Category: Faculty of Design

We are delighted to invite you for a thought-provoking and inspiring lecture on “Embracing Purpose through Art and Design for a Future We Want.”

In an era marked by rapid change and global challenges, the role of art and design becomes increasingly crucial in shaping a future that aligns with our aspirations and values.

Mariana Amatullo (PhD) is Vice Provost and Academic Dean of Continuing and Professional Education (CPE) and Associate Professor of Strategic Design and Management at Parsons, The New School. Mariana publishes and lectures internationally about design and social innovation, serving on various executive, editorial, and advisory boards in design and the arts. Her latest publication, Design for Social Innovation: Case Studies from around the World (Routledge, 2021), presents an overview of the design field for social innovation through 45 global case studies. Her upcoming monograph positions design as a leadership capability for the 21st century.

Mariana has a twenty-year-long trajectory in senior executive administration positions in art and design education. She is an experienced strategist, award-winning educator, and practitioner-scholar. Mariana’s research and teaching bridge the art and design education and management disciplines and examine the role of a design attitude as a cognitive approach to social innovation and organizational learning. Initially trained as an art historian and curator, she has been a pioneer in developing the design for social innovation field, where she remains an active scholar globally. Before joining The New School in 2017, Mariana co-founded and was at the helm of the social impact award-winning program Designmatters at ArtCenter College of Design in Pasadena.

Q&A session after the lecture is an opportunity for participants to seek insights directly from the expert.

We kindly ask you register here:

https://docs.google.com/forms/d/e/1FAIpQLScZB4FDJKMc31UNTp30It-tszhsBl3DyzwA72zpzlnxfMN8Dw/viewform

The department of Interaction Design MA at EKA will contribute to the World Usability Day Estonia (WUD) with a public talk and workshop.

Conference FB event

Nesli Hazal Oktay’s Talk

Tanel Kärp’s Workshop

Conference LinkedIn event

World Usability Day Estonia (WUD) is an annual UX-, web- and interaction design conference, the largest in the Baltics. WUD 2023 topic is Collaboration and Cooperation.

This year’s WUD theme encompasses the essence of effective teamwork and smooth interaction in the realm of User Experience (UX). We aim to shed light on the significance of synergy and collective effort in driving innovation and fostering a cohesive UX community.

The event is in English and this year we will continue with the hybrid format which combines a live event (Kultuurikatel) with an online event.

November 21-23rd – workshop days
November 23rd – pre-event at Tallinn University (Narva mnt 25, Tallinn)
November 24th – conference day – the hybrid format – combines a live event (Kultuurikatel, Põhja puiestee 27a, Tallinn, ESTONIA) with an online event

You can watch the conference till the end of the year 2023!

More information on the event website

#wud2023 #ux #conference

You are invited to the opening of the exhibition LET’S GET PHYGITAL and a guest talk, where the organisers Anneleen Swillen, Mala Siamptani and Darja Popolitova will discuss contemporary jewellery practices through the prism of digital technologies.

The exhibition opening and a guest talk is on the 30th of November, 17:00–18:30.

The exhibition is open from 30.11 to 18.12.2023.

If you can’t join IRL, sign up for a Zoom guest talk via this link

Meeting ID: 912 0263 6427
Passcode: 202810
Topic: Let’s Get Phygital vestlusõhtu
Time: Nov 30, 2023 05:00 PM Helsinki 

Exhibition Information:

LET’S GET PHYGITAL is a students’ exhibition celebrating the 3rd edition of a collaborative project between the jewellery departments of the London College of Fashion (LCF), the Estonian Academy of Arts (EKA) and the PXL-MAD School Of Arts.

The exhibition acknowledges how digital experiences advance artistic thinking and practice by creating an IRL space for digital adornment. By using Augmented Reality filters as tools, the students investigated how contemporary adornment can exist in non-physical forms, be wearable and interact with their audience.

Information About Speakers:

• Anneleen Swillen is a postdoctoral researcher and tutor at PXL-MAD School of Arts Hasselt and Hasselt University, located in Belgium. She explores jewellery in a phygital culture through research in the arts, education, curation, and writing. In 2020, she co-founded Artificial Intelligems in collaboration with composer Greg Scheirlinckx. As a fluid and interdisciplinary collective, currently working on the intersection of jewellery, graphic design, music, XR-performance, dance, and data science, they aim to explore more-than-human co-creation.
• Mala Siamptani is a design practitioner with substantial experience in the research, development and delivery of creative projects in Fashion, Design and Art sector. After obtaining two Masters degrees and currently conducting a PhD research, Mala runs her studio in east London specializing in the design and manufacture of products and sculptural objects. Mala has designed and manufactured jewellery and object collections which have been exhibited in Cyprus, Greece, Spain, Italy, Australia, Germany and the UK. Following extensive material research, Mala’s work attempts to connect traditional craft with digital technology. She has recently presented her research projects at the Global fashion Conference (Leon), the Creativity Researchers Conference (UK) and the 1st World Symposium for Fashion, Jewellery and Accessories (Shanghai). Through her design work and research, Mala demonstrates both the use and need for material research and its acknowledgment of experiential knowledge to advance craft thinking and practice.
• Darja Popolitova is a contemporary jewellery artist, curator, lecturer and PhD student at the Estonian Academy of Arts; born in 1989 in Sillamäe and based in Tallinn. An ironical view of nowadays drives her process, which fuels her to blend digital craft and video performances with fiction. She finds jewellery’s haptic and symbolic nature a generous medium that allows her to conceptualise ideas. For her artistic practice, she was honoured with numerous awards and scholarships such as Annual Award of Estonian Cultural Endowment (2020), the EAA Research Publication Award (2020), Adamson-Eric Scholarship (2018) and the Artist Laureate Salary (2022). She took part in the shows at the Smack Mellon Gallery in New York (2022), the Arnhem Museum in the Netherlands (2020) and the Museum of Arts and Design in New York (2019).

Exhibition ”Narratives from Prolonged Engagements”
Marta Konovalov

The exhibition ”Narratives from Prolonged Engagements” investigates our relationships with clothing and textiles from the perspective of mending with the aim to widen the boundaries of a garment’s use time and aesthetics.
Here the creative practice of Marta Konovalov is being displayed alongside narratives embodied in wear and repair. This act of repair contributes to a system for the clothes to live their own life in the hands of the user or multiple users, each adding up a new layer. There is more than sustaining the physical form – repairing something is also an act of love, care and personal healing.
This exhibition explores how layers of repair can increase the emotional durability of fashion and textiles. It is a part of doctoral research on the topic of “Repair and Regenerative textile Design” at Estonian Academy of Art.

Marta Konovalov is a designer, researcher and an educator in the field of regenerative design. She is a PhD student at the Estonian Academy of Arts. She currently makes mending visible in her creative practice with the aim to remind repair as a philosophy and inspire others towards the act of repair for prolonging the use phase of textile artefacts.

The exhibition takes place at the At Trash to Trend Stuudio, Müürivahe 17, Tallinn, Estonia from 14.11.-12.12.2023
A public textile repair workshop is being held with the exhibition on 9.12.2023
Peer review event: 20.11.2023 Info HERE.

Reviewers: Louise Ravnløkke PhD, Marium Durrani DA
Supervisors: Kristi Kuusk PhD, Julia Valle Noronha DA

Photo: Kärt Petser / Aurelia Minev
Exhibition design: Maarja Viiding & Marta Konovalov

Artists: Aili Vint (EE), Daria Melnikova (LV), Kristel Saan (EE), Kristina Õllek (EE), Monika Varšavskaja (EE/FR), Morta Jonynaitė (LT), Viktorija Daniliauskaitė (LT)

Curator: Merilin Talumaa (EE)

The exhibition Breathing Through the Eyes at L’Atlas in Paris gathers together different generations of artists from the Baltic countries, most of them presenting their work in Paris for the first time.

The exhibition touches subtly on the ideas of Lithuanian-American archaeologist and anthropologist Marija Gimbutas, whose profound research brought attention to the ancient cultures of the Baltic region and the broader Indo-European world, especially well described in her book The Balts (1963). The exhibition takes its inspiration from Gimbutas’ ideas which have influenced contemporary perspectives on heritage, indigenous identities, and the relationship between humans and nature in the Baltic Sea area.

Research on the cross-disciplines of archaeological artefacts, linguistics, ethnography and folklore led Gimbutas to posit the thesis that prehistoric European culture was female-centred and worshipped a Mother Goddess as the giver of all life. The Goddess’ power was in water and stone, in cave and tomb, in animals and birds, in hills, trees and flowers. A spiritual sense of connectedness was artfully expressed through a sophisticated symbol system and an abundance of ritual objects. Nature and body (especially the female body) were honoured in Europe for tens of thousands of years. Women had an especially strong position in societies across Eastern and Central Europe – a tendency no longer necessarily evident today.

The exhibition Breathing through the eyes poetically comments on the fragile materiality of our being, multiple identities, the process of change and new environmental sensibility. Gimbutas, who having opened the treasure trove of prehistory, inspired a belief in a peaceful existence in our time – to bring back to life suppressed vital elements, such as the earth, the body (health), the feminine, and the subconscious. Participating artists, through imaginative and fictitious narratives, share personal stories and beliefs that also reflect the influence of Gimbutas’ theories on ancient symbolism. Their works echo these concepts through a contemporary lens, incorporating elements such as spirals, circles, and motifs such as snakes and birds – symbols rooted in ancient European matriarchal cultures that continue to resonate in Baltic art and culture.

The exhibition directs us to consider how we might reimagine a world centred around goddess worship, with its emphasis on preserving nature, nurturing existence, and forsaking warfare. Could this theoretical concept transcend into the tangible reality of our future society? Breathing through the eyes seamlessly intertwines historical narratives, cultural myths, and potential scenarios, immersing us in the themes that Marija Gimbutas ignited: the celebration of life’s cycles, the sanctity of the female body and labour, and the spirituality inherent in these concepts. Gimbutas’ exploration of the spiritual dimensions of a harmonious Old Europe and her vision for a New Europe free from dominance and warfare feels remarkably pertinent in our contemporary world.

Gastronomic performance: Monika Varšavskaja (EE/FR)

Exhibition setup: Daria Melnikova (LV)

Communication visuals: Gaile Pranckunaite (LT)

Exhibition stays open until December 22, 2023.

L’Atlas
4 Cour de l’île Louviers, 75004 Paris

Opening hours: Tuesday—Saturday, 12pm—7pm

Free entrance

Marija Gimbutas (1921–1994) was a Lithuanian-American archaeologist and anthropologist. She contributed to what is considered to be one of the most significant academic watershed moments in women’s studies with her archaeological and philosophical work on Neolithic culture and religion. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of “Old Europe,” a term she introduced. Old Europe referred to both the geographical area and social structures that existed before the Indo-European influence. Gimbutas unequivocally established the existence of a Goddess religion who is the most persistent feature in the archaeological record of the ancient world. The Goddess in all her manifestations was a symbol of the unity of all life in nature. ​​Gimbutas’ discoveries took on great symbolic importance for feminists across various disciplines who found, in her vision of a peaceful, nature-revering society, a sense of hope for the future based on this foundation in the distant past.

On Monday, October 30, 18.00, Rotterdam-based curator, writer and artist Isabelle Sully will introduce her practice in room A302.

Working with feminist histories in mind, Isabelle Sully works across curating, writing and art-making, taking the mechanisms and materiality of administration as the main focus within her work to develop conceptual projects that span experimental writing, performance, exhibition-making and publishing. Through drawing on her work as founding editor of the publication series Unbidden Tongues as well as founder and co-curator of the event platform Playbill, Sully will present a series of projects that take writing as a primary mode of thinking. Given that language and its handling are central to her work, she will also focus on the realisation of these projects as they relate to graphic design and techniques of distribution—approaches developed through learning from methods of information circulation used within various feminist movements.

Isabelle Sully (1991, AU) practices across art-making, curating, editing and writing. Originally from Melbourne, she now lives in Rotterdam where she is the founding editor of Unbidden Tongues and co-curator of Playbill. Her involvement with the administrative sphere of institutional practice also plays out in her current role as assistant director-curator at Kunstverein, Amsterdam.

Isabelle Sully’s lecture is co-organized by Graphic Design and Contemporary Art MA programs.

Everyone is welcome to join!

Gelatex Technologies OÜ is a materials technology company that develops and produces nanofibrous materials. These consist of fibers that are up to 100 times smaller than a human hair. Gelatex focuses specifically on areas related to biotechnology, especially in vitro 3D cell culture and tissue engineering. There are also ongoing projects in the direction of drug development, wound treatment, and cultivated meat. Gelatex has an international team of enthusiasts and solution-oriented people with backgrounds in materials technology, mechanics, biochemistry, microbiology, marketing, sales and business development.

On October 25, as part of the EKA Ceramics 100, the lecture From Hand to Hand by professor Yukinori Yamamura, a multidisciplinary artist with Japanese ceramics education, will be held for a wider audience in room A-501.

The lecture is held in English.

Yukinori Yamamura is an artist born in Kobe, Japan in 1972 and a professor at the Osaka University of Art, who has gained fame and recognition both in Japan and on the international art scene with his prolific exhibition activities.

Yukinori Yamamura: “Up until now, I have visited and created works in various countries and regions, Norway, Finland, Estonia, America, Thailand, Iran, Kenya, Germany, South Korea, China. I have searched for matreials and expression methods based on the history and culture of the land, and through encounters and exhanges with people and with the help of many people, he have realized my works. I value the process and the diverse relationships and connections that are created through my works.”

On October 23, as part of EKA Ceramics 100, it will be possible to watch the 2020 documentary film 972 Breakdowns by Daniel von Rüdiger, which shows the 2.5-year trip on motorcycles through Siberia by five young artists (among whom Kaupo Holmberg, an alumnus of the ceramics department).

On the colorful journey, which starts in Germany and is planned to go through Georgia, Mongolia, Siberia and New York, Canada, the group also experiences many setbacks, which are overcome with the help of friendship, creativity and youthful enthusiasm.

The film is in English, German and Russian, with English subtitles. It lasted 110 minutes

Place: A-501, start at 17.00

On Thursday, October 19 at 18.00 Eva Weinmayr will talk about her practice and the social and political agency of artists’ publishing. Speaking from an intersectional feminist perspective the talk’s focus is not on the commodity genre “art publication”, but on the collective processes, exchanges, and relationships such critical publishing practices can enable.

The lecture will take place at the Contemporary Art Museum of Estonia (EKKM).

Eva Weinmayr conducts practice based research at the intersection of art, critical pedagogy and institutional analysis. In 2020 she published her doctoral thesis, titled Noun to Verb, on a MediaWiki. This research is concerned with the micro-politics of publishing and entangled notions of authorship from an intersectional, feminist perspective. (HDK-Valand, University of Gothenburg, SE)

As interims chair of faculty Art and Education at Munich Art Academy (2022-23) she co-initiated together with students kritilab, an open source platform for discrimination-critical teaching in the arts. From 2019 to 22 she co-led the EU-funded collective research and study programme “Teaching to Transgress Toolbox” inspired by US activist, teacher and theorist bell hooks (with erg, Brussels, BE). She is currently Visiting Fellow at the Centre for Postdigital Cultures, Coventry University (UK) with Ecologies of Dissemination​​​​​​, a collaboration with artist Femke Snelting seeking strategies for dissemination and a politics of re-use that acknowledge the tensions between feminist methodologies, decolonial knowledge practices and principles of Open Access (HDK-Valand, 2023-24).

Eva Weinmayr lectures widely and works with art and activist spaces (SALT Research Istanbul, MayDay Rooms London, Showroom London, Kunstverein München, Steirischer Herbst Graz) as well as established art institutions (National Art Gallery Warsaw, Contemporary Art Museum Saint Louis, Museo Nacional Centro de Arte Reina Sofia Madrid, Biennale di Venezia).

Recent artistic research-based projects include “Teaching the Radical Catalog – a Syllabus” (2021-22, with Lucie Kolb), “Library of Inclusions and Omissions” (2016-20), “The Piracy Project” (2010-15, with Andrea Francke), AND Publishing (2010-ongoing, with Rosalie Schweiker).

Eva Weinmayr’s lecture is co-organized by MA Graphic Design and MA Contemporary Art programs.