в этом неоднократно убедиться, размышляя о накоплении материалов, посланиях в будущее, экзистенциалистской эстетике и убежищах, где можно узнать разные стороны собственного «я». Людям нужны укрытия и пространства, чтобы хранить вещи в темноте. Основная инсталляция посвящена этой теме и состоит из 4 частей: видеоинсталляция «Дверь в подвал», в которой Елена проводит нас по своему подвалу в Кохтла-Ярве; аудиовизуальная скульптура «Баю-бай» знакомит с сюрреалистичным видео, располагающимся в скульптуре в форме коляски; визуальное представление «Сартр внизу» из различных экзистенциальных посланий, найденных в местных подвалах; и «Подземные биографии», в которых рядом с личными историями представлен ряд извлеченных объектов.

Anna Škodenko (1986)—мультидисциплинарная художница и гостевая преподавательница в Эстонской академии художеств. Ее творчество характеризуется лиризмом и аналитическим подходом к медиуму и визуальному образу.

Darja Popolitova (1989)—мультидисциплинарная художница, гостевая преподавательница и докторант в Эстонской академии художеств. Дарья создает украшения, а таже видео-инсталляции на тему дигитальной культуры, смешивая это с псевдо-магической эстетикой.

Viktor Gurov (1989)—художник и графический дизайнер, которого интересуют темы оформления текстов, а также городских пейзажей и заброшенных, урбанистических мест. Виктор работает креативным директором Эстонской национальной библиотеки.

Francisco Martínez (1982)—антрополог Университета Тампере, занимающийся современными проблемами материальной культуры через этнографические эксперименты. В 2018 году он был награжден премией за раннюю карьеру Европейской ассоциации социальных антропологов.

Выражаем благодарность Пире Сова, Светлане Ивановой, Екатерине Графовой, Елене Мутонен, Андрею Митковцу, Надежде Пополитовой, Якобу Тульве, Андресу Нылваку, Аллар Ребане, Мадис Каасик, Рийна Варол, Мари Кивипылд, Таави Тивет, Энас Амерханов, Дмитрий Федоткин, Кафедра ювелирного и кузнечного дела, ERC проект WasteMatters, и всем, кто так или иначе внес свой вклад в инсталляцию.