Unfinished City Research Project book presentation!

On November 3 at 3 pm, the results of the three-year Unfinished City research project will be presented in the form of a thorough 400-page publication of articles, interviews, maps and projects, titled “Unfinished City. Tallinn’s urban visions”. The parties who have contributed to the completion of both the research project and the book, will gather for event at the lobby of EKA, where you will also see a selection of scaled models and an animation which were prepared for the Unfinished City exhibition at the Estonian Museum of Architecture this spring. Both the research project and the book were completed with the support of the real estate company Kapitel.

The publication summarizes the discussions held during the three-year research project and is intended for everyone interested in thinking about Tallinn’s potential as a city of the future – what we expect from Tallinn in the future, what the city needs and what problems it has to overcome in order to be attractive both as a place to live and work.

25 authors from Estonia and elsewhere look at Tallinn’s potential from the perspective of architects and urban planners, dissecting the city as a whole and paying attention to key places. Separate chapters deal with the spatial future of Lasnamäe and other similar residential areas of the Soviet era, the potential of the bastion belt area surrounding the Old Town, the green areas of Tallinn and the blue/water network. In more detail, it is examined in which background system of rules, permits and statistics urban planning in Tallinn takes place, in comparison with other cities in Europe with a similar profile and size – Vilnius, Helsinki, Zurich, Copenhagen, Prague and Riga. In addition, it is asked how we could plan a better Tallinn using all the numerical data that can be collected about the city today with the help of technology.

In cooperation with Garage48, EAA, TSENTER and the Estonian Science Council, the fifth Garage48 Future of Wood will take place in 2021. It calls for the development of innovative and climate-friendly solutions in architecture, wood processing and forestry.

In November 26-28, FoW will take place again in Väimela, TSENTER competence center, where Garage48 Future of Wood started.

The prize fund is over 10,000 €. In addition, catering, TSENTRI fleet and materials, mentor support and spacious workspaces that support intensive creative teamwork and prototyping for 48 hours. All this with the aim of bringing together the Estonian wood industry in one room and looking to the future. How to manage forests more sustainably? How to use production residues and value wood?

More information on the event website

Facebook event

Register HERE

See you in Väimela!

EKA Fox Party will take place on November 4, in EKA atrium, where this year’s crazier first-year students will perform.

Doors at 6 p.m.

Main act Arg Part

DJs are EKA’s own CT Venom and Alexandra BB (Karin Nahkur & Sandra Mäesepp team)

Performances at 7 p.m.

EKA Fox Party on Facebook

EKA Fox Party is organized by the Student Council of the Estonian Academy of Arts

Within the framework of the teachers’ seminar of the KUNO network, a large-scale international student program will take place at EKA: art exhibition KUNO EXPO, It Must Be My Dream and brainstorming sessions “General Art Sharing: Good Biennial”, accompanied by Norwegian artist Ane Hjort Guttu’s film Manifesto.

KUNO EXPO (THIS MUST BE MY DREAM / brings together a selection of recent works by students of Nordic and Baltic art universities. The works were created for art education in a difficult period, when the use of academy studios was difficult and the cooperation between students and lecturers was difficult. Assessing the contribution of all parties, the network’s faculty were challenged to recommend the students’ work that affected them and seemed important in the past. The works, often created in chamber conditions, bring to the viewer a new kind of new reality, where global self-irony, loneliness and sadness are perceived – as well as clarity of thought and a poetic imagination independent of the future horizon.

Official opening of KUNO EXPO on October 20 at 5 pm in the lobby of EKA. The exhibition runs through the intermediate floors of the EKA building on the first, second, third and fifth floors. KUNO EXPO will be open until November 19.

Participating artists: Barbora Matonyte (VAA), Jesper Dolgov (TUA), Vilde Rudjord (KiT), Anna Malicka (LMA), Helena Bratt (HDK Valand), Ali Ardalan (HDK Valand), Jonathan Lystbæk (HDK Valand), Anna Mari Liivrand (EKA), Chun Au Yeung (EKA), Muhammad Sufyan Baig (EKA), Marie Saure (UiT), Elise Nohr Nystad (KHiO), Joakim Svendsgård-Mathisen (KHiO), Jere Vainio (KHiO), Jonas Erboe Rasmussen Bergen, FFA), Frej Volander (FAA), Signe Maria Friis (FAA), Simon Ganshorn (FAA), María Kristín H. Antonsdóttir (FAA), Pernille Pedersen (FAA), Jeppe Østergaard Munk (FAA), Emmarosa Liebgen (FAA) ), Ferdinand Evaldsson (Konstfack), Nada Ali (Kungl.The Academy of Fine Arts), Renate Feizaka (LHI)

A new KUNO biennial concept will be developed using the think-tank method as part of the KUNO express course “General Art Sharing: A Good (d)) Biennale” on October 18-21, which will then be launched under the leadership of students.

ANE HJORT GUTTU “Manifest / Manifesto” 18.10–23.10 Design and Architecture Gallery

During the week, there is a rare opportunity to see Ane Hjort Guttu’s film “Manifest / Manifesto”. The author’s art film tells the story of the creation of a secret art academy operating autonomously within a prestigious university. The film also cunningly touches on the theme of the KUNO faculty seminar program, which is art education and its architecture.

DOKKING Station exhibition opening at Vent Space on Thursday, 21.10.21 at 6 pm

DOKKING Station functions as a hub for the exchange of ideas and inputs from a variety of sources; it is a conduit for transference. Taking inspiration from how a docking station [dokkimisjaam] acts as an all in one technological solution; this exhibition explores how an intermediary consisting of a series of antiquated ports that allow for multiple forms of communication and information relay, can be understood as a rhizome. As the docking station is permanently in an in-between state, it becomes rhizomatic in nature, with its cables acting like roots. 

DOKKING Station exhibition at VENT Space aims to demonstrate the potential of a creative and physical manifestation of a docking station, bringing together a variety of ideas and inputs which reflect the metaphorical use of docking station as a mode of critique for the contemporary art gallery, with a focus on the sensitive relationships between our surroundings, natural environment and new materialism. 

DOKKING Station is an open space for collaboration and co-learning, it invites people to both plug-in and unplug, whether to receive information and learning or contribute to the creative transference themselves. It acts as a keystone, as without it, inputs on either side fail to communicate entirely. At DOKKING station, you are invited to choose your port and plug into either side — as artist and/or audience through joining free workshops and talks. Welcome. 

Programme:
21.10, 6 pm – Exhibition opening
23.10, 1 pm–3 pm – Large format dichotomy: Photography Workshop by Will Britten (to participate write dokkartscentre@gmail.com)
22.10/24.10, 1 pm–6 pm – Performative workshop: Beginnings of weaving by Ingrid Helena Pajo
26.10, 4 pm–6 pm – Bioplastics workshop by Katarina Kruus (to participate write dokkartscentre@gmail.com) 

Participating artists: Will Britten (UK), Katarina Kruus (EST), Liina Leo (EST), Eugenio Marini (IT), Kristian Stapleton (UK), Ingrid Helena Pajo (EST) 

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Graphic design: Liina Leo 

Exhibition is organized by DOKK Arts Centre. DOKK Arts Centre was founded in 2021 by Will Britten and Liina Leo as a temporary artist space in Baltic boatyard and metal workshop in Hiiumaa, Suuresadama. 

Supported by Cultural Endowment of Estonia 

Thanks to: Morris Eigi, Tanel Eigi, Maris Lukk, Jonathan Chatterton, Vent Space, Eesti Kunstiakadeemia. 

Thursday, 21 October

*1 pm–3 pm International Coordinators’ Meeting

Friday, 22 October

10.00–12.30 Networking Meeting & Teachers’ Seminar
13.45–14.00 KUNO Biennale Introduction 

14.00–15.45 KUNO Seminar “Art Education and its Architecture”
Keynote speakers: Cecilie Andersen, Eik Hermann, Hannes Praks, Laura Toots (EKKM)

Streaming @ tv.artun.ee/kuno21

15.45–16.00 Break
16.00–17.00 KUNO Moderated Discussion on Zoom
Theme: Expectations of Accessibility and On-line Art Education 

Moderated by Josefina Posch, HDK-Valand – Academy of Art and Design

Saturday, 23 October

KUNO Network Meeting 2021 in Tallinn

Streaming @ tv.artun.ee/kuno21

11.00–13.30 KUNO Teacher’s Seminar 

Reflection on the theme by Kirke Kangro

Keynote: Nicolas Bourriaud 

15.30–16.00 Summing up and closing of the KUNO meeting

* All times in Easter European time zone

As part of the design theory course at the Faculty of Design, professor Alison J. Clarke will give a public lecture The Politics of Design on Tuesday, 19 October at 9:30AM at the EKA hall.

This lecture draws on the themes of the speaker’s recent publication Victor Papanek: Designer for the Real World (MIT Press 2021) and the co-curated exhibition The Politics of Design (with Vitra Design Museum, Germany) exploring the origins of the social design movement and its attempts to consciously decolonise design. Unpicking the contradictions of designers’ gestures to transform the material and social worlds of the ‘excluded’ and ‘under-represented’ – the talk casts a critical eye on how attempts have been made, with varying degrees of success, to build cultural difference into design practice and theory.

The lecture will be held at the EKA hall. EKA students and staff are asked to follow the general EKA COVID-19 safety rules. Guests are kindly asked to follow all COVID-19 rules and prove their infection safety. There is no on-site testing. The lecture will be held in English, and it will be streamed on EKA TV platform live, however, the lecture will not be recorded.

Professor Alison J. Clarke, author of Victor Papanek: The Politics of Design (MIT Press 2021) and Design Anthropology: Object Cultures in Transition (Bloomsbury 2018), explores the intersection of design, material culture and anthropology. A design historian (Royal College of Art London) and trained social anthropologist (University College London), she joined the University of Applied Arts Vienna from the Royal College of Art, London to become chair of the department of Design History and Theory and founding director of the Papanek Foundation: she is convener of the biennial Papanek Symposium exploring the ethics and futures of contemporary design. Recipient of major international grants and fellowships (including the Smithsonian; Arts and Humanities Research Council; Austrian Science Fund; Graham Foundation), she acts as an expert advisor and jury member for numerous academic bodies including the Danish Independent Research Council and the German Research Foundation (DfG) program, Clusters of Excellence.

Clarke is a regular media broadcaster, curator and international speaker in the field of design; her monograph Tupperware: The Promise of Plastic in 1950s American was optioned for an Emmy-nominated documentary. She is co-editor of the anthology Émigré Cultures in Design and Architecture and co-founder of the leading academic journal Home Cultures: The Journal of Architecture, Design and Domestic Space. She has recently curated, with Vitra Design Museum, Germany, the international travelling exhibition Victor Papanek: The Politics of Design (2017-2020). Her latest book project, for MIT Press, explores the historical origins and legacies of the intertwining of social science and industrial design.

Presentation of workshop results and talk on the potential of urban interventions.

“Reports from the field” is a presentation of the workshop results of the MA Urban Studies students from the Estonian Academy of Arts and a talk on creating urban interventions as a research method, but also as a civic exercise and public right.

The presented projects will review and reflect the process of constructing vernacular interventions and their reception in Tallinn. Topics included in the presentation concentrate on infrastructure, public space, care, maintenance and social responsibility on the examples of the T1 mall, unpaid female labor in Majaka, private security in public space and new cycling lanes among others. There will also be a presentation about EKKM’s role in public space and a display of the interventions. 

You are very welcome to take part in this talk and contribute to the discussion on the role and responsibility of urban intervention. The event is in English.

The authors are: Kush Badhwar, Yu-Li Anne Boonen, Khadeeja Farrukh, Timothée Girault, Christian Hörner, Nabeel Imtiaz, Marie Lucet,  Agota Maziliauskaitė, Dorothea Müller, Luca Liese Ritter, Zeno Schnelle, Paul Simon, Nora Soo, Akvilė Stundytė, Katrin Tomiste, Paula Kristiāna Veidenbauma, Friederike Zängl.

Studio lead: Mattias Malk

As part of the Open Lectures series of the Department of Architecture and Urban Design of EKA, architectural critic and urbanist Konstantin Budarin will take the stage in the hall of EKA on October 14, 6 pm with a lecture “Infrastructure of Care: The Past, Present, and Future of Soviet Leisure Heritage”.

This fall, all the lectures in the series revolve around the issue of healing in one way or another. Let’s look at whether architecture as a process can be therapeutic and in what way inhabiting space could be restorative, Simultaneously, whether and how architects can contribute to the healing of the construction world. However, some of the lectures in the series – as well as the October 14 lecture – look directly at the architecture created especially for landscape of care.

Konstantin Budarin is a member of the architectural collective Kultura and one of the initiators of the research project Sanatorium Premium – the focus of the latter is on the Soviet-era recreational infrastructure and the development of its possible uses today. The sanatorium architecture of the so-called Eastern Bloc has become a social media hit in recent years, viewed as an archaic curiosity with aesthetic pleasure, without delving into the role of sanatoriums in the operation of large-scale industry, or how a recreational machine worked to oil the human cogs of a production machine. The spatial programme of any sanatorium was led by prescription procedures, and Budarin asks – what procedures and what space would we need today to stimulate exhausted bodies and burned out minds? Do we have anything to learn from the sanatorium system in the Eastern Bloc?

Konstantin Budarin is the author of numerous publications on architecture and urbanism published in Strelka Mag, Calvert Journal, Project Baltia, and others. He is an alumnus of Strelka Institute for Media, Architecture and Design 2014/15.

In order to minimize the risk of the virus spreading, we will broadcast the lecture on EKA TV and it can be viewed along with all previous lectures at www.avatudloengud.ee. However, the lecture can also be attended in-person – we do ask you to carry your COVID vaccination certificate or proof of having had COVID; there will be no on-site testing. Academy students are subject to the usual in-house rules. NB! You can’t ask questions via EKA TV, so it’s worth coming to the hall to participate in the discussion! The lecture is free and in English.

This lecture takes place in cooperation with the Estonian Museum of Architecture and is part of the Future Architecture programme 2021. Future Architecture is the first pan-European platform uniting architectural museums, festivals and other development organisations in the field, bringing the public closer to both the cities and the future of architecture. The lecture is supported by the European Union’s Creative Europe Programme.

Curators: Sille Pihlak and Johan Tali.

The season of open lectures is supported by the Estonian Cultural Endowment.

Event in Facebook

Read more about the project: https://futurearchitectureplatform.org/projects/fb47b9a7-2d22-44fb-ae41-c292af573953/
Instagram: https://www.instagram.com/sanatorium_premium/?igshid=2vsox2u8jewe

Soft Negotiations
Exhibition of the Department of Textile Design of EKA in the EKA Gallery.

Exhibition is opened 16.10–13.11.202. Põhja puiestee 7, Tallinn. Opening hours Tue–Sat, 12–18
Opening of the exhibition on the 15th of October at 4 p.m.
The performance of Inês Rodrigues Neves “Drawing the Line” will take place at the exhibition opening. Entrance with covid pass.

Just as the warp threads connect the weft, serving as a bridge for each other, this exhibition by the Department of Textile Design invites audiences to ponder the role of textile in today’s and future society. At the exhibition, the department presents contemporary trends that often straddle or meld with the boundaries of other disciplines. That in turn creates a new, multidisciplinary approach where textile can take very different forms: it can convey structure, idea, protest, message, self-expression, pattern or simply colour combination.

The exhibition presents works by students and teaching staff of the Estonian Academy of Arts that investigate the all-encompassing role of textile design. Besides conventional roles, new hybrid forms emerge, presenting new knowledge in the context of artistic research. Emerging technological approaches are demonstrated, in which textile, interwoven with digital properties or technology at different levels, mediates collaborative processes in design of social interaction.

The exhibition has three conceptual threads, which intersect each other:

Textile as STATE(MENT)

#critical and conceptual practices

Textile as LAB

#experimental practice #flirting with science #biotextiles #new materials and structures

Textile as WELLBEING

#design that values the environment and well-being #sustainability #recycling #healthcare #social responsibility #therapy

Participants:

Frank Abner, Arife Dila Demir, Katrin Kabun, Liisbet, Karjel, Kadi Kibbermann, Mari-Triin Kirs, Kristi Kuusk + Ana Tajadura-Jiménez (Madriidi Carlos III Ülikool) + Aleksander Väljamäe (Tartu Ülikool), Krista Leesi, Kille- Ingeri Liivoja + Juulia Aleksandra Mikson, Greth-Ann Loog + Riina Samelselg + Anete Vihm, Inês Rodrigues Neves, Nithikul Nimkulrat (OCAD UNIVERSITY), Marin Nooni, Kärt Ojavee + Johanna Ulfsak, Ingrid Helena Pajo, Maria Kristiin Peterson, Piret Roos + Liisa Torsus, Zane Shumeiko, Marie Vihmar + Sirje Sasi (TLU), Piret Valk, Varvara & Mar + Sebastian Mealla, Carl-Rasmus Õunaste

Curators: Varvara Guljajeva (HKUST(GZ)), Kristel Laurits, EKA Department of Textile Design

Exhibition design: Varvara Guljajeva
Exhibition technical support: Tehniline Direktor
Graphic design: Jesus Rodriguez Santos
Translation and proofreading: Gepard OÜ
Exhibition team: Kristi Kuusk, Varvara Guljajeva, Krista Leesi, Kadi Kibbermann, Eelike Virve, Frank Abner, Juulia Aleksandra Mikson, Johannes Luik, Piret Valk

Supporter: Cultural Endowment of Estonia

Exhibition Catalogue: https://issuu.com/artun/docs/softnegotiations_catalogue_lowres