Category: Graphic Art

30.11.–18.12.2020
Open Monday–Saturday, 15:00–18:00
Entrance from Kotzebue street. Please wear a mask!

December brings an opportunity to experience, in an exhibition format, works produced by the students of the Faculty of Fine Arts: every day there will be a fresh crop of university students’ works on display at the gallery. Works of the students studying contemporary art, graphic art, installation, sculpture, photography, and painting will be on display. Each morning, an exhibition will be installed, and each evening it will give way to the next one. We hope that viewers will be able to keep up with the pace of the young artists.

30.11   Drawing: supervisor Eero Alev

01.12   Drawing: supervisor Tõnis Kenkmaa

02.12   Animation: semester overview

03.12   Scenography: supervisor Ene-Liis Semper

04.12   Scenography: supervisor Ene-Liis Semper

05.12   Installation and Sculpture: supervisors Kirke Kangro, Taavi Piibemann

07.12   Contemporary Art: supervisors Mark Dunhill, Kristaps Ancans

08.12   Contemporary Art: supervisors Mark Dunhill, Kristaps Ancans

09.12   Contemporary Art: supervisors Mark Dunhill, Kristaps Ancans

10.12 – Contemporary Art, supervisors Mark Dunhill & Kristaps Ancans

10.12 – Photography, supervisor Holger Kilumets

11.12   Painting: supervisors Mihkel Maripuu, Kristi Kongi, Merike Estna

12.12   Installation and Sculpture: supervisors Jaanus Samma, Deneš Farkas

14.12   Graphic Art: supervisors Kadi Kurema, Eve Kask

15.12   Graphic Art: supervisors John Grzinich, Jan Kaus, Urmas Lüüs

16.12   Graphic Art: supervisors Ann Pajuväli, Oliver Laas, Martiinus Daane Klemet

17.12   Painting: supervisors Holger Loodus, Raul Rajangu, Liisa Kruusmägi, Tõnis Saadoja

18.12   Painting: supervisors Jaan Toomik, Mihkel Maripuu, Mihkel Ilus, Heldur Lassi

Resemblance Through Contact. Grammar of Imprint

Film Program
Sunday, 26th of July at 3 pm

At Tartu Elektriteater
University of Tartu Church, Jakobi St 1, Tartu
Free entrance

Films:
– Ari Pelkonen. Remain. 2014. 6’09”
– Maria Valkeavuolle. S E O M / I W N M. 2019. 11’
– Claire Hannicq. L’Étoile dans la caverne. 2017. 16’27”
– Augustas Serapinas. Jõusaal (Gym). 2012. 6’29”
– Ann Pajuväli. Play Sets. 2019. 4’30”
– Riin Maide. There Are Always Some Things That No One Recalls. 2020. 5’45”
– Tatu Tuominen. Standing in the Ruins. 2015. 3’19”
– Inma Herrera. Flaying. 2018. 7’39”

The film program accompanies the exhibition Resemblance Through Contact. Grammar of Imprint at the Tartu Art House that focuses on printmaking as a process that is cultivated through contacts between forms and counterforms (negative space), and by the tension produced by these interactions. Its interest does not lay so much in specific images, proofs, shapes or manners as in printed matter’s ability to introduce the new space that emerges between matrix and multiplicity. By focusing on forms, and their dissemination through various statements and manifestations of printmaking in the post-disciplinary era, the artists define material as a subject, while the predicate denotes what the material does. The exhibition along with the film program wish to return to the beginning of the functions of imprint and investigate its points of contacts with other disciplines. 

The exhibition and the film program are curated by Liina Siib and Maria Erikson from the Department of Graphic Art at the Estonian Academy of Arts, featuring artists from Europe and the Americas. 

Info: Liina Siib, liina.siib@artun.ee

Resemblance Through Contact. Grammar of Imprint

International exhibition

Tartu Art House
03.07.–26.07.2020
kunstimaja.ee

EKA Gallery
28.08.–30.09.2020
www.artun.ee/eka-naitused/

The opening reception of the exhibition Resemblance Through Contact. Grammar of Imprint will take place at the Tartu Art House on Friday, 3 July at 5 pm. 

The exhibition focuses on printmaking as a process that is cultivated through contacts between forms and counterforms (negative space), and by the tension produced by these interactions. We are not so much interested in specific images, proofs, shapes or manners as in printed matter’s ability to introduce the new space that emerges between matrix and multiplicity. We focus on forms, and their dissemination through various statements and manifestations of printmaking in the post-disciplinary era. We define material as a subject, while the predicate denotes what the material does. We wish to return to the beginning of the functions of imprint and investigate its points of contacts with other disciplines. The exhibition takes its name from Georges Didi-Huberman’s book La ressemblance par contact: archéologie, anachronisme et modernité de l’empreinte, 2008.

The exhibitions which are curated by Liina Siib and Maria Erikson from the Department of Graphic Art at the Estonian Academy of Arts, feature artists from Europe and the Americas, and are accompanied by film programs.

Artists: Ann Pajuväli (EE), Ari Pelkonen (FI), Augustas Serapinas (LT), Cecilia Mandrile (US/UK), Claire Hannicq (FR), Elena Loson (AR), Dénes Kalev Farkas (EE/HU), Inka Bell (FI), Inma Herrera (ES/FI), Liis-Marleen Verilaskja (EE), Lina Nordenström (SE), Maria Erikson (EE/FI), Maria Izabella Lehtsaar (EE), Maria Valkeavuolle (FI), Riin Maide (EE), Tatu Tuominen (FI), Viktor Gurov (EE). 

Curators: Liina Siib, Maria Erikson (Department of Graphic Art, EKA)
Exhibition design: Kaire Rannik
Graphic design: Viktor Gurov
Translators: Tiina Randviir, Richard Adang
Risograph printing: Pärtel Eelmere

We thank: Cultural Endowment of Estonia; Estonian Academy of Arts, Department of Graphic Art and Department of Graphic Design; Tartu Art House, EKA Gallery, Estonian Museum of Applied Art and Design, Tanel Asmer, Pire Sova, Kaido Kruusamets, Mart Saarepuu, Hans-Gunter Lock, Paul Rannik. 

You are invited to the opening of the exhibition “This is not a labyrinth” on 11 March at 5 PM at the EKA Billboard Gallery. The gallery is located outside on the EKA building on Kotzebue street. The exhibition will remain open until 8 April.

Walking through the cities, they change into something else: it’s impossible to walk along the same street twice, the shadows and light are growing and shrinking on their own. We are lost since morning. Don’t let go. Don’t get lost. This is not anymore the place you came to.
Like in “Invisible Cities” by Italo Calvino, we show one city we visited together, but more so one city, we visited in our imaginations. “This is not a labyrinth” is a photo album about on day in a foggy dreamy place.

Graphic Art 3rd year students: Mark Hiir, Hanneleele Kaldmaa, Brit Kikas, Maria Izabella Lehtsaar, Riin Maide, Liis-Marleen Verilaskja

Supervisor: Liina Siib

You are invited to the opening of the exhibition “This is not a labyrinth” on 11 March at 5 PM at the EKA Billboard Gallery. The gallery is located outside on the EKA building on Kotzebue street. The exhibition will remain open until 8 April.

Walking through the cities, they change into something else: it’s impossible to walk along the same street twice, the shadows and light are growing and shrinking on their own. We are lost since morning. Don’t let go. Don’t get lost. This is not anymore the place you came to.
Like in “Invisible Cities” by Italo Calvino, we show one city we visited together, but more so one city, we visited in our imaginations. “This is not a labyrinth” is a photo album about on day in a foggy dreamy place.

Graphic Art 3rd year students: Mark Hiir, Hanneleele Kaldmaa, Brit Kikas, Maria Izabella Lehtsaar, Riin Maide, Liis-Marleen Verilaskja

Supervisor: Liina Siib

13 & Friday: Kraam’s closing party & lives
& 3rd year Graphic Art students’ Group exhibition “Soft Narratives”

Performing: Hello Killu, Riin Maide & Co fashion show, nostalgic costume drama “The Past. The way I recall It”  is an extension to Riin Maide’s  work currently on view at “Soft Narratives” group exhibition at Kraam artist-run space. A poetical-dramatic collective Las Cuervas Trágicas (Hanneleele and Kätlin Kaldmaa), and Lilli-Krõõt Repnau.

Exhibition “Soft Narratives” is open until December 29th.

** Photo: Killu Sukmit

Group exhibition “Soft narratives”
December 6th – December 29th 2019
Kraam artist-run space
Address: Ülase 16 / Madara 22
Thursday to Saturday 4-7pm, Sunday 12-6pm

“Soft narratives”, a group exhibition by students from Graphic Art department, has an opening reception on December 6th at 6pm in Kraam artist-run space.

Artists: Adriaan De Geest, Mark Kristian Hiir, Hanneleele Kaldmaa, Brit Kikas, Jelizaveta Kukoleva, Maria Izabella Lehtsaar, Riin Maide, Liis-Marleen Verilaskja. Supervisor: Lilli-Krõõt Repnau

The exhibition deals with personal and collective memory and site-specific works were created specifically for this room. EKA graphics students’ works combine personal stories and different points of view at Polymer itself, finding eight different ways to fill temporary space with temporary interpretations.

Exhibition “Soft narratives” will be the last one at Kraam artist-run space.

On December 13 will be Kraam’s finishing party feat. Hello Killu, Riin Maide & Co., poetic-dramatic collective Las Cuervas Trágicas (Hanneleele and Kätlin Kaldmaa), Lilli-Krõõt Repnau. More information coming soon!

19 December at 16.00 the works participating will be publicly evaluated.

20.12-26.12 the gallery will be closed.
Exhibition stays open until 29th of December 2019.

** Photo: Maria Izabella Lehtsaar

Kraam artist-run space is supported by the Cultural Endowment of Estonia.

Additional info:
e-mail: kraamspace@gmail.com
Instagram
Kraam
Facebook

On this Wednesday, 16th October at 4 PM in room A501 takes place the 7th Open Seminar of the Faculty of Fine Arts. This time we are visited by Canadian multimedia artist Tyler Tekatch. The seminar will be held in English.

Hamilton-based artist Tyler Tekatch creates work in film, video and installation that explores perception and the religious imagination. Influenced by Canadian filmmaker/artists such as Michael Snow, Joyce Wieland, Jack Chambers and Bruce Elder, Tekatch takes an experimental approach to media. He has expanded his practice to combine film and video with emerging technologies, such as projection mapping and interactivity. He has held two solo exhibitions at the Art Gallery of Hamilton and the Ottawa Art Gallery, and has screened films at the TIFF Bell Lightbox, the Canadian National Film Board, and internationally.

https://tytekatch.com

The group exhibition “Lasnamäe?”
will open at Vent Space project space on Friday, 12 April 2019 at 7pm. The exhibition will remain open until 17 April.

Participating artists: Anna Kaarma,
Lee Kelomees, Tõnis Laurson, Tiiu Lausmaa, Janne Lias, Riin Maide,
Vassa Ponomarjova

Considering Lasnamäe, the first things that spring to mind are the rows of prefabricated buildings and the wastelands interspersed between them. As a manifestation of a characterless, purely utilitarian space in the cityscape, it continues to be an important and intriguing environment for us, the young people born in the former Soviet Union or right after its collapse. The impersonal nature of Lasnamäe provides us with breathing space, creating a gap into which it was possible for us to write our story. It is our conceptual playground between the real playgrounds and rows of windows, where memories and the emotions they conjure intertwine with the foreign, thereby making it familiar.

The exhibition does not aspire to be an overview nor a broad research of the given subject, we have selected examples from the work by students at the fine art department at EKA created in recent years. The decisive factor in most of the works is coincidence, the initial task of the artist was not to depict Lasnamäe, these works have been by-products in the processes of other works.

The exhibition will remain open during April 13–17 from 12pm to 6pm.

Anna Kaarma (1992) received her bachelor’s degree in graphic design at EKA (2015) and will graduate from her master’s studies in photography/contemporary art this spring. Concurrently, she is preparing a second solo exhibition, which looks at the architectural aesthetics and ideological frame of reference for Lasnamäe, to which she ascribes a human perspective and dreamlike spatial experience through her own perspective. That said, she is also attempting to work past the anonymity of the district and reach its origin. A lifelong inhabitant of Lasnamäe.

Lee Kelomees (1995) is a photographer with a bachelor’s degree from the Estonian Academy of Arts and has lived in Lasnamäe since her early childhood. The inspiration for Lee’s previous work has been the industrial romance unfolding from the window of her 11th floor childhood home, which can be considered her emotional shelter and carrying force, based on her previous work.

Tõnis Laurson (1996) is studying graphic art at the fine art department of the Estonian Academy of Arts. He has lived in Lasnamäe for the past two years, but was not born there nor did he grow up there, therefore, it would be an exaggeration to claim he is from Lasnamäe. That said, living deep in Lasnamäe, the peculiarities of the district have influenced his work in many ways.

Tiiu Lausmaa (1989) graduated from the bachelor’s studies at the painting department of the Estonian Academy of Arts in 2018. She was 2 years old when she moved to Lasnamäe and, for her, it was her first home. She thinks, it was a good place to grow up: it wasn’t too sleek or safe, instead, you could experience real life. There were playgrounds meant for children, but the little woods and wastelands, where you could create your own world, were much more interesting.

Janne Lias (1981) is studying painting at the fine art department of the Estonian Academy of Arts. She was 10 years old, when her family moved from a Mustamäe dormitory room to a 3-room apartment in Lasnamäe with all the conveniences. While she was trying to acclimatise to Lasnamäe, Ivo Linna sang “Stop Lasnamäe!” on the radio. Janne moved away from Lasnamäe already at the beginning of the 2000s, but the awkwardness of living in the wrong place has remained.

Riin Maide (1997) is studying graphic art at the fine art department of the Estonian Academy of Arts. Riin has lived in a prefabricated building, although, in Keila, where there were precisely three buildings tall enough to require a lift. All those “Lasna” and other “mäed” (hills) seem utopic, because the buildings there really are full of people.

Vassa Ponomarjova (1984) is studying painting at the fine art department of the Estonian Academy of Arts. Vassa lived in Lasnamäe for 2 years, now she lives in Õismäe. She considers Lasnamäe to be an area separated from the rest of Tallinn – a city within a city, where the mentality is a little different to that which exists in the rest of Tallinn.