Category: Fashion Design

On October 16, Narva Art Residency will host the largest international fashion exhibition in Narva to date, “Hõimulõim (Tribal Thread),” led by the Fashion Design Department. The exhibition will open as part of the official program of “Narva Finno-Ugric Capital of Culture 2025” and will take place during the most important week of the tribal peoples’ calendar year, Tribal Week.

“Hõimulõim” is an exhibition that weaves Finno-Ugric tradition into contemporary fashion design. It is a tribute to a rich heritage, the survival of which depends on how skillfully we can bring it into our lives today. Tradition does not remain in a closet or archive – it only lives if we let it grow with time, wear it and love it.

The exhibition features the work of designers from nine Finno-Ugric peoples. The works of Sami, Khanty, Udmurt, Mari, Komi, Hungarian, Karelian, Finnish (including Ingrian) and Estonian (including Seto and Võro) creators highlight that clothing can be both a practical object and a carrier of identity and collective memory. Each author asks in their own way what it means to be a Finno-Ugric designer in the 21st century – how to weave one’s tradition into a modern form and what to tell the world about its multi-layered field of meaning. These works also open up ethical choices: what material to use, how to preserve local skills and how to tell the story of one’s people in a way that creates a dialogue even for those who were not born into this cultural space.

The “tribal thread” (hõimulõim) is an invisible but tenacious bond between Finno-Ugric peoples. It does not ask for national borders or political sentiment, but runs deep in the undercurrents – in language, patterns, songs, dance and beliefs”, says the exhibition curator Piret Puppart and adds: “In today’s world, where the song of some peoples is quieter than ever before and the weavers of many patterns have become isolated, this thread between tribal peoples is particularly fragile.”

Various social tensions are increasingly testing the survival of traditions and forcing us to look for ways to keep them alive for future generations. “Hõimulõim” invites us to notice that preserving culture is not only about preserving the past, but also about creating the future. It is an invitation to wear our heritage on a daily basis – be it a piece of jewelry, an object or an ornament – ​​and to understand that every such choice strengthens the thread that connects us across borders and eras.

The exhibition’s interactive, technologically innovative experiences are also exciting. Visitors can discover patterns hidden in dresses created by Piret Puppart using magnets, as well as experience a hologram waterfall dedicated to the world of Votian patterns designed by artist Alyona Movko-Mägi. Hologram art is a little-known technique in the world of conjuring visual elements that cannot be touched with the hand, but can be touched virtually and with the eye. This is the first time this medium is coming to Narva in such a volume.

Finno-Ugric roots also have a wider international reach in the world of design and art than one might think. The Komi compass pattern has found its way into Kandinsky’s paintings, and Udmurt mannerisms into Tchaikovsky’s music. However, only recently was a designer with Karelian roots awarded the Diesel Design Award, while Izhor blood has dressed Estonian Olympic athletes in Athens. The representative of the Mari nationality was behind the knitting collections of the legendary Estonian brand Mosaic for years, and when wearing Adidas shoes, you can feel the Udmurt heart. The Diesel Design Award-winning collection and the best pieces from Helsinki Design Week are also coming to the exhibition that will open soon. The exhibition can be visited until January 11.

Curator: Piret Puppart

Artists: Antrea Kantakoski, vainio.seitonen (Johanna Vainio & Merja Seitsonen), Sigrid Kuusk, Ramona Salo, Dina Andreeva, Natalja Lill, Darali Leli, Eneken Johanson, Stella Tukia, Kaia Kuusmann, Zsófia Papp, Zsófia Papp, Maria Roosiaas, Hanna-Tiina Pekk, Anneliis Reili, Kertu Kivisik, Nadežda Kasatkina, Lana Vakhovska, Karl Joonas Alamaa, Piret Puppart and Alyona Movko-Mägi 

Graphic design: Eva Sepping

Many thanks: Anna Kuznetsova, Muš Nadii, Nikolai Anisimov, Nikolay Kuznetsov, Barbi Pilvre, Jaak Prozes, Žanna Toht, Ekaterina Kuznetsova, Helena Schilf, Natalia Ermakov

Supporters: Estonian Academy of Arts, Fashion Design Department, Tribal Peoples Program, Cultural Endowment, NGO Fenno-Ugria, NART, Narva Finno-Ugric Capital of Culture 2025

On 29 September, as part of the Design Night festival, the exhibition “UPMADE® in Kenya: DiMa + EKA Circular Design” will open in the Krulli quarter, showcasing creative works made from the textile offcuts of a Kenyan factory.

The exhibition is free to attend, with the opening on Monday 29.09 at 18:30 at The Machine Shop I, Krulli quarter. Regular opening hours Tuesday–Saturday 11:00–20:00 and Sunday 11:00–18:00 (29.09-05.10.2025).  

The textile industry is one of the world’s most environmentally impactful sectors – it consumes vast amounts of raw materials and energy and generates large volumes of waste. In Kenya, where the industry is rapidly growing, sustainability principles have not yet been systematically implemented.

At the Rivatex textile factory in Eldoret, Kenya, the Estonian science- and design-based UPMADE® model—built on value-adding recycling, or upcycling—was taught and applied in collaboration with students from the Estonian Academy of Arts (EKA). The goal was to reduce the environmental footprint of production, develop skills, and help bring the local industry in line with circular-economy principles and climate targets.

From the factory’s textile remnants, the students designed clothing, accessories, lamps, sunshades and a variety of other objects. The exhibition presents the creative work of EKA circular-design master’s students who participated in the initiative during 2024–2025: Doreen Mägi, Eva Liis Lidenburg, Kaisa Ilves, Lisandra Türkson, Maria Rojiko Nisu, Mariann Hendrikson, Marit Saare, Mart Maide, Marta Konovalov, Merily Mikiver and Eva Reiska. The students were supervised by Reet Aus, Maria Pukk and Lisandra Türkson.

The EKA x T4EU podcast episode “Rethinking Fashion Waste” is available HERE. Designer and researcher Reet Aus shares insights on rethinking fashion waste in a discussion led by Anna Lohmatova, exploring the UPMADE® model in Kenya and the impact of EU sustainability regulations on the textile sector.

The exhibition is part of the project “Transferring UPMADE Expertise to Kenya,” led by EKA’s Sustainable Design and Materials Laboratory (DiMa). The project was carried out in cooperation with the Stockholm Environment Institute Tallinn Centre (SEI Tallinn) and Moi University, funded by the Estonian Ministry of Climate’s international climate-cooperation programme, with student mobility supported by the EU Erasmus+ programme.

Running from 29 September to 5 October, Design Night features many other EKA initiatives. The satellite programme includes EKA Design Week and a fashion artists’ exhibition, and EKA students will also take part in the joint display of Estonian design schools. The festival’s opening performance, “Inclusion Is Action,” is organised by EKA lecturer Reet Aus.

The full Design Night programme can be found here.

On Thursday, September 25th at 18.00, Ron Verlin’s first solo exhibition that which I was in life, I am in death will open at Draakoni Gallery. The exhibition brings fashion into the gallery context in a distinctive way, framing it through existential and social perspectives.

The spatial installation presented in the gallery integrates fashion, light, and sound to create an environment that invites visitors to engage in existential reflection. Central to the exhibition are garments conceived as symbolic objects, embodying themes of decadence, decay, and transition as metaphorical states of weariness that precede redemption or rebirth. These motifs unfold through a language of symbols and allegory. At the root of the project is the artist’s dream of navigating a city with a bottomless pit at its core. The artist later found echoes of this haunting dream in the pages of Dante Alighieri’s Inferno, and together with Purgatorio, these seminal texts served as foundational sources of inspiration.

Ron Verlin is an emerging fashion designer whose work draws upon faith, mythology, and the psyche. The works engage with existential concerns against the backdrop of a world marked by scientific progress and technological advancement, yet spiritual depletion, raising questions about the possibility of redemption and renewal. The exhibition interrogates fashion’s role in contemporary society, questioning whether it functions solely as aesthetic expression or whether it can also serve as a conduit for critical inquiry.

The curator of the exhibition is Sten Ojavee (Estonian Center for Contemporary Art), and the project manager is Olivia Soans.

Supported by: Cultural Endowment of Estonia
Partner: Center For Contemporary Arts, Estonia

The exhibitions at Draakoni Gallery are supported by the Cultural Endowment of Estonia, the Ministry of Culture, and Liviko AS.

Fashion designers Ron-Jonas Verlin (Ron Verlin), Maria Roosiaas, Jaagup Kaiv, Kristiina Tali and Hanna Tiina Pekk from the Estonian Academy of Arts’ Fashion Department will present the best works from their successfully defended graduation collections in the spring of 2025 at the Solaris Centre.

The works selected by the designers will be on display on the Solaris Centre’s Design Street from 29.09-12.10.2025.

Artist Karl Joonas Alamaa and curator Mikk Lahesalu will lead three guided tours at the exhibition “Daily Play and Bread” at EKA Gallery:
– on Thursday, March 13 at 4 pm, in Estonian
– on Wednesday, March 19 at 4 pm, in English
– on Wednesday, March 19 at 5 pm, in Estonian

Participation is free of charge.

More info:
https://www.artun.ee/en/calendar/karl-joonas-alamaa-daily-play-and-bread-at-eka-gallery/

EKA Experimental Forms Exhibition “Foam Futures” at Viru Keskus

“Foam Futures” is an experimental fashion forms exhibition by the fashion, textile, and accessory design students of the Estonian Academy of Arts. Under the guidance of fashion designer Liisi Eesmaa and artist Flo Kasearu, futuristic foam plastic characters have come to life and will take over the Viru Keskus Atrium starting February 4th.

The exhibition “Foam Futures” at Viru Keskus Atrium invites visitors to reflect on the impact of human-made synthetic materials on the environment. This artistic display, created by students of Estonian Academy of Arts , focuses on the journey of foam plastic – from industrial waste to a nature-hostile “life form” that poisons the environment and gains strength, creating post-apocalyptic landscapes.

The pieces on display were created during a month-long workshop, where packaging industry waste was transformed into unique sculptures. The students manipulated materials using cutting, bubbling, and molding techniques to create both futuristic and organic shapes. Their inspiration was drawn from nature – plants, fungal networks, and strange life forms – reflecting the conflict between human creation and the natural world.

“This exhibition is raw energy and an endless amount of work hours, resulting in these haunting, bubbling, and foaming creations. Like a shadowy-black colony of beings, drawn from the students’ subconscious and rosy dreams,” commented one of the workshop mentors, fashion designer Liisi Eesmaa. “Our goal is to shock just enough and test the boundaries – how large and how colorful does packaging waste in the urban landscape need to be for people to clearly realize that the only way forward is through material recycling. We are thrilled to do this in collaboration with the emerging generation – the talented students of the Estonian Academy of Arts,” said Kristel Martis, Marketing and Communications Manager of Viru Keskus.

“Foam Futures” does not offer answers, but urges visitors to ask: what happens to the waste we create? Do we only notice it when it directly disrupts our lives, or does it silently blend into nature, causing irreversible harm?

The exhibition’s interactive elements – touch walls and sound experiences – take visitors to the heart of the foam plastic and its transformed environment, helping them better understand the impact and longevity of materials in nature.

“The students created incredibly juicy and voluminous accessories! The raw material was delightfully fascinating, and while the process was as always challenging and labor-intensive, the final transformations of the material were incredibly rewarding!” said mentor Flo Kasearu.

The exhibition “Foam Futures” will be open at the Viru Keskus Atrium from February 4th to February 19th.

Admission is free.

*The synthetic PE (polyethylene foam) material widely used in the exhibition is recyclable with modern technology. After its “artistic life,” it can be shredded and converted back into granules, 70% of which can be reused to create new materials.

Event Supporters: VIRU, EKA, Viva-color, Digiprint, Reval Kondiiter, ETTeam Baltic OÜ, AS Norma, Põhjala, WÕLU, Kadrioru Park

Artists: Allan Suomalainen, Anete Aurelie Aas, Halyna Yaroshenko, Hedi Leppik, Helen Tambla, Katriin Raudsepp, Kertu Seestrand, Linda Teemägi, Lucille Gonzalez, Maksim Kapustin, Mihhail Zaytsev, Oskar Tammäe, Pihla Alina Teder, Roosi Mändmaa, Sofia Robbe, Tereza Bláhová

Interior Architects: Airi Anderson, Brigita Praks, Carmen Pikknurm, Helena-Liisa Moks, Janet Kljuzin, Karl Oskar Palo, Kertu Bachmann, Madli Bulgarin, Raigo Tšetšin, Reigo Raal

Form Supervisors: Liisi Eesmaa, Flo Kasearu

Space Creation Supervisor: Annika Kaldoja

Production: Piret Puppart, Cristopher Siniväli, Marion Laev

Graphic Design: Anete Ots, Mariliis Tarja

Artistic Direction of Photos: Liisi Eesmaa

Photographer: Riina Varol

Photographer’s assistant: Karmel Kull

MUAH: Eliise Brigita Mõisamaa

Models: Merzeede (Agency Icon), Sam (E.M.A. Model Management)

Additional Information: piret.puppart@artun.ee

Event Facebook: Event – Vahu Vahel

Photo Link: To be added later

Estonian Academy of Arts / June 18, 2024

ERKI Fashion show 2024 focuses on illusions and parallel worlds that we create for ourselves through social media and technology. However, such dreamlike bubbles often help us cope with real-life difficulties. As creators, we also construct our own worlds where we can act without criticism.

The fashion show encourages seeking balance, exploring, and connecting everyday life with the imaginary, to understand if there might be something entirely different at the meeting point of these two.

On June 18, the Estonian Academy of Arts will bring to the stage 20 young artists and fashion designers who will present unprecedented collections to the audience and international jury.

17:30 – DOORS OPEN / Estonian Academy of Arts (Põhja pst 7)
18:30 – PERFORMANCE
19:00 – ACT I Catwalk
20:00 – BREAK
20:30 – ACT II Showcase
21:30 – AWARD CEREMONY

Tickets: https://fienta.com/et/erki-moeshow-2024-2

The event lasts until 22:00

In connection with African business forum in Estonia renowned Angolan fashion designer Nadir Tati will give a public lecture in EKA on Wednesday May 22 in room A501 at 17:00

Nadir Tati is a leading figure in contemporary African fashion. As a champion of African customs and traditions she delves into the depths of African heritage, blending the past with the present and the future, exploring its vibrant colours, intricate patterns, and lush texture, revealing the essence of the continent.

Her work is characterized by a contemporary approach to traditional artisanal techniques with modern and innovative designs, reinventing Africa’s iconic patterns, such as wax print and kente. Vital to her work is the use of materials and production practices that respect the environment and local communities.

Nadir has been awarded the Best Designer in Angola in 2010, 2011, and 2012. She has also received various other honours for contribution to national culture and for excellence in business and industry, as well as awards for representing Angola on the world’s runways.