PORTFOLIO CAFÉ 2021

Portfolio Café is structured around one-on-one meetings that take place between local and international fine arts and design professionals and graduate students. Each meeting takes place about 50 minutes. During Portfolio Café sessions students introduce themselves and their work, and experts share their observations, provide recommendations ask, questions etc. After the first scheduled conversation student moves on to the next selected expert they have signed up for.
All Portfolio Café meetings are in English.

Portfolio Café is a collaborative project between the Faculty of Fine Arts and Faculty of Design.

Registration:
Portfolio Café invites all fine art and design students from the MA level to participate. The spots are limited and participants will be chosen according to the provided portfolios. The reviews are considered as part of the studies and you may receive credits for participating (3 ECTS).

To apply, please fill our this registration form before April 12, 2021 and upload your portfolio.

Find detailed information about our experts in the registration form.

Portfolio Café is supported by the European Regional Development Fund.

The annual Conference of EKA Doctoral School will take place on April 15th, 2021.

Performers, discussants and moderators will participate via ZOOM, all other participants are welcome to follow the conference via EKA TV https://tv.artun.ee/eka. 

Viewers are welcome to ask questions via the link under the EKA TV broadcast window.

Please register by April 13th at the latest.

Conference is supported by European Regional Development Fund

TIMETABLE

10:00 gathering to Zoom and EKA TV

10:05 welcoming words: Vice rector for research Dr. Anu Allas

10:20 introduction from Visiting professor Dr. Danielle Wilde 

10:30 keynote talk: 

Dr. Lina Michelkevičė, associate professor Dr. Vytautas Michelkevičius (Vilnius Academy of Arts) “Atlas of Diagrammatic Imagination: How Can Maps Transfer Knowledge in Artistic Research”. Moderator Dr. Anu Allas

11:30 coffee break

Art and Design
Moderator Dr. Liina Unt

11:40 Britta Benno “Thinking in Layers, Worlding in Layers. Posthuman Landscapes in Extended Drawings and Prints” (supervisor Dr. Elnara Taidre). Discussant Ulvi Haagensen

12:15 Ulvi Haagensen “An Unravelling Line: A Story of Cleaning” (supervisors Dr. Liina Unt, Jan Guy). Discussant Britta Benno

12:50 lunch break

Cultural Heritage and Conservation
Moderator Dr. Anneli Randla

13:30 Maria Hansar “How Do We Make New Knowledge in the Conservation and Cultural Heritage Domain?” (supervisor Prof. Hilkka Hiiop). Discussant Nina Stener Jørgensen

14:05 Triin Talk “The Changes in the Community and Functionality of Tallinn Old Town” (supervisor Dr. Lilian Hansar, Caludio Milano). Discussant Mattias Malk

14:40 stretch break

Architecture and Urban Planning
Moderator Dr. Jüri Soolep

14:50 Mattias Malk “The Urban Fabric, Rail Infrastructure and Fit – A Rail Baltic Case Study From Tallinn” (supervisor Prof. Maroš Krivý). Discussant Triin Talk

15:25 Nina Stener Jørgensen “The Power of the Tower: Nicolas Schöffer’s Tour Lumière Cybernetique for La Défense 1962–1973” (Supervisor prof. Maroš Krivý). Discussant Maria Hansar

16:00 concluding discussion:

Vice rector for research Dr. Anu Allas, Visiting professor Dr. Danielle Wilde, Dr. Liina Unt, Prof. Krista Kodres, Dr. Anneli Randla, Dr. Jüri Soolep

16:45 break

Evening programme:

17:30 Screening of a research movie “Ruinenlust Lasnamäel: ettekanded kunstnik-uurijale” by Britta Benno. The movie is in Estonian.

For more information:
Sirja-Liisa Eelma
sirja-liisa.eelma@artun.ee

Conference is part of the project “EKA LOOVKÄRG – Eesti visuaal- ja ruumikultuuri õppe- ja teaduskeskus (Sisutegevuste projekt)” nr 2014-2020.4.01.16-0045.

EKA’s Graphic Design and Product Design 2nd year students open a joint online exhibition “Best Before” at www.bestbefore.ee from Friday, March 26 at 18:00.

The artists use time-based media to explore themes of temporality and self-preservation, mapping various mindsets initiated by unconventional and isolated circumstances imposed by enhanced coronavirus restrictions introduced during the development of the exhibition. The diverse video art exhibition expires on 26.04.

Artists: Aleksander Alev, Edvin Krištofor, Emilia Kagovere + Marissa Mutt, Erik Heiki Veelmaa, Erik Risto Merisalu, Gert-Rasmus Rannamets, Jaan Pavliuk, Jekaterina Kožemjatšenko, Kairit Raudla, Karl Kevad, Karl Kukk, Katariina Kivi, Kertu Kibal, Kertu Klementi, Kristi Jaago, Kristjan Prik, Laura Okas, Maria Helena Laving + Norman Järve, Meeri Krass, Nora Pelšs + Elias Tael, Polina Zahharenkova, Rainer Kasekivi, Saara Kuum, Tarmo Kiuru, Uko-Aija Heintalu, Uku Art Mikkin, Urmet Piiling

Graphic design by Nora Pelšs

Supervised by Sten Saarits

Supported by Estonian Academy of Arts Faculty of Design

Situated Writing as Theory and Method – Or Why Don’t You Write a Novella Instead of an Article?

Lecturer: Prof Mona Livholts

22-23 April 10.00-15.00

Registration fo PhD students HERE:
Registration is open until March 15.

How can we create spaces for writing and language in the academic world that are inclusive to diverse ways of knowing and life forms, textually, materially and visually? This seminar invites you as participants to engage in thinking, conversations and practices of writing as art-based practice in dialogue with your own research projects. It is inspired by the ideas and practices from my book Situated writing as theory and method. The untimely academic novella (Routledge 2019), where I theorise writing as a situated practice that are embodied and spatially located across spaces, institutions, and landscapes. The methodological tool is the writing of untimely academic novellas, composed by literary fiction and creative narrative life writing genres such as diaries and letters, memory work, poetic writing, and photography.

The seminar is designed to inspire your own novella writing. It begins with an introductory lecture where I talk about the departures of situated writing and diffraction as a key conceptualisation for multiple forms of writing, with exemplars from the untimely academic novellas “The Professor’s Chair”, “The Snow Angel” and “Writing Water”. It continues with hands-on writing practices and small and large group conversations based on selected reading and individual preparations (see separate document).

Mona Livholts [pronouns: hon/hän/she] is Swedish Language Professor of Social Work in the Department of Social Sciences, University of Helsinki; founder and leader of The Network for Reflexive Academic Writing Methodologies (RAW) 2008–2017. Research focuses on creative writing and art-based methods, in particular auto/biographical and narrative life writing genres such as diaries and letters, memory work, poetry, and photography. Research themes include media narratives on rape, gender, space, and communication, social art and glocal- and post-anthropocentric social work.

Selected publications: Situated Writing as Theory and Method. The Untimely Academic Novella (Routledge 2019), Discourse and Narrative Methods: Theoretical Departures, Analytical Strategies and Situated Writing (Sage with Tamboukou 2015), Emergent Writing Methodologies in Feminist Studies (Routledge, 2012).

Blogposts on writing: https://bsapgforum.com/2019/10/07/situated-writing-as-theory-and-method-or-why-dont-you-write-a-novella-instead-of-an-article-dr-mona-livholts/

http://www.urbariablog.fi/tracing-urban-exhaustion-through-slow-writing/

This event is organised by the Graduate School of Culture Studies and Arts, supported by the ASTRA project of the Estonian Academy of Arts – EKA LOOVKÄRG (European Union, European Regional Development Fund)

Showcase Gallery of the Department of Photography at the Estonian Academy of Arts, which was established in 2018, is looking for a curator for the spring/fall season 2021 with the title “Visual literacy”. This spring, the publisher of Estonian Academy of Arts in collaboration with the Department of Photography will present a reader containing some of the seminal texts on visual culture. In relation to that we would like to focus on the activities related to the notion of visual literacy.  

It is possible to earn credit points for curating the showcase program.

NB! We prefer two-dimensional works, so-called one-image-shows for the Showcase gallery.

About the Showcase:

• Located on the facade of Contemporary Art Museum of Estonia (Põhja pst. 35)
• The season lasts from April 21st to October 31st 2021
• The exhibition period contains 4 shows. The duration of one show is approximately 8 weeks.
• Printing of the works is possible in EKA digital lab. The production costs are covered by the Department of Photography.
• Dimensions of the Showcase: 594 x 841 x 150mm
• The visual identity of the Showcase gallery is created by a graphic designer Ran-Re Reimann.

Have a look at the previous projects of the Showcase gallery: https://www.artun.ee/erialad/fotograafia/vitriingalerii/

The application must contain:

1. A description of the program and related visual materials if possible (max. 3000 characters)
2. A curator’s CV

Please send the application to: cloe.jancis@artun.ee

The project will be chosen by a jury and the results will be announced by March 29.

Lisainfo / More info:

Cloe Jancis

cloe.jancis@artun.ee

Jette Loona Hermanis “Torque Vulnerati”
26.02, 8 PM
27.02, 7 PM
The number of guests is limited, please register at pire.sova@artun.ee

“Torque Vulnerati” is an emotional and expressive fairy tale mystifying transcendence and longing to express an affect. Strongly influenced by the digital age, the material carries a screaming obsession with self-centralization and online persona-portrayal, exhibiting emotional narratives of self in relation to existence and suffering of the soul. Storytelling as a concept from which ambiguous attitudes and ideas emerge. Emo Fairytale drenched in mythological symbolism, the frame – post-internet dark romanticism.

Jette Loona Hermanis, born in1997, is pulsing Baltic blood, Estonian and Latvian. Performance “Torque Vulnerati” is Hermanis’ Bachelor thesis at the School for New Dance Development in Amsterdam, in Art-Coreography curricula.

The performance lasts about 60 minutes. The entrance is for free and from Kotzebue street. Please wear a mask and keep a safe distance!

Kristel Zimmer, Linda Mai Kari, Liisamari Viik, Estookin, Anita Kremm
Curator: Ene-Liis Semper

The project is a result of one and a half year studies of EKA Scenography department students. Dassemperdepot consists of five investigators of metaphorical thought: “We sense, create meaning and space, reflect the world and search for poetry. Our mentors are wise and creative people, including Ene-Liis Semper. Study of Deconstruction is a presentation of creative research about metaphorical thought through deconstruction, body, and space.”.

Durational performances: 10–14.02 at 4–8 PM
Exhibition: 16–20.02 at 12–6 PM
The entrance is from Kotzebue street! Please wear a mask and keep a safe distance!

“An Octopus’ Garden Of Silly Delights” and “Morfosis” window exhibitions by artists Ulvi Haagensen (and Aksel Haagensen) and Ihan Toomik & Andreas Kivisild at A-Galerii are open till February 27th. 

Ulvi Haagensen “An Octopus’ Garden Of Silly Delights” 

“In a world on the brink of ecological disaster; a world coming to terms with a deadly virus; a world where belligerent and inflammatory politics endeavours to entice and control us; a world where big tech sees and knows more than we’d like; a world where narcissism and lying seem to be accepted ways to behave; in these uncertain times at least one thing we can be certain of  — octopuses have beautiful gardens”, ponders the artist. 

Ulvi Haagensen, born and trained in Sydney, Australia, has been living in Tallinn for many years. She has a background in drawing and sculpture and is currently doing a PhD at the Estonian Academy of Arts researching the boundaries and connections between art and everyday life. 

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Ihan Toomik x Andreas Kivisild “Morfosis” 

“Morfosis” consists of several objects that can be worn in several ways. Morfosis as transfiguration stems from the metamorphoses of daily living. For example, when dressing for work a person embodies their occupation and starts behaving like part of the organisation. Later, at home, the same person may act and look utterly different. In a similar manner we change ourselves in other everyday situations.

We have been discussing the kind of attributes that apply to wearable jewellery. What would we want to wear on a daily basis? Which values, functions and practical implications would this jewellery carry? Our conversation took us to the shapeshifting belt buckle that embodies our daily metamorphoses. 

Ihan Toomik is a freelance artist and a designer who teaches 3D modelling. He graduated from the Estonian Academy of Arts in 2013.  

Andreas Kivisild is a freelance artist and a designer. He graduated from the Estonian Academy of Arts in 2012.

Exhibitions are supported by the Cultural Endowment of Estonia

Window exhibitions are open at A-Galerii at any time, with any kind of weather, until February 27th. 

ELEMENTerial — materialisation of the metagrid
EKA algorithmic timber architecture research group exhibition
Authors: dr Sille Pihlak, dr Siim Tuksam

The exhibition “ELEMENTerial” looks at the elements of architecture. What does a house consist of? In an increasingly digital world, a list of materials alone is not enough. In addition to materials and construction methods, the principles of building construction are increasingly influenced by digital tools and sustainability.

With the exhibition we draw parallels between physical and virtual modularity. The digital world is also built from puzzle pieces – algorithms. Algorithms are rule sets that control digital processes. There are also rules in construction, where, what,t and how something can be built – plans and standards. Different materials and technologies, in turn, set geometric constraints. Looking at all these components as algorithmic modules, creates parallels that are easier to understand.

The exhibition describes alternative creative solutions in factory-produced modular wooden architecture developed in collaboration with engineers and wooden house manufacturers over four years of research, and introduces the ideas and methods behind them.

Dr Sille Pihlak is practicing architect, researcher, tutor and co-founder of the algorithmic timber architecture research group in Estonian Academy of Arts, Faculty of Architecture. Sille has studied interior architecture in Estonian Academy of Arts, architecture in Southern California Institute of Architecture and completed her masters in the University of Applied Arts Vienna. After her studies she practiced as design architect in Morphosis Architects in Los Angeles and in Coophimmelb(l)au Vienna. In 2015, together with Siim Tuksam, they started their own office PART–Practice for Architecture, Research and Theory. PART constructed designs have been awarded for their innovative construction techniques, methods of designing and geometry studies, with latest recognition on high voltage electricity pylon Bog Fox. In past five years, Sille has been an active participant in forestry and timber architecture related discussions, as a believer of inevitable sustainability in construction, her work deals with combining algorithmic techniques with local timber industry.

Dr Siim Tuksam is a practicing architect, co-founder of PART – Practice for Architecture, Research and Theory, and a researcher at EKA faculty of architecture, co-founder of the algorithmic timber architecture research group. Siim completed his master studies at the University of Applied Arts Vienna in 2013 having spent a visiting semester at the Southern California Institute of Architecture. During his studies he gained experience at various architecture offices, most notably Gehry Technologies in Paris and Coop Himmelb(l)au in Vienna. Since graduation he has been developing his own practice through exhibitions, installations, writings, and architectural projects. Together with Johanna Jõekalda and Johan Tali, he was the curator of the Estonian pavilion Interspace at the Venice Architecture Biennale in 2014. In 2015, together with Sille Pihlak, he founded PART to curate the Tallinn Architecture Biennale 2015 main exhibition Body Building. As a researcher and partner at PART he’s been devoted to developing algorithmic tools for the design and delivery of pre-fabricated architecture and the critical discourse of digital architecture.

Graphic design: Robi Jõeleht (Polaar)

Support by: Cultural Endowment of Estonia, Estonian Ministry of Culture, Estonian Academy of Arts Faculty of Architecture, Union of Estonian Architects, Arcwood, Rothoblaas.

EKA Interaction Design MA programme invites prospective MA students to join the programme’s Online Open House on Tuesday, February 2, 2021 at 17:00 (GMT+2).

This will be a good opportunity to hear more about the programme, and to meet and ask questions directly from the department staff and current students. The open house event will be hosted online over Zoom.

If you would like to attend, please register online through the form below. A link to attend will be e-mailed shortly before the event begins.

The registration is closed.

Find the recording of the online info session HERE.

More information about the Interaction Design MA programme: https://www.artun.ee/en/curricula/interaction-design/.