“B106” – Exhibition of Jewellery and Blacksmithing Students

Dear lecturers, students, academics – you are invited to participate in labs that ponder these questions through creating “future-archives”!

Both labs have the same structure so you can choose which date suits you better!

So, how are teaching practices changed by 2045? What kind of new methods and approaches have been embedded? What is the “good old” that has remained? What are teaching philosophies and values? How are things organized in higher art institutes and how does it feel like being a lecturer in those institutes, what brings joy and what frustrates?

Those questions are analysed in the lab through a future studies method called “the future archive”. Each lab has first shorts lectures and discussion parts, in order to kick off future thinking chakras. Then participants start working (alone or in groups) with artefacts that will belong to that future archive, so these artefacts will be created as if in 2045. NB! Although we tend to think about the future in rather optimistic terms, dystopian versions are also very welcomed!

Artefacts that end up in this future archive can be manifestos, found objects, recordings of the performances, GIFs, collages, “someone” notebooks, a smell, a sound, an edible thing – but they all have to tell a story about some aspect in future teaching practices. Every artefact will be accompanied by a label, explaining main features. Each lab ends with a small exhibition and discussion. Participants should be willing to let their artefacts be documented and accept that those documentations will be used further during the FAST45 project.

Why such labs?

These labs are taking place in the context of Erasmus+ Project “Future Art School Trends 2045”. FAST45 has 11 partners in Europe, higher art universities and creative companies. Its goal is to discuss future perspectives for art school – what kind of preparation future artists, musicians, dancers etc would need? Project duration is from 2021 until end of 2023 and from EKA’s side Project is run by Maarin Ektermann. There have been some workshops in EKA and the possibility to listen to online lectures and webinars of other partners. All information about FAST45 can be found here.

Facilitating the lab

Lab will be organized in cooperation with Project partners from Uniarts (Finland) and LUCA (Belgium). We are inspired by Jaak Tomberg, literary scholar focussed on sci-fi and utopias.

Frederik Klanberg (De Structura). De Structura is a multidimensional pan-European initiative that strives to create more opportunities for young people in the art sector.

Lab is organised by Maarin Ektermann, Eva Liisa Kubinyi, Kristiina Krabi-Klanberg (EKA) and colleagues from LUCA (Belgium) and Uniarts (Finland).

Working languages will be Estonian and English – it is possible to have group discussions among participants in both languages, but presentations etc should be in English.

If future teaching practices speak to you, then please register by October 21:

for the 28.10 lab HERE

For more information please connect with Maarin Ektermann, e-mail maarin.ektermann@artun.ee

Dear lecturers, students, academics – you are invited to participate in labs that ponder these questions through creating “future-archives”!

Labs are happening in EKA (Põhja pst 7, Tallinn):

27th of October, Thursday, 2 pm – 6 pm (B-205)

So, how are teaching practices changed by 2045? What kind of new methods and approaches have been embedded? What is the “good old” that has remained? What are teaching philosophies and values? How are things organized in higher art institutes and how does it feel like being a lecturer in those institutes, what brings joy and what frustrates?

Those questions are analysed in the lab through a future studies method called “the future archive”. Each lab has first shorts lectures and discussion parts, in order to kick off future thinking chakras. Then participants start working (alone or in groups) with artefacts that will belong to that future archive, so these artefacts will be created as if in 2045. NB! Although we tend to think about the future in rather optimistic terms, dystopian versions are also very welcomed!

Artefacts that end up in this future archive can be manifestos, found objects, recordings of the performances, GIFs, collages, “someone” notebooks, a smell, a sound, an edible thing – but they all have to tell a story about some aspect in future teaching practices. Every artefact will be accompanied by a label, explaining main features. Each lab ends with a small exhibition and discussion. Participants should be willing to let their artefacts be documented and accept that those documentations will be used further during the FAST45 project.

If future teaching practices speak to you, then please register by October 21:

for the 27.10 lab HERE

For more information please connect with Maarin Ektermann, e-mail maarin.ektermann@artun.ee

Paulius Petraitis will hold an artist talk at 6 p.m. on Tuesday, October 25 in EKA room A-501.

The artist has been invited to hold a masterclass “Images in Conflict: How to Respond to War?” in the department of photography on October 24–28.

Everyone is invited to take part in the artist talk!

Paulius Petraitis is an artist-theorist and independent curator based in Vilnius. Much of his work explores the role of technology in meaning-making and examines ways in which photographic images function in online and offline environments. Petraitis curated On Photographic Beings (2020) at the Latvian National Museum of Art and Vorsprung durch Technik (2021) at Atletika in Vilnius.

His personal project A man with dark hair and a sunset in the background (2017-20) explores visual recognition through a dialogue-based approach with an image interpretation software, and was published by 6 chairs books and  Lugemik.

His artist’s books are held in numerous institutional collections, including libraries at MoMA, The Met, MACBA, as well as Clark Art Institute and Joan Flasch Collection.

Estonian Academy of Arts Museum exhibition:
A Child Thing. Children’s designs by students at EKA

21.10–29.11.2022 at EKA Gallery

Professional design for children is broadly a phenomenon of the last hundred years. The field of children’s design has became more significant in the Estonian Academy of Arts since 1970s. More and more attention has been payed on the actual needs, physical and mental characteristics of young people. From the aesthetic utility objects of the 20th century, design is increasingly moving towards solutions that engage children to develop their creativity.

Numerous established fashion, textile and leather artists, ceramicists, designers and interior architects in Estonia have worked with children’s designs during their student years. Besides the practical world of design, the exhibition also presents book illustrations, theatre costumes and animated films from the realm of fairy tales that stimulate children’s imagination.

The exhibition covers almost a century, starting with the rooster illustration for the ABC book from the State School of Arts and Crafts time and ending with interactive objects from the last decade. The exhibition is largely based on the historical collection of the Estonian Academy of Arts Museum. Most of the student design projects remained on paper. However, designers have generously contributed to the exhibition their items that were turned from ideas into real objects more recently. The signs of wear on some toys and therapeutic facilities testify that they have been enjoyed by children in hospitals, orphanages, libraries or playgrounds, thus serving their purpose.

Curators of the exhibition: Jelizaveta Sedler and Reeli Kõiv

Exhibition is supported by Cultural Endowment of Estonia

The Estonian Academy of Arts is once again inviting you to one of the biggest Christmas fairs in Estonia, where you can purchase original Estonian art and design works throughout the five floors of the building. Every single piece is handcrafted by our own students and alumni.

Come and see for yourself where top-notch design and art comes from!

Around 80 sellers – artists and designers – will be taking part of the fair with a wide array of products.

REGISTRATION FOR THE SELLER

TIME AND DATE

– 11.12.2022

– 11:00–17:00

ENTRANCE

– Doors will open at 11:00

– The entrance is FREE!

– Entrance from Kotzebue 1

PS! Bring cash to make shopping more comfortable.

EKA Student Council

yesindus@artun.ee

TASE’21 and EKA (Estonian Academy of Arts) Young Artist’s Award winner Karolin Poska in Hobusepea Gallery!

TASE’21 and EKA (Estonian Academy of Arts) Young Artist’s Award winner Karolin Poska will open her solo exhibition Pressure of the Gaze in Hobusepea gallery at 18:00 on Wednesday, October 19th, 2022. Exhibition will be open until November 14, 2022.

Karolin Poska: “Do you know the feeling when someone else has fixed their gaze on you? You can simply tell that someone is controlling you, stalking you with the gaze, measuring you or trying to create a visual contact. You feel it even if it is outside the field of vision, or you may realize this from the corner of your eye.

People assure that they literally feel how the eyes of “Mona Lisa” painted by Leonardo da Vinci are following them, irrespective of the physical location of the spectator. This phenomenon – when the eyes of an artwork observe the spectator in the room – is called the Mona Lisa effect. However, researchers have found that this phenonenon won’t apply to Mona Lisa since the gaze of the painted figure has been directed too much to the right.

Creating a direct eye contact is perhaps the most frequent and powerful non-verbal signal exchanged between human beings; it is also a means of intimacy, frightening and social influence. Eye contact is such a primeval way of communication common to all animal species: predators intensely keep their eye on their prey before the moment of dashing towards it; babies become intimate with their parent through visual contact; fish turn their eyes black during an aggressive act.

The oldest found fossil’s eyes are 540 million years old, the first Homo habilis or the archaic human dates back to approximately 2 million years ago. Now I feel different when looking out of the window, knowing that I am using eyes of the precedecessors being 538 million years older than a human being.

It is easier to catch human gazes than those of other species since human eyeball has a special construction – we have more sclera (the white layer of an eye). That, in turn, makes it much easier to identify the movement of the iris of an eye that has darker colour as well as determining the direction of the gaze due to constrasty colours. Surprisingly, human eyes have the closest similarity with the ones of an octopus and a squid who both have big eyes consisting of the lens, the iris and one big vitreous body.

According to my calculations, the old town of Tallinn has 77 street cameras, so you were probably looked at already when you were on your way to the gallery. You probably did not perceive this because the surveillance cameras have less constrasty eyes and different construction. Also, the sculpture in the old town that you probably passed did not follow you with its eyes since it wears glasses and unfortunately has no sclerae. And yet, lots of people say that it is namely the eyes of an artwork that make you feel something.

While preparing for the current exhibition, I went to galleries and streets and looked at art; and also looked at others looking at art and let the artworks look at me and my act of looking. I really hope that you will find something worth looking at!”

Karolin Poska (b. 1991) is a performance artist, choreographer and dancer who lives and works in Tallinn. She has graduated from the department of dance art at the Viljandi Culture Academy of the University of Tartu. In her artistic practice, Poska tries to understand what it feels to live in the world at the given moment – she enjoys transforming reality, playing with objects and the audience’s expectations. Poska recently obtained MA degree in contemporary art at the Estonian Academy of Arts and she was given the Young Artist Award. Poska’s two recent works “For Your Nirvana” (2020) and “Untititled” (2021) were nominated to the Estonian Theatre Awards in the category of dance and performance art.

Original photo: Helemai Alamaa

Thank you for the dialogue and technical assistance: Theodore Parker and Maret Tamme.

Exhibition is supported by the Cultural Endowment of Estonia.

Exhibitions in Hobusepea gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko Ltd.

Garage48, Estonian Academy of Arts, Estonian Research Council and TSENTER Competence Center invite you to create the future of wood. This time all the creative and out of the box ideas are welcome to rebuild Ukraine in a green and sustainable manner. 

Ukraine has been fighting a war on their home since February 24th. They need our ongoing support now as much as when the invasion began. We believe that the Future of Wood makeathon can be a place to contribute to this matter. Let’s create collaboration between Estonia and Ukraine to build, create and revalue the use of wood, for the purpose of rebuilding in Ukraine.

The end result we seek at the makeathon is either physical or digital prototypes. So whether you are someone who works with a CNC machine, a chisel or a laptop – we welcome you. We’re welcoming students, working practitioners, experts and enthusiasts. You can join with or without an idea, as an individual or a team.

The focus topic this year are:

• Modular, circular and climate neutral construction;
• Technologies for rapid design, engineering and production;
• Smart valorization of biomass in construction and long-lasting products;
• Roll-up, Fold-up, Flip-up, Pack-up – products that fit perfectly into, onto or next to modular buildings.

See more information about the machinery available, our experts and the focus topics on our website

SIGN UP NOW

Pre-event

Estonian Research Council and EAS are hosting a SekMo (sectorial mobility measure) cooperation day for entrepreneurs and researchers that will be focused on wood. It is a great way to have 1:1 discussions between entrepreneurs and researchers regarding their problems and field of study. Use this opportunity to build a base for future cooperation and brainstorm ideas that can be turned into a physical prototype at the Garage48 Future of Wood: Rebuild Ukraine makeathon.

More information

Register 

If you have any questions please do not hesitate to get in touch with us at noora@garage48.org

Põhja puiestee 7, Tallinn – Estonia Academy of Arts

Garage48 Future of Wood 2022 is financed by the Estonian Academy of Arts, the Estonian Research Council, and the Cultural Endowment of Estonia

Estonia will be represented at the 4th Triennial of Young Textile Art in Lodž (YTAT) by EKA textile artists Helena Kisant, Anni Kivisto and Krista Leesi.

As many as 18 art schools from 11 countries responded to the invitation of the Strzemiński Academy of Fine Arts in Lodz: Sweden, Estonia, Finland, Lithuania, Japan, USA, Czech Republic, Slovakia, Romania, Slovenia and Poland. Students and last-year graduates of these schools will present the most interesting realizations of the past three years during the competition exhibition.

EKAt on esindamas 3 autori tööd: 

Helena Kisant “skin of nature”
Design Faculty Textile Design, second year BA 2021/2022
Tutors: Krista Leesi, Piret Valk

Anni Kivisto „Crossing Everyday Life and Creative Process: Handmade Rug in Punch Needle  Technique“
Design Faculty Textile Design, Master’s Programme Graduate  2020/2021
Tutors: Taavi Hallimäe, Johanna Ulfsak

For the first time, an element of the event will be the YTAT MENTORS exhibition, showcasing the works of academic teachers from the art academies invited to participate in the competition. 

In this category, the work “CANT STOP DANCIN’” by Krista Leesi, assistant professor of EKA Textile Department, is on display.

The exhibition will be open from October 9th to December 31st 2022 iat the City Art Gallery in Lodž, 44th Sienkiewicza Street, Poland.