Category: Support Units

Join us for a performance evening “You’re not alone” on 30th of April, 6 PM at EKA Gallery.
Performances are made during an EKA course “You are not alone” mentored by Henri Hütt and Evelyn Raudsepp.

Artists: Andre Joosep Arming, Helena Lepik, Irmeli Terras, Heleliis Hõim, Ryan Galer, Angela Elizabeth Ramírez Fellowes, Mari-Liis Sõrg, Katrin Enni, Aksel Haagensen, Marianne Siilbaum, Sarah Johnston, Jose Aldemar Muñoz Ñustes

EKA Gallery is seeking proposals for the year 2020. We host exhibitions for international and national artists, solo and curatorial exhibitions, performances, events and workshops. EKA Gallery space is rent-free.

More information: https://www.artun.ee/en/academy/exhibitions/applications/

Submission deadline is 30 April 2019.

Join us for the opening of “Rythm and Rhyme” and a performance on April 22, 6 PM at EKA Billboard Gallery.

The exhibition “Rythm and Rhyme” is born through a performance with live painting, music and poetry reading by students from the Faculty of Design. They are painting on sketches from the old EKA building made by previous design faculty students.

The curator Kadri Kangilaski is teaching painting at the Faculty of Design. Before the demolition of EKA old building, she gathered and kept the old sketches that otherwise would have been thrown away. Now she has invited students she teaches from different departments, choosing them by their spontaneous and expressive painting style. By changing the old relic sketches part of the new installation we are celebrating the new EKA.

The performance is accompanied with music by “Vesi päästab”, Patrick Zavadskise and Villem Sarapuu (graphic design) and with poetry by Karl-Christoph Rebane (fashion design).   

Painters: Robin Siimann and Kristjan Hinno (graphic design), Ingrid Helena Pajo (textile design), Kairit Mäeots (ceramics), Tauris Reose (jewellery and blacksmithing) and Kadri Kangilaski.

Kadri Kangilaski (b. 1973) holds an MFA in painting at the Estonian Academy of Arts, she is a freelance artist and is currently teaching painting at the Estonian Academy of Arts. She is a freelance artist and has had solo shows with Toomas Tõnissoo at Hobusepea, Draakon and Vaal Gallery and has been in group shows in New York, Berlin, Paris, Helsinki and in Tallinn at KUMU, Kunstihoone and others.

The exhibition is opened until May 26.

The gallery is located outside of EKA, on the building wall at Kotzebue street.

Date: June 4, 6, 7 at 10.00 to 17.00

Venue: Estonian Academy of Arts, Põhja pst 7, room A202

Lecturer: Benjamin Lignel

Artist, writer and curator Benjamin Lignel will conduct a 3-day seminar in June, focusing on the challenges and opportunities inherent to artistic research. We will be thinking through the temporalities of making, documenting, and argumenting, and the different sort of “proof” they invoke; we will attempt a 21st century autopsy of the author-function and look at subject-positions with the help of Italo Calvino, Joan Scott and Audre Lord; we will play at presenting an object (textual or physical) for public scrutiny with a view to understanding what “stewardship of ideas” might imply.

Students who sign up for the seminar will be required to read 3 texts in advance:

Audre Lord, the Use of Anger, Women responding to Racism (1981)

Joan Scott, The Evidence of Experience (1991)

Ulrike Müller, Herstory Inventory (2011)

You will also be required to write, in conversational/diaristic mode, how you first met an idea that subequently guided your current research (max. 500 words).

Registration

The seminar is open to PhD and MA students.

Registration form

Registration is open until 28.05.2019.

This event is organised by the Graduate School of Culture Studies and Arts, supported by the ASTRA project of the Estonian Academy of Arts – EKA LOOVKÄRG (European Union, European Regional Development Fund).

EKA Gallery hosts two annual calls for international and national artists. We are now seeking proposals for solo and curatorial exhibitions, performances, events and workshops. EKA Gallery space (Põhja puistee 7) is rent-free.

Submission deadline is April 21, 2019. Please include all the required materials in the e-mail attachment as a zip-file. Send your proposals to eka.galerii@artun.ee.

Application form: https://drive.google.com/open?id=1bWUKVRPM5YU8bnQSYIqHTHtdNJN-If8s

A jury reviews all applications. The application is accepted if it is submitted by the required deadline, all fields of the form are filled and all the required materials are attached.

Additional information:
Pire Sova
eka.galerii@artun.ee
+372 55944887

Join us for the opening on Friday, March 29, at 6 PM, with a special performance by the EKA Choir at 6:15 PM.

We are all born with a knowing pain in our soul, and this innate understanding is loneliness: a deep ache for another to fill the cavity we cannot otherwise fill, sincere desperation that seamlessly moves from the emotional and psychological to the physical.  It is an agonizing progression: painful in the utter dissection of the self with each invitation and rejection, each a beautiful and grounded humiliation where we no longer even recognize ourselves as we wholly long for someone to alleviate the paralyzing fear of dying alone.

When the other, it seems, is and has always been absent, the suffocation of loneliness becomes far more than a feeling – it becomes an insanity of our own making.  We are driven mad by an endless and relentless pursuit for a chosen other with a bittersweet and intoxicating need that is simultaneously exciting and devastating, loving and heartbreaking.  And it is this longing, this intense and unforgiving emotion, that will slowly and decidedly kill us.

Erinn M. Cox is a jewellery artist from the United States, currently residing in Tallinn, Estonia.   She holds a BFA in sculpture and photography from Florida State University, an MFA in sculpture and installation from the Memphis College of Art and is currently pursuing an MA degree in Jewellery at the Estonian Academy of Arts.  Erinn is a published writer on contemporary art and design, an adjunct professor of Fine Arts and Art History, and is the founder and writer for the online journal Louise & Maurice (www.louiseandmaurice.com) 

For more about the artist, visit www.erinnmcox.com

Erinn will give a personal tour of the exhibition on Tuesday, April 16 at 5:30 pm.

Join us for the opening of the exhibition “Phantom Graphics” on March 22nd at 5 PM at EKA Billboard Gallery. The gallery is located outside on the building wall on Kotzebue street.

The exhibition is the result of Mirjam Reili’s workshop with EKA first-year graphic design students. A week-long investigation into vision and perception, where students at EKA explore how images construct ocular illusions, and how these could be presented.

Mirjam Reili is an Estonian graphic designer based in Amsterdam, the Netherlands. Research combined with drawing and puns often determines the outcome of her self-initiated and commissioned work. Mirjam has graduated from the Estonian Academy of Arts and Rietveld Academie Department of Graphic Design and is currently a participant of Werkplaats Typografie, Arnhem.

Participants: Kristi Jaago, Marje Kask, Martin Kipper, Eliisabet Kuslap, Ellen Loitmaa, Ilja Moltšanov, Cristopher Rogotovski, Klara Magdalena Rozpondek, Sonia Ruus, Pavel Salmin, Birgita Siim, Natasha Sotti, Mirjam Varik, Agnes Isabelle Veeno, Ingel-Kristen Veevo, Aaro Veiderpass, Johannes Veike

The exhibition is opened until April 18th.

The opening of the exhibition Weak Monument will take place on February 21st at 8PM. The opening is preceded by Välkloeng at 6PM, moderated by Laura Linsi and Roland Reemaa.

Weak Monument was the Estonian national pavilion at the 16th International Architecture Exhibition – La Biennale di Venezia. It was located in the deconsecrated church of Santa Maria Ausiliatrice. The exhibition at the EAA Gallery looks back at the site-specific spatial installation through photographer Hampus Berndtson’s photos and introduces the project through spatial fragments, models and the book Weak Monument: Architectures Beyond the Plinth.

 Weak Monument turns its focus from the traditional culture of monuments to space that is implicitly and concealedly political. Instead of explicit meanings inscribed in marble and bronze, what charges the public might lie elsewhere. How does space represent power? Imagine a spectrum between the triumphal column and revolutionary barricade and extend it – sometimes it is the underlying pavement which is the true representation of collective agency. Weak Monument is an oxymoron – a rhetorical device which can offer fresh perspectives on how to recognise the political in any built form.

In conjunction with the pavilion, the book Weak Monument – Architectures Beyond the Plinth edited by the curators Laura Linsi, Roland Reemaa and Tadeas Riha was published by Park Books (Zürich, 2018). The book includes essays by authors such as Tom Avermaete, Eik Hermann, Klaus Platzgummer and Margrethe Troensegaard, and presents a collection of weak monuments through paintings, personal photos and drawings as well as archive material from Estonian and European museums.

The next exhibition at EKA Gallery is The world’s biggest EKA Gallery-exhibited work by PRIIT, a group of artists from EKA. The exhibition is open only for a week, on February 12–17 and is accessible 24/7.

PRIIT has said about the exhibition: “Space becomes installation and installation becomes space again. A trans-medium and multidimensional work fills the entire space and is in terms of its parameters the biggest work that will ever be shown in that gallery. What do we have to sacrifice to completely subordinate space to ourselves at the exhibition? We experience defiance at the white cube, experience a loss and rediscovery of self in the abstract information field of non-objects.”

PRIIT is a group of artist including Riin Maide, Sidney Lepp, Johannes Luik, Cristo Madissoo, Nele Tiidelepp. Earlier, PRIIT has produced two slightly place-specific and quite experimental exhibitions – Placeless in a Kadriorg rental flat and The Fifth Ice Age before the Third World War in the Tartu culture club Üheteistkümnes.

The collaborate exhibition implies the question of what is being hidden/revealed from the observers. The focus is on the relationships between inner and outer layers, covering and core, mask and truth. Covering or wrapping functions as the filter transmitting or blocking out the qualities of contents. In a selective way, it’s shaping the communication between inside and out. Both artists are approaching the topic in slightly different ways.

Liina Leo (b.1993) received a bachelor’s degree in Textile Design from the Estonian Academy of Arts this June and was awarded the Mari Adamson Prize. She complemented her undergraduate program with a one year at the Kunsthochschule Berlin Weissensee specializing in surface design. Beginning this autumn, Liina is working as a weaving workshop tutor at the Estonian Academy of Arts.

Misa Asanuma (b.1994) is an artist from Japan. She studied literature at Meiji University, Tokyo. She is currently in the middle of her MA studies in the department of Contemporary Art of the Estonian Academy of Arts and mainly working on photography.