Exhibitions
29.04.2022 — 19.05.2022
Assessment Marathon 29.04–19.05.2022 at EKA Gallery
Mon-Sat, 3—6 pm
May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.
Works in contemporary art, prints, installation, sculpture and painting curricula will be on display. On each morning of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.
SCHEDULE
29.–30.04 – Drawing, supervisor Ülle Marks
03.05 – Studio photo, supervisor Madis Kurss
04.05 – Drawing, supervisor Ulvi Haagensen
05.05 – Drawing, supervisor Tõnis Saadoja
06.05 – Drawing, supervisors Maiu Rõõmus, Matti Pärk
07.05 – Conceptual drawing supervisor, juhendaja Anna Škodenko
09.05 – Conceptual drawing supervisor, juhendaja Tõnis Saadoja
10.05 – Graphic art, supervisors Viktor Gurov, Eve Kask, Lennart Mänd
11–12.05 – Contemporary art, supervisors Marge Monko, Taavi Talve, Liina Siib, Kristi Kongi, John Grzinich, Kristaps Ancans, Anu Vahtra
13–14.05 – Kujundliku Mõtte Labor— Ekspeditsioon Narva, supervisor Ene-Liis Semper
16.05 – Graphic art, supervisors Maria Erikson, Britta Benno, Charlotte Biszewski, Aarne – Mesikäpp, Maria Izabella Lehtsaar
17.05 – Photo art project, supervisors Marge Monko, Reimo Võsa-Tangsoo
18.05 – Painting, supervisors Mart Vainre, Tiina Tammetalu, Aapo Pukk
19.05 – Painting, supervisors Sigrid Viir, Mihkel Ilus, Tõnis Saadoja, Heldur Lassi
Assessment Marathon 29.04–19.05.2022 at EKA Gallery
Friday 29 April, 2022 — Thursday 19 May, 2022
Mon-Sat, 3—6 pm
May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.
Works in contemporary art, prints, installation, sculpture and painting curricula will be on display. On each morning of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.
SCHEDULE
29.–30.04 – Drawing, supervisor Ülle Marks
03.05 – Studio photo, supervisor Madis Kurss
04.05 – Drawing, supervisor Ulvi Haagensen
05.05 – Drawing, supervisor Tõnis Saadoja
06.05 – Drawing, supervisors Maiu Rõõmus, Matti Pärk
07.05 – Conceptual drawing supervisor, juhendaja Anna Škodenko
09.05 – Conceptual drawing supervisor, juhendaja Tõnis Saadoja
10.05 – Graphic art, supervisors Viktor Gurov, Eve Kask, Lennart Mänd
11–12.05 – Contemporary art, supervisors Marge Monko, Taavi Talve, Liina Siib, Kristi Kongi, John Grzinich, Kristaps Ancans, Anu Vahtra
13–14.05 – Kujundliku Mõtte Labor— Ekspeditsioon Narva, supervisor Ene-Liis Semper
16.05 – Graphic art, supervisors Maria Erikson, Britta Benno, Charlotte Biszewski, Aarne – Mesikäpp, Maria Izabella Lehtsaar
17.05 – Photo art project, supervisors Marge Monko, Reimo Võsa-Tangsoo
18.05 – Painting, supervisors Mart Vainre, Tiina Tammetalu, Aapo Pukk
19.05 – Painting, supervisors Sigrid Viir, Mihkel Ilus, Tõnis Saadoja, Heldur Lassi
25.04.2022 — 27.04.2022
Jette Loona Hermanis “Elegy of Ergot” at EKA Gallery 25 & 27.04.2022
25, 27.04.2022
20:00
EKA Galerii, Põhja pst 7
Free entrance through the EKA main door
Staging ritualistic tasks, that intertwine the protagonist’s sense of submerging with nature, and the contrasting, being affiliated to the digital domain. She re-enacts symbolic gestures that deepen her connection with belonging to nature’s force. Rather than performing paganistic actions, she seeks to unfurl the enchantment in a far more subjective matter. It ties with her connection to earth and nature, through which she can realize hidden truths, and embody empowerment of her femininity, sensitivity, intuitiveness and inner world of feelings. The elixir, which her actions end up transforming into, is the ultimate goal to reach her zenith of self. For her to reach this state, she is casted to unlock these riddles, through manipulating movement in time and space.
soundcloud.com/gilschneider/
instagram.com/nele_kurvits
http://nones.121.lt/
instagram.com/laibalahkaja/
https://www.instagram.com/hexmatiss/
The “re-enchantment” of a progressively “disenchanted world” has been one of the overriding aspirations of her artistic inquiry. By reviving notions of individuation through archetypal complementariness she has been consistently appealed to a revaluation of the role of the marvellous and the transcendental. Her work is theatrical and romantically classical, yet stuck in a body of an avatar, expressing the aches of a mechanical machine, the pain of a digital golem, an emo Fairytale drenched in mythological symbolism, the frame – post-internet dark romanticism.
Jette Loona Hermanis “Elegy of Ergot” at EKA Gallery 25 & 27.04.2022
Monday 25 April, 2022 — Wednesday 27 April, 2022
25, 27.04.2022
20:00
EKA Galerii, Põhja pst 7
Free entrance through the EKA main door
Staging ritualistic tasks, that intertwine the protagonist’s sense of submerging with nature, and the contrasting, being affiliated to the digital domain. She re-enacts symbolic gestures that deepen her connection with belonging to nature’s force. Rather than performing paganistic actions, she seeks to unfurl the enchantment in a far more subjective matter. It ties with her connection to earth and nature, through which she can realize hidden truths, and embody empowerment of her femininity, sensitivity, intuitiveness and inner world of feelings. The elixir, which her actions end up transforming into, is the ultimate goal to reach her zenith of self. For her to reach this state, she is casted to unlock these riddles, through manipulating movement in time and space.
soundcloud.com/gilschneider/
instagram.com/nele_kurvits
http://nones.121.lt/
instagram.com/laibalahkaja/
https://www.instagram.com/hexmatiss/
The “re-enchantment” of a progressively “disenchanted world” has been one of the overriding aspirations of her artistic inquiry. By reviving notions of individuation through archetypal complementariness she has been consistently appealed to a revaluation of the role of the marvellous and the transcendental. Her work is theatrical and romantically classical, yet stuck in a body of an avatar, expressing the aches of a mechanical machine, the pain of a digital golem, an emo Fairytale drenched in mythological symbolism, the frame – post-internet dark romanticism.
20.04.2022
Jerry Mercury presents: “The Non-Lonelineness Train”
The film is in Russian with English subtitles. (30 minutes)
Jerry Mercury is a Russian non-binary transgender neurodivergent self-advocate, poet, musician, artist, filmmaker, and blogger. In The Non-Loneliness Train, theater director Boris Pavlovich interviews Jerry, who welcomes the viewer to step into the shoes of a neurodivergent person in today’s Russia.
Jerry Mercury presents: “The Non-Lonelineness Train”
Wednesday 20 April, 2022
The film is in Russian with English subtitles. (30 minutes)
Jerry Mercury is a Russian non-binary transgender neurodivergent self-advocate, poet, musician, artist, filmmaker, and blogger. In The Non-Loneliness Train, theater director Boris Pavlovich interviews Jerry, who welcomes the viewer to step into the shoes of a neurodivergent person in today’s Russia.
13.04.2022 — 28.04.2022
Triin Türnpuu “Veiled” in Kullo Children’s Gallery
Kullo Children’s Gallery is pleased to present “Veiled” – solo exhibition of new sculptural works by EKA contemporary art student Triin Türnpuu.
The works are inspired by the story of the author’s son and are dedicated to visually impaired children.
Preview on April 13, 6 pm
“At the age of 10 months, our third child turned suddenly blind. We learned to live with it. After several successful and unsuccessful surgeries, he was fitted with artificial lenses at the age of four.
Some time ago, a decision had to be made – which upper secondary school to continue studying at. He got into the desired school, but when talking about the child’s visual impairments, it was suggested to choose another educational institution – it would be too much extra burden for teachers to deal with him. I realized that behind this attitude, above all, was the fear of not knowing what it means to teach a visually impaired child. Is it possible to reduce this fear so that no child is left behind in the future?”
The works made of old and previously used spectacle lenses allow people to enter the world of spectacle wearers for a while.
Thank you: Instrumentarium Optika OÜ, Kenomer OÜ, Kristaps Ancāns, Marko Odar, Katriin-Eliis Brecher, Gerlin Mets, Helina Niilo, Ingrid Teino, Kristel Ilmets, Kaire Kurg, Kaidi Varik
Triin Türnpuu has graduated from the Faculty of Design of the Estonian Academy of Arts with a degree in ceramics and is currently studying contemporary art in her master’s degree.
Triin Türnpuu “Veiled” in Kullo Children’s Gallery
Wednesday 13 April, 2022 — Thursday 28 April, 2022
Kullo Children’s Gallery is pleased to present “Veiled” – solo exhibition of new sculptural works by EKA contemporary art student Triin Türnpuu.
The works are inspired by the story of the author’s son and are dedicated to visually impaired children.
Preview on April 13, 6 pm
“At the age of 10 months, our third child turned suddenly blind. We learned to live with it. After several successful and unsuccessful surgeries, he was fitted with artificial lenses at the age of four.
Some time ago, a decision had to be made – which upper secondary school to continue studying at. He got into the desired school, but when talking about the child’s visual impairments, it was suggested to choose another educational institution – it would be too much extra burden for teachers to deal with him. I realized that behind this attitude, above all, was the fear of not knowing what it means to teach a visually impaired child. Is it possible to reduce this fear so that no child is left behind in the future?”
The works made of old and previously used spectacle lenses allow people to enter the world of spectacle wearers for a while.
Thank you: Instrumentarium Optika OÜ, Kenomer OÜ, Kristaps Ancāns, Marko Odar, Katriin-Eliis Brecher, Gerlin Mets, Helina Niilo, Ingrid Teino, Kristel Ilmets, Kaire Kurg, Kaidi Varik
Triin Türnpuu has graduated from the Faculty of Design of the Estonian Academy of Arts with a degree in ceramics and is currently studying contemporary art in her master’s degree.
07.04.2022 — 19.05.2022
Photography Students Exhibiting in Two Old Town Showcases
First Year Students of the department of Photography exhibit their work in two showcases of Tallinn Old Town
One Another
Location: Suur-Karja 7, Suur-Karja 10
April 7 – May 19, 2022
One-photo-expositions by the first year students of the department of photography held in two showcases in the Old Town of Tallinn (Suur-Karja Str 7 and 10) serve as a part of the art project course held during the spring semester.
The objective of the course for each student was to communicate an intriguing theme and aesthetic preference with one photographic work. Together 11 different works can be seen in the showcases from April 7 to May 19; every Thursday two new photos will be exhibited.
Participating artists: Alina Birjuk, Ott Kattel, Saoirse McGarry, Cristiana Ortiga, Katerina Rothberg, Katerina Šarapova, Sonja Sutt, Inna Tarakanova, Emilia Tensing, Mia Tohver, Megan Wynne
Supervisors: Marge Monko, Reimo Võsa-Tangsoo
Graphic design: Emma Reim and Laura Tursk (2nd year students of the department of graphic design at the Estonian Academy of Arts)
Department of photography forwards its gratitude to Raido Nurmela from Hestia Hotels Group.
Exhibition is supported by Hestia Hotel Barons, department of photography at the Estonian Academy of Arts.
Exhibition schedule:
07.04–14.04 Emilia Tensing
14.04–21.04 Cristiana Ortiga, Katerina Sarapova
21.04–28.04 Alina Birjuk, Katerina Rothberg
28.04–05.05 Saoirse McGarry, Inna Tarakanova
05.05–12.05 Sonja Sutt, Megan Wynne
12.05-19.05 Ott Kattel, Mia Tohver
Photography Students Exhibiting in Two Old Town Showcases
Thursday 07 April, 2022 — Thursday 19 May, 2022
First Year Students of the department of Photography exhibit their work in two showcases of Tallinn Old Town
One Another
Location: Suur-Karja 7, Suur-Karja 10
April 7 – May 19, 2022
One-photo-expositions by the first year students of the department of photography held in two showcases in the Old Town of Tallinn (Suur-Karja Str 7 and 10) serve as a part of the art project course held during the spring semester.
The objective of the course for each student was to communicate an intriguing theme and aesthetic preference with one photographic work. Together 11 different works can be seen in the showcases from April 7 to May 19; every Thursday two new photos will be exhibited.
Participating artists: Alina Birjuk, Ott Kattel, Saoirse McGarry, Cristiana Ortiga, Katerina Rothberg, Katerina Šarapova, Sonja Sutt, Inna Tarakanova, Emilia Tensing, Mia Tohver, Megan Wynne
Supervisors: Marge Monko, Reimo Võsa-Tangsoo
Graphic design: Emma Reim and Laura Tursk (2nd year students of the department of graphic design at the Estonian Academy of Arts)
Department of photography forwards its gratitude to Raido Nurmela from Hestia Hotels Group.
Exhibition is supported by Hestia Hotel Barons, department of photography at the Estonian Academy of Arts.
Exhibition schedule:
07.04–14.04 Emilia Tensing
14.04–21.04 Cristiana Ortiga, Katerina Sarapova
21.04–28.04 Alina Birjuk, Katerina Rothberg
28.04–05.05 Saoirse McGarry, Inna Tarakanova
05.05–12.05 Sonja Sutt, Megan Wynne
12.05-19.05 Ott Kattel, Mia Tohver
01.04.2022 — 15.05.2022
Brit Pavelson and Cloe Jancis: Self-Portrait as a Dancer and a Revolutionary
Exhibition Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis in Grenoble
1.04.2022
On 21 March, the duo show entitled Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis will open at the Galerie Showcase, Grenoble.
The exhibition playfully addresses topics such as women’s everyday roles and the spaces in which these roles are expressed. Together they offer metaphors, self-portraits and subtle jokes that are rooted in a woman’s point of view, using the outdated clichés to their advantage. What are the roles that permeate through the definition of a parent, a partner and an artist? How can we best cope with the emotional states that different roles make us feel? Which domestic practices are considered “feminine” and what is their social or artistic value?
The title of the exhibition refers to a false citation by the anarchist activist, feminist, writer and teacher Emma Goldman (1869–1940), which has achieved mythical status today: “If I can’t dance, I don’t want to be part of your revolution.” The sentence refers to Goldman’s reaction when she was criticised for dancing joyfully at parties, arguing that agitators should not engage in such frivolous activities. Goldman’s quote is eloquent because many phenomena or common practices are still today called “feminine,” which aims to deem them of lower value. Following Goldman’s example, contemporary women’s rights activists should not choose between dancing and revolution, everyday joys and political activism, but they should instead find individual ways to intertwine these worlds, empower themselves and others, and shift values.
Curators: Brigit Arop and Sigrid Liira
Graphic design: Elisabeth Juusu
English editor: Gepard OÜ
The exhibition takes place in three cities during 2022, starting at the Galerie Showcase (Place aux Herbes, 38000) in Grenoble, France. In summer, the exhibition will arrive in Tallinn and Võru, Estonia.
The exhibition is open 24/7 and will remain open until 15 May. More information here.
Sponsors: Pildikompanii
Special thanks: Camille Laurelli, Laura Kuusk, Koit Randmäe
Brit Pavelson and Cloe Jancis: Self-Portrait as a Dancer and a Revolutionary
Friday 01 April, 2022 — Sunday 15 May, 2022
Exhibition Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis in Grenoble
1.04.2022
On 21 March, the duo show entitled Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis will open at the Galerie Showcase, Grenoble.
The exhibition playfully addresses topics such as women’s everyday roles and the spaces in which these roles are expressed. Together they offer metaphors, self-portraits and subtle jokes that are rooted in a woman’s point of view, using the outdated clichés to their advantage. What are the roles that permeate through the definition of a parent, a partner and an artist? How can we best cope with the emotional states that different roles make us feel? Which domestic practices are considered “feminine” and what is their social or artistic value?
The title of the exhibition refers to a false citation by the anarchist activist, feminist, writer and teacher Emma Goldman (1869–1940), which has achieved mythical status today: “If I can’t dance, I don’t want to be part of your revolution.” The sentence refers to Goldman’s reaction when she was criticised for dancing joyfully at parties, arguing that agitators should not engage in such frivolous activities. Goldman’s quote is eloquent because many phenomena or common practices are still today called “feminine,” which aims to deem them of lower value. Following Goldman’s example, contemporary women’s rights activists should not choose between dancing and revolution, everyday joys and political activism, but they should instead find individual ways to intertwine these worlds, empower themselves and others, and shift values.
Curators: Brigit Arop and Sigrid Liira
Graphic design: Elisabeth Juusu
English editor: Gepard OÜ
The exhibition takes place in three cities during 2022, starting at the Galerie Showcase (Place aux Herbes, 38000) in Grenoble, France. In summer, the exhibition will arrive in Tallinn and Võru, Estonia.
The exhibition is open 24/7 and will remain open until 15 May. More information here.
Sponsors: Pildikompanii
Special thanks: Camille Laurelli, Laura Kuusk, Koit Randmäe
01.04.2022 — 14.04.2022
Zody Burke “(mouse trap)” at DOM Galerija in Riga
MACA student Zody Burke is opening a solo exhibition entitled “(mouse trap)” at DOM Galerija in Riga on April 1.
The new body of work addresses the theme of symbolic anthropomorphism in culture, using the archetype of the mouse to explore society’s bizarre contradictions and neuroses.
The show will be up for two weeks and will feature work made in cooperation with the KUNO course “Border as a Place”, which was held in mid-March in Druskininkai, Lithuania.
The exhibition is open until April 14.
Zody Burke “(mouse trap)” at DOM Galerija in Riga
Friday 01 April, 2022 — Thursday 14 April, 2022
MACA student Zody Burke is opening a solo exhibition entitled “(mouse trap)” at DOM Galerija in Riga on April 1.
The new body of work addresses the theme of symbolic anthropomorphism in culture, using the archetype of the mouse to explore society’s bizarre contradictions and neuroses.
The show will be up for two weeks and will feature work made in cooperation with the KUNO course “Border as a Place”, which was held in mid-March in Druskininkai, Lithuania.
The exhibition is open until April 14.
02.04.2022 — 01.05.2022
Tõnis Saadoja: “September, October, March, April”
On Saturday, 2 April Tõnis Saadoja will open his solo exhibition “September, October, March, April” in the large gallery of Tartu Art House.
The painting series is based on architectural motifs, a minimalistic approach to painting and the idea of visibility. Use of architecture photos supports the internal logic of the painting and helps to amplify the feeling of unattainability that can be felt in familiar settings – something that has always haunted Saadoja.
Probing the visibility of the image and the names of colours, these paintings straddle the transition between surface and space. Saadoja has tried to minimise as much as possible in terms of painting technique and optimise his approach to the little that is left. The colours on which the paintings are based upon have no logical connection to the place or fragment depicted; every main tone is different from the ones that precede and follow.
Alongside clear rules and repetitions, this is a fairly organic and free-flowing process that will hopefully not end with the works displayed at this exhibition but quietly continue on its course.
Tõnis Saadoja (b 1980) has studied painting at the Estonian Academy of Arts (BA, 2004) and fine art at the University of East London (MA, 2006). He has been awarded the young artist prize of the Vaal Gallery (2004), the annual award of the Visual and Applied Art Endowment of the Cultural Endowment of Estonia (2006, 2008, 2012), the audience award of Köler Prize (2011) and the Kristjan Raud Award (2013). His works were last shown at the Tartu Art House in 2011.
Artist thanks his friends and supporters.
Graphic design: Tuuli Aule
The exhibition is supported by the Cultural Endowment of Estonia.
The exhibition is open until 1 May.
Tõnis Saadoja: “September, October, March, April”
Saturday 02 April, 2022 — Sunday 01 May, 2022
On Saturday, 2 April Tõnis Saadoja will open his solo exhibition “September, October, March, April” in the large gallery of Tartu Art House.
The painting series is based on architectural motifs, a minimalistic approach to painting and the idea of visibility. Use of architecture photos supports the internal logic of the painting and helps to amplify the feeling of unattainability that can be felt in familiar settings – something that has always haunted Saadoja.
Probing the visibility of the image and the names of colours, these paintings straddle the transition between surface and space. Saadoja has tried to minimise as much as possible in terms of painting technique and optimise his approach to the little that is left. The colours on which the paintings are based upon have no logical connection to the place or fragment depicted; every main tone is different from the ones that precede and follow.
Alongside clear rules and repetitions, this is a fairly organic and free-flowing process that will hopefully not end with the works displayed at this exhibition but quietly continue on its course.
Tõnis Saadoja (b 1980) has studied painting at the Estonian Academy of Arts (BA, 2004) and fine art at the University of East London (MA, 2006). He has been awarded the young artist prize of the Vaal Gallery (2004), the annual award of the Visual and Applied Art Endowment of the Cultural Endowment of Estonia (2006, 2008, 2012), the audience award of Köler Prize (2011) and the Kristjan Raud Award (2013). His works were last shown at the Tartu Art House in 2011.
Artist thanks his friends and supporters.
Graphic design: Tuuli Aule
The exhibition is supported by the Cultural Endowment of Estonia.
The exhibition is open until 1 May.
06.04.2022 — 30.04.2022
“(re)constructed Points of View” by Taavi Talve
Taavi Talve’s (Associate Professor, Chair of Installation and Sculpture in EKA) personal exhibition (re)constructed points of view will be open in Draakon gallery since Wednesday, April 6th, 2022. Finissage of the exhibition will take place at 8pm on April 29th.
There is no evidence in the structural logic of the filmstrip that distinguishes footage from a finished work. Thus, any piece of work may be regarded as footage that can be used in any form to construct or reconstruct a new work.
Hollis Frampton, filmmaker
(Re)constructed points of view by Taavi Talve places film as a found material in the middle of the installations. Based on the fact, current exhibition refers both to the materiality of (the illusion of) film and the irreconcilable contradiction in the center of moving image – its
immobility.
Taavi Talve (b. 1970) is an artist working in various media. In his recent films and installations, he has been based on subjective experientalness and the influence of past events to his personal life. These observations combine the factual and the fictional, the documentary and the illusory. Talve has studied sculpture at the Estonian Academy of Arts, lives and works in Tallinn. His personal exhibition “I was in Timbuktu” (2022) is currently open in Tallinn City Gallery until April 10th.
Exhibition will be open until April 30, 2022.
Supported by the Cultural Endowment of Estonia, Estonian Artists’ Association.
Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko Ltd.
“(re)constructed Points of View” by Taavi Talve
Wednesday 06 April, 2022 — Saturday 30 April, 2022
Taavi Talve’s (Associate Professor, Chair of Installation and Sculpture in EKA) personal exhibition (re)constructed points of view will be open in Draakon gallery since Wednesday, April 6th, 2022. Finissage of the exhibition will take place at 8pm on April 29th.
There is no evidence in the structural logic of the filmstrip that distinguishes footage from a finished work. Thus, any piece of work may be regarded as footage that can be used in any form to construct or reconstruct a new work.
Hollis Frampton, filmmaker
(Re)constructed points of view by Taavi Talve places film as a found material in the middle of the installations. Based on the fact, current exhibition refers both to the materiality of (the illusion of) film and the irreconcilable contradiction in the center of moving image – its
immobility.
Taavi Talve (b. 1970) is an artist working in various media. In his recent films and installations, he has been based on subjective experientalness and the influence of past events to his personal life. These observations combine the factual and the fictional, the documentary and the illusory. Talve has studied sculpture at the Estonian Academy of Arts, lives and works in Tallinn. His personal exhibition “I was in Timbuktu” (2022) is currently open in Tallinn City Gallery until April 10th.
Exhibition will be open until April 30, 2022.
Supported by the Cultural Endowment of Estonia, Estonian Artists’ Association.
Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko Ltd.