Category: Support Units

This exhibition features handmade books by EKA students as the culmination of a course in which they worked with photographs in book format. They explored the similarities and differences between artist books, self-publishing, and book dummies. In addition to creating and editing visual materials, students tried their hand at design, pre-press, and binding by hand. 

The books contain both analog and digital photos in the form of collages, typologies, narratives, and archival materials. The subjects explored include personal themes such as hometown, friendship, family, and childhood, as well as everyday life, the inexpressibility of feelings and perceptions, and mundane architecture.

Artists participating in the exhibition: Mikk Keis, Olesja Prants, Gleb Volodtšenko, Mari Karjus, Viktoria Weiszova, Tobias Tikenberg, Jana Mätas (MACA), Kristiina Aarna (DKT).

Supervisor Mirjam Varik.

From December 2 to December 11, EKA Library will be open from Tuesday to Thursday from 10am to 10pm.

On December 3 and 10, the library will also open its Emergency Writing Assistance Department (EWD) in half-hour flash feedback sessions from 18 to 20. Bring along your texts and presentations and ask for advice on referencing and finding sources. Appointments will take place on a first-come, first-served basis.

Free coffee, tea, and gingerbread cookies to students and readers!

The winter assessment marathon is here! For three weeks, you can once again experience works produced by students in the Faculty of Fine Arts as their term projects are presented: every day there will be a fresh showcase of university students’ works on display.

Works in animation, contemporary art, installation and sculpture, painting, photography, graphic art and scenography curricula will be on display. On almost each evening of the marathon, a new exhibition will be installed and in the following evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

The assessments will take place in the main building of EKA Gallery (Kotzebue 1, Tallinn) and the new EKA monumental studio (1st floor of Kotzebue 1, Tallinn).

On the assessment day(s), the exhibitions are open from 2 pm to 6 pm, on Sundays the exhibitions are open from 12 pm to 4 pm.

SCHEDULE

Mon 1.12. Drawing, Fine Arts BA I, supervisor Matti Pärk (EKA Gallery)
Tue 2.12. Drawing, Fine Arts BA II, supervisor Eero Alev (EKA Gallery)
Wed 3.12. Drawing, Fine Arts BA III, supervisor Tea Lemberpuu (EKA Gallery)
Thu 4.12. Sculpture, Fine Arts BA I, supervisors Laura Põld, Taavi Talve (EKA Gallery)
Thu 4.12. – Fri 5.12. Scenography BA III, supervisor  Mark Raidpere (Kotzebue 10)
Fri 5.12. – Sat 6.12. Contemporary Art MA I & II, supervisors Sirja-Liisa Eelma, Merike Estna, Viktor Gurov, Tuukka Kaila, Eve Kask, Kristi Kongi, Karel Koplimets, Paul Kuimet, Camille Laurelli, Holger Loodus, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Jaan Toomik, Reimo Võsa-Tangsoo (EKA Gallery)
Sun 7.12. – Mon 8.12. Contemporary Art MA I & II, supervisors Sirja-Liisa Eelma, Merike Estna, Viktor Gurov, Tuukka Kaila, Eve Kask, Kristi Kongi, Karel Koplimets, Paul Kuimet, Camille Laurelli, Holger Loodus, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Jaan Toomik, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)
Tue 9.12. Contemporary Art MA I & II, supervisors Sirja-Liisa Eelma, Merike Estna, Viktor Gurov, Tuukka Kaila, Eve Kask, Kristi Kongi, Karel Koplimets, Paul Kuimet, Camille Laurelli, Holger Loodus, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Jaan Toomik, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)
Wed 10.12. Painting, Fine Arts BA I, supervisors Karl-Kristjan Nagel, Tõnis Saadoja (EKA Gallery)
Thu 11.12. Graphic Art, Fine Arts BA II & III, supervisors Britta Benno, Charlotte Biszewski, Liisi Grünberg, Viktor Gurov, Eve Kask, Liina Siib (EKA Gallery)
Thu 11.12. Graphic Art, Fine Arts BA II & III, supervisors Charlotte Biszewski, Viktor Gurov,Eve Kaaret, Madis Kaasik, Eve Kask, Pawel Schulz (Kotzebue 10)
Fri 12.12. Graphic Art, Fine Arts BA II & III, supervisors Kadi Kurema, Marten Prei, Paul Rannik (EKA Gallery)
Sat 13.12. Drawing, animation BA I & photography BA II, supervisor Lilli-Krõõt Repnau (EKA Gallery)
Sun 14.12. – Mon 15.12. Photography BA I, supervisor Annika Haas (EKA Gallery)
Tue 16.12. Painting, Fine Arts BA III, supervisors Angela Maasalu, Jaan Toomik, Mart Vainre (EKA Gallery)
Tue 16.12. Photography, BA II, supervisor Kalle Veesaar (Kotzebue 10)
Wed 17.12. Painting, Fine Arts BA II, supervisors Sirja-Liisa Eelma, Holger Loodus, Tõnis Saadoja (EKA Gallery)
Thu 18.12. Animation BA I, supervisor Lilli-Krõõt Repnau (EKA Gallery)

On 12 December, 2025 Margus Tamm, external doctoral student of Art and Design curriculum, will defend his doctoral thesis „Artistic Interventions in the Public Space: Tactical Media and the Communicative Turn in Protest Culture at the Turn of the Millennium“ („Kunstilised sekkumised avalikus ruumis. Taktikaline meedia ja kommunikatiivne pööre protestikultuuris aastatuhande vahetusel“).
The public defense will take place at 11.00 at EKA (Põhja pst 7), room A101.

Thesis is available in EKA digital repository.

Supervisors: Prof. Andres Kurg (Estonian Academy of Arts)
Prof. Marek Tamm (Tallinn University)
External reviewers: Dr. Ingrid Ruudi (Estonian Academy of Arts)
Prof. Daniele Monticelli (Tallinn University)
Opponent: Prof. Daniele Monticelli (Tallinn University)

Summary:

The political culture of the 21st century is increasingly shaped by protest movements and protest politics. Against the backdrop of weakening traditional democratic institutions, protest activism has become a fertile ground for civic participation and democratic renewal – revitalizing political debate, creating new collective identities, and expanding the ways of political engagement.

This research focuses on the spectacular dimensions of contemporary protest culture and on the period 1990–2010 – an academically under-studied transitional era during which a radically democratic and artistically interventionist protest repertoire emerged. The dissertation consists of five articles that, through case studies and theoretical discussion, examine the defining features of interventionist artistic activism, accompanied by an introductory umbrella chapter that frames the research topic and situates it within a broader discussion.

The study addresses the following questions: what kind of social role do protest movements and popular protest politics play in contemporary Western democracies; how has the communicative turn in the social sciences shaped the conceptualization of protest movements; what is the role of artistic practices in contemporary protest culture; what developments characterize democratic protest culture during the period of 1990–2010; and finally – and most crucially – how can the passion for political change be reconciled with institutional sustainability?

The broader aim of the dissertation is to examine contemporary protest culture as a point of intersection between artistic and political expression, to contribute to the critical discourse on its expanding social role, and to highlight both the challenges and opportunities that arise from employing artistic practices for activist purposes.

Sven Mantsik, a master’s student in Contemporary Art, has explored various disciplines such as installation, printmaking, self-publishing, animation and video games, while always nurturing his primary passion: drawing.

Sometimes fictional, sometimes autobiographical, his drawings present a social satire of an all-too-common daily life, blending melancholy, dreamlike elements, sharpness and humour. His exhibition “Timeline”, offers an in-depth look at his narrative and visual approach. The EKA Library’s showcase space features a selection of his graphic works.

The exhibition is open until December 19.

Julia Maria Künnap, “Travelling Light. A Study on the Movement of Light in Experimentally Cut Gemstones”

EKA Library 21.10-4.11.2025

This artistic research explores the fundamental principle of gemstone faceting — the refraction and reflection of light – in the combination of faceted and freeform elements. The aim of the exhibition is to demonstrate how individual reflective elements, through their mutual interaction, create the brilliance of a gemstone. To illustrate this theory, the exhibition presents both work in process and finished gems set in jewelry. The Exhibition is the First Creative Project of Doctoral Thesis “Playing with fire. Possibilities for designing four-dimensional gemstones by combining traditional faceting and free-form engraving. Time as a design element.” Supervisor Prof Krista Kodres

Julia Maria Künnap is a PhD student and junior researcher in Art and Design.

EMTA, EKA and BFM invite you to the Science Café!

On Wednesday, 15 October at 6 p.m., a discussion evening will take place in AnkruSAAL at Põhjala Factory (Ankru 10, Tallinn). Researchers from the Estonian Academy of Music and Theatre (EMTA), the Estonian Academy of Arts (EKA) and Tallinn University’s Baltic Film, Media and Arts School (TLU BFM) will share insights into their creative practice and research, exploring the nature, methods and outcomes of artistic research. The event will be held in Estonian.

This Science Café focuses on “Artistic Research and the Audience.”
Until now, studies of theatre, film, art and concert audiences have largely come from a sociological perspective. Artistic research offers new angles, examining the relationship between performer or creator (musician, conductor, actor, artist and others) and listener/viewer, and how their roles and functions shift in different situations. Some art forms draw the audience directly into the creation of the work—eliciting a wide range of reactions. A good example is co-created or “life-based” theatre. How can an encounter between performer and audience become truly equal within a performance? Such questions provide fertile ground for conversation with Science Café guests: what are their own experiences and expectations?

Moderator: Mihhail Gerts (EMTA)
Panelists: Kadri Noormets (EMTA), Alisson Kruusmaa (EMTA), Sten Kauber (TLU BFM), Joanna Kalm (EKA)
Musical performance: Kristjan Kannukene (EMTA)

The Science Café on 15 October is part of the Estonian Academy of Music and Theatre’s flagship festival MÜRIAADfest.

Participation is free of charge, but please register in advance by 9 October  HERE.
The event is supported by the Estonian Research Council’s science popularisation programme and is open to everyone interested.

Alejandra Alarcón & Sandra Mirka
GROUNDED GATHERINGS: ROOTED BEGINNINGS
Ground floor of EKA Gallery 27.09.–19.10.2025
Open Tue–Sat 12–6 pm Sun 12–4 pm
Opening: Friday, September 26 at 6 pm

As the seasons turn, “Grounded Gatherings: Rooted Beginnings” invites us to slow down, share food, and reflect on our relationship with the landscape. It offers a space to come together around the table, to simmer jams, and to share seasonal bites. This exhibition is imagined as a place for learning and unlearning, for exchanging different kinds of memories and knowledge. The work focuses on specific locations in Finland and Estonia, places where encounters with humans and more-than-humans have been flourishing. Through visual documentation from Spring and Summer, recipes, workshop events, and communal meals, the project invites us to build and maintain a long-lasting relationship with our surroundings through taste.

“Grounded Gatherings” is a multidisciplinary project by Alejandra Alarcón and Sandra Mirka, unfolding between Finland and Estonia. Sandra Mirka holds an MA in interior architecture and is a certified chef based in Tallinn. Her practice is led by sourcing and building with up-cycled materials, connecting spatial design with food cultures. Alejandra Alarcón is an interdisciplinary artist and designer based in Helsinki. She holds an MA in Contemporary Design. Her interest in (food) sustainability—the seasonality of things, non-human collaborations—is deeply tied to embodied practices such as walking, foraging, cooking, and digesting. Both creatives share a passion for food and cooking, working with it in different ways throughout their individual practices. Both creatives are deeply interested in how humans and more than humans co-exist in ways that create opportunities for more caring and sustainable practices.

Graphic design: Daria Titova
Technical support: Erik Hõim
The exhibition is supported by Sadolin Estonia and Tallinn City.
Special thanks to Joni Judén, Kaitlyn D. Hamilton, TUOTUO, Lenne Nigul, Anumai Raska, Estonian Centre for Architecture, Mariann Drell, Markus Koistinen and Radul Radulović.
Opening drinks from mirai™ and Põhjala Brewery.

Estonian Academy of Arts Science Cafe is hosting a roundtable talk on the changing roles of religious and industrial buildings in contemporary Europe on the 4th of September from 1 to 3 pm at the Narva Art Residency (NART, Joala 18) as part of the Station Narva festival.

The event will be held both onsite and online from HERE.

Estonian Academy of Arts Science Cafe focuses on the shifting roles of religious and industrial buildings in contemporary Europe. As congregations shrink and industries relocate, churches and factories alike are increasingly left vacant, raising complex questions about reuse, heritage, and identity. The discussion will address how these spaces are being reimagined—as museums, cultural centres, or residential developments—and what this reveals about broader societal transformations in both secular and post-industrial contexts.

The discussion will feature musicologist and journalist Brigitta Davidjants, associate professor of social innovation at the University of Tartu Marko Uibu, Auxiliary Bishop of the Patriarchate of Lisbon (Portugal) and Associate Professor at the Portuguese Catholic University – Faculty of Theology Alexandre Palma. The talk will be moderated by art historian and semiotician Gregor Taul. 

The event requires pre-registration by August 29. A free bus service is provided from Tallinn to Narva and back, departing from EKA. More information is available upon pre-registration.

After the Science Café, you are welcome to attend the Station Narva opening concert featuring Estonian Voices at 5:30 PM in the Rugodivi Culture House, Grand Hall. Admission is free, and doors open at 5:00 PM.

More information: triin.kao@artun.ee
Facebook event.

The event will take place under the auspices of the Transform4Europe Alliance — a collaborative network of 11 European universities focused on climate change, digitalisation, and social challenges — and is co-funded by the Erasmus+ Programme of the European Union.

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The English saying “keep the church in the village” means “do not cause an uproar.” There are similar sayings in German, French and many other European languages. With some differences, they denote that the church forms the centre of community, the basis of identity, but also, in a figurative sense, the embodiment of common sense. Despite the geographical scope and cultural differences in Catholic, Orthodox and Lutheran countries this has been the case in all of Europe. However, recent times have brought changes. Industrialisation, secular modernisation and large-scale urban planning schemes have shifted the principles of how communities are formed. This was especially so in the fundamentally atheist Soviet Union. For example in Soviet Estonia only a few religious edifices were erected between 1944 and 1991. 

The number of church-goers has also declined. As a result some churches have lost their congregations. This has raised the question of how to treat the disused churches? The situation resembles that of the post-industrial shift. Starting from the 1970s European manufacturers have left the continent in search of cheaper labour and thus the abandoned factories have made way for the birth of ‘creative cities’ – we have seen empty factories first used as squats and informal project spaces, then as gentrified creative quarters and eventually becoming expensive lofts. As for the repurposed religious buildings there are more thought-provoking examples where former religious buildings have been turned into museums, bookshops, concert halls or even swimming pools. As adaptive reuse of spaces and materials is becoming a legislative requirement in Europe, we will see more such examples in the near future. 

At the backdrop of a contemporary music festival, Narva’s fabled industrial legacy and the crossroads of divergent (religious) identities this roundtable will look at both historic case studies and current disputes concerning religious and industrial heritage in Europe.

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Brigitta Davidjants is a journalist and researcher at Estonian Academy of Music and Theatre, Estonia. In her academic research, she looks at national identity constructions and the marginalities of subcultures.

Marko Uibu is an Estonian social scientist and Associate Professor of Social Innovation at the Institute of Social Studies, University of Tartu. His 2016 doctoral dissertation in University of Tartu was called “Religiosity as Cultural Toolbox: a Study of Estonian New Spirituality”.

Alexandre Palma is a theologian, Auxiliary Bishop and university professor. He is an assistant professor at the Catholic University (courses: Mystery of God; Christology; and Theology of Religions) and a researcher at the CITER – Research Center for Theology and Religion Studies. He also serves as Auxiliary Bishop of the Patriarchate of Lisbon (Portugal) and is a member of the European Society for Catholic Theology and of the Seminar of young scientists of the Lisbon Academy of Sciences.

Gregor Taul is a teacher, critic, and curator based in Tallinn, working as an associate professor in the Departments of Interior Architecture and General Theory Classes at the Estonian Academy of Arts. In his academic research, he focuses on art in public space, with a particular interest in Soviet-era monuments and murals as well as contemporary public art commissions.