“Fantasmagooria” group show at Manufactory Quarter

29.05.2021 — 16.06.2021

“Fantasmagooria” group show at Manufactory Quarter

“Fantasmagooria” is a group exhibition by Design & Crafts MA students of the Estonian Academy of Arts coming from five different countries from all over the world.

The exhibition will take place at Manufactory Quarter event hall on 29.05-19.06.2021, and as a part of the satellite programme of the Tallinn Applied Arts Triennial it reflects upon the main topic of this year’s event: translucency.

The etymology of the term phantasmagoria can be found in the ancient Greek: phantasma, which means phantom, apparition, and agora meaning gathering or assembly. “Fantasmagooria” brings together artists and designers with diverse backgrounds (ceramic, glass, jewellery, metal etc); showcasing an eclectic combination of media that aim to establish a fertile dialogue between disciplines. The works dwell in the space reconnecting past and present, celebrating the decay that gives room for new growth.

Under this perspective the show unravels narratives that tackle contemporary social issues and dystopian scenarios. What is familiar shows its hidden content, highlighting uncanny aspects of our society and anthropocentric view. Iron angels, sugar coated thornes, gender equality, delicate layering of fragile materials, imaginary objects that trigger a sense of wonder. Shining a light upon what usually stays secretive, the works accompany the viewer on a journey between mist and light.

Artists: Kaia Ansip, Amie Chan Nga Man, Karin Kent Grundberg, Yufang Hu, Ave Eiland, Liisbeth Kirss, Muyang Li, Sigrid Luitsalu, Karola Rianne Mahhova-Reinholm, Indrek Mesi, Terje Meisterson, Erle Nemvalts, Ulrika Paemurru, Taavi Teevet, Kaur Virkebau, Edgar Volkov

Sponsors: Estonian Academy of Arts, Cultural Endowment of Estonia, Manufactory Quarter

The exhibition is open every day 12–8 PM during 29.05-19.06.2021

The opening event is on 28.05.2021 at 6 PM

Please follow the 2+2 rule, remember to wash your hands and wear a mask when visiting!

Instagram

Facebookis

Opening event

For further information contact:
Ulrika Paemurru
ulrika.paemurru@artun.ee

Posted by Andres Lõo — Permalink

“Fantasmagooria” group show at Manufactory Quarter

Saturday 29 May, 2021 — Wednesday 16 June, 2021

“Fantasmagooria” is a group exhibition by Design & Crafts MA students of the Estonian Academy of Arts coming from five different countries from all over the world.

The exhibition will take place at Manufactory Quarter event hall on 29.05-19.06.2021, and as a part of the satellite programme of the Tallinn Applied Arts Triennial it reflects upon the main topic of this year’s event: translucency.

The etymology of the term phantasmagoria can be found in the ancient Greek: phantasma, which means phantom, apparition, and agora meaning gathering or assembly. “Fantasmagooria” brings together artists and designers with diverse backgrounds (ceramic, glass, jewellery, metal etc); showcasing an eclectic combination of media that aim to establish a fertile dialogue between disciplines. The works dwell in the space reconnecting past and present, celebrating the decay that gives room for new growth.

Under this perspective the show unravels narratives that tackle contemporary social issues and dystopian scenarios. What is familiar shows its hidden content, highlighting uncanny aspects of our society and anthropocentric view. Iron angels, sugar coated thornes, gender equality, delicate layering of fragile materials, imaginary objects that trigger a sense of wonder. Shining a light upon what usually stays secretive, the works accompany the viewer on a journey between mist and light.

Artists: Kaia Ansip, Amie Chan Nga Man, Karin Kent Grundberg, Yufang Hu, Ave Eiland, Liisbeth Kirss, Muyang Li, Sigrid Luitsalu, Karola Rianne Mahhova-Reinholm, Indrek Mesi, Terje Meisterson, Erle Nemvalts, Ulrika Paemurru, Taavi Teevet, Kaur Virkebau, Edgar Volkov

Sponsors: Estonian Academy of Arts, Cultural Endowment of Estonia, Manufactory Quarter

The exhibition is open every day 12–8 PM during 29.05-19.06.2021

The opening event is on 28.05.2021 at 6 PM

Please follow the 2+2 rule, remember to wash your hands and wear a mask when visiting!

Instagram

Facebookis

Opening event

For further information contact:
Ulrika Paemurru
ulrika.paemurru@artun.ee

Posted by Andres Lõo — Permalink

22.05.2021 — 31.08.2021

Exhibition LibrarySPACE

What should the modern library space offer its user, the 3rd year students of the EAA bachelor’s study of interior architecture ask, and offer a number of spatial concepts at the exhibition opened at the National Library until 31 August. The student projects presented at the exhibition have been created within studio “Public Space”, which was supervised by Jan Skolimowski and Hanna Karits. Public space – in the sense of buildings serving public purposes – is dealt with in the Department of Interior Architecture of EAA every autumn semester, focusing on one or another specific building.

 

This time the focus was on the Estonian National Library. The building, designed by architect Raine Karp and completed in 1993, will soon be undergoing renovation. During the course, the students researched the spatial typology of library buildings more broadly and took a closer look at the foyer and the 5th floor of the National Library, in particular. Multi-layered ideas and fresh creative spatial solutions were developed that would meet the expectations of the 21st century in the context of people’s needs, the organization itself and the surrounding Tallinn city. The focus was on the values ​​of the existing interior, the basics of lighting and room acoustics both in theory and practice. Ideas of ​​a library as a creative residency, a small village, an active movement space, an urban jungle, a memory place, etc were born.

 

On an interior architect’s desk, a public space project takes on the meaning of a social space with a physical dimension and a social content. In today’s urban and cultural landscape adapted for consumption, it is critical to relate to spaces on a daily basis that do not require opening one’s wallet. How has the public space changed in the last year, when the doors of almost all public spaces were closed for quite a while? The subject of public space provides an opportunity to think big and dream openly when studying the interior architecture of EAA. The content of the professional studio is to delve into different spatial typologies (incl. the peculiarities of the interior architecture of a large hall) and to critically interpret their functioning in contemporary and future space-time. During the semester, students interact with one specific public building, looking for connections with the architecture of the building, the urban context and new modern users. Until the end of August, all visitors to the National Library have been invited to reflect on the results of one such semester.

 

We thank:

EKA interior architecture 3rd year students 

Germo Ausin, Silvia Ingver, Sanna-Betty Jaanimaa, Marie Jõgi, Regina Kaasik, Ann-Katriin Kelder, Kertu Kuusemets, Kristiina Püü, Celine-Cathy Raaga, Grete-Loviis Saar, Loviise Talvaru, Linda-Maria Urke

Tutors: Jan Skolimowski, Hanna Karits

Exhibition team: Interior Architecture department, Ann-Katriin Kelder, Grete Tiigiste, Triin Männik

Design: Stella Skulatšjova

Support: Eesti Rahvusraamatukogu, Eesti Kunstiakadeemia

 

Posted by Triin Männik — Permalink

Exhibition LibrarySPACE

Saturday 22 May, 2021 — Tuesday 31 August, 2021

What should the modern library space offer its user, the 3rd year students of the EAA bachelor’s study of interior architecture ask, and offer a number of spatial concepts at the exhibition opened at the National Library until 31 August. The student projects presented at the exhibition have been created within studio “Public Space”, which was supervised by Jan Skolimowski and Hanna Karits. Public space – in the sense of buildings serving public purposes – is dealt with in the Department of Interior Architecture of EAA every autumn semester, focusing on one or another specific building.

 

This time the focus was on the Estonian National Library. The building, designed by architect Raine Karp and completed in 1993, will soon be undergoing renovation. During the course, the students researched the spatial typology of library buildings more broadly and took a closer look at the foyer and the 5th floor of the National Library, in particular. Multi-layered ideas and fresh creative spatial solutions were developed that would meet the expectations of the 21st century in the context of people’s needs, the organization itself and the surrounding Tallinn city. The focus was on the values ​​of the existing interior, the basics of lighting and room acoustics both in theory and practice. Ideas of ​​a library as a creative residency, a small village, an active movement space, an urban jungle, a memory place, etc were born.

 

On an interior architect’s desk, a public space project takes on the meaning of a social space with a physical dimension and a social content. In today’s urban and cultural landscape adapted for consumption, it is critical to relate to spaces on a daily basis that do not require opening one’s wallet. How has the public space changed in the last year, when the doors of almost all public spaces were closed for quite a while? The subject of public space provides an opportunity to think big and dream openly when studying the interior architecture of EAA. The content of the professional studio is to delve into different spatial typologies (incl. the peculiarities of the interior architecture of a large hall) and to critically interpret their functioning in contemporary and future space-time. During the semester, students interact with one specific public building, looking for connections with the architecture of the building, the urban context and new modern users. Until the end of August, all visitors to the National Library have been invited to reflect on the results of one such semester.

 

We thank:

EKA interior architecture 3rd year students 

Germo Ausin, Silvia Ingver, Sanna-Betty Jaanimaa, Marie Jõgi, Regina Kaasik, Ann-Katriin Kelder, Kertu Kuusemets, Kristiina Püü, Celine-Cathy Raaga, Grete-Loviis Saar, Loviise Talvaru, Linda-Maria Urke

Tutors: Jan Skolimowski, Hanna Karits

Exhibition team: Interior Architecture department, Ann-Katriin Kelder, Grete Tiigiste, Triin Männik

Design: Stella Skulatšjova

Support: Eesti Rahvusraamatukogu, Eesti Kunstiakadeemia

 

Posted by Triin Männik — Permalink

22.05.2021 — 05.06.2021

Exhibition A Tale of Persistence: Expanding on Decline in Ida-Virumaa

The master students from the Interior Architecture and Urbanism Departments of the Estonian Academy of Arts present their projects on Ida-Virumaa’s living spaces at the White Hall of Kohtla-Järve Oil Shale Museum. The landscapes of Ida-Viru, where distinguishing between the man-made and the natural has become increasingly difficult, conceal hope. They speak of a future different from the one that was planned in the past. That difference, despite the bleak outlook, is still liveablethese are environments of adaptation where a new tale is being made. Students of urban studies and interior architecture were asked to question how various experiences of habitation could be connected to the governance of decline and strategic shrinkage of the built environment. In the beautiful interiors of the White Hall, they present installations, drawings, photos, that represent topics relating to living in declining places, such as preservation, re-wilding and enchantment of emptiness.

The related courses were tutored by Mariann Drell, Kristi Grišakov, Keiti Kljavin and Laura Linsi.

Participants:

Mira Samonig, Mirell Ülle, Janosh Heydorn, Alexander Nenenko, Juss Heinsalu, Ardo Hiiuväin, Triin Juhanson, Veera Gontšugova, Eeros Lees, Þórhildur Guðmundsdóttir, Daria Khrystych, Fernanda Ayala Torres, Semele Kari

Exhibition design:

Mirell Ülle, Juss Heinsalu, Ardo Hiiuväin, Veera Gontšugova, Eeros Lees, Semele Kari

Posted by Triin Männik — Permalink

Exhibition A Tale of Persistence: Expanding on Decline in Ida-Virumaa

Saturday 22 May, 2021 — Saturday 05 June, 2021

The master students from the Interior Architecture and Urbanism Departments of the Estonian Academy of Arts present their projects on Ida-Virumaa’s living spaces at the White Hall of Kohtla-Järve Oil Shale Museum. The landscapes of Ida-Viru, where distinguishing between the man-made and the natural has become increasingly difficult, conceal hope. They speak of a future different from the one that was planned in the past. That difference, despite the bleak outlook, is still liveablethese are environments of adaptation where a new tale is being made. Students of urban studies and interior architecture were asked to question how various experiences of habitation could be connected to the governance of decline and strategic shrinkage of the built environment. In the beautiful interiors of the White Hall, they present installations, drawings, photos, that represent topics relating to living in declining places, such as preservation, re-wilding and enchantment of emptiness.

The related courses were tutored by Mariann Drell, Kristi Grišakov, Keiti Kljavin and Laura Linsi.

Participants:

Mira Samonig, Mirell Ülle, Janosh Heydorn, Alexander Nenenko, Juss Heinsalu, Ardo Hiiuväin, Triin Juhanson, Veera Gontšugova, Eeros Lees, Þórhildur Guðmundsdóttir, Daria Khrystych, Fernanda Ayala Torres, Semele Kari

Exhibition design:

Mirell Ülle, Juss Heinsalu, Ardo Hiiuväin, Veera Gontšugova, Eeros Lees, Semele Kari

Posted by Triin Männik — Permalink

21.05.2021 — 22.05.2021

Burn_Slow Workshop – EKA New Media at Pixeache

EKA New Media has been enlisted as an educational partner in this years Pixelache festival online event #Burn_Slow

Events are starting this Friday and Saturday with #Burn_Slow, a series of talks and workshops organized by Liepaja University MP Lab. These events are free and specially made for students. Students varying from Fine Art to Design are welcome, as well as others interested. 

“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances.

Website

Facebook event

YouTube live stream for artist talks and discussion

Application form for attending workshops

Posted by Andres Lõo — Permalink

Burn_Slow Workshop – EKA New Media at Pixeache

Friday 21 May, 2021 — Saturday 22 May, 2021

EKA New Media has been enlisted as an educational partner in this years Pixelache festival online event #Burn_Slow

Events are starting this Friday and Saturday with #Burn_Slow, a series of talks and workshops organized by Liepaja University MP Lab. These events are free and specially made for students. Students varying from Fine Art to Design are welcome, as well as others interested. 

“Burn_Slow: Nordic-Baltic Sound and Radio Art for Mental Well-being” is an international audio art project which unites sound artists and art students from Nordic-Baltic region exploring mental ecology in times of crisis and social seclusion, via online lectures, skill-sharing, discussion and innovative networked audio performances.

Website

Facebook event

YouTube live stream for artist talks and discussion

Application form for attending workshops

Posted by Andres Lõo — Permalink

24.05.2021

Cultural Policies of the Transition Era. Conference from the series “Studies in Contemporary Culture”

The 15th conference from the series “Studies in Contemporary Culture” is dedicated to analyzing the cultural policies of the transition era (~1986–1998) in Estonia. The conference is organized by the Research Group of Contemporary Estonian Culture (EKA, TLÜ, TÜ) and the Estonian Writers’ Union.

The conference is supported by the Estonian Research Council (grant PRG636), the Cultural Endowment of Estonia, and the research fund of the Estonian Academy of Arts.

Posted by Mari Laaniste — Permalink

Cultural Policies of the Transition Era. Conference from the series “Studies in Contemporary Culture”

Monday 24 May, 2021

The 15th conference from the series “Studies in Contemporary Culture” is dedicated to analyzing the cultural policies of the transition era (~1986–1998) in Estonia. The conference is organized by the Research Group of Contemporary Estonian Culture (EKA, TLÜ, TÜ) and the Estonian Writers’ Union.

The conference is supported by the Estonian Research Council (grant PRG636), the Cultural Endowment of Estonia, and the research fund of the Estonian Academy of Arts.

Posted by Mari Laaniste — Permalink

15.05.2021 — 27.06.2021

Exhibition “In Isolation” at the Tartu Art Museum

On 15 May, the exhibition “In Isolation”, curated by the master’s students of the Estonian Academy of Arts, will open in the Tartu Art Museum. It uses the motif of looking out of a window to examine the isolation experienced in different eras and in different locations. The exhibition brings together the internationally renowned artist Ilya Kabakov and the oeuvre of the Estonian classic masters Ülo Sooster, Jüri Arrak, Karl Pärsimägi, Nikolai Kormašov, Andres Tolts, Ilmar Malin and Kai Kaljo. The exhibition will remain open until 27 June.

 

The central artwork and conceptual starting point of the exhibition “In Isolation” is Ilya Kabakov’s visual narrative “The Looking-out-the-Window Arkhipov”, which is about a character named Arkhipov who is hospitalised; isolation and loneliness have an increasingly devastating effect on his mental condition.

 

Last spring, we unexpectedly found ourselves in a situation that is reminiscent of Arkhipov’s. Isolated inside the four walls of our homes for an unknown length of time, we at first enthusiastically followed the random passers-by and everyday situations from our windows, but as time passed and loneliness intensified, windows became the border between isolation and freedom. Windows not only showed what was visible, but in them were also reflected our dreams and yearnings.

 

The curators of the exhibition invite visitors to look out of the window together with the artists and to contemplate this unique time in history when in a weird way isolation has become the thing that unites us all and maybe manages to do so in a more personal manner than any situation ever has.

 

Curators: Signe Friedenthal, Reigo Kuivjõgi, Eerika Niemi, Jelizaveta Pratkunas, Kerly Ritval, Jelizaveta Sedler and Mae Variksoo

Team: Richard Adang, Nele Ambos, Indrek Grigor, Mare Joonsalu, Margus Joonsalu, Hanna-Liis Kont, Kristlyn Liier, Katrin Lõoke, Kadri Mägi, Julia Polujanenkova, Anti Saar, Kristel Sibul, Peeter Talvistu and Ago Teedema

Graphic design: Laura Pappa

Works from the Tartu Art Museum, the Art Museum of Estonia and the artist Kai Kaljo

Supporters: Cultural Endowment of Estonia, Estonian Academy of Arts, Krisostomus, Hektor Light and Peaasi.ee

Additional information: https://tartmus.ee/naitus/eraldatuses/

Posted by Annika Toots — Permalink

Exhibition “In Isolation” at the Tartu Art Museum

Saturday 15 May, 2021 — Sunday 27 June, 2021

On 15 May, the exhibition “In Isolation”, curated by the master’s students of the Estonian Academy of Arts, will open in the Tartu Art Museum. It uses the motif of looking out of a window to examine the isolation experienced in different eras and in different locations. The exhibition brings together the internationally renowned artist Ilya Kabakov and the oeuvre of the Estonian classic masters Ülo Sooster, Jüri Arrak, Karl Pärsimägi, Nikolai Kormašov, Andres Tolts, Ilmar Malin and Kai Kaljo. The exhibition will remain open until 27 June.

 

The central artwork and conceptual starting point of the exhibition “In Isolation” is Ilya Kabakov’s visual narrative “The Looking-out-the-Window Arkhipov”, which is about a character named Arkhipov who is hospitalised; isolation and loneliness have an increasingly devastating effect on his mental condition.

 

Last spring, we unexpectedly found ourselves in a situation that is reminiscent of Arkhipov’s. Isolated inside the four walls of our homes for an unknown length of time, we at first enthusiastically followed the random passers-by and everyday situations from our windows, but as time passed and loneliness intensified, windows became the border between isolation and freedom. Windows not only showed what was visible, but in them were also reflected our dreams and yearnings.

 

The curators of the exhibition invite visitors to look out of the window together with the artists and to contemplate this unique time in history when in a weird way isolation has become the thing that unites us all and maybe manages to do so in a more personal manner than any situation ever has.

 

Curators: Signe Friedenthal, Reigo Kuivjõgi, Eerika Niemi, Jelizaveta Pratkunas, Kerly Ritval, Jelizaveta Sedler and Mae Variksoo

Team: Richard Adang, Nele Ambos, Indrek Grigor, Mare Joonsalu, Margus Joonsalu, Hanna-Liis Kont, Kristlyn Liier, Katrin Lõoke, Kadri Mägi, Julia Polujanenkova, Anti Saar, Kristel Sibul, Peeter Talvistu and Ago Teedema

Graphic design: Laura Pappa

Works from the Tartu Art Museum, the Art Museum of Estonia and the artist Kai Kaljo

Supporters: Cultural Endowment of Estonia, Estonian Academy of Arts, Krisostomus, Hektor Light and Peaasi.ee

Additional information: https://tartmus.ee/naitus/eraldatuses/

Posted by Annika Toots — Permalink

11.05.2021 — 20.06.2021

The Showcase gallery starting a new season

The Showcase gallery of the Department of Photography is starting its new season. 

The spring/autumn season of 2021 is dedicated to one-picture exhibitions. 

The first exhibition, “On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  by Céline Bernadac, will open on 11th of May.

Céline Bernadac
“On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  is a fact: there are people who have and will pass away without ever seeing the sea’s waters. In Estonia, most of the land is surrounded by the Baltic sea. My home country, France, is also surrounded by several seas and the Atlantic Ocean. In Estonia and France, it is quite easy to travel towards the seaside. Yet, in those two countries as of all around the world, there are still people who have and will never see it.

Céline Bernadac (b. 1999 in Ecully, Rhônes-Alpes, France)  is a writer and photographer based in Lyon who is currently an Erasmus exchange student in the Photography Department of Estonian Academy of Arts.  She has graduated from the DNA (National Diploma of Art) in the Higher School of Art and Design in Saint-Etienne (ESADSE) in 2020 and is currently pursuing her studies in the first year of Master.

Since 2018, she has been exploring photography and its associated disciplines. In her photographic work, she focuses solely on ‘physical’ techniques, film, polaroid, cyanotype, photogram. Bernadac is interested in edition and collaborative work and has auto-edited some books under the name Céline Lazare.

Location of Vitriingalerii: On the facade wall of the Estonian Museum of Contemporary Art (EKKM), Põhja pst 35.

The exhibition is on view until the 20th of June and can be viewed on 24 hours basis.

11.05 – 20.06

Posted by Andres Lõo — Permalink

The Showcase gallery starting a new season

Tuesday 11 May, 2021 — Sunday 20 June, 2021

The Showcase gallery of the Department of Photography is starting its new season. 

The spring/autumn season of 2021 is dedicated to one-picture exhibitions. 

The first exhibition, “On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  by Céline Bernadac, will open on 11th of May.

Céline Bernadac
“On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  is a fact: there are people who have and will pass away without ever seeing the sea’s waters. In Estonia, most of the land is surrounded by the Baltic sea. My home country, France, is also surrounded by several seas and the Atlantic Ocean. In Estonia and France, it is quite easy to travel towards the seaside. Yet, in those two countries as of all around the world, there are still people who have and will never see it.

Céline Bernadac (b. 1999 in Ecully, Rhônes-Alpes, France)  is a writer and photographer based in Lyon who is currently an Erasmus exchange student in the Photography Department of Estonian Academy of Arts.  She has graduated from the DNA (National Diploma of Art) in the Higher School of Art and Design in Saint-Etienne (ESADSE) in 2020 and is currently pursuing her studies in the first year of Master.

Since 2018, she has been exploring photography and its associated disciplines. In her photographic work, she focuses solely on ‘physical’ techniques, film, polaroid, cyanotype, photogram. Bernadac is interested in edition and collaborative work and has auto-edited some books under the name Céline Lazare.

Location of Vitriingalerii: On the facade wall of the Estonian Museum of Contemporary Art (EKKM), Põhja pst 35.

The exhibition is on view until the 20th of June and can be viewed on 24 hours basis.

11.05 – 20.06

Posted by Andres Lõo — Permalink

14.05.2021

A Tale of Persistence: Expanding on Decline in Ida-Virumaa

urbanmodels_2021
In Ida-Virumaa the politics of the climate neutral futures, the deprived status quo and the infrastructures inherited from the past intensively meet, showing multiple endings but also some possible new beginnings. The landscapes of Ida-Viru, where distinguishing between the man-made and the natural has become increasingly difficult, conceal something we might describe with the word ‘hope’. They speak of a future different from the one that was planned in the past. That difference, despite the bleak outlook is still liveable—these are environments of adaptation where a new tale is being made.Students of urban studies and interior architecture were asked to question how various experiences of habitation could be connected to the governance of decline and strategic shrinkage of the built environment. A Tale of Persistence focuses on areas of Kohtla-Järve and Kiviõli, a duo of out of many municipalities in decline in East Estonia, where the changing policies and socio-economic drivers of recent decades have led to excess supply of housing. Contrary to specific housing programmes and demolition initiatives, this course has approached housing as an experience. Tandems of both study programmes worked with different conditions of decline by rethinking growth or adaptation. Their projects use varied mediums and techniques to examine formal and informal practices, debates in literature and applied studies.

 

A Tale of Persistence: Expanding on Decline in Ida-Virumaa is a final grading of Estonian Academy of Arts Urban Studies and Interior Architecture Urban models studio, tutored by Kristi Grišakov, Keiti Kljavin and Laura Linsi.

 

Students: Þórhildur B. Guðmundsdóttir, Ardo Hiiuväin, Janosh Heydorn, Daria Khrystych, Veera Gontšugova, Juss Heinsalu, Eeros Lees, Oleksandr Nenenko, Mira Samonig, Fernanda Torres, Semele Kari, Mirell Ülle, Triin Juhanson.

 

Guest critics: Anna Anna Bitkina (The Creative Association of Curators TOK), Tüüne-Kristin Vaikla and Maroš Krivy (Estonian Academy of Arts)

Join us online: https://zoom.us/j/94968674543

 

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Hope Against Hope

The In-Betweenness of Emptiness

by Mirell Ülle and Mira Samonig

Emptiness does not necessarily equal a state of something being empty; in fact, it can be very full, but full with the wrong things. This renders emptiness to a condition of disorder, of unclearness. It constitutes a state in-between the tension of something that has ended, and another thing that is not yet graspable.

This project investigates the concept of emptiness within the shrinking context of the east Estonian town Kiviõli. It highlights the varying aspects of emptying traced throughout Kiviõli’s history and intends to make emptiness informed by a feeling of hopelessness comprehensible. Eventually, a glimpse into a possible future is offered that re-approaches emptiness neither through the lens of hopelessness nor hope, but as a potentiality for both.

 

Plural Preservations

by Janosh Heydorn and Juss Heinsalu

Plural Preservations reflects on the complexity of maintaining areas of milieu value. A compiled album of the possible futures of Lehola Street ansambel takes a close look at the Stalinist architecture and its prospect. Engaging with theories and formal guidelines of preservation, speculative scenarios unfold seemingly disappearing options to navigate protective regulations, ownership division, financial segregation, architectural value and will. This project is a flow of thought, an experiment to explore the concepts of preservation in the context of shrinkage.

 

DachaIn

By Oleksandr Nenenko and Triin Juhason

The focus t of the project is to find a conceptual vision for a ‘green’ strategy which could help to deal with the decline of the Järve district in Kohtla-Järve. Inspired by the experience of countries like Germany and the US, we looked into the possibility of bridging urban farming and post-soviet dacha culture (its structure, functions and practices). Our work investigates possible ways of bringing those two phenomena into the urban context of Kohtla-Järve in order to create sustainable and ecological urban blocks that through supporting various forms of gardening lifestyles help to reactivate the town.

 

 

Sompa Sanctum

By Semele Kari

The condition of living in godforsaken Ida-Virumaa declining settlements made me wonder, “Why do people stay in these ghost-towns and how?” Since then, I have rephrased the question to: Why should someone new go and live there? If this environment symbolises an abandoned territory, could it speak out to those whose environment has neglected them?

In this interaction between human and built environment I see a way for redemption. This shrinking physical world is giving back something by going backwards, dying a slow death. And in the process of leaving this world it represents an ongoing prospect of decay.

The user of this world harvests the last it has to offer: silence, solitude and sanctuary, the spirits of this long gone functional world. These last men standing are giving back to architecture in means of mercy, worship and care which manifest in the coexistence of decline.

 

Adaptation of Facades in Times of Decadence

By Eeros Lees and Fernanda Ayala Torres

Our project investigates the aesthetic change of Kohtla-Järve central boulevard Keskallee. Here the adaptation and transformation of the facades of Stalinist architecture are reflected, as their ornamentation and symbolism are making a way for small businesses on the first floors bringing along new signs, window stickers, painting practices, new entrances and perhaps also new hope? Our vision marks the changing reality of a decadent city that reinvents itself through its facades but must still follow heritage requirements.

 

To Keep Or Not To Keep: Reconsideration of Khrushchevka

By Veera Gontšugova and Daria Khrystych

The project is an online archive aiming to recover the public image of the Soviet-time mass housing building typology, known as the Khrushchevka. Such a typology tends to be not favored in the post-Soviet environment, occasionally entailing the abandonment and demolition of these buildings. By gathering and structuring information, our goal is to present a future-oriented point of view to showcase the potential and hope for this particular residential building typology. We base our storytelling on the historical findings, empirical data as well as presenting the examples of dealing with the similar issue in different contexts. By looking at both material and social aspects, we are referring to the retrofitting and collective living strategies that can be implemented in order to rebound the reputation of Khrushchevka.

 

Rethinking Growth

Þórhildur B. Guðmundsdóttir and Ardo Hiiuväin

Our project explores the idea of “giving land back to nature” within the context of spatial shrinkage and half-emptiness, with a focus on rewilding. Accepting the half-empty future of Sompa, we aim to question the concept of wilderness and emphasise the importance of the shared sense of responsibility required to create a sustainable living environment.

These ideas are implemented through proposing a vision competition for the rewilding of a selected housing complex in Sompa. With the hope of bringing in a wide array of ideas and perspectives, the competition entries would reflect the different ways of which rewilding can be a tool for engaging with spatial shrinkage. Furthermore, the goal of hosting the competition is to bring attention to this subject, inviting the public to ask what shrinkage actually entails, what it means for those affected and ultimately valuing the already existing qualities embedded in these shrinking communities.

Posted by Keiti Kljavin — Permalink

A Tale of Persistence: Expanding on Decline in Ida-Virumaa

Friday 14 May, 2021

urbanmodels_2021
In Ida-Virumaa the politics of the climate neutral futures, the deprived status quo and the infrastructures inherited from the past intensively meet, showing multiple endings but also some possible new beginnings. The landscapes of Ida-Viru, where distinguishing between the man-made and the natural has become increasingly difficult, conceal something we might describe with the word ‘hope’. They speak of a future different from the one that was planned in the past. That difference, despite the bleak outlook is still liveable—these are environments of adaptation where a new tale is being made.Students of urban studies and interior architecture were asked to question how various experiences of habitation could be connected to the governance of decline and strategic shrinkage of the built environment. A Tale of Persistence focuses on areas of Kohtla-Järve and Kiviõli, a duo of out of many municipalities in decline in East Estonia, where the changing policies and socio-economic drivers of recent decades have led to excess supply of housing. Contrary to specific housing programmes and demolition initiatives, this course has approached housing as an experience. Tandems of both study programmes worked with different conditions of decline by rethinking growth or adaptation. Their projects use varied mediums and techniques to examine formal and informal practices, debates in literature and applied studies.

 

A Tale of Persistence: Expanding on Decline in Ida-Virumaa is a final grading of Estonian Academy of Arts Urban Studies and Interior Architecture Urban models studio, tutored by Kristi Grišakov, Keiti Kljavin and Laura Linsi.

 

Students: Þórhildur B. Guðmundsdóttir, Ardo Hiiuväin, Janosh Heydorn, Daria Khrystych, Veera Gontšugova, Juss Heinsalu, Eeros Lees, Oleksandr Nenenko, Mira Samonig, Fernanda Torres, Semele Kari, Mirell Ülle, Triin Juhanson.

 

Guest critics: Anna Anna Bitkina (The Creative Association of Curators TOK), Tüüne-Kristin Vaikla and Maroš Krivy (Estonian Academy of Arts)

Join us online: https://zoom.us/j/94968674543

 

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Hope Against Hope

The In-Betweenness of Emptiness

by Mirell Ülle and Mira Samonig

Emptiness does not necessarily equal a state of something being empty; in fact, it can be very full, but full with the wrong things. This renders emptiness to a condition of disorder, of unclearness. It constitutes a state in-between the tension of something that has ended, and another thing that is not yet graspable.

This project investigates the concept of emptiness within the shrinking context of the east Estonian town Kiviõli. It highlights the varying aspects of emptying traced throughout Kiviõli’s history and intends to make emptiness informed by a feeling of hopelessness comprehensible. Eventually, a glimpse into a possible future is offered that re-approaches emptiness neither through the lens of hopelessness nor hope, but as a potentiality for both.

 

Plural Preservations

by Janosh Heydorn and Juss Heinsalu

Plural Preservations reflects on the complexity of maintaining areas of milieu value. A compiled album of the possible futures of Lehola Street ansambel takes a close look at the Stalinist architecture and its prospect. Engaging with theories and formal guidelines of preservation, speculative scenarios unfold seemingly disappearing options to navigate protective regulations, ownership division, financial segregation, architectural value and will. This project is a flow of thought, an experiment to explore the concepts of preservation in the context of shrinkage.

 

DachaIn

By Oleksandr Nenenko and Triin Juhason

The focus t of the project is to find a conceptual vision for a ‘green’ strategy which could help to deal with the decline of the Järve district in Kohtla-Järve. Inspired by the experience of countries like Germany and the US, we looked into the possibility of bridging urban farming and post-soviet dacha culture (its structure, functions and practices). Our work investigates possible ways of bringing those two phenomena into the urban context of Kohtla-Järve in order to create sustainable and ecological urban blocks that through supporting various forms of gardening lifestyles help to reactivate the town.

 

 

Sompa Sanctum

By Semele Kari

The condition of living in godforsaken Ida-Virumaa declining settlements made me wonder, “Why do people stay in these ghost-towns and how?” Since then, I have rephrased the question to: Why should someone new go and live there? If this environment symbolises an abandoned territory, could it speak out to those whose environment has neglected them?

In this interaction between human and built environment I see a way for redemption. This shrinking physical world is giving back something by going backwards, dying a slow death. And in the process of leaving this world it represents an ongoing prospect of decay.

The user of this world harvests the last it has to offer: silence, solitude and sanctuary, the spirits of this long gone functional world. These last men standing are giving back to architecture in means of mercy, worship and care which manifest in the coexistence of decline.

 

Adaptation of Facades in Times of Decadence

By Eeros Lees and Fernanda Ayala Torres

Our project investigates the aesthetic change of Kohtla-Järve central boulevard Keskallee. Here the adaptation and transformation of the facades of Stalinist architecture are reflected, as their ornamentation and symbolism are making a way for small businesses on the first floors bringing along new signs, window stickers, painting practices, new entrances and perhaps also new hope? Our vision marks the changing reality of a decadent city that reinvents itself through its facades but must still follow heritage requirements.

 

To Keep Or Not To Keep: Reconsideration of Khrushchevka

By Veera Gontšugova and Daria Khrystych

The project is an online archive aiming to recover the public image of the Soviet-time mass housing building typology, known as the Khrushchevka. Such a typology tends to be not favored in the post-Soviet environment, occasionally entailing the abandonment and demolition of these buildings. By gathering and structuring information, our goal is to present a future-oriented point of view to showcase the potential and hope for this particular residential building typology. We base our storytelling on the historical findings, empirical data as well as presenting the examples of dealing with the similar issue in different contexts. By looking at both material and social aspects, we are referring to the retrofitting and collective living strategies that can be implemented in order to rebound the reputation of Khrushchevka.

 

Rethinking Growth

Þórhildur B. Guðmundsdóttir and Ardo Hiiuväin

Our project explores the idea of “giving land back to nature” within the context of spatial shrinkage and half-emptiness, with a focus on rewilding. Accepting the half-empty future of Sompa, we aim to question the concept of wilderness and emphasise the importance of the shared sense of responsibility required to create a sustainable living environment.

These ideas are implemented through proposing a vision competition for the rewilding of a selected housing complex in Sompa. With the hope of bringing in a wide array of ideas and perspectives, the competition entries would reflect the different ways of which rewilding can be a tool for engaging with spatial shrinkage. Furthermore, the goal of hosting the competition is to bring attention to this subject, inviting the public to ask what shrinkage actually entails, what it means for those affected and ultimately valuing the already existing qualities embedded in these shrinking communities.

Posted by Keiti Kljavin — Permalink

10.05.2021 — 29.05.2021

Exhibition “Filling The Void”

Filling The Void
10. – 29.05.2021
Estonian National Library
6th floor gallery
An exhibition by 3rd year students of the Graphic Art Department of the Estonian Academy of Arts

Participating artists: Pille Alasi, Daana-Loreen Kägra, Frida Ritz, Adam, Elis Raud, Liisa Tammert, Liis Tedre
Supervisor: Kadri Toom

The theme of the exhibition “Filling the Void” derives from the potential of empty space. At the essence of the creative process is imagination, which requires space to emerge. Pause (silence) and time are important components of imagining, enabling new ideas to come forward.

The participants of the exhibition have drawn inspiration from the unexpected; empty urban spaces and landscapes, inner silence, ignorance, the presence of absence. The exhibition combines cyanotype technique invented in the 19th century with modern visual language, and offers insight into both miniature close-ups of personal experiences as well as monumental visuals, along with forms on socially critical topics.

The exhibition is open Mon – Fri 10–19, Sat 12–19

Posted by Maria Erikson — Permalink

Exhibition “Filling The Void”

Monday 10 May, 2021 — Saturday 29 May, 2021

Filling The Void
10. – 29.05.2021
Estonian National Library
6th floor gallery
An exhibition by 3rd year students of the Graphic Art Department of the Estonian Academy of Arts

Participating artists: Pille Alasi, Daana-Loreen Kägra, Frida Ritz, Adam, Elis Raud, Liisa Tammert, Liis Tedre
Supervisor: Kadri Toom

The theme of the exhibition “Filling the Void” derives from the potential of empty space. At the essence of the creative process is imagination, which requires space to emerge. Pause (silence) and time are important components of imagining, enabling new ideas to come forward.

The participants of the exhibition have drawn inspiration from the unexpected; empty urban spaces and landscapes, inner silence, ignorance, the presence of absence. The exhibition combines cyanotype technique invented in the 19th century with modern visual language, and offers insight into both miniature close-ups of personal experiences as well as monumental visuals, along with forms on socially critical topics.

The exhibition is open Mon – Fri 10–19, Sat 12–19

Posted by Maria Erikson — Permalink

12.05.2021

The Urban Studies studio presents

karl-lueger-history-detail

The Urban Studies studio “Preservation: Architecture, Nature and Politics” will conclude with a public presentation of student projects on the 12 of May at 14.00 (EEST).

Preservation has achieved cultural significance as a lens through which various experts have come to imagine how a socially and environmentally sound future might look like. As an approach, preservation has been applied to disparate phenomena ranging from historic neighborhoods and natural environments to democracy and identity.

Through case studies from different parts of the world around topics such as green extractivism, simulated heritage and cultural marginalizations, students have built on the insight that preservation cannot be neatly delineated from various forms of violence and destruction. Their projects experiment with a variety of mediums, from a traditional essay to video, drawings and collages, to examine conceptualizations, debates and practices of preserving architecture and nature, and to ask the following questions: Who decides what to preserve and what to neglect? Who has the capacity to take on this responsibility? Preservation is political because, as with a fruit preserve, the act of preserving transforms the preserved object into something altogether different.

Guest critics: Ewa Effiom (Manchester School of Architecture, UK) and Jonas Žukauskas (Neringa Forest Residency, Lithuania)

Students: Petra Ďurišková, Johannes Growe, Þórhildur B. Guðmundsdóttir, Janosh Heydorn, Malin Hilding, Daria Khrystych, Oleksandr Nenenko, Mathilde Olivier, Dalma Pszota, Mira Samonig, Fernanda Torres

Tutors: Maroš Krivý, Kaija-Luisa Kurik, Sean Tyler

This virtual presentation takes the form of individual presentations alongside a collaborative website launch and is open to the public.

Join in on ZOOM HERE

Posted by Andres Lõo — Permalink

The Urban Studies studio presents

Wednesday 12 May, 2021

karl-lueger-history-detail

The Urban Studies studio “Preservation: Architecture, Nature and Politics” will conclude with a public presentation of student projects on the 12 of May at 14.00 (EEST).

Preservation has achieved cultural significance as a lens through which various experts have come to imagine how a socially and environmentally sound future might look like. As an approach, preservation has been applied to disparate phenomena ranging from historic neighborhoods and natural environments to democracy and identity.

Through case studies from different parts of the world around topics such as green extractivism, simulated heritage and cultural marginalizations, students have built on the insight that preservation cannot be neatly delineated from various forms of violence and destruction. Their projects experiment with a variety of mediums, from a traditional essay to video, drawings and collages, to examine conceptualizations, debates and practices of preserving architecture and nature, and to ask the following questions: Who decides what to preserve and what to neglect? Who has the capacity to take on this responsibility? Preservation is political because, as with a fruit preserve, the act of preserving transforms the preserved object into something altogether different.

Guest critics: Ewa Effiom (Manchester School of Architecture, UK) and Jonas Žukauskas (Neringa Forest Residency, Lithuania)

Students: Petra Ďurišková, Johannes Growe, Þórhildur B. Guðmundsdóttir, Janosh Heydorn, Malin Hilding, Daria Khrystych, Oleksandr Nenenko, Mathilde Olivier, Dalma Pszota, Mira Samonig, Fernanda Torres

Tutors: Maroš Krivý, Kaija-Luisa Kurik, Sean Tyler

This virtual presentation takes the form of individual presentations alongside a collaborative website launch and is open to the public.

Join in on ZOOM HERE

Posted by Andres Lõo — Permalink